The good news – a teaser trailer for the upcoming Swamp Thing TV series guest-starring Blue Devil on DC Universe:
The bad news: due to some behind the scenes stuff, the series order was cut from 13 episodes down to 10:
Mike Sterling's Progressive Ruin
Quicker than quick, stronger than strong since 1969
The good news – a teaser trailer for the upcoming Swamp Thing TV series guest-starring Blue Devil on DC Universe:
The bad news: due to some behind the scenes stuff, the series order was cut from 13 episodes down to 10:
…to let you know that my store sponsored this week’s episode of War Rocket Ajax. Hear pals Matt ‘n’ Chris sing the praises of Sterling Silver Comics! …It was definitely nice to hear after a couple of rough eyeball days, so that was good timing!
Well, the plan was to be back to blogging this week, with a brand new “End of Civilization” and everything, but unfortunately I had a one-two punch of vision setbacks over the weekend and things will have to be on hold here for just a little while longer. Sorry about that!
Don’t worry, it’s nothing that’s not fixable, but until I recover a little bit more, activities like this will be curtailed. I will be back to it soon, I promise…I am not going to be one of those blogs that’s all “oh, I’ haven’t had time lately, but I’ll return shortly!” and that was heir last post in 2008. I’m still around, I still have stuff to say, I just, um, can’t see very well at the moment.
Thanks for your patience, and I’ll be back in no time. Honest! No foolin’!
Hiya pals. I’m taking this week off from Progresive Ruining to give my post-surgery eyeballs more of a chance to rest in the evenings. I should be back the following Monday.
Thanks for reading, and I’ll see you soon.

So here’s a heck of a thing…I’ve been selling a number of sports related magazines on consignment on the eBays, but the person ifor whom I am selling said items brought in something fairly unusual. Pictured above is a program for a Green Bay Packers game, dated November 5th, 1922. As the owner of the item noted in his description, it’s just three years short of being an antique.
I should say “former owner,” because that sucker is sold and way out of my hands, and there ain’t no more coming of similar vintage, so hold those phone calls and emails, friends. Now, when this item was originally purchased by the person I was selling this for, he paid about a thousand dollars for it back in the 1980s. When we listed it on eBay, we started it off with a 99-cent opening bid, with a $2,000 Buy-It-Now price. Within a day of listing it, I started getting phone calls. Calls from people offering anywhere from three to five thousand for the item. I, and the owner of the item, found this to be an unexpected development. However, given our own disinclination to end an eBay auction early like that, plus wondering what it would eventually go for given that we were getting offers like that in the first day, we just let the auction ride.
Well, it turns out someone should have jumped on that two grand Buy-It-Now right away because it ended up going for just over $5,200. Yes, that’s a little bit mindblowing. I only keep a small-ish portion of that, but still, that was something else. I have an eBay app on my phone that gives off a little noise when I get a bid, or an item is sold, or what have you, and in the last, oh, two minutes of the auction’s duration, my phone just wouldn’t shut up what with all the under-the-wire bids that program was receiving.
Anyway, it was paid for right quick (with a personal check, to avoid the PayPal fees but also required me holding the item while I waited for the payment to clear), and it was shipped off to its new happy home, leaving behind a couple of happy sellers.
…I believe I’ve noted, either here or on the Twitters, that in regards to mail order, it generally requires the same amount of time investment in preparing a $1 item or a $100 item for shipment, in terms of what I decide to list or not list. As you may not be surprised to hear, a $5000+ item takes significantly longer to prepare, simply out of sheer paranoia. This program isn’t significantly different from other items I’ve sent into the tender mercies of the postal office…I’ve shipped out lots of promotional materials, flyers and posters and other goodies of similar dimensions, and just sandwiching those between two sturdy pieces of cardboard, taping ’em down, wrapping them in the proper envelope, and that’s that. This item got wrapped inside multiple bags, sandwiched between multiple pieces of thick cardboard, wrapped in bubble wrap, and shipped in a box. With insurance. And tracking. And signature confirmation.
It arrived fine, by the way. I was reasonably certain it would show up in one piece, but one can’t help but worry with something that’s 1) irreplaceable, and 2) a tad pricy. I don’t think I exhaled loudly and patted my sweat-beaded forehead with a kerchief like an old timey sitcom character when I found out it arrived safely, but I certainly thought about it.
No real good reason to bring that all up here, aside from maybe showing you some odd item you probably haven’t seen before, even if it’s not comic book related, or giving you an idea of the kind of stuff I do as a Big Time Funnybook Shop Owner. And yes, maybe to brag just a little. On one hand, I’d love if every eBay sale was like this, but on the other hand, the stress would probably kill me, so perhaps it’s for the best.
(Here’s the auction listing, for as long as eBay will keep it up.)
Going to keep this super-brief (no, really, I mean it this time) to give my peepers a rest, so let me just answer a couple of questions.
Allan wrenches out the following
“*looks at Mike’s twitter feed* Is…is that the same shirt you wore for your previous eye surgery? Do you have a lucky eye surgery shirt?”
He is of course referring to this photo, which is probably about as stoned-looking as you’ll ever see me, since the anesthesia and other assorted chemical-goodies they doped up with really threw me for a loop this time.
…Anyway, yes, that is indeed the same shirt I wore for the previous two operations. I was instructed to wear a “loose-fitting, short-sleeved shirt” and that was the loosest-fitting, shortest-sleeved shirt I had available. Also, it’s kinda oldish and worn out, not unlike its wearer, so I wouldn’t mind if, say, blood or eye-juice got squirted on it.
In response to my “new shelf at the store” post, philfromgermany imports the following question:
“The wall display look amazing. Are these mostly for trades? Do you leave the new books on the wall for a week or longer before filing them away?”
The big, long wall rack is for the periodicals (though I do have a couple books up there)…I tend to leave stuff up there for a month before filing them away, though I have enough space to keep some items up for longer if I wish. (For example, I’ve been keeping all of Doomsday Clock up there, and until just recently I had every issue of the new Uncanny X-Men series on the new comics shelf as well.) In general, the week’s new releases are on the top two rows, and the previous month’s (or so) books are on the bottom four.
The trade paperback shelves (which I was adding to with that bookshelf I just built and took that picture of) are on the opposite wall, though I have a three-leveled table near the front center of the store where I try to put all the new weekly TP and graphic novel arrivals. After that they get moved to the big bookshelf (that looks sorta like the comic racks) where they’re displayed front facing, then eventually movied to the regular bookshelves, spine out. Though some books of particular interest are kept on front-facing display (like Saga or the Star Wars books).
Matthew wonders
“Do you have a quarter/dollar/clearance section for back issues and trade paperbacks? If so, how do you decide what goes in it?”
I do! I didn’t take a picture of it, but I have a small table up near the register that holds a few long boxes of bargain comics (usually stuff acquired for cheap…or just dumped on me…in collections, or excess leftover stock, or material I just don’t think I’ll be able to get a premium back isue price for at any point in the near future). On the three-leveled table I mentioned previously, I have a section of bargain trades and graphic novels, usually items I got on clearance from one of my distributor’s regular discount sales.
OKAY ENOUGH QUESTIONS, Mike’s Eyeball needs to rest. I’ll be back Frieday…IF THE EYEBALL WILLS IT.

Third time’s the charm, with any luck, and today should be my final of a series of eye surgeries…barring complications, of course! It’s just a routine procedure, so they tell me, and I should be up and around and back to work tomorrow, and with any luck I’ll return to my blogging shenanigans here on Wednesday. So, think good thoughts about my eyeball and I should see you soon…with both eyes, finally!
So one of my tasks at my shop last week, which I needed to get done before my next (and hopefully final) eyeball surgery next week and would have to restrict certain types of strenuous activity, was assembling and installing a new shelving unit to hold more graphic novels. Now I figured the hard part would be building the actual shelf in question, which isn’t so much “hard” as it is “time-consuming,” but still, I DOOD IT:

I believed the easy part would be moving the preexisting shelves and insterting this new one between them. Well, as it turned out, when I had the Gigantorack built for the new comics, along with another similar rack for graphic novels, the graphic novel track and the other bookshelves were all bolted to the wall by the builders. As such, it wasn’t simply a matter of just taking some books off to lighten the load and then shoving everything over, but getting them unhooked from the wall first…which took some doing since I didn’t have the appropriate or correctly-sized tools to remove the fasteners they used. (I mean, it couldn’t just take a screwdriver, that would be too simple.)
Anyway, it’s done now, with the assistance of a helpful customer (since me using any kind of tool is usually an invitation to disaster or perhaps self-maiming). I now have more space for graphic novels and trade paperbacks and thick comics or whatever you want to call them, though I’ve already made good progress abhoring that vaccuum and getting those shelves filled up via the subsequent refiddling of the stock.
This does tie into something I’ve been thinking about of late, which is the matter of space. I’ve been spending the last several months getting a lot of those boxes of old comics in the back processed and priced up, with lots more to go, requiring me to find places to put them. The three large metal shelving units I have behind my counter hadn’t had their topmost shelves utilized, so I finally threw some boxes on top there and began the giant game of Tetris of resorting and reorganizing and relabelling all those bins, both behind the counter and on the floor.
Well, by “Floor” I mean “the two wooden tables that also hold back issues, but are accessible by the customers. Now is probably a good time to put up a picture so you can see what I’m talking about:

When I first opened, I didn’t have anything on the bottom part of the tables. I hadn’t even really filled up the tops of the tables…I used half of one table to hold comic supplies. Now I’ve expanded the back issues to occupy those bottom sections…mostly “Misc. Publisher” slots rather than individual titles, which I try to keep up top. So there’s like “Misc. Image,” “Misc. Dark Horse,” etc. I do have a number of magazine boxes underneath as well which are more a mix of boxes for individual titles (like Mad or Savage Sword of Conan) along with, like, “Misc. Marvel Mags” and that sort of thing.
The part of the table on the far left of the picture is my “new arrivals” section, where recent acquisitions (either from the back room or from colections) are priced and put out, where they’ll hopefully sell before I have to film them away in their regular sections. Those get flipped through all the time, so I do more quite a few out ofthere…my back-issue oriented customers know to poke through those boxes on a pretty regular basis.
This is a very long way of me saying that “thinking about space” has been a preoccupation of mine of late. I still have room to expend in the back issue bins…I’ve got space on the shelves behind the counter still, there’s plenty of slack in the boxes on top of the tables, and I can probably fit more boxes underneath that one table if I decide to stow the comic supplies elsewhere. But once all those spaces are filled — then what?
I could move to a larger location, which I’m not anxious to do…a lot of work was put into making this store look nice, with new flooring that I don’t beleive would come easily with us. Plus, I like how close I am to local conveniences, like, say, the post office, which is a two minute walk away and facilitates the amount of mail order I do. I could knock out part of one of the back walls…the back room is divided in two
The perpaps preferable option is doing some interior remodeling…the back room is essentially divived in two, and if we knocked out part of the divider wall between the front and the back, I could use half the back room for more retail space, while still having the other half for storage. It would take some work and some definite rearranging and some new flooring (since the floor in the back is all concrete) but you know, it’s not impossible.
But this is a long ways off, I think. Or maybe not, given the amount of back issues that have been processed for sale lately. It’s not an immediate concern, at any rate, but it is something that I always have to think about. Unless you guys suddenly rush in and buy lots of stuff from me…that’ll leave me with plenty of growing room then!
(SPOILERS ahead for the very few comics I’ve managed to read this week)

So while overall I’m liking the Bendis run on the Superman comics, there are always some little details, some minor quirks, in most issues that have me wondering. We haven’t had an explanation for the whole “cousinsister” reference to Supergirl yet (aside from “editing error,” though I’m still leaning toward “representation of a translation quirk from an alien language, even though it’s the only example in this character’s dialogue.”
But overall it’s nice to have a mostly consistent look, feel, and voice to the Superman books again…it may not be a voice you like, or are still getting used to, but I think there’s enough of interest here to keep me reading. Let’s get into this issue’s quirk, though, where Lois Lane just full-on says to Superman “hi, honey” right in front of Jimmy Olsen. I thought for a second “wait, does Jimmy know Superman is Clark? Did that carry over from the New 52 version?” but no, not long after it seems to be made very explicitly that Jimmy does not know the secret.
Sure, there are explanations…Jimmy wasn’t paying attention, or (as was suggested to me on the Twitters) he ain’t the brightest bulb and didn’t put two-and-two together, or maybe Lois just calls everyone “honey,” even though we’ve never seen her do that, but maybe she does it a lot off-panel. Who knows…or maybe Bendis is putting down the groundwork for some future plot twist. YOU NEVER KNOW

A surprising callback to the John Byrne-era FF in this issue…I think more ties to the Byrne issues would probably be to the benefit of the book, which, don’t get me wrong, is already pretty good. I mean, okay, the Byrne run was itself callbacks to the Kirby era, but having these ties to some of the pieces of FF lore introduced by Byrne (such as the return of his version of Ben’s Aunt Petunia) adds a little sense of history to the proceedings for those of us who have been reading comics for too long.
Also, so far, the new run of the FF avoids the usually Fantastic Four plots (as most recently discussed on this War Rocket Ajax episode), like “Johnny has to grow up,” that sort of thing. It seems sort of inherent in the FF comic that there’ll be recycling of elements (it’s not an FF comic ’til Doctor Doom and Galactus show up, as they have) but there feels like enough forward progression that we’re not just going over the same old ground again. Or, at least, there are new and different things being done with the characters, which is not easy after 1) what, six decades, and 2) following Lee & Kirby (and Byrne, and Simonson, and whoever your favorite FF team is).
In conclusion: it’s nice to have the Fantastic Four back on the stands. And even nicer…it’s still maintaining its sales levels for me at the shop!

Not 100% certain what’s going on here…I get the general gist of it, but I’m not sure we needed nine issues (expanded from eight) to get through it all, especially with some parts of the series “running in place” much like chunks of Doomsday Clock. Speaking of which, it feels like having this series and the Watchmen event is about one event too many, covering tonally similar ground. That said, I do like having a a Booster Gold-centric event series, here in the Year of Our Lord 2019, and this issue does have a good character bit for him (shared with Harley Quinn), And some time travel shenanigans begin to creep in, which is only natural, because, hey, Booster Gold. Just kinda wish getting to this point covered a fewer number of pages.

Haven’t read it yet, but amongst the cornucopia of variant covers for this special 800th issue, I finally, after much deliberation and the hemming and the hawing, decided upon the above. Oh Frank Miller, you’ve done it again!
Of course, with all this hoohar about issue #1000, what will they do for Detective #1027, the one thousandth appearance of Batman in this series (more or less, aside from issues #0 and #1,000,000, of course). I vote “embedded sound chip in the cover” which says “I’M BATMAN” or “na na na na na na Batman!” or “hey kid, this ain’t a library.”
So in response to my post about the comic strip reprint books from last Monday, some of you mentioned the many Mad paperbacks that were part of our childhoods, too. Are any of those classic paperbacks still in print in that original format, or have they all been supplanted by larger trade editions and new repackagings and such? Been years since I’ve seen any on a shelf that were new…the last 30 years of dealing with them in comics retail has affixed them firmly in my head as “vintage items,” always used, always a thing firmly of the past.
But that wasn’t always the case with me. As a young Mikester, I had an uncle give me a paper sack full of his old Mad magazines that he had bought in previous years, which coincided with my own then-burgeoning love of the newest issues. I was buying (or cajoling my parents into buying) the new issues starting around 1976 or 1977, and the Mads I got from my uncle were from around the late 1960s through the early-to-mid 1970s, though there were a few stragglers that were earlier still. A small handful of the paperback reprints were also passed along to me, also from my uncle but from a couple of other relatives as well.
Okay, that doesn’t quite explain how I didn’t always see the paperbacks as being “old” things, since, you know, even as a kid I was getting those books second-hand. I found those old, beat-up books and magazines fascinating. I seem to remember mentioning, either here or on the Twitters (it all blurs together sometimes) that the “new” Mads I was getting off the shelves at the supermarket or newsstand were “my” Mads, fresh and current. The slightly older Mads, like the stack of mags I got from my uncle, were just similar enough to what I was getting new to be recognizable, but there was just a very slight “off-ness” to them, that there was just enough different in these previous editions to create some kind of reaction in me. Might have been the subject matter (“What’s this ‘Vietnam’ they keep talking about?” “Boy, there sure is a lot of this Nixon guy in these issues”) or the presentation (seem to remember photos being incorporated into more of the articles), and the other occasional oddity (“Whoa, there was a grey Spy?”).
But the paperbacks dug back even farther into the Mad archives, heavy on the early 1960s stuff, which looked and felt quite a bit different from the then-modern Mad I was reading. Sure, many of the creators were the same, doing work that was still somewhat famliar, but earlier Dave Berg and Don Martin cartooning in particular felt drastically different from what I was used to as a late-1970s Mad adopter. …Not to say I didn’t like it, of course. I was fascinated by the evolution of this magazine.
Anyway, the paperbacks. I started looking for new copies of the paperbacks in bookstores, buying (or, again, cajoling my parents into buying) copies when we could find them. This filled in more gaps in my…well, “understanding” isn’t really the right word, since the reprints tended to be context-free, though I would check the copyright page to get an idea of the approximate years they were reprinting from. Perhaps filling in gaps in my appreciation for the many forms Mad has taken over the years.
I also realized that there was new material being offered by Mad in their paperbacks as well. Just books filled with new cartoons I never saw in the pages of the mag, by creators I loved from there. My specific favorites were ntonio Prohías, who did Spy Vs. Spy, and Sergio Aragones, who did purt’near everything. Finding out there were whole new paperbacks featuring the Spies and Sergio’s cartooning was astounding to me, and became the focus of my Mad paperback collecting.
I did eventually track down most of them at the many bookstores that used to be in our area, but a couple still eluded me. Thas, circa 1980, I made my first sojourn into the world of mail order. I mean, I’d had subscriptins to magazines at around that time (like Pizazz, or Ranger Rick) but I had never written in to specifically oreer certain individual items before. But Mad made it easy…there was an order form for the paperbacks in one of the mags, where I could check off the ones I needed (one Spy Vs. Spy book, don’t remember which one, the Sergio book Viva MAD!, and a third book I do not recall, but I think it was an Al Jaffee one). Totalled up the price with postage, my dad took me to the local convenience store to get a money order, we dropped it in the mail, and thus began the kid-equivalent of an eternity waiting for the package to arrive.
And arrive it did, and lo and behold was my collection of Spy Vs. Spy and Sergio paperbacks complete…until the next book, and the next book, and so on.
I kept getting Sergio books for a while after I stopped following the new issues of the magazine itself, which I’d mostly stopped getting around 1982. I certainly had stopped getting the Super Specials, because by that point it was feeling like I’d already seen most of the material they were reprinting.
That wasn’t it for my Mad reading, however. I did get the occasional issue here and there, and was way into it again at some point in the mid-2000s. I bought those specials that reprinted, in full and in chronological order, all the original Mad color comics from the 1950s. I have a copy of the infamous middle finger cover. And I have this issue, which Sergio was nice enough to scribble on for me during one of his many visits to my former place of employment:

Here’s a better look:

So anyway, I still have all my Mad books…some of my magazines have gone to the wayside, but I still have quite a few of those, too, I’ve even added a few more of the old paperbacks to the collection as I’ve come across ones I’ve not yet read. However, I haven’t been reading the new Mad, though I’m certainly carrying it at the shop (where it sells nicely, thank you). I may not be a regular Mad reader anymore, but I’m still a Mad fan, and I’m glad it’s still around.