All the news that’s fit to get around to eventually.

§ June 24th, 2019 § Filed under atlas, batman, dc comics, publishing § 4 Comments

Okay, first off, right now it looks like everyone’s all “woo-hoo, it’s the 30th anniversary of that first Tim Burton Batman movie starring Prince” and I’ll have you know I’m so ahead of the game, I posted about that film for its 28th anniversary! Take that, Batty-come-latelies! Anyway, I even created a special category for those posts where I talk about my retail memories of that exciting time when the words on everyone’s lips were “Mr. Mom is Batman!?” so be sure to click on that link there and bask in the nostalgia.

Now, one of the problems of doing a comics blog that updates usually about three times a week (or less, depending on which of my eyeballs has exploded this time) is that I don’t tend to concern myself with the day-to-day Hot Comical News that’s all the rage on your Mastodon incidents and no other short-form social media sites. I figure everyone else has got it covered, no one’s coming to my site for anything hot off anybody’s presses, they’re coming here to see me talk about Frank Miller’s The Spirit or Swamp Thing or whatever. I mean, after Journalista folded, I tried once or twice to do big ol’ linkblogs to “hey here’s what’s going on” but quickly learned that was the sort of thing I enjoyed seeing other people do, not, you know, do myself.

But occasionally things come up that I have to say something about, like this relatively old but surprising news that the Seaboard/Atlas Comics of the 1970s, mostly notable for launching big then, um, flaming out, have been optioned for movie/TV deals. And I gotta be honest, my first thought when I heard that was “every single other comic book thing must have been taken” — and please don’t take that the wrong way. I adore those Atlas Comics. I’ve written on and off about collecting them here on the site…and I’m about 80% of the way to having a full collection, so this movie news kinda irks me a bit in that I’m sure the issues I still need will suddenly get cranked up in price.

But back to my point that this seemed like a really strange thing to do. And that’s coming from someone who does like these comics. I’d love to see what they’d do with a Grim Ghost movie, for example, even though the reaction would likely be “that’s just a rip-off of Spawn!” grom the grandparents in the audience old enough to remember the Spawn movie. I mean, I guess some characters might be fun to see in live-action…in discussing this with a customer he mentioned that seeing Morlock 2001 on the big screen would be something else, and by God I can’t disagree. And I think Ironjaw would be kind of amazing as well. So, who knows, I shouldn’t judge too harshly. It’s still pretty surprising…who saw that coming?

Another thing announced a little more recently was the impending return of the Legion of Super-Heroes, and there are a bunch of reports about it on the Googles, but I’ll link to this one because it talks about some tie-in Flight Ring replica merch. I mean, good, I’m all for a new Legion series…they’ve been teasing the Legion, after an extended newsstand absence, in Doomsday Clock, but it’ll be nice to just have a full-on Legion of Super-Heroes title on the stands again.

That said, I don’t know if I’ll be back for it, personally. I hope it does well, I hope it gets a new audience that’ll stick with it and not peter off after a year or two, requiring yet another relaunch. I stuck with the Legion books for a long time, and enjoyed them best I could, but finally gave up after relaunch and reboot and re-whatevers…I didn’t pick up the New 52 titles, and frankly I don’t think I ever finished reading the last couple of issues of the incarnation just prior to that.

The thing that might get me to try it out is 1) the artist, Ryan Sook, seems well-suited to the title, and 2) I have enjoyed the writing of Brian Michael Bendis on the Superman titles, and his take on the Legion may be…”modern” enough, for a loack of a better term, to get the attention of current comic fans, and maybe break the perception that the Legion is a relic of an older time in comics. Well, when you get right down to it, all superheroes are relics of an older time in comics, but anyway.

Like I said, I hope it does well, and I hope it lasts a long, long time, in a marketplace where publishers don’t keep their comics running for a long, long time. One of the things that appealed to me about the Legion was the idea that there was a line you could draw from that first appearance in Adventure Comics #247 in the 1950s to the (then) current pre-first reboot issues. That the “Five Years Later” Legion was the same Legion that had, at one point, had to deal with the Fatal Five or the Super Moby Dick of Space or whathaveyou. That the characters and relationships and such had a continuity to them, a history, that you could see where they’d come from and wonder where they were going. (See also “X-Men.”)

That’s not a feeling that’s going to be replicated in a new series, I realize. Too much water under the bridge, too much resistance to giving readers a new book with a steep learning curve and the idea that “you’ve already missed a lot of what’s happened.” Not saying a new Legion can’t been good, just saying it’s not going to give me that ineffable essence of what I enjoyed about the original Legion, which can’t be helped.

Okay, I typed too much and my eyes need their beauty sleep, but let me just touch upon DC’s recent reorganization of their publishing imprints. We’re down to just plain ol’ DC for their main line, DC Kids for kids what read the DC, and “DC Black Label,” which basically replaces the to-be-shuttered mature-readers, occaionally creator-owned Vertigo label. That makes sense, I suppose…DC’s Black Label books have been a sales success of late, whereas the Vertigo brand doesn’t move books like it used to, just by virtue of having “Vertigo” on the cover. I’m sad to see it go, given Vertigo outlived the other similar imprints from DC and Marvel, like “Helix” and “Icon” and…does “Barkerverse” count as an imprint? Let’s say it does, just to annoy you.

I guess that’s fine, which I’m sure relieves DC to no end. But I kind of wish the Vertigo label would stick around, but if a whole series of Sandman-related titles couldn’t revive it sufficiently for DC’s tastes, I guess that’s that. Gonna be strange seeing the Black Label logo on preacher and whatnot. I do wonder what’s going to happen to the Young Animal imprint…I presume that’s Black Label now, though the “Young Animal” thing actually does get in new readers looking specifically for those. I haven’t read every news story on the topic, so I presume somebody covered this somewhere. Same with “Wonder Comics” Maybe the new imprints will have sub-imprints? EDIT:: Yes apparently so.

Oh, and in other news, the Swamp Thing TV show is still canceled. The jerks.

Yes, yes, and the “blonde Latina” thing.

§ June 21st, 2019 § Filed under question time § 13 Comments

Okay, I’m going to tackle another inquiry from the last time I took questions from you folks…but first, I encouragge you to look at the responses to Monday’s entry. Some alternative watchlists for the Marvel Cinematic Universe, incorporating ideas/arcs I didn’t consider, and some discussino of just why Kryptonians weren’t all that into space travel. I know comment sections can be a nightmare on the internet sometimes, but I’m glad my readers here are thoughtful, interesting, and funny. Thanks, pals.

• • •

Dave’s here, man, with this

“I am lately having resurgence of love for work of John Byrne. Re-reading all his old stuff! So I’d be happy to read about what you think of Byrne’s stupendous output. Like what is favorite/least favorite, if you ever met him, anything about John Byrne really (except X-Men).”

Now, John Byrne…that’s definitely a thing. I’ve never met the man, but some of his commentary online that one came across from time to time, specifically from his message board, would strike me as…..well, it would range from “inadvertently funny” to “downright disagreeable.” A lot of it struck me as the words of someone who didn’t much like where the industry is heading or his place in it, and, yeah, sure, I can understsand that, but then he’d gripe about how calling the heroes “Supes” or “Bats” was diminishing to those characters, and…well, look, I really shouldn’t be trying to turn you off there. You clearly enjoy his work, and I enjoyed his work over the years, and in fact wish he would do more comics work.

The last regular gig he had was Photoshopping Star Trek fumetti comics for IDW, but it looks like that’s pretty much over. I often think, in the back of my mind when Marvel and/or DC are looking to relaunch something, “why not bring in Byrne?” I always thought he had a good track record of getting down to the core of a character or concept, and making it work in a fun and accessible way. That’s the whole “back to basics” thing he was known for throughout the ’80s. Could be his style is a little…less contemporary than publishers thing modern readers would like, but maybe a little old-fashioned comic booking wouldn’t be entirely unwelcome nowadays.

I didn’t read everything he did, but I did read a lot. I read his early Doomsday +1 series he did for Charlton (in the Fantagraphics reprints), I was the one guy that bought Lab Rats, I think Next Men still holds up, the New Gods/Jack Kirby’s Fourth World was fun…in fact, any time Byrne was working on Kirby creations, it felt like he was really in his element.

Speaking of which, my all-time favorite work of his is still Fantastic Four. It remains, for me, the definitive version of the book (outside of Lee ‘n’ Kirby, of course). The “back to basics” idea I mentioned above basically came from here. I loved his versions of Doctor Doom and Galactus, and I especially loved his renidtion of Aunt Petunia’s favorite nephew, the ever-lovin’ blue-eyed Thing. (It’s because of Byrne that every time I see another artist draw the Thing with a neck, I think “WRONG WRONG WRONG!”) It remains a nostalgic treat for me…scenese from those comics still solidly live on in my head.

The weirdness of Alpha Flight was a close second. Though I often praise the Bill Mantlo/Mike Mignola run following Byrne for its heavy body-horror tone, which is very unusual for a mainstream superhero comic, I think Byrne’s take on a “non-team” team book, where the characters rarely all unify for a single adventure, still made for some compelling reading. Given that the characters weren’t Marvel first-listers, or even second-or-third listers, Byrne seemed to have a bit more leeway with what he could do with them, including the sudden (and seemingly permanent) demise of what seemed to be the primary character. Er, SPOILER, I guess.

And of course one can’t forget the Superman reboot from the mid-1980s. He was one the books for about a year, but he managed to get a lot of material out onto the stands before he moved on. It was definitely a strange feeling to be reading Superman comics at the time with a consistent direction and creative team(s), shorn of all past history. “Back to basics,” once again. And it was this version of the character, this “post-Crisis” Superman that, despite New 52s and Rebirths and Zero Hours and whatnot, still basically exists today. I mean, more or less. You can still sorta follow a thread from Man of Steel #1 to the most recent issue of Superman. It’s a little knotted and tangled and the occasional piece was cut out and the ends spliced together, but the thread is there.

Now, “least favorite” is a little more difficult. I haven’t outright hated anything…there are works where bits and pieces I didn’t care for, but generally nearly all his work has some entertainment value. I suppose there’s that FX series he did back in 2008, but that was over someone else’s script and it mostly was “not memorable” more than “bad.” And I guess maybe that OMAC mini he did…despite his usual affinity for Kirby characters, I wasn’t particularly enthused with this one. Ah well, What Can You Do?

Also, for a time he was doing commission work, and a lot of that was downright beautiful. Seek those pages out to gawk at them, if you can.

So in conclusion…Byrne: so long as I don’t look at what he’s written online, I can still mostly enjoy his comics. There are some bits of his stories that…tend to get picked apart pretty thoroughly online, and deservedly so, but overall, it’s a long career filled with a lot of good work. And maybe someday, he’ll get to add to it.

Not what I was expecting.

§ June 19th, 2019 § Filed under retailing § 5 Comments

So if you follow me on the Tweeters (and why would you…er, wouldn’t you) you probably saw this entry where I point out a couple of comics of note that recently came into my possession. Namely, the original Avengers #1 and the original X-Men #1, soon to go up for sale!

Now, don’t get me wrong, it’s great to have them around (as well as the second isues of both, also acquired)…it’s early superhero Marvel, about as “key” as a “key” book can get, and they’re not in…half-bad condition. But the thing is…I’ve had ’em before. I’ve seen plenty of copies of both of these over the years. Not saying I don’t appreciate them or having them around, but I always like it when I find something brand new to me…not necessarily rare or expensive, but something elusive. Something I’ve never seen in person before. Something like this Barbie and Ken comic from 1962, based on the toy doll line:


That’s issue #2 of the five-issue run from Dell. I’ve seen pictures of them, but have never actually held one in my hands. Far as I can tell, given the state of my still-healing eyes, it’s nicely illustrated, and Barbie has very much a “doll” look to her, natch:


Don’t know if there have ever been reprints of these on better paper at some point, but the art could use a better showcase than decaying old newsprint.

But still, amongst the ’60s war books and Superman issues and those early Marvels, it was certainly nice to discover this unexpected treasure.


I’ll say it was a surprise!

But don’t skip Howard the Duck.

§ June 17th, 2019 § Filed under question time § 10 Comments

Okay, let’s start dipping into some of those questions you all left me…if you want to join in the fun, or “fun,” feel free to add your own ’til the comments section there shuts down automatically after how ever many weeks I set it for. Look, I can’t remember everything.

Roger Owen Green ties everything together with

“I were to watch all the MU movies in order which one(s) could I skip?”

Hoo boy. That’s a toughie. I mean, if you just want the core “state of the Marvel Cinematic Universe” flicks, you could just watch the Avengers films, since everything either leads into or ties into that. If you are just looking to skip the…well, none of them are particularly bad as such, but certainly some are less essential viewing than others, I guess. But if you’re committing to watching them all anyway, you might as well not skip the second Thor movie, right? What’s two more hours?

I mean, if you’re really pressed for time, skipping the second Thor momvie and the second Iron Man movie would probably not affect your MCU world-building too much. Also, I’d say “skip that second Avengers movie, too” but like I said, that’s kinda part of the backbone of the whole thing. Maybe fast-forward through it.

• • •

Paul Di Filippo falls out of bed with

“How can you account for the virtual extinction of Welsh Rarebit and the lack of dreams derived from the consumption thereof?”

Sir, I would blame the lack of sufficient newspaper space for the funnypages to properly contain the brilliance of Winsor McCay. Imagine this, sequeezed down to three tiny boxes right next to, I don’t know, Marvin. Do they even make Marvin any more? I mean, don’t tell me, I’m not that interested, but then again, strips do exist that can fit their weird genius into limited space. Who knows what McCay could have done?

• • •

ScienceGiant looms over me with

“Has Superman ever brought up Lori Lemaris to Aquaman, or is he all now-I’m-just-somebody-that-you-used-to-know?”

I don’t know that he’s ever specifically mentioned his mermaid friend to the King of the Seas, but I do recall that DC established fairly early on that there were two…Alantises? I don’t know that both their realms were called “Atlantis” specifically (though in the early Silver Age Lori and Aquaman each claimed to be part of the Atlantis home team. But when Marvel started breathing down DC’s neck with their own slightly more consistent shared universe, I think the official DC continuity explanation was that they were both of Atlantis origin, but there was a split of some kind into “mer-people” and “people-people what could breathe underwater.” Pretty sure Peter David’s Atlantis Chronicles covers this, if I recall correctly.

You know, I bet the Wikipedia entry covers this somewhere. Let me look.

[TEMPUS FISH-IT]

Okay, I did find this page which lists a couple of times that Lori met Aquman (and I also forgot about this Justice League of Atlantis thing) so they totally me. And there’s a reference in the Lori Lemaris Wiki entry to the character looking for other lost Atlantean cities in her first post-Crisis appearance, so there’s your textual support for that.

So unfortunately I haven’t read every Lori Lemaris appearacnce, so I don’t know if there is specifically a panel somewhere with Superman bringing her up to Aquaman and asking “so where’s YOUR fishy half?” but I suppose there’s something like that somewhere.

ª ª ª

Chris works the room blue with

“While they always shuffle around the reasons depending on the era, I always wonder why a super smart race like the Kryptonians really whiffed at the whole exploration/colonization of the stars. Has there ever been a satisfactory reason/story as to why DC’s cosmic realm is so fraught with danger, despite space mall cops in every sector?”

I think the main reason is so we don’t have a universe populated with super-Kryptonians. Keeping all down on the farm when the planet exploded establishes the main premise, that Superman is the Last Son of Krypton and we’ll never see any other Kryptonians, ever (except for Supergirl, and the Phantom Zone villains, and Krypto the Superdog…). The in-univesre excuse I seem to recall was that there was some genetic problem in them, that kept them from being able to leave the world’s orbit without dying (which somewho Kal-El was able to avoid)…that may have been in one of Elliot S! Maggin’s novels. I also assumed there was an implied xenophobia in John Byrne’s portral of Krypton in his 1966 Man of Steel mini-series. My guess is that the reasons given for the Kryptonias didn’t split their plenet tend toward “there’s something wrong with them” rather than “the universe is terrible so let’s stay home.”

Okay, had to once again look at a Wiki page (“Hello, and welcome to ‘Mike Rewrites Portions of Wikipedia for His Blog'”) and it brings up “xenophobia” and a genetic inability to leave the planet as well, so I was remembering some of that correctly.

Also, I’d bet after Brainiac showed up and stole Kandor, the Kryptonins were all “NOPE TO SPACE, THANK YOU,” and who could blame them?

• • •

ENOUGH QUESTIONS FOR NOW. More answers in…the future!

I realize the phrase “following up on my Swamp Thing post” doesn’t exactly narrow things down.

§ June 14th, 2019 § Filed under does mike ever shut up, sterling silver comics, swamp thing, undergrounds § 1 Comment

Following up on my Swamp Thing post, I should note that there are further reports about what may or may not have happened regarding the show’s cancellation. First it was “somebody messed up the tax credit,” then it was “they weren’t getting enough tax credit,” and now it’s “powers-that-be thought the show was a stinker and cut their losses.” The show’s getting plenty of good reviews now, but it’s probably too late for them to change their minds. Anyway, I have no idea what the full, real story is, but in the meantime, one of the My Little Ponies, a “community manager” at DC Universe, tries to keep things upbeat, as is the way of said ponies.

ª ª ª

More Swampy follow-up: after noting here and discussing further here that DC’s digital versions of certain Swamp Thing issues feature incomplete artwork or missing captions, BobH asked if the same problem was still in the print edtion. And yes, after getting Swamp Thing Book One TPB back in stock, I was able to check and…the color-hold image is missing from the reprint of #21, and the “and meet the sky” caption is still missing from the end of #24. Don’t worry, everyone, I’m sure they’ll have this fixed by ther time Swamp Thing Season Two shows up on DC Universe.

ª ª ª

Hey, look at this thing that showed up in a collection on Thursday:


And here’s the back cover, because why not:


I immediately recognized this as an Ods Bodkins book, featuring the work of Dan O’Neill, but quickly realized it was one I already had, albiet in the diffeof trent edition. It was, in fact the first edition, from 1969, of Hear The Sound of My Feet Walking..Drown The Sound of My Voice Talking. I discussed the book, or at least my edition of same, a couple of times on the site, including way super-early on, back when people read blogs. And I brought it up again a mere 12 years later when I decided my site needed a nice big scan of the cover.

It’s quite a bit larger than my copy (it’s about the size of one of those treasury edition comics) and there appears to be a page half covers in red ink. Not “oopsie we splashed some red ink on this page,” but literally “here, have a giant solid block of red for just that one page for some reason.” I’ll need to take a closer look and see what’s up with that…or just straight up keep the book, since I love “Ods Bodkins.” …Yes, I’m the guy.

• • •

So about the Will Eisner “Spirit of Comics Retailing” award my shop was nominated for…well, you can read the whole tragic tale here on my store’s Facebook page. If you eschew Facebook, and if so I salute you, the short version is: got the paperwork a while back, decided to hold off dealing iwth it ’til my eyes were a bit better, checked the due date, waited a bit, eyes are reasonably better, got out the paperwork again, realized I misread or misremembered the due date and now it’s too late to enter. Well, great.

On the other hand, if I tried to complete the paperwork and take the necessary photos and make the necessary video for the award application on time, I would have had to done with eyes that on a good day were barely adequate for my regular day-to-day stuff, and occasionally completely obscured leaving me with hardly any vision at all. So, let’s call this a “mixed blessing,” and should someone make the horrible mistake of nominating me again next year, hopefully my eyes will be back in business for good and I can give the award whatever attention I can manage.

And like I said in my Facebook post…my eyes are finally getting better. Both eyes. At the same time. Not “one eye’s mostly okay, the other completely blind” or anything like that. This is the first time I’ve had reasonable, though still a bit to go, vision in both eyes at the same time in over a year. Barring any more surprise sets (crossing my fingers ande my corneas) everything should be good sooner rather than later. Yes, I realize I’m jinxing it.

I can’t really call myself an “Eisner nominee” since I won’t be in the running, but it’s nice that someone thought well enough about me to throw my name into the hat. I’m not the biggest or most media-present store out there, but I am a guy who likes to sell comics, has a store full of them, and has done this for a long time. That I still get to do it is certainly an award in and of itself.

• • •

Don’t forget…I’m still taking your funnybook-related questions and post topics! I’ll probably start on them next, so be sure to tune in on your Internet Radio Box for that.

By the way, I just sold another copy of the black-bagged Superman #75, in case you’re wondering if those still move.

§ June 12th, 2019 § Filed under death of superman § 5 Comments

So the other day a fella dropped by the shop and said he had a few things destined for the local thrift store, but was willing to leave them with me instead. I said “sure, I’ll take a look,” and that’s how your pal Mike ended up with over a case of Adventures of Superman #500, the white-bagged edition, in his possession. Something like 140 copies, I believe was the count? Anyway, there they are in all their glory.

This gentleman and I spoke about that early ’90s Death of Superman era, how most stores were caught short on the initial black-bagged Superman #75, and tried to make up for it by making darn sure to order plenty of Adventures #500, the “return” (or the beginning of the return) of the Man of Steel. He said he had at one point 26 cases of the book…not sure if he’d sold most of those, or traveled the country like Johnny Superseed planting those boxes at comic shops hither and yon, but it made me feel a bit better about the one sealed case of them we still had back at the previous place of employment.

At any rate, I don’t mind having these around. I get to take a picture of them and show ’em off on the interwebs, I’ve been selling them for $1 each at the front counter (“Are those reprints?” “No, they’re the real original thing.” “WHAT.”), and if all else fails, maybe they’ll make a good Free Comic Book Day giveaway next year. But if you want one, better pop in quick…supplies are (relatively) limited!

There was also a small pile of Youngblood Strikeforce included with these, that you might be able to see there on the counter next to the box. Well, sure, I guess I’ll take those too. Can’t beat the price.

Come to think of it, have we ever seen Swamp Thing immediately start trying to tear off all the muck ‘n’ stuff post-transformation? That’s what I’d do.

§ June 10th, 2019 § Filed under swamp thing, television § 3 Comments

[SPOILERS for the first two episodes of Swamp Thing (2019)]


So the big problem with watching a show that you already know is doomed from the start is, basically, investment. I mean, yes, you can just watch it and enjoy what you got, sure, but it’s difficult to divorce yourself from your assumptions of abandoned potential, watching as plot threads and character developments are introduced and you realize they’ll never get the required time necessary to play out properly.

You could think of the DC Universe’s Swamp Thing TV show, which debuted at the very end of last month, as a “mini-series,” I suppose (and it’s really only a matter of time before the cheery hosts of that service’s DC Daily news show start referring to it as such), but a mini-series would imply a planned beginning, middle, and end, and not a suddenly assembled “well, tie it up best we can” final episode when the word came down a while back that the series order was cut from 13 episodes to 10. Now that we know this is all we’re getting with news of the show’s outright cancellation (for not 100% clear reasons just yet…there seems to be some contention over the popuarly-reported financial causes for the shutdown) it makes it hard to think about what could have been.

Because what we got so far? Not too shabby, thinks I. My eye troubles over the past week were maybe a good thing, at least for blogging purposes, as I’ve now had two episodes under my belt to reflect upon, given that Swamp Thing his own self doesn’t really even show up ’til the end of the first episode. (Another nagging thought…with only ten episodes left, the slow burn on Swampy action is a little frustrating…I want as much crammed in as possible. I want a Swamp Thing/Anton Arcane throwdown, complete with all the Un-Men, by episode 4 at the latest.)

But overall, all the elemnts are there, if shuffled around a tad. Abby Arcane works for the Center of Disease Cotrol, sent back to her hometown in Louisiana to investigate a mysterious swamp-borne virus. She meets Alac Holland, a dusgraced scientist who had been working for local Powerful Man up to No Good Avery Sunderland, but remained in town investigating the weird goings-on in the swamplands after Sunderland let him go. And Matt Cable is there, now a policeman and old schoolmate of Abby’s, and Liz Tremayne, a reporter introduced in the Marty Pasko/Tom Yeates 1980s run, is there as well, and still a reporter.

Alas, no Linda Holland or Chester Williams as of yet. But we do get Dan Cassidy, a local actor who, as we all surely know, is the Blue Devil in our beloved comics. Will he become the Blue Devil in the series? That feels like a season two or three thing–oh, right. And Madame Xanadu, DC’s mysical seer-type person, is there as well, and she establishes with Sunderland’s wife that there are some supernatural shenanigans happening involvin their long-desceased daughter (whose death is tied to Abby, who was their daughter’s friend). Oh, and did I mention Matt Cable’s mother is the local sheriff, played by Jennifer Beals?

So yeah, it’s not quite as simple a set-up as in the original comics. But some of those elements are still present. It’s established that Matt had a crush on Abby, and since Abby started to have feeling for Alec before…well, more on that in a second, but that had the makings of some kind of love triangle eventually, made to play out over the years to…um, anyway.

About Alec’s transformation. As much as I was hoping to get some version of this scene, with all the retooling of the premise I guess that wasn’t going to happen. While overall I’m fine with what they’ve done, I do have to admit it does bother me a little bit that Alec’s transformation into Swamp Thing is not due to his own experiments, but rather because of some outside force dumping “growth accelerant” into the water, causing the mutations and odd behaviors of the plant life out there in the bog. I’m not sure why that troubles me, aside from losing the inherent tragedy, and irony, of Alec falling victim to his own discovery. Instead, while out in the swamp investigating the dumped chemicls, he’s shot, the boat he’s on blows up, and muck-encrusted mockery ensues.

But, you know, I can live with it, at least for the eight remaining episodes. And everything is certainly moodily lit and plenty creepy. (A shot of the body of an early victiim of the virus, suddenly bolting upright during an autopsy with roots and such jutting out of it, stiffly jerking about, is particularly jarring.) And Swamp Thing, once we finally get a ood look at him in Episode 2, definitely looks like Swamp Thing, all planty and slimy and goopy and stuff. No ill-fitting green wetsuit here. We haven’t heard him speak yet, but episode three is titled “He Speaks,” so I’m guessing we will. It’s definitely caught my interest, and I think it does a good job updating the character and situations for a modern audience, laying the groundwork for what could have been several seasons of story. But oh well.

A couple other things…Tim Russ, AKA Tuvok from Star Trek: Voyager had a bit part in the pilot. Some kind of weird Star Trek synergy goin’ on over at the DC Universe, what with Marina Sirtis showing up for an episode of Titans.

Also, there’s a little blonde girl, the daughter of one of the first victims of the swamp-virus, and appears to be affected herself, who’s present in the first two episodes. I don’t know if they were implying some kind of psychic connection between her and Swamp Thing (her tearing off wires while in her hospital bed, while Swamp Thing, immediately post transofrmation, similarly tearing at the roots and muck that have become his body), but it reminds me a little of the little blonde girl “Casey” from the early issues of this series:


I’m going to presume things don’t work out quite the same way in the TV show as in the comic. However, she does eventually meet our hero, who saves her life, and there’s a bit of offscreen bonding we learn about in the second episode’s cliffhanger (she tells Abby that creature says his name is Alec). I think it’s a nice callback to an overshadowed comic book run, whether it was intentional or not.

As may come as no surprise, I’ll be in for the duration of the series, but I can already see myself thinking “C’MON PICK UP THE PACE, YOU ONLY HAVE FOUR EPISODES LEFT” or whatever. Who knows, maybe this’ll be the killer app that gets everyone to finally sign on for the DC Universe service and the powers that be will strike some kind of new deal to make more episodes. A boy can dream.

The day of the show’s debut, the aforementioned DC Daily did a Swampy-focused episode, which began with this screen:

Kudos to whoever was responsible for that reference to the greatest superhero cartoon theme song of all time:

Regular service resumes Monday.

§ June 7th, 2019 § Filed under eyeball § 2 Comments

Hi pals! As stated last time, I had a bit of an eyeball situation over the past week. Things were up ‘n’ down a bit, but mostly “up” now, with said situation having pretty much resolved. As such, I’ll be back in action here on the site next Monday, with some of that funnybook blogging content that you crave. So, be sure to come back for that Swamp Thing TV show review I probably should write (and yes, I know the show’s canned already…I’ll talk about that too).

Thank you for your patience, and I’ll talk to you soon.

(sigh) Another brief eyeball-related hiatus.

§ June 3rd, 2019 § Filed under eyeball § 3 Comments

Had a little post-op bleeding in my right eye (AKA “the good eye”), and since my left eye (AKA “the perviously good eye”) is still recovering from its own surgery, I was left pretty much blind all of Sunday. Now, that bleediing isn’t unusual, and it’s already washing out of my eye, so my vision should be back t what currently passes for normal soon…the fact that I can see well enough to even type this is a vast improvement over yesterday…I still need to take a little time off. Should be fine by the end of the week, if things continue as they are.

Sorry for the inconvenience (and what is probably a lot of typos) and I’ll talk to you soon.

This is the first actual physical comic book I’ve read in nearly six weeks.

§ May 31st, 2019 § Filed under this week's comics, watchmen § 4 Comments

[SPOILERS for Doomsday Clock #10]

So in the new issue of Doomsday Clock is how it introduces the idea that the various continuity shifts in the DC Universe are not only Superman-centric, but said shifts also affect the multiverse at large. Explicitly stated at last is the idea that Dr. Manhattan, as we’d figured, is responsible for the recent “Rebirth” continuity changes, as he tests out the nature of the DC Universe.

This idea of “the metaverse” (as it’s called) is a weird and interesting one, which reminds me to some extent of “Hypertime.” As you may recall, Hypertime was DC’s previous attempt at created an in-universe explanation for the various continuity boondoggles that crop up in comics, particularly since Crisis on Infinite Earths (itself created to streamline the DC Universe and reduce continuity issues, ironically enough). Hypertime was a thing where changes/glitches/inconsistencies occurred due to the intermingling of the various timelines of the DCU, basically a way of saying “don’t worry so much about stuff, just enjoy the story.” It was maybe too subtle a distinction, as eventually, as I recall, it eventually just became “here are parallel Earths again!” and I don’t know that the idea of Hypertime was cropped up much in recent years.

Anyway, we don’t have the full story yet as to why the DC Universe, or “Metaverse,” does this, outside of Manhattan’s own interference. Maybe Geoff Johns is going to bring Hypertime back in this. Wouldn’t put it past him. I do like how it’s centering on Superman, and I think it is, as I said, an interesting idea. It’s just a shame it’s being used in a series that’s (if you’ll pardon the expression) doomed to be a footnote in the history of the original Watchmen graphic novel, a curiosity that will be discussed mostly in terms of “…yeah, they actually did that comic.”

Don’t get me wrong…I’m enjoying it, sometimes on its own terms, sometimes as the off-model exploitation of a seminal, and ultimately standalone, work. But, like the “Before Watchmen” comics from some years back, like the HBO series that’s coming, like that big-budget movie, it’ll be regarded as some strange offshoots that surround the original, but never touch it.

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