I think “The Violence and the Vulgarity” was my prom theme.

§ October 22nd, 2018 § Filed under batman, publishing, question time, retailing § 3 Comments

I’ll get back to the topic of extended breaks in ongoing series (1 and 2) shortly, but I wanted to get a couple more questions ahead if at all possible:

William opens the gate to the following:

“Let’s talk about that evergreen topic, The Bat Penis.

“Maybe I’m cynical, but it seems like the image was provided just to garner controversy (and sales) for that issue. The image does not play into the plot, and is basically superfluous. It’s only there to either satisfy the kinks of the creators or stir up word of mouth and demand, which if it was the latter, it did magnificently.

“My question is this. I know you touched on this briefly in your post on the subject, but, as a retailer, do you feel that DC left you out to dry in this case. I am old enough to remember the Friendly Frank’s raid when it was current events, and while a lot of things changed since then, a lot of things stayed the same. I know the book was advertised as mature readers from the get go, but it seems DC didn’t let retailers in on just how ‘mature’ the book really was. And there is a difference between ‘expletive-laden’ mature readers and ‘Let’s look at the Batwang’ mature readers, and parent would be far more upset if the latter landed in their kids hands.

“I’m just wondering if you wish DC was more upfront about what the mature content was beforehand or if it didn’t really make a difference. I’m not a censorship guy, but an informed retailer can better avoid any potential legal entanglements that might cause. I’m curious on your opinion on the matter.”

So I’ve been watching that new Titans series on the DC Universe streaming channel, and…well, if you’ve been following my Twitterings, you’ve probably seen a few of my comments on the show. Overall, I do like it, but it does inspire a bit of eyerolling when they lay on the violence and the vulgarity. Especially in that one scene from the premiere episoide, the one that made it into the pilot, with Robin, um, expressing his opinion about his former crime-fighting partner. What I tweeted was

“Yes, in context Robin’s ‘F Batman’ line is totally gratuitous and tacked on as the buzz-creating ‘everyone will talk about this’ free advertising moment it was meant to be.”

Okay, maybe when they were writing this scene, they were simply intent on making this as “adult” and “gritty” as possible, and that meant the occasional f-bomb…but they still put that scene into the trailer, knowing full well that would engender some controversy and get mouths yappin’ and fingers typin’ about this new TV show.

That I think was an intentional usage of unexpected “mature” content to garner attention. I honestly don’t think Full-Frontal Bruce in Batman: Damned was the same situation. I don’t know the specific reasons why they decided to include that image (if the creators were interviewed about that topic, I haven’t seen it) but my guess is that they took this new “mature readers” “almost anything goes” imprint at DC to heart and, well, went for it. I could see ’em saying “mature imprint, huh? Let’s see if THIS gets past the editor” and then a while later: “oh dang it did.”

I don’t think I was blindsided by the image…I knew it was a mature readers title, and granted, the image itself it relatively minor…silhouetted, almost easy to miss, not like other popular comic book penises like Watchmen‘s Doctor Manhattan. His Lower Manhattan just popped up (heh) in DC’s Big Event Series Doomsday Clock, and seems more like a thing (ahem) than Batman’s deal. I think exposed wedding tackles fit well within the subject matter covered by the “mature readers” label. Now if there were explicit close-up images of Tab A being inserted into Slot B, that’d be a different story…one likely published by Avatar or Boundless.

I don’t think I felt legal problems were potentially a threat here…I mean, the Comic Book Legal Defense Fund still exists for a reason, but the naughty Batman comic probably received more jokes about it on late night talk shows than actual complaints from concerned citizens. Raina Telgemeier’s publisher probably receives more letters from uptight parents about her graphic novels per week than the whole of DC does all year. Superheroes are “mainstreamed” now, and I think enough people have been exposed to tie-in media where Batman says “shit” or where Deadpool gets, um, rogered roundly, or where Robin says “fuck Batman” that the idea of an adult-oriented comic book isn’t quite the foreign idea it once was. I’m not saying problems wouldn’t, or don’t, happen, just that Batman: Damned probably wasn’t going to open those particular floodgates.

Not that I shouldn’t be careful, of course. Keep the Bondage Fairies off he kids rack an’ all that.

Why this wasn’t pressed on dark green/brown vinyl, I have no idea.

§ October 19th, 2018 § Filed under swamp thing § 5 Comments

Okay, I’ll get back to your questions next week (and feel free to add more to the list if you’d like!), but your pal Mike has an early morning doctor’s visit and thus is keeping it short so he can hit the sack a little earlier than normal.

So today I’ll just show off this copy of the original Harry Manfredini soundtrack to the first Swamp Thing movie from 1982, a sealed copy of which I’ve had in my collection for quite some time:

…Well, formerly sealed, as I recently purchased a new turntable to listen to a bunch of records I inherited from my grandparents, and have been going back and revisiting some old vinyl from my own collection as well. This particular record I bought online way back in the early days of eBay, if I recall correctly, and I never did get around to popping it open…so there it was, sitting in a box in the house, just waiting for the day I finally, carefully, slit open the shrinkwrap and exposed that platter to the light..and to the needle on my player.

Anyway, this turntable also has a built-in recording function, where you just slap in a flash drive and press the “record” b¨tton and whatever’s playing gets output as an MP3, so now I can have this muck-encrusted musical of a man emitting from my (apparently passé) MP3 device whenever I wish.

Now if I can just get the hit theme song from this cartoon as a single 45, I’ll be set:

And yes, that off-kilter pic of the album is the same one, more or less, that I put on the store’s Instagram. I post lots of neat pictures there, so you should totally follow me. If you don’t, it’ll hurt my feelings. (sniff).

File under “death, beaten to.”

§ October 17th, 2018 § Filed under publishing, question time § 16 Comments

Following up on the last post, where I answered Paul’s question about “longest publication gap” in a series, I feel like I may have confused the issue a bit. So let’s clarify:

THE PRODUCTION DELAY: what I think Paul was specifically referring to, where an ongoing series, which is intended to continue or complete, experiences a huge unintended delay between issues. Ultimate Wolverine Vs. Hulk, with its years-long pause between issues, is my go-to example of this, though there are plenty of others (like Spider-Man/Black Cat: The Evil That Men Do, or Camelot 3000, or anything in the Dark Knight Returns ongoing saga).

THE RETURN FROM THE GRAVE: where a series totally ends, and is not intended to continue at the time…but the title is later revived and continues the numbering. Seems like such a foreign idea now, where any given comic book series seems to have a new #1 every few months or so, but there was a time when the Golden Age Flash series would end at #104, and a few years later, after the introduction of the Silver Age Flash, said series would be resurrected beginning with issue #105. Those “Blackest Night” one-shots which purported to be, like, issue #48 of the canceled Power of the Shazam series and whatnot, would fit in here, as well as those new issues of long-canceled Marvel titles (like Power Pack #63). Ghost Rider #94 would probably fit here, too, since as far as anyone was concerned at the time, #93 was the end of that series, and it wasn’t like there was an editor impatiently waiting nine years for script pages to come in so they could wrap the title.

THE INTENDED SPORADIC RELEASE: where there are extended gaps between issues, but more from design than because of any particular delays in production. I’m pretty sure something like Zap Comix would go here, where it was just released as the participants came together to produce it. (Unless Zap was intended to be monthly, in which case hoo boy did they blow it.)

There are other permutations and variations, but I think those are the big divisions, there. The recent Miracleman reprints probably span a couple of these categories, and some of the longrunning Disney comics which nobody thought would go away for long but definitely stopped publishing at times ’til a new publisher put ’em out again. but I think I’ve created enough headaches splitting these funnybook hairs like this.

Separate from all that are the aborted series, where an issue or three came out and then never continued. I mean, sure, this happens all the time, but it’s relatively unusual from Marvel and DC. Daredevil: The Target is one fairly high profile series that got out one issue and then vanished, never to be seen again except when we dug out our unsold copies of that first issue to return them to the distributor for credit. Or something like Sonic Distruptors, which I liked, but stopped at 7 out of the intended 12 issue run.

But I think what we’re specifically talking about is the first category: the comic that did eventually complete in the format and numbering in which it was intended, just with excessive pauses/delays in the release schedule, and never officially intended to be over and done with. Like Ronin with a much delayed final issue.

That’s the spirit in which I took the question, and sorry if I confused the topic initially. You all had interesting (and some extreme) examples of extended gaps in comic series publication, mostly of the resurrected title kind, which would probably be an all new post just by itself! DON’T TEMPT ME

So, with all that in mind…what’s the record production delay in a comic that did eventually publish an issue after said delay? And again, not meaning a revived title that picks up the numbering, but rather has everyone involved going “holy crap, is this book late.” Excluding Ghost Rider #93/#94 for reasons noted above, would that Spider-Man/Black Cat mini, with 3 1/2 years between issues, be in the top spot?

Let the answering of questions begin!

§ October 15th, 2018 § Filed under publishing, question time § 12 Comments

Here’s Paul, filling my comment section with this, the first question from this post I’m addressing:

“What is the current winner in the “Longest Delayed Issue” contest? Completion of a mini-series, etc. Please feel free to discourse on this title as much as you wish:”

…which he follows with a mention of the never-released follow-up to the as-yet-unfinished comics classic All Star Batman and Robin the Boy Wonder by Frank “The Spirit” Miller and Jim “Put a Collar on Everybody” Lee.

Now, I’d meant to bring home my copy of the Überstraße comical book pricing guide for research purposes, but dumb ol’ me left it sitting on the front counter at work, so what’cha gonna do. So, I’m going to depend on online databases like the Grand Comics Database for my info here.

For the purposes of argument, let’s just consider series that did have a follow-up issue after an extended pause in publication (which would leave out something like that All Star Batman follow-up, which is more theoretical at this point anyway, not to mention technically being a separate mini-series aside from the original).

The first thing that comes to mind is of course Ultimate Wolverine Vs. Hulk, a six part mini-series that had a three-year gap right in the middle there. That’s one of the more obnoxious examples of this sort of thing.

However, there’s an even longer gap from another Marvel title: the 1990s Ghost Rider series, which ended at #93 in 1998 even though an issue #94 had been intended to wrap up the series, sales (and orders!) just didn’t warrant the expense to publish it! Eventually, Marvel did publish #94 as an extra-sized special in 2007, 9 years later, which included a reprint of #93 as well as the heretofore unpublished #94, finally bringing closure to that run.

Then I suppose there’s the legendary underground comic Zap Comix, which published #15 of its run in 2005, and #16 (the final issue, supposedly) in 2016. I mean, this is slightly different from the other examples, in that its not a serialized story that was suddenly interrupted, keeping everyone in suspense until the shocking conclusion was released. …I mean, I suppose once you start looking into undergrounds, there may be all kinds of long publication gaps between issues like this. That’s a whole ‘nother ball of research.

Then there are circumstances like this one, where a Buck Rogers #1 was released in 1964, and then 15 years later, in 1979, when the title was revived due to the TV series, the comic continued with an issue #2. I feel for the Buck Rogers fan who picked up #2 on the stands and lamented that he just missed the first issue, surely containing a prequel to the television show.

I guess I’d be remiss if I didn’t mention Miracleman, which doesn’t quite fit the criteria I established above in that it hasn’t yet had the follow-up to its final issue in 1993, and the continuation would have had a newly numbered series anyway. But Marvel came close, coming within a couple of issues in its recent reprint series to finally getting to the promised new material. Had that come out when expected, that would have been a 23 year gap. And though it wouldn’t have had “#25” on the cover, it would have been “The Silver Age” Part 3, so maybe we can consider that the numbering system that was so cruelly interrupted. It’s all a moot point anyway, since those new Miracleman stories don’t appear to be arriving anytime soon, and frankly I’m surprised Marvel hasn’t thrown some version of Marvelman into the Avengers or whatever, and try to recoup whatever money and resources they put into acquiring the character.

Oh, and I just remembered Amazing Fantasy, which had a somewhat famous issue #15 in 1962, followed by #16, #17 and #18 in 1995. Plus, there were all those Blackest Night books that purported to be the next issue after each series’ last issue (like Atom and Hawkman, ending with #45 in 1968, getting a new one-shot event tie-in special #46 in 2010). I’m not sure I’d count these specific cases as “interrupted series runs” as clearly these next issues weren’t part of the plan when the original series were canned.

Well, that’s certainly a lot of typing. Paul, these are the best examples I can think of off the top of my head. I haven’t yet looked into the Disney conics, as I’m pretty sure here there are some lengthy publication gaps, particularly in the 1970s. Admittedly I got a bit off track near the end there, so if anyone can think of any series with lengthy publication gaps that retain their actual numbering, and clearly were meant to continue on but got horribly delayed (as opposed to my examples where a series definitely had its ending, but then had follow-up issues that continued the numbering), just let me know.

Be glad this wasn’t a lenticuilar cover.

§ October 12th, 2018 § Filed under marvel § 2 Comments

Just a brief reminder that I’m still taking your comics-related questions right at this post here, so feel free to chime in. I plan to start addressing them Monday, but keep adiding to the pile as you’d like!

In the meantime, let us contemplate this West Coast Avengers cover from 1986:

…in which Marvel celebrated its 25th anniversary by featuring portraits of characters on the covers, framed by a parade of other Marvel properties. I always found this cover to be a little…off, somehow. I know I had a particular coworker who always got a good chuckle out of it. I came across it again at my store the other day while processing some back issues, and decided to share the wealth on Instagram…but don’t wory, I have here for you, too:

“Hi Clint!”

Anyway, that’s some image…but my favorite of this specific line of covers is still the Barry Windsor-Smith pic of the Thing. And about ten years later, DC would do their own variation of that cover scheme. (Engendering this response, of course.)

Progressive Ruin presents…the End of Civilization.

§ October 10th, 2018 § Filed under End of Civilization § 11 Comments

Back to wear out its welcome for another month, it’s The End of Civilization, where we (you and me, I’m not takin’ the fall alone) plow through each new edition of Diamond Previews and note things of, um, note. So, grab your physical and/or digital copy of the October 2018 release and follow along:

p. 40 – Die #1:

Now we need a title called Die Die to fill the gap between Die and Die! Die! Die!…and then we can move foward to Die Die Die Die, or perhaps backwards to ” ”
p. 44 – Prodigy #1:

Yes, I was going to make a joke like “THIS ISSUE: VERSUS THE MENACE OF COMPUSERVE!” but that’s probably 1) super obvious, and 2) makes me seem really, really old.
p. 84 – Savage Dragon #241:

Not making fun…just saying Erik Larsen deserves a Nobel Prize for returning Captain Tootsie to the world of funnybooks. God bless that man.
p. 132 – Marvel Action Spider-Man #2:

You know, with IDW publishing “kid-friend” Marvel Comics (and really, just think about that idea for a second), I wonder if DC put in a bid to publish any of Marvel’s characters. Like, what’s Marvel doing with the U-Foes right now? Nuttin’, that’s what. They’d probably make good villains for the Terrifics. Anyway, that’d certainly be a turnaround on the old “Marvel Buys DC” rumors you used to hear.
p. 151 – Rick and Morty Dungeons & Dragons #4:

Now that that’s done, maybe we can get that Rick and Morty: TWERPS comic book/RPG crossover I’ve been waiting for.
p. 206 – Wizard Beach #1:

“Yer a surfer now, Harry!”

…Look, that’s all I got.
p. 259 – Barack Panther Vs. Tremendous Trump:

Oh sure, they fight at first, but then they join forces to defeat the combined menace of the Titanic Taft and the old hickory fists of Andrew Jackson.
p. 302 – Science Comics Polar Bears:

Foreword by noted superhero and polar bear fan Frank Cast–

–ooh, never mind.
p. M36 – Alien Xenomorph Foam Replica Wall Mounted Bust:

Finally, something a lot newer and slightly more phallic to replace that musty old portrait of Great Greandfather hanging over the mantle.
p. M38 – Batman Knight Missions Voice Changer Mask:

Changes your voice to Pee Wee Herman’s, oddly enough. Who would have guessed? “The Joker? AAAAARGH” “C’MON, PLAY RIGHT”
p. M41 – World of Miss Mindy The Little Mermaid Ariel 7-inch Vinyl Figure:

She was once a little red slab of clay
p. M50 – Golden Girls 8-inch Retro Action Figures:

“Well, sure, now that I have action figures of the world’s greatest superteam, who am I going to have them fight?”
p. M50 – Halloween Ultimate Michael Myers 7-inch Action Figure:

“Oh, well, of course.”
p. M52 – Nerf Infinus Blaster:

For only $78.99, show your enemies the true meaning of fear with the Infinus Blaster, Nerf’s deadliest and most terrifying weapon.
p. M52 – Nerf Rival Hades XVIII 6000 Blaster:

Hold on there…for only a buck more, you can get your hands around the grips of the Hades XVIII 6000. Send those wretched scum directly into the gaping maw of hell with Nerf’s greatest achievment in projectile tech.
p. M52 – Nerf Rival Prometheus MXVIII 20 Blaster:

…Well, greatest aside from the $229.99 Prometheus MXVIII 20…shatter the very planets themselves with the fearsome ultimate power of this magnificent device. Surely just over $200 is a small price to pay to be like unto a god.
p. M54 – Star Wars Collectors Gallery Han Solo Carbonite Statue:

Well, I guess you could settle for this 1/8 scale version…if you’re too much of a coward to get that 1/1 scale edition. C’mon, what are you…chicken?
p. M89 – Grendizer Gedo Gedo 16-inch Vinyl Figure:

Man, Pickle Rick merchandise is just getting more and more weird.
p. M108 – Alien Xenomorph Hardcover Journal:

“So what’cha writing in your Alien Xenomorph journal, Mike?”

“NOTHING, SHUT UP” [quickly covers page where “Mrs. Mike Xenomorph” is written repeatedly]
p. M113 – The Goonies One-Eyed Willie Hardcover Journal:

“What’s that you got there?”

“My One-Eyed Willie journal!”

“Oh. Um, okay, I guess it’s neat that you log every time you masturbate.”
p. M119 – Star Trek The Original Series Tribble Plush Keychain:

“What can we do with these novelty replica cat hairballs? That sure flopped.”

“Hold on, I have an idea!”
p. M127 – Hellboy The Board Game:

“Go to hell. Go straight to hell. Do not pass GO….”

“Um, Mike, this isn’t Monopoly.”

p. M128 – Ren and Stimpy Monopoly Board Game:

Do not pass, like, say, the mid-1990s. Really, stay in the early ’90s, don’t go any further.

Gimme Qs to A.

§ October 8th, 2018 § Filed under question time § 24 Comments

I’m well on my way to having the new End of Civilization post ready…but alas, there’s too much stuff and I’m not going to get it done in time for Monday.

So what do you get? You get QUESTION TIME! Yup, that’s right, ask me a comics-related question (just one per person, please) in the comments, and I’ll do my best to give you an answer. Hopefully I won’t take as long as last time, where I dragged out the proceedings for about, what, 20 years or so?

Anyway, ask away in the comments, and I’ll give you answers as opportunity arises. Again, just ONE QUESTION PER PERSON, PLEASE. Or just one topic suggestion…I’ll take those, too! I do reserve the right to reject questions/suggestions, because I’m a jerk.

Okay, back to producing the End of Civilization…I’ll have it up shortly.

Okay, the “this week’s comics” category is misleading…look, I’m still way behind.

§ October 4th, 2018 § Filed under this week's comics § 7 Comments

DC’s latest Big Event Title is Heroes in Crisis, putting lie to the title of DC’s Final Crisis from a few years back. And as this sort of thing goes…well, first off, it’s surprising the first issue was only $3.99, in this brave new world of throwing $4.99 and up on the first issues of special events like this. (CUT TO three years later: “why couldn’t have this just been $4.99, instead of this new $7.99 price point they keep trying to push on us?”)

Anyway, there’s a place called Sanctuary where heroes go to recoup from personal difficulties and other issues, only someone’s broken the peace there and now there are piles of temprarily dead superheroes everywhere. I say “temporarily” because, well, you’ve read superhero comics before, if someone needs any of these guys for future comics, they’ll be back. Plus there are a couple of “deaths” that are 100% red herrings and will be undone over the course of the series.

It’s all pretty somber going, though the interaction between Booster Gold and Harley Quinn, a pairing one wouldn’t expect, is lively enough. Though, you know, still grim. This isn’t helping DC’s reputation amongst the fandom cognescenti, I’d imagine, but we’re still only on the first issue and in “set-up” mode…we’ll see where things go from here. Probably not going to turn out to be a laugh-fest, np. but I can see this heading in interesting directions.

Pictured above is the variant cover, and future variant covers will feature similar images of turning, or “crisis” if you will, points in characters’s lives. “Death of Superman” got me, because, well, you know. Another customer bought it because it had his birthdate on the cover…don’t know if he meant “Nov. 18th” or “July 17th” or possibly both, if it were perhaps an especially long labor.

I also saw comments here and there about Superman being way out of character in this, acting rather cold in his response as flies through the area and counts off the bodies. This didn’t bother me so much…I could read this as Superman waiting to mourn later, while focusing on getting this unpleasant job done now. Less agreeable was the bit where he couldn’t remember that one minor hero, which…c’mon, Superman remembers everybody.

Spoilers about Doomsday Clock #7 and my eyes.

§ October 1st, 2018 § Filed under watchmen § 9 Comments

Long story short, I’ve had some recent health issues that, among other things, have been affecting my vision. No, I’m not blind or anything, but fine details and small print were suddenly out of my reach, to the point where I couldn’t read comic books (GASP!) and more importantly, couldn’t read things like, say, my weekly Diamond invoices or even the cover prices on comics. Like, even with my normal vision, I was having trouble making out cover prices set in that 2-point type some publishers like to use. But with recent events…feh.

Anyhoo, not to worry, I’ll be fine, I’m having treatments and my vision has more or less normalized. I still need real glasses, and not these dollar-store readers I’ve been depending on, but that will have to wait until one of my eyes fully heals so it can be properly tested (another long story short: I had a hemorrhage in one eye, and it’ll take time for the blood in there to be reabsorbed).

Thus, if you’ve noticed a preponderance of typos on the site of late, well, there you go. Not that life here on Progressive Ruin Isle has ever been totally relaxed and tpyo-freee, but now that my vision has recovered sufficiently improved functionality, I’m going back and noticing some egregious errors. I’ll fix ’em as I can find ’em, folks, so I appreciate your patience.

Meanwhile, this means I have a pretty good sized backlog of new funnybooks to plow through and see what everyone’s complaining about now. The thing I don’t like about DC’s biweekly schedule for some of their books is that, even though I don’t take home all that much, even a slight delay in reading the new comics, and then suddenly BAM I’m like five issues behind on The Flash or whatever. Frankly, I’ll be glad when everything gets knocked back to monthly…it’ll be so much easier to keep up. I don’t mind some biweekly books, and the way things are going, that’s where DC is basically headed anyway. In fact, now that I’m thinking about it, there aren’t too many biweeklies left. Huh.

So what did I read? Why, Doomsday Clock #7, natch:

This is it, The Big One, the issue where something finally seems to kind of happen, as Dr. Manhattan at long last makes his onscreen big blue appearance after like two something years of teasing. And yes, in answer to the question everyone’s been pondering, he does present the Full Manhattany, which would have been a first, I think, for a DC comic starring their establishing superhero characters if it weren’t for, well, you know. But all in all, a good year for penises over at Detective Comics Comics.

As I’ve said in the past, I’m oddly fascinated by this series while also recognizing the issues with it. I don’t know, I feel like Doomsday Clock is totally going to Millennium it and the final issue will be the introduction of the new Watchmen superhero team with new member Tasmanian Devil and their new leader Cyborg. …Well, maybe not, but now that the can of Watchmen has been opened, seem unlikely DC will just try to shove ’em back in there.

Oh, another specific point about this issue: wasn’t one of the points aout Manhattan’s character originally that he witnessed what was happening around him but couldn’t act on it, that he was “a puppet who could see the strings,” resigned to the inevitability of the actions he’d relate from the past? That the entire premise of Doomsday Clock and how it all relates to DC’s “New 52″/”Rebirth” universe(s) is based on him changing something he’s observing in “the past” (which for him is just as “present” as “the actual present” due to his unique perspective unbound by linear time) seems…a bit odd. I mean, I suppose technically one could extrapolate Manhattan’s ability to change things in the past at various points in the timeline as he experiences it, but…that seems contrary to how he’s presented in Watchmen, where he’s locked into a pattern he can’t change, only observe as he exists through it.

But then again, at the end of Watchmen he seems to be more willing to fiddle with things, so maybe “let me go into what you normies think of as ‘the past’ and futz it up a bit” could come from there. Then maybe he can dip into his own past and prevent that guy from stepping on that watch, preventing the whole accident that made him Dr. Manhattan in the first place. You know, so long as we’re low-end Quantum Leap-ing things in this joint.

So anyway, Doomsday Clock, it remains a thing. I was going to cover a few other recent books, but…well, let’s save that for next time.

Norm Breyfogle (1960 – 2018).

§ September 26th, 2018 § Filed under obituary § 5 Comments

A DUMMY: “Robin? Oh, please, what a silly character. There’s no way to make him serious and menacing.”


Still probably one of my favorite Batman covers. Just look at how striking that is. What a great artist Norm Breyfogle was.

So long, Norm.

Batman #457 (December 1990) – art by Norm Breyfogle)

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