Well, that was fast.
New Bloom County strip already up!
So as it turned out, I had a pretty good weekend overall, despite my worries about losing some of my regulars to the San Diego Con. I had a good flow of customers, did some brisk business on the eBays, even managed to get a headstart on the monthly Diamond order where I’ll be ordering enough of the B.P.R.D. neon signs that you’ll be able to see my store from space. And it was a warm weekend, so praise the deity or deities of your choice that I had access to air conditioning at my shop. Wonderful, wonderful air conditioning.
Anyway, comic news: there was a Batman V. Superman trailer folks couldn’t wait to hate (I don’t know, looked interesting to me…Wonder Woman’s in there, too), a Deadpool trailer (talked about here) that apparently provided at least some evidence that a Deadpool movie actually exists, the Archies are meeting the Ramones (will the Archies meet G.G. Allin next? “G.G.! What are you doing with Hot Dog?”), there’s more Multiversity coming from Grant Morrison (inexplicably not called “Multiversitoo”), and so on…
…but I think my favorite news, not from all that San Diego hoohar, is Berke Breathed returning to Bloom County! I’ve seen a mention here or there that it’s coming back as a webcomic, though I haven’t seen an official declaration of that anywhere. Maybe I’m not looking in the right places. Seems to make sense, though…given Breathed’s famous dislike of the shrinkage of strips on the funnypages, working on the web would give him all the room he wanted. Anything that gets more Opus and Steve Dallas and Milo in my life is okay by me. Again, as I demonstrated in this post here, I’m torn between “hooray, something I loved is coming back!” and “no sir, you can’t go home again,” and…yes, new Bloom County won’t suddenly put me back in high school or Reagan back in office or Boy George back on my radio (all situations I would have mixed feelings about…well, okay, I’m all for Boy George being back on the radio) but I am looking forward to seeing what new things Breathed can bring to the table with these old favorite characters.
This reminded me that we’ll soon be seeing Academia Waltz and Other Profound Transgressions, a hardcover in the style of the complete Bloom County/Outland/Opus volumes, reprinting of Breathed’s college strip and other pre-BC work. You can see the Academia Waltz strips here, and, uh, yeah, they’re definitely…um, primordial, but it’s still an interesting look at Breathed’s early development.
Completely unrelated to any of the above, I keep forgetting to mention that I helped Bully, the Little Stuffed Spacebull, with an entry in his 365 Days of Star Wars Comics feature. He even (unknowingly!) posted it on my girlfriend’s birthday! IT’S A BULL-INCIDENCE!
So I received a used copy of this hardcover in a collection I purchased the other day:
Anyway, I was a fan of Newton’s work, both on Batman and on Infinity Inc., which he had just started to work on when he passed away in 1984 at the too-young age of 49. Reading this book, I find myself struck by one thing, which will hardly be a new or original comment in regards to these sorts of reprint projects, but nevertheless it’s still an honest reaction. The pages are just too white and clean. The Young Mike that’s still rattling around in my head is expecting to be reading these stories on brown-ish newsprint. In fact, when I mentally picture Newton’s art, I imagine dark, moody images…all shadows and mystery. Reprinting in this book on bright pages with bright coloring, even the shadows look like you’re staring at the sun. …Okay, I exaggerate slightly, but still, it was a bit jarring to have the art right in front of me and contradicting my memories of same.
And before you say anything, yes, Infinity Inc. was printed on bright white paper with eye-searingly bright colors, but Newton’s sadly brief tenure there doesn’t have the nostalgic hold his Batman work has for me.
As I was writing this, another sorta unsung comics artist fave of mine came to mind that I’d like to see reprinted in a book like this. I’d totally be all over The Complete Irv Novick.
I’ve heard about some people going through and consistently maintaining and / or removing links on old posts, but frankly, it’s hard enough to find the time to keep with new posts, or sleep. And then there was the great Blogger-to-Wordpress shift I underwent in early ’10, which resulted in some formatting and archived-post issues, and then whatever that company was that was supporting the old commenting system cut that support, so links to those comments are now no bueno, I guess, and…man, sometimes I feel doing a reboot, and just starting this website from scratch. FORGET EVERYTHING YOU KNEW BEFORE: WELCOME TO THE NEW PROGRESSIVE RUIN! and then I’d never refer to anything before that date ever again.
I’m not going to do it, but, back past a certain point, my site’s a mess. I do still go back and fix links and formatting and stuff if I have occasion to link to an old post, so I’m not letting things totally fall into barbarism, but…well, just assume any super old link is probably taking you straight to a site that’ll sell you V1aG4a or promise you pictures of people inserting Tab A into Slot B.
However, I am happy to note that I still occasionally edit my very first post to make sure it’s still sending you where I want you to go. Man, had I known they’d be fiddling with those addresses every year or so, I’d have picked something else for my debut entry.
“Hey Mike, we all know you have every Swamp & Man Thing appearance, but do you collect The Heap as well? Just curious.”
Well, I don’t have every Man-Thing appearance…I do have every one written by Steve Gerber, as well as the first appearance in Savage Tales (not by Gerber), but from about the ’90s forward, I’ve been a little pickier about touching Man-Things.
That has nothing to do with the actual thrust of your question, which is all about the Heap, the original comic book swamp monster dating back to the 1940s. Sadly…no, I haven’t gone out of my way to seek out Heap comics, though I have picked up some of the latter day revivals, such as this 1971 one-shot I’ve discussed in the past, or this new version from Moonstone, or the Airboy/Mr. Monster one-shot from 1987, in which the Heap plays a prominent role, and is a great comic, to boot.
The original Heap comics are about to be reprinted in a series of three hardcover volumes, and I’m still waffling a bit on whether I can afford to pick these up for myself. My usual argument to talk myself into such things is “if I don’t get them now, I’ll probably never have another chance, at least this (relatively) cheaply,” so we’ll see. I am tempted.
“Mike, have you ever done a post about toxic Teen Titans continuity?”
Oh God, no. What I’d wished I had done is recorded pal Dorian and myself going on and on and hashing it all out and realizing that some of the time frames involved would make some of the adult characters a lot older than they should be, or that some of the lengths of time of team membership would be extremely short, or…hell, I don’t remember now. This was prior to DC kind of pushing the “sliding scale” of the Modern DC Superhero Universe to being about 20 years old, as of Identity Crisis, which I recall thinking was a slightly more reasonable time frame, given the amount of “important” events and continuity, not just for the Titans but for everyone, you had to squeeze in there.
Of course, post-Flashpoint, that scale is now about 5 or 6 years, depending on who you ask, I guess, so it’s all a moot point. And I hear tell Titans continuity has even more exciting problems now, as in some indecision whether there were previous Titans teams or not, but I leave the pondering of that question to younger, abler folks than myself.
Although I had read the introduction of the Omega Men in those three or so issues of Green Lantern, I didn’t follow them to their own series (which experienced some small controversy in its early issues due to depictions of violence, back in the “they didn’t know how good they had it” days of fandom). It took Alan Moore, a writer of some note, writing a back-up in two successive issues of the series (#26, pictured, and #27) to get me to take a look…and quite wisely, a new storyline in the main feature started up at that same time, giving Moore-ites like me a solid jumping-on point. It helped that 1) the new regular artist on the series was Shawn McManus, for whom I was developing a strong appreciation, and 2) that the comic itself was just a darned weird, creepy, and plain ol’ interesting sci-fi adventure.
As I was talking about the book with the customer, a couple of things dawned on me that, I suppose, shouldn’t have surprised me but did anyway. The actual run of that “new direction” for Omega Men, from #26 to the book’s eventual cancellation, was only 13 issues, plus an annual. It sure felt like it was longer…not in a bad way, I mean. It’s that a whole lot of stuff happened along the course of that comic, and it’s hard to believe they managed to fit it all into only about a year’s worth of stories (well, technically a year…I think some issues ran a bit late, if I recall correctly). Also, there was a Teen Titans crossover, and, of all things, a Crisis on Infinite Earths-engineered Blue Devil crossover, and an appearance in DC Comics Presents, so that probably helped in the perception of the comics’ apparent length.
The other thing that dawned on me was that the series wrapped up while I was still in high school, which doesn’t feel weird for anyone but me, I realize, but still, it seems like it’s more recent than that. Ah, well…tempus fugit, and all that.
I’ve since picked up the remainder of the series, which of course includes the first appearance of Lobo (which guides at a low $7.00, which sort of surprises me, except I suppose Omega Men print runs at the time were fairly large), and despite the occasional terrifying Kevin O’Neill art job, those earlier issues were fairly staid compared to the outright craziness of the McManus-era stories. Still fun, and worth checking out if you can find ’em cheap, which they usually are.
Those of you with long memories or are simply stalking me may remember when I wondered, when it came for this series of Bloom County strips to be reprinted in the current Complete Bloom County hardcovers from IDW, if the original versions of the strips would make the cut, or the edited-to-satisfy-busybodies versions would prevail.
I am pleased to say that the original “Dreck” appears in Volume 4 of the Complete Bloom Country in all its glory:
Also, in Write More Good news, here’s what Neil Gaiman had to say about it. And in case you were wondering: Fake AP Stylebook: The True Story. And if that’s not enough: here I am enjoying the fruits of my labor (Twitpic version if you can’t access the Facebook page).
Lots more information on this remarkably non-politically correct character can be found at the excellent Toonopedia. This comic book is actually a collection of reprints of a comic strip, and as much as I like old strips, I am woefully uninformed regarding them. Therefore, it comes as a surprise to learn in that Toonopedia article that the Big Chief Wahoo strip, which was originally The Great Gusto, eventually became Steve Roper and Mike Nomad!
And, just for the heck of it, here are some Big Chief Wahoo gum packages.
I’m still fooling around with settings. Don’t mind me.
Meanwhile, take look at this Wizard of Id strip and see if you can figure out what this situation and these characters have to do with The Wizard of Id. I haven’t read the strip in a while…did I miss something?
(post updated 7/2016)