“Yecch!” indeed.


So as far as I’m able to tell, looking at the cover gallery on the Grand Comics Database, the above issue of MAD Magazine was the very first one I (or rather, my parents) purchased new off the rack. I was six years old. I picked up subsequent issues on a more or less regular basis up until the early 1980s, as well as getting several older issues either at used book stores or in that paper sack filled with older editions an uncle gave me (discussed here just back in March). And of course, I would pick it up now and again after that, even until relatively recently.

As I’m sure you’ve likely heard, MAD is ending its run of new material, going all-reprint and leaving the newsstands for solely comic-shop sales. According to the linked article, apparently end-of-year editions with new material are planned, and the reprint paperbacks and themed collections will continue. I guess that recent relaunch with a new first issue was a last-ditch attemnpt to save the magazine, and it didn’t work. I mean, sales went up on MAD a little for me, but it appears it didn’t improve enough across the board to save it.

This is terrible news. As I said on Twitter when I heard about this, MAD did a lot to teach children about how to spot bullshit in the world, letting them know that there are a whole lot of people, and companies, and products, and news organizations, and pretty much everything else in the world, all devoted to trying to pull a fast one on you. Yes, there were just plain ol’ jokes, too, but this was the first introduction to sometimes very biting satire a lot of children were exposed to, and it makes me sad that, even as MAD‘s influence has diminished over the years, that it won’t be here at all, at least as current, topical, and more relatable material that will educate children.

Not that there isn’t lots and lots of great (and still relevant) articles in MAD‘s near-70 years of publishing. And who knows, maybe today’s youth fill learn something about Nixon, and hippies, kind of like how I did reading my uncle’s old issues. A lot of the material is just straight-up funny, and timeless, and still absolutely worth reading. But the lack of freshness and topicality…that can’t help but hurt.

Let me tell you one thing from MAD that’s stuck with me all these years. I mean, literally, for decades. There was one of those features taking on product packaging by manufacturers who were trying to deceive you, the consumer, about the items they were trying to push on you. I don’t even recall the specifics of the whole article, or even who did it (I feel like it was Al Jaffee) but one of the gags was about how the wrapping on a candy bar would remain the same size, but the size of the candy bar itself would get progressively smaller as time went by. But, of course, you couldn’t tell because the cardboard holder the candy rested in was still at that larger size. When I saw that, it was like a light went on in my head, and I was all “hey…YEAH, WHAT’S UP WITH THAT?” That image came to mind every time I bought a candy bar, or essentially any food item where the packaging size belied the actual goodies within.

It’s an unfortunate loss, but I feel like maybe, someday, a new batch of funny people wtih an askew vision will get a chance to bring it back, teaching kids how to critically view the world while simultaneously aggravating parents witih “this trash,” just like MAD always should. I prefer to think MAD isn’t gone, just resting, waiting to return to us in our time of greatest need. …Which is, you know, now, so I hope HAD hurries the hell up and comes back already.

After Swamp Thing, Sugar Plumm, and Krypto the Superdog.

Look, I’ve had a long and troublesome Tuesday, where getting another injection in the eye was one of the few good things to happen, so for today let us just contemplate the fourth greatest character at DC Comics, the dread Kryptonian Thought Beast:


You know why the fans didn’t like that Man of Steel movie? None of these in it.

Have a good Fourth of July, where applicable, and I’ll see you after.
 
 

cover to Superboy #102 (January 1963) by Curt Swan and George Klein

At the very least, we need the full on Blue Devil action we deserve.


So in episode 5 of DC Universe’s Swamp Thing, we get a character I certainly didn’t expect to see in live action in my lifetime…though to be fair, the last few years have been filled with plenty of instances of “didn’t expect to see that character in live action.” But here we are, with a somewhat more down-to-earth Phantom Stranger, though still with the hat and medallion, popping up in our favorite TV show about a hideous muck monster. (You can see a snippet on the YouTubers here 0 yes, I said “YouTubers.”) It looks like, at least in this episode, he’s taking up the John Constantine role, as he shows up in the show to help Swamp Thing understand some of his new abilities.

As much as I love seeing the Stranger appear (complete with Roy Orbison’s “In Dreams” playing on his boat radio, for that additional DC mystery comic/ reference to Neil Gaiman’s Sandman goodness), it just adds to the frustration. I wrote about it at length last time I typed excessively about the show, but knowing there’s an premature end fast approaching leaves bit of a bad taste, as getting to see all these characters and situations play out over time is absolutely out of the question. I’ll enjoy what we get, I suppose, but it’s simply going to stand as a big ol’ lost opportunity.

Just so I’m not completely down about this episode, I will note that we got a lot of clear shots of the Swamp Thing get-up, and it does look quite nice. I’m glad they remembered Swamp Thing’s red eyes. It all certainly looks a lot better than the “soggy diaper that leaks” look of the costume in that first Swamp Thing movies in the early ’80s. I’ll even give this new costume the edge over Swampy’s look in the second film, mostly because of the “red eyes” thing.

Last Monday, on the service’s DC Daily talk/news show, they ran a graphic listing topics for episodes later in the week, and for Friday they had listed “MAD ABOUT SWAMP THING.” “Whoa,” I thought or at least saying I though for ease of describing my general non-verbal feeling at the time, “I wonder if the DC Daily show is going to address the whole ‘Swampy Got Canned’ sitch.” Given that the program is a promotional tool for the DC Universe service, and for DC publications, movies and other TV shows, it seemed unlikely we were going to see any hard-hitting investigative journalism regarding the abrupt cancellation. But still, that “MAD ABOUT SWAMP THING” title had me wondering.

Well, okay, as it turned out, it was folks from Mad Magazine riffing on Saga of the Swamp Thing #29, the first part of the “Arcane Returns” storyline, so it had nothing to do wtih the TV show at all. But I do wonder…you’d think eventually the show’s ending would have to be addressed, somehow. I just wonder how they’re going to do it while still maintaining a positive spin on the whole endeavor…or if maybe episode 10 rolls around, and the DC Daily is all “that was great! Can’t wait to see where it goes from here!” and just straight up never mention it again. It’s a tricky thing to handle, and it has me honestly curious about how they would go about approaching an admittedly difficult topic. …I still think just calling it a “mini-series” is still a good idea.

And reading Chris Ware comics was definitely out.

So for a while there, because of my eyeball situation, even aside from those moments of bits of blood from post-operative bleeding entering my eye, diffusing throughout it, and obscuring nearly all my vision, my ability to see things at a certain size was heavily curtailed. Now, for general things, like grading conditions of comics…okay, that was difficult, but on good eyeball days with proper lighting, I was able to do it.

The trick was reading the price guide. Even before the full extent of my eye health was clear to me, I was having trouble focusing on the tiny print in ye olde Overstreet. That’s what pushed me to finally buy a pair of simple reading glasses, about two years ago. They were pretty close to about as low-power as they come, +1.25, and that resolved the price guide pages to a nice non-blurry image.

Well, once the ol’ eyeball shenanigans hit in full force, that first pair of glasses didn’t do it any more. I slowly moved my way up to stronger and stronger lenses, picking up a variety of readers at the local dollar store, unable to get a real prescription until my vision problems settled down. Eventually, I had to resort to using a magnifying glass. And, eventually, in the most recent incident, where what was my good left eye had its own hemorrhage and I had to depend on my still-recovering-from-multiple-surgeries-and-already-weaker-to-begin-with right eye, I was barely able to see the prices on the page at all. I ended up having to use the camera function on my phone, hovering it over the page and zooming the picture in ’til I could read the text. Sometimes, I’d just take a photo and blow it up on the phone ’til I could read it, if I had a lot of pricing to do.

During all this, I could still see well enough to function, aside from, as I mentioned, those incidents were a small bit of blood would cloud the eye. But as I waited for my left eye to clear, my right eye was good enough to read prices on comics, see the register, grade stuff, read emails, watch television, tweet dumb stuff, blog dumb stuff, whatever. Wasn’t good enough to drive, and I depended on rides from my dad and my girlfriend to get to and from work, but what can you do.

However, I’m pleased to report that my left eye is finally just about recovered. There is still some mild hazy spots in there as the remaining blood continues to cycle out, but I’m back to being able to read the price guide again with just plain ol’ reader glasses (+2.50, but I’ll take it). And, at long last, I’m starting to read comics again.

Okay, not a whole lot…I spent a lot of time organizing the “to-read” stack I accumulated while my eyes were unable to absorb any four-color fun. This was on top of the unread stuff I’d sort of accumulated over the previous several months, as my reading speed steadily decreased due to my fading eyesight. But I did read a couple things.

A while back I read the new issue of Doomsday Clock, which I’d blogged about. Now that I pretty much had to do with a magnifying glass under a bright light to make out the lettering, so it was something of a chore. (Yes, yes, beyond the fact it was Doomsday Clock I was reading, I know.) But within the last couple of days, I did read on of those ’70s Charlton Popeyes I recently obtained, and I finally finished Heroes in Crisis (a story with good intentions, I think, but lots of “running in place” and a character development in the tradition of “let’s spend a decade or more trying to fix Hawkman/Hal Jordan”). I also read the opening pages of Superman: Year One, which I didn’t have time to finish right then, but will get back to it soon as I find the time. (Liked the opening sequence with Baby Kal-El’s perspective on the destruction of Krypton and flight to Earth…haven’t got to the bits everyone apparently hates yet.)

So anyway, I have lots of reading to catch up on. My eyesight went south just before that concluding issue of B.P.R.D.‘s long storyline, which I’d been looking forward to, and the last issue of Scooby Apocalypse, which I’m going to miss. Plus I”ve been missing all those Grant Morrison Green Lanterns…man, having eye troubles when you own a comic book store is the worst. I don’t recommend it.

Here’s hoping things continue to improve…and stabilize, so I can get some proper glasses. Until then…nobody spoil the last few issues of Justice League, since I’m way behind on that, too.

“Destruction of the Comic Book Universe” is a pretty good name.

So there I was, just searching the term “comic book” on the Amazon Music app, as one does, when this came up:


Now I realize this may not be new to some of you, but given that my musical awareness pretty much had an expiration date of sometime in the early 1990s, this 2015 release from Jahmbi featuring a design inspired by Watchmen was a surprise to me.

Their Facebook page describes their sound as “METAL (Experimental),” and you can see just how experimental by trying a sample here. You may want to keep your speakers turned down low until you can gauge the volume of what is about to ensue.

Anyway, just one more thing to note in the ongoing list of strange Watchmen ephemera.

All the news that’s fit to get around to eventually.

Okay, first off, right now it looks like everyone’s all “woo-hoo, it’s the 30th anniversary of that first Tim Burton Batman movie starring Prince” and I’ll have you know I’m so ahead of the game, I posted about that film for its 28th anniversary! Take that, Batty-come-latelies! Anyway, I even created a special category for those posts where I talk about my retail memories of that exciting time when the words on everyone’s lips were “Mr. Mom is Batman!?” so be sure to click on that link there and bask in the nostalgia.

Now, one of the problems of doing a comics blog that updates usually about three times a week (or less, depending on which of my eyeballs has exploded this time) is that I don’t tend to concern myself with the day-to-day Hot Comical News that’s all the rage on your Mastodon incidents and no other short-form social media sites. I figure everyone else has got it covered, no one’s coming to my site for anything hot off anybody’s presses, they’re coming here to see me talk about Frank Miller’s The Spirit or Swamp Thing or whatever. I mean, after Journalista folded, I tried once or twice to do big ol’ linkblogs to “hey here’s what’s going on” but quickly learned that was the sort of thing I enjoyed seeing other people do, not, you know, do myself.

But occasionally things come up that I have to say something about, like this relatively old but surprising news that the Seaboard/Atlas Comics of the 1970s, mostly notable for launching big then, um, flaming out, have been optioned for movie/TV deals. And I gotta be honest, my first thought when I heard that was “every single other comic book thing must have been taken” — and please don’t take that the wrong way. I adore those Atlas Comics. I’ve written on and off about collecting them here on the site…and I’m about 80% of the way to having a full collection, so this movie news kinda irks me a bit in that I’m sure the issues I still need will suddenly get cranked up in price.

But back to my point that this seemed like a really strange thing to do. And that’s coming from someone who does like these comics. I’d love to see what they’d do with a Grim Ghost movie, for example, even though the reaction would likely be “that’s just a rip-off of Spawn!” grom the grandparents in the audience old enough to remember the Spawn movie. I mean, I guess some characters might be fun to see in live-action…in discussing this with a customer he mentioned that seeing Morlock 2001 on the big screen would be something else, and by God I can’t disagree. And I think Ironjaw would be kind of amazing as well. So, who knows, I shouldn’t judge too harshly. It’s still pretty surprising…who saw that coming?

Another thing announced a little more recently was the impending return of the Legion of Super-Heroes, and there are a bunch of reports about it on the Googles, but I’ll link to this one because it talks about some tie-in Flight Ring replica merch. I mean, good, I’m all for a new Legion series…they’ve been teasing the Legion, after an extended newsstand absence, in Doomsday Clock, but it’ll be nice to just have a full-on Legion of Super-Heroes title on the stands again.

That said, I don’t know if I’ll be back for it, personally. I hope it does well, I hope it gets a new audience that’ll stick with it and not peter off after a year or two, requiring yet another relaunch. I stuck with the Legion books for a long time, and enjoyed them best I could, but finally gave up after relaunch and reboot and re-whatevers…I didn’t pick up the New 52 titles, and frankly I don’t think I ever finished reading the last couple of issues of the incarnation just prior to that.

The thing that might get me to try it out is 1) the artist, Ryan Sook, seems well-suited to the title, and 2) I have enjoyed the writing of Brian Michael Bendis on the Superman titles, and his take on the Legion may be…”modern” enough, for a loack of a better term, to get the attention of current comic fans, and maybe break the perception that the Legion is a relic of an older time in comics. Well, when you get right down to it, all superheroes are relics of an older time in comics, but anyway.

Like I said, I hope it does well, and I hope it lasts a long, long time, in a marketplace where publishers don’t keep their comics running for a long, long time. One of the things that appealed to me about the Legion was the idea that there was a line you could draw from that first appearance in Adventure Comics #247 in the 1950s to the (then) current pre-first reboot issues. That the “Five Years Later” Legion was the same Legion that had, at one point, had to deal with the Fatal Five or the Super Moby Dick of Space or whathaveyou. That the characters and relationships and such had a continuity to them, a history, that you could see where they’d come from and wonder where they were going. (See also “X-Men.”)

That’s not a feeling that’s going to be replicated in a new series, I realize. Too much water under the bridge, too much resistance to giving readers a new book with a steep learning curve and the idea that “you’ve already missed a lot of what’s happened.” Not saying a new Legion can’t been good, just saying it’s not going to give me that ineffable essence of what I enjoyed about the original Legion, which can’t be helped.

Okay, I typed too much and my eyes need their beauty sleep, but let me just touch upon DC’s recent reorganization of their publishing imprints. We’re down to just plain ol’ DC for their main line, DC Kids for kids what read the DC, and “DC Black Label,” which basically replaces the to-be-shuttered mature-readers, occaionally creator-owned Vertigo label. That makes sense, I suppose…DC’s Black Label books have been a sales success of late, whereas the Vertigo brand doesn’t move books like it used to, just by virtue of having “Vertigo” on the cover. I’m sad to see it go, given Vertigo outlived the other similar imprints from DC and Marvel, like “Helix” and “Icon” and…does “Barkerverse” count as an imprint? Let’s say it does, just to annoy you.

I guess that’s fine, which I’m sure relieves DC to no end. But I kind of wish the Vertigo label would stick around, but if a whole series of Sandman-related titles couldn’t revive it sufficiently for DC’s tastes, I guess that’s that. Gonna be strange seeing the Black Label logo on preacher and whatnot. I do wonder what’s going to happen to the Young Animal imprint…I presume that’s Black Label now, though the “Young Animal” thing actually does get in new readers looking specifically for those. I haven’t read every news story on the topic, so I presume somebody covered this somewhere. Same with “Wonder Comics” Maybe the new imprints will have sub-imprints? EDIT:: Yes apparently so.

Oh, and in other news, the Swamp Thing TV show is still canceled. The jerks.

Yes, yes, and the “blonde Latina” thing.

Okay, I’m going to tackle another inquiry from the last time I took questions from you folks…but first, I encouragge you to look at the responses to Monday’s entry. Some alternative watchlists for the Marvel Cinematic Universe, incorporating ideas/arcs I didn’t consider, and some discussino of just why Kryptonians weren’t all that into space travel. I know comment sections can be a nightmare on the internet sometimes, but I’m glad my readers here are thoughtful, interesting, and funny. Thanks, pals.

• • •

Dave’s here, man, with this

“I am lately having resurgence of love for work of John Byrne. Re-reading all his old stuff! So I’d be happy to read about what you think of Byrne’s stupendous output. Like what is favorite/least favorite, if you ever met him, anything about John Byrne really (except X-Men).”

Now, John Byrne…that’s definitely a thing. I’ve never met the man, but some of his commentary online that one came across from time to time, specifically from his message board, would strike me as…..well, it would range from “inadvertently funny” to “downright disagreeable.” A lot of it struck me as the words of someone who didn’t much like where the industry is heading or his place in it, and, yeah, sure, I can understsand that, but then he’d gripe about how calling the heroes “Supes” or “Bats” was diminishing to those characters, and…well, look, I really shouldn’t be trying to turn you off there. You clearly enjoy his work, and I enjoyed his work over the years, and in fact wish he would do more comics work.

The last regular gig he had was Photoshopping Star Trek fumetti comics for IDW, but it looks like that’s pretty much over. I often think, in the back of my mind when Marvel and/or DC are looking to relaunch something, “why not bring in Byrne?” I always thought he had a good track record of getting down to the core of a character or concept, and making it work in a fun and accessible way. That’s the whole “back to basics” thing he was known for throughout the ’80s. Could be his style is a little…less contemporary than publishers thing modern readers would like, but maybe a little old-fashioned comic booking wouldn’t be entirely unwelcome nowadays.

I didn’t read everything he did, but I did read a lot. I read his early Doomsday +1 series he did for Charlton (in the Fantagraphics reprints), I was the one guy that bought Lab Rats, I think Next Men still holds up, the New Gods/Jack Kirby’s Fourth World was fun…in fact, any time Byrne was working on Kirby creations, it felt like he was really in his element.

Speaking of which, my all-time favorite work of his is still Fantastic Four. It remains, for me, the definitive version of the book (outside of Lee ‘n’ Kirby, of course). The “back to basics” idea I mentioned above basically came from here. I loved his versions of Doctor Doom and Galactus, and I especially loved his renidtion of Aunt Petunia’s favorite nephew, the ever-lovin’ blue-eyed Thing. (It’s because of Byrne that every time I see another artist draw the Thing with a neck, I think “WRONG WRONG WRONG!”) It remains a nostalgic treat for me…scenese from those comics still solidly live on in my head.

The weirdness of Alpha Flight was a close second. Though I often praise the Bill Mantlo/Mike Mignola run following Byrne for its heavy body-horror tone, which is very unusual for a mainstream superhero comic, I think Byrne’s take on a “non-team” team book, where the characters rarely all unify for a single adventure, still made for some compelling reading. Given that the characters weren’t Marvel first-listers, or even second-or-third listers, Byrne seemed to have a bit more leeway with what he could do with them, including the sudden (and seemingly permanent) demise of what seemed to be the primary character. Er, SPOILER, I guess.

And of course one can’t forget the Superman reboot from the mid-1980s. He was one the books for about a year, but he managed to get a lot of material out onto the stands before he moved on. It was definitely a strange feeling to be reading Superman comics at the time with a consistent direction and creative team(s), shorn of all past history. “Back to basics,” once again. And it was this version of the character, this “post-Crisis” Superman that, despite New 52s and Rebirths and Zero Hours and whatnot, still basically exists today. I mean, more or less. You can still sorta follow a thread from Man of Steel #1 to the most recent issue of Superman. It’s a little knotted and tangled and the occasional piece was cut out and the ends spliced together, but the thread is there.

Now, “least favorite” is a little more difficult. I haven’t outright hated anything…there are works where bits and pieces I didn’t care for, but generally nearly all his work has some entertainment value. I suppose there’s that FX series he did back in 2008, but that was over someone else’s script and it mostly was “not memorable” more than “bad.” And I guess maybe that OMAC mini he did…despite his usual affinity for Kirby characters, I wasn’t particularly enthused with this one. Ah well, What Can You Do?

Also, for a time he was doing commission work, and a lot of that was downright beautiful. Seek those pages out to gawk at them, if you can.

So in conclusion…Byrne: so long as I don’t look at what he’s written online, I can still mostly enjoy his comics. There are some bits of his stories that…tend to get picked apart pretty thoroughly online, and deservedly so, but overall, it’s a long career filled with a lot of good work. And maybe someday, he’ll get to add to it.

Not what I was expecting.

So if you follow me on the Tweeters (and why would you…er, wouldn’t you) you probably saw this entry where I point out a couple of comics of note that recently came into my possession. Namely, the original Avengers #1 and the original X-Men #1, soon to go up for sale!

Now, don’t get me wrong, it’s great to have them around (as well as the second isues of both, also acquired)…it’s early superhero Marvel, about as “key” as a “key” book can get, and they’re not in…half-bad condition. But the thing is…I’ve had ’em before. I’ve seen plenty of copies of both of these over the years. Not saying I don’t appreciate them or having them around, but I always like it when I find something brand new to me…not necessarily rare or expensive, but something elusive. Something I’ve never seen in person before. Something like this Barbie and Ken comic from 1962, based on the toy doll line:


That’s issue #2 of the five-issue run from Dell. I’ve seen pictures of them, but have never actually held one in my hands. Far as I can tell, given the state of my still-healing eyes, it’s nicely illustrated, and Barbie has very much a “doll” look to her, natch:


Don’t know if there have ever been reprints of these on better paper at some point, but the art could use a better showcase than decaying old newsprint.

But still, amongst the ’60s war books and Superman issues and those early Marvels, it was certainly nice to discover this unexpected treasure.


I’ll say it was a surprise!

But don’t skip Howard the Duck.

Okay, let’s start dipping into some of those questions you all left me…if you want to join in the fun, or “fun,” feel free to add your own ’til the comments section there shuts down automatically after how ever many weeks I set it for. Look, I can’t remember everything.

Roger Owen Green ties everything together with

“I were to watch all the MU movies in order which one(s) could I skip?”

Hoo boy. That’s a toughie. I mean, if you just want the core “state of the Marvel Cinematic Universe” flicks, you could just watch the Avengers films, since everything either leads into or ties into that. If you are just looking to skip the…well, none of them are particularly bad as such, but certainly some are less essential viewing than others, I guess. But if you’re committing to watching them all anyway, you might as well not skip the second Thor movie, right? What’s two more hours?

I mean, if you’re really pressed for time, skipping the second Thor momvie and the second Iron Man movie would probably not affect your MCU world-building too much. Also, I’d say “skip that second Avengers movie, too” but like I said, that’s kinda part of the backbone of the whole thing. Maybe fast-forward through it.

• • •

Paul Di Filippo falls out of bed with

“How can you account for the virtual extinction of Welsh Rarebit and the lack of dreams derived from the consumption thereof?”

Sir, I would blame the lack of sufficient newspaper space for the funnypages to properly contain the brilliance of Winsor McCay. Imagine this, sequeezed down to three tiny boxes right next to, I don’t know, Marvin. Do they even make Marvin any more? I mean, don’t tell me, I’m not that interested, but then again, strips do exist that can fit their weird genius into limited space. Who knows what McCay could have done?

• • •

ScienceGiant looms over me with

“Has Superman ever brought up Lori Lemaris to Aquaman, or is he all now-I’m-just-somebody-that-you-used-to-know?”

I don’t know that he’s ever specifically mentioned his mermaid friend to the King of the Seas, but I do recall that DC established fairly early on that there were two…Alantises? I don’t know that both their realms were called “Atlantis” specifically (though in the early Silver Age Lori and Aquaman each claimed to be part of the Atlantis home team. But when Marvel started breathing down DC’s neck with their own slightly more consistent shared universe, I think the official DC continuity explanation was that they were both of Atlantis origin, but there was a split of some kind into “mer-people” and “people-people what could breathe underwater.” Pretty sure Peter David’s Atlantis Chronicles covers this, if I recall correctly.

You know, I bet the Wikipedia entry covers this somewhere. Let me look.

[TEMPUS FISH-IT]

Okay, I did find this page which lists a couple of times that Lori met Aquman (and I also forgot about this Justice League of Atlantis thing) so they totally me. And there’s a reference in the Lori Lemaris Wiki entry to the character looking for other lost Atlantean cities in her first post-Crisis appearance, so there’s your textual support for that.

So unfortunately I haven’t read every Lori Lemaris appearacnce, so I don’t know if there is specifically a panel somewhere with Superman bringing her up to Aquaman and asking “so where’s YOUR fishy half?” but I suppose there’s something like that somewhere.

ª ª ª

Chris works the room blue with

“While they always shuffle around the reasons depending on the era, I always wonder why a super smart race like the Kryptonians really whiffed at the whole exploration/colonization of the stars. Has there ever been a satisfactory reason/story as to why DC’s cosmic realm is so fraught with danger, despite space mall cops in every sector?”

I think the main reason is so we don’t have a universe populated with super-Kryptonians. Keeping all down on the farm when the planet exploded establishes the main premise, that Superman is the Last Son of Krypton and we’ll never see any other Kryptonians, ever (except for Supergirl, and the Phantom Zone villains, and Krypto the Superdog…). The in-univesre excuse I seem to recall was that there was some genetic problem in them, that kept them from being able to leave the world’s orbit without dying (which somewho Kal-El was able to avoid)…that may have been in one of Elliot S! Maggin’s novels. I also assumed there was an implied xenophobia in John Byrne’s portral of Krypton in his 1966 Man of Steel mini-series. My guess is that the reasons given for the Kryptonias didn’t split their plenet tend toward “there’s something wrong with them” rather than “the universe is terrible so let’s stay home.”

Okay, had to once again look at a Wiki page (“Hello, and welcome to ‘Mike Rewrites Portions of Wikipedia for His Blog'”) and it brings up “xenophobia” and a genetic inability to leave the planet as well, so I was remembering some of that correctly.

Also, I’d bet after Brainiac showed up and stole Kandor, the Kryptonins were all “NOPE TO SPACE, THANK YOU,” and who could blame them?

• • •

ENOUGH QUESTIONS FOR NOW. More answers in…the future!

I realize the phrase “following up on my Swamp Thing post” doesn’t exactly narrow things down.

Following up on my Swamp Thing post, I should note that there are further reports about what may or may not have happened regarding the show’s cancellation. First it was “somebody messed up the tax credit,” then it was “they weren’t getting enough tax credit,” and now it’s “powers-that-be thought the show was a stinker and cut their losses.” The show’s getting plenty of good reviews now, but it’s probably too late for them to change their minds. Anyway, I have no idea what the full, real story is, but in the meantime, one of the My Little Ponies, a “community manager” at DC Universe, tries to keep things upbeat, as is the way of said ponies.

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More Swampy follow-up: after noting here and discussing further here that DC’s digital versions of certain Swamp Thing issues feature incomplete artwork or missing captions, BobH asked if the same problem was still in the print edtion. And yes, after getting Swamp Thing Book One TPB back in stock, I was able to check and…the color-hold image is missing from the reprint of #21, and the “and meet the sky” caption is still missing from the end of #24. Don’t worry, everyone, I’m sure they’ll have this fixed by ther time Swamp Thing Season Two shows up on DC Universe.

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Hey, look at this thing that showed up in a collection on Thursday:


And here’s the back cover, because why not:


I immediately recognized this as an Ods Bodkins book, featuring the work of Dan O’Neill, but quickly realized it was one I already had, albiet in the diffeof trent edition. It was, in fact the first edition, from 1969, of Hear The Sound of My Feet Walking..Drown The Sound of My Voice Talking. I discussed the book, or at least my edition of same, a couple of times on the site, including way super-early on, back when people read blogs. And I brought it up again a mere 12 years later when I decided my site needed a nice big scan of the cover.

It’s quite a bit larger than my copy (it’s about the size of one of those treasury edition comics) and there appears to be a page half covers in red ink. Not “oopsie we splashed some red ink on this page,” but literally “here, have a giant solid block of red for just that one page for some reason.” I’ll need to take a closer look and see what’s up with that…or just straight up keep the book, since I love “Ods Bodkins.” …Yes, I’m the guy.

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So about the Will Eisner “Spirit of Comics Retailing” award my shop was nominated for…well, you can read the whole tragic tale here on my store’s Facebook page. If you eschew Facebook, and if so I salute you, the short version is: got the paperwork a while back, decided to hold off dealing iwth it ’til my eyes were a bit better, checked the due date, waited a bit, eyes are reasonably better, got out the paperwork again, realized I misread or misremembered the due date and now it’s too late to enter. Well, great.

On the other hand, if I tried to complete the paperwork and take the necessary photos and make the necessary video for the award application on time, I would have had to done with eyes that on a good day were barely adequate for my regular day-to-day stuff, and occasionally completely obscured leaving me with hardly any vision at all. So, let’s call this a “mixed blessing,” and should someone make the horrible mistake of nominating me again next year, hopefully my eyes will be back in business for good and I can give the award whatever attention I can manage.

And like I said in my Facebook post…my eyes are finally getting better. Both eyes. At the same time. Not “one eye’s mostly okay, the other completely blind” or anything like that. This is the first time I’ve had reasonable, though still a bit to go, vision in both eyes at the same time in over a year. Barring any more surprise sets (crossing my fingers ande my corneas) everything should be good sooner rather than later. Yes, I realize I’m jinxing it.

I can’t really call myself an “Eisner nominee” since I won’t be in the running, but it’s nice that someone thought well enough about me to throw my name into the hat. I’m not the biggest or most media-present store out there, but I am a guy who likes to sell comics, has a store full of them, and has done this for a long time. That I still get to do it is certainly an award in and of itself.

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Don’t forget…I’m still taking your funnybook-related questions and post topics! I’ll probably start on them next, so be sure to tune in on your Internet Radio Box for that.