I know I promised something funny this time.

So Wednesday afternoon, a lady from the city came by to make sure my store had all the proper COVID-19 awareness signage and procedures in place, telling me that she hopes to get the go-ahead to let stores open to the public again by the weekend.

Thursday morning I received an email from the city, telling me “so long as you did [all the things the lady on Wednesday told me to do], open on up.” And that’s how Sterling Silver Comics is once again open to walk-in business, so long as you’re wearing a mask and trying to stay at least six feet away from anyone else.

I mean, that was a complete surprise to me. It was only a week or so ago that we got the okay to do curbside pickup. I was sure I’d have to keep my doors locked during the day for about another month or two. Huh, go figure. At least now I have a fightin’ chance at paying those invoices I was worrying about last time.

It’s welcome news, I mean, at least financially for me. But it’s really going to depend on how well people continue to protect themselves, and not get lax about it just because things look like they’re returning to some semblance of “normal.” First guy in the door on Thursday, a longtime customer of mine, didn’t have a mask…I told him next time he’s gotta wear one, and since he’s not one of these “BUT MY FREEDOMZ” disease-vectoring yahoos I’ve been seeing on the news, he agreed. Rest of my customers that day were sufficiently covered however.

All this said, I’m still offering curbside pickup and mail order as options, if folks would rather not venture in public spaces, which I totally understand. Plus I’m still doing these 30 for $20, or 75 for $45, packs of random comics, because I’m trying to clear out my backroom. And I’m taking your want lists, and I’m still putting stuff up on this Google sheet in lieu of an actual database, so let me know if you want anything off there.

Look, I wasn’t trying to trick you into reading an ad for my store. But these are hard times for comic shops, and even though I was lucky to hang in there so far during this epidemic, I still need to shore up the ol’ cash flow.

Sigh. You know, when I first started this blog I wasn’t planning on ever bringing up that I worked in a comic shop. Now look at me.

I’ll try to post something funny next time.

This is the week that the major comics distributor, Diamond Comics, is starting up said distribution again, getting new comics into shops. After having relatively small shipments of just new DC Comics over the last few weeks from an alternative distributor, I suppose it was time to start gearing up the shop for these larger shipments coming in…though as it turned out, even Diamond is moving slow at first, easing back into the business.

Now Diamond wasn’t shut down entirely over the last couple of months, as they were still distributing reorders so long as you asked for them to be directly shipped from the warehouse…as opposed to having them sent with your regular weekly shipments, of which there had been none of late. My mistake, of course, was that the day before Diamond announced it was putting their weekly shipment on hold, I put in a largish reorder that I asked to have sent with the weekly deliveries. And of course there were lots of special requests in that reorder, so I had a lot of apologizing to do to those customers (all of whom were understanding and patient, thankfully).

The big issue is being able to take in enough income to cover the invoice costs each week. Not a problem right now, with small shipments (in fact, pretty much covered the week’s new comics costs with just my Tuesday sales), but based on coming weeks, it looks like New Comic Days will be approaching pre-shutdown levels. The trick here is that my store, like many retail stores in California (and elsewhere in the country) I’m closed to public access by government decree. I can do curbside pickup, so I’m very much encouraging folks to take that option and get their comics right quick so I can keep paying those gimmicks they keep sending in the mail called bills.

Again, not much of an issue now, but if I’m gonna be getting new larger Diamond invoices and I’m still keeping the customers out..well, that’s gonna be rough. The good news is that I did finally receive some financial assistance from the Binc Foundation…not, like, enough to keep my store afloat for months or anything, but hey, it ain’t nuthin’ and it’ll come in handy. Now if I could get that Paycheck Protection Program money or that Small Business Administration disaster relief grant, I’d be in a lot better position. Pretty sure cruise lines got all the PPP money, but maybe they’ll find some spare change behind the cushions in the chairs in their lobby to cover my payroll…which is, like, me. I’d like to, you know, maybe pay myself again someday.

Okay, it’s not quite as dire as all that…early indications are that my good and kind customer base are all ready to throw their comic dollars at me to keep me around, which is nice. And I’m keeping a close eye on orders, making sure things are cut down enough to not overwhelm me with costs, but not so much that I don’t have anything to sell. It’s a tricky line to straddle, but it’s gotta be done.

I mean, with any luck, like Diamond’s promotion for their return says, my comeback will be bigger than my setback, but it’ll take a while to get there. Like I said when all this started, I think for me, personally, Diamond ceasing distribution for a brief period was the wise choice, as it didn’t stick me with weeks and weeks of full orders I wouldn’t be able to move and fulls invoices I wouldn’t be able to pay. But I know that likely stuck stores that were still able to remain open with vastly reduced incomes while having to make rent and payroll and pay utilities, etc. Not sure Diamond had a whole lot of options, and I’m sure none of the options they did have would have made everyone happy.

As far as I can tell at this point, my business will be able to make it through this, which is very lucky for me. A lot of other comic shops, and just businesses in general, won’t, and it’s just a damn shame things had to get this bad.

Oh hey, Tony “Leave It to Beaver” Dow directed some of these.


So in response to my brief description of the original 1990s Swamp Thing TV show, Brian wondered:

“‘Off-putting’ how? I have never seen this show, but have always been curious about it. Thanks!”

You’re welcome!

I thought about this question a lot over the weekend, actually. Mostly along the lines of “why did I say it was off-putting?” And to be completely frank, I couldn’t really put my finger on it. It had been years since I’ve seen episodes of the series, after all (even with the DVD sets…more on that in a moment), so I couldn’t remember any specific examples. Maybe I was conflating Swamp Thing with other late ’80s/early ’90s direct-to-syndication series that, to my mind, haven’t really aged well in my memory (and perhaps in reality)?

Well, there’s only one way to find out, isn’t there? BUST OUT THE SWAMP THING TV SHOW DVD SETS.

A couple of confessions here…last time I noted that I had the full run of the series on DVD. I was mistaken. I have “Volume 1″ (containing seasons 1 and 2” and “Volume 2” (containing the first 26 episodies of Season 3). Yes, there were some broadcast shenanigans apparently, resulting in what amounted to a very long third season. I don’t know, don’t ask me. But the end result was that, I dutifully bought those first two sets and never did get around to getting that last set. I seem to remember thinking “ugh I haven’t even watched these first two sets, I’ll get that third one eventually, I’m sure it’ll always be available for cheap.”

And yup, soon as I realized, like, this weekend, “oh yeah that third set, I need to get it” and tried to look it up, of course it’s out of print and not available. Not even on eBay, where out-of-print items go to get listed at stupid prices. Thus have I fallen down on my job as Swamp Thing Fan, but I imagine I’ll get a copy of this Volume 3 someday. On the other hand, when searching for that third set, I did see the DVD collection of the cartoon was being offered by multiple sellers for about $60 a pop. Take it from me, kids…don’t pay $60 for this. It was barely worth the…what, ten bucks I paid?

Okay, second confession…I think I’ve barely watched these discs. I did watch the special features (interviews with Swampy’s cocreator Len Wein and Swamp Thing himself, Dick Durock), and a handful of episodes, but I don’t think I ever made the commitment to watch them all straight through. I did watch some, and I certainly watched episodes of it when it was on actual broadcast TV, with commericals and everything, like some kind of savage, so I have experienced the show. But it’s been so long since the show was originally on the air, and probably a good decade or so since sampling these discs…I honest don’t remember a whole lot about them.

I did recall a couple bits…the opening title sequence and narration (“DO NOT BRING YOUR EVIL HERE” and Swamp Thing’s obviously animted eyes at the end), and, what I think may have been the element (heh) of the show that gave me the impression of its off-puttedness: Swamp Thing’s voice. It was modulated or altered somehow, giving it this odd almost metallic sound which seemed out of place given the nature-oriented being Swampy was supposed to be. Kinda like autotuning, only without the pretense of attempting to be musical. Points I guess for trying to do something different, given that in the Return of Swamp Thing film it seemed like they did literally nothing to the character’s voice, but the sound grates just a little.

My other memory of those show is that they did their level best to avoid showing the actor, the previously noted Mr. Durock, in the full Swamp Thing get-up. I had a specific recollection of someone talking to Swampy while all you could see is his head poking up over some shrubbery or whatever. And to be fair, in the two episodes I sampled on Sunday (season two’s “Birth Mark” and season three’s “Night of the Dying”) Swamp Thing did indeed show up in full regalia when necessary. Now it could be I’ll see some time/cost saving measures of our hero standing behind walls and stuff and only showing his head in other episodes, but we’ll see, assuming I keep watching these.

And, you know, I might. The episodes I watched…weren’t the greatest TV shows I’ve ever seen, but they were pleasant enough. It’s kind of nice to watch a superhero-based live action adventure show that’s only a half-hour long (AKA about 20 minutes without the commercials) so we’re in and out of the story quickly enough before you start thinking things like “this is kind of dumb” or “enough of all these ordinary people gabbing, when’s Swamp Thing showin’ up?”

One of the episodes, “Birth Marks,” introduced “Abigail,” played by an as-I-recall-embarrassed-by-it-later Kari Wuhrer, and of course Swamp Thing aficionados know, characters named “Abby” are of some importance in the Swamp Thing mythos. I haven’t watched enough of, or recall enough of, the show to know if there’s any similarity to the comic character beyond the name, but she does have mysterious psychic powers, recalling those issues of the first Swamp Thing comic book series where Abby Arcane evidenced some strange abilities of her own.

Also, the first credited actor in the show is Mark Lindsay Chapman, who plays “Dr. Anton Arcane,” and as I recall, in addition to the episodes I just watched over the weekend, he’s the main bad guy in pretty much every installment. Basically, he’s the star of the show, it looks like, which is fine because he’s a fun bad guy. There’s also a passing reference to Jason Woodrue in “Birth Marks,” so I’m looking forward to see how they deal with him. I’m guessing not a weird alien plant dude?

Continuity appears to be light, but not nonexistent. As I said, “Birth Marks” refers back to Woodrue, and “Night of the Dying” flashes back to a previous episode. From what little I’ve seen, there’s a light attempt at keeping things connected but not in an overt soap-opera style parade of subplots and character development that became the going style once it became progressively easier for people to watch TV without having to sit in front of the box when the show was on (and without having to program a VCR).

So Brian…I may have jumped the gun a little calling this “off-putting.” I mean, I can get used to the voice, and the Swamp Thing’s costume is…clunky, but I can deal. I enjoyed Swamp Thing as a prime example of a kind of TV adventure program that was very much of its time. Not deep, but fun, and I’ll try to watch more and finally get my money’s worth out of these two sets. And look forward to paying too much for that third set.

The archnemesis of Rolling Stone Boss.

Speaking of Swamp Thing showing up in places you wouldn’t expect, I was speaking to longtime ProgRuin reader Wayne (buy his books!) and he let me know that for seemingly inexplicable reasons, the retro-TV channel MeTV has a Swamp Thing shirt available for sale in their online store. I already own that particular design, natch, but it struck me as odd as well, since as Wayne and I thought, Swamp Thing‘s various video incarnations (old non-sweary TV show, cartoon, movies) don’t seem to be candidates for their usual programming. I wondered maybe it had something to do with the Svengoolie program, which specializes in presenting horror movies of, shall we say, varying quality, though I imagine I would have heard from about a million people if Swamp Thing made it on there.

But after some extensive Googling, it would appear…maybe we were wrong about Swamp Thing not sharing a channel with Columbo, Gilligan and the Skipper, and Barney Fife. (Though wotta crossover that would be, right?) Doing some searching, it seems that the older Swamp Thing live-action show was part of MeTV’s “Red Eye Sci-Fi” lineup. There are even a couple of articles I found on MetTV’s site from 2017 discussing the series, such as their “8 Muckracking Facts” or their motivational posters. Look, apart from anything else, at least those articles gave me the term “Moss Boss” for ol’ Swampy, and for that alone we all owe ’em.

No idea if Swamp Thing is still on MeTV, or even rerunning anywhere. Half surprised it hasn’t turned up on the DC Universe streaming service yet.

I don’t know how much of the show any of you have sampled. It’s…well, there are lots of episodes, so if you’re into it, lucky you. I own the DVDs, and have owned them for years, but still haven’t watched them all the way through. It’s…rough going at times, and not because “oh my they changed this and that and the other thing from the comics,” but because it’s just a hard show to watch. Everybody does their best, but it’s just kinda muddled and occasionally off-putting. Now granted it’s been a while, so maybe I’m just being harsher on it based solely on my fading memories more than the actual experience, but it’s just one of those things I never find time to revisit.

Anyway, if you’ve been in need of a Swamp Thing shirt for a special occasion, here you go. It’s a nice design, recommended for all formal events and gatherings, once we start having those aqgain.

I tried to find a clip of Spicoli saying “Fuzzy Nerd” from the broadcast version of Fast Times, but this other video clip is a good second choice.

So Twitter pal Fred dropped a bomb on me the other day, telling me that the DC Universe streaming service’s short-lived adaptation of Swamp Thing was picked up by the CW to appear on plain ol’ regular broadcast television, just like the kind Mom used to make.

I was of course stunned by the news in my typical hyper-articulate fashion. My very first impulse was “ooh maybe new episodes?” but then I thought about it for a sec. The show had been out of production for a while, everyone’s moved on to other things, I’m sure, and the cost of getting everything going again is probably more of an investment than anyone’s likely to want to make.

It occurred to me that what was more likely was that the network was shoring up its content for coming months, what with the decline in production of material due to coronavirus concerns, especially since I’d been hearing that could be a problem for the next TV season. And, taking a look at this Variety article, it would appear that this is indeed the case. And according to the article, Swamp Thing isn’t the only show jumping from streaming to comercial TV.

Now I suppose if this re-presentation of Swamp Thing is the biggest hit the CW has ever experienced, then efforts would be made to resume production on the series (after our proto-zombie apocalypse is overwith, of course) but that seems not terribly likely. But who knows…with more people staying home, and just by virtue of being shown on a platform that more people have (i.e. “free television”) it’ll acquire a larger audience. But I’m not holding my breath (at least, not any more than I already am) for a season two pickup.

It will be amusing to see how the CW edits the show to get around the naughty language for which the DC Universe shows are fairly notorious. Well, as I recall, Swmap Thing wasn’t too bad in this regard, so I guess it won’t be as big an issue. Not like what would have to happen, if, say, Titans or Doom Patrol got picked up to appear after Supergirl or whatever.

And by “files” I mean multiple stacks of CD-Rs.

Let me present you the two oldest digital images of Swamp Thing I have in my “files.” The date stamp on both of these put them as being downloaded July 14, 1994, almost certainly from America Online. Yup, I was tying up the phoneline pulling these pics off AOL at however-many-cents-per-minute they were charging me.

Given the date (and, um, the drawings themselves) these are during the Mark Millar run, illustgated by Phil Hester. I think these came from the official DC Comics “room” (or whatever it was called…it had some kind of specialized name) on AOL, promoting upcoming comics. If my eyes worked better I’d dig through and find the actual issues these came from, but it’s around #147, I think.

One thing I do recall from this period of online promotion, at least where this particular DC outlet was concerned, was that quite a few of the images offered were limited color/”color hold” pics, like one of the ones I’m about to show you. And inf act, let me show them to you now:


Interestingly, when I tried to upload the original files to the site, I received the message “this kind of file is not permitted due to security reasons” or words to that effect. They were GIFs, but these are new jpegs I just created from that source. Did the GIF format somehow change so significantly over the last, eep, 26 years that old GIF files are a problem?

Anyway, enjoy those pics of Internet Yesteryear. And no, I’m not still on AOL, though I miss the anticipation of hearing the “YOU’VE GOT MAIL” message when I would sign in. I always thought that was pretty cool.

A few years ago we could’ve called it the “Curbside New 52 Pickup.”

So the big news is that California is entering “Phase 2” of their gradual reopening of the state, allowing certain low-risk businesses to partially reopen, so long as they follow certain restrictions and guidelines to prevent the spread of the virus.

What this means is that I can now offer curbside service to customers, allowing them to drive up and pick up comics and whatnot that I can carry out to them. It’s going to be a slightly convoluted process as I juggle taking payments and handing out product, but I don’t expect it’s going to necessarily be a lot of pickup service until the new comics start coming out in force later this month. It’s good that I have an additional option outside of mail order to make money, as those new comic shipments come with new comic invoices that I’ll have to pay. But, I’ve been watching my order numbers, trying to keep things down to a dull roar, and hopefully I can ride things out ’til people are actually allowed in the shop again (which I’m sure will come with its own parade of regulations to which I’ll have to comply).

Speaking of mail order, I’m of course still doing it, shipping out to environs far and wide, and close to home to if you don’t want to venture out of the bunker to get yer funnybooks. And I recently expanded my 30 for $20 random recent-ish comic deal, announcing on Twitter my 75 for $45 offer. Yes, that’s a (slightly) better per-unit price! And again, this is for recent stuff, not, you know, 75 copies of Silver Age X-Men or whatever. I recently added a whole bunch more stock to the piles from which I’m pulling for these packages, so if you’ve ordered before, feel free to order again! Help me clear some boxes out of the back room! PayPal all your money to mike (at) sterlingsilvercomics (dot) com! (Prices include domestic shipping…offer available outside the U.S., but contact me first re: shipping.)

And I’m still slowly added comics to this Google doc, so you can least get an idea of what back issues I have. Again, this is just going through the new arrival boxes so far, and I have lots more than what’s just listed here. Feel free to send me your own want lists and I’ll check through ’em fast as I can!

Okay, sorry, this post turned into an ad, pretty much. But I am concerned about generating some income, especially with new invoices heading my way on a regular basis. Even with curbside sales, that’s still just one more barrier between me and the customer, and even the slightest obstruction between “I want to buy comics” and “I want to sell you comics” can slow sales down significantly.

Thankfully, however, my customers have been helpful and generous and staying in contact with me, and that certainly means a lot. Not just for keeping my business afloat, but for making me feel like my weird little business is still important.

Anyway, if you’re in my store’s neighborhood, drive by! Let me throw some comics through your car window!

All the Mike that’s fit to print.

Short post today (no, honestly, it’s going to be a short one) but I’ll give you plenty to read regardless, if you’re so inclined. I was interviewed for The Comics Journal regarding the state of my store and the comics industry in general during the current virus crisis. And when the interviewer says things were “edited for clarity,” I can only imagine what the poor guy had to do to turn my word salad into something readable by humans.

It was really exciting to be straight up interviewed for The Comics Journal (as well as being featured on the front page…remind me to screencap that before it goes away). I was a big fan of the original iteration of the print magazine (and still have my run starting in the 30s and running all the way to 300), and this website’s success owes a lot to the old Journalista news/link blog pointing people my way on a fairly regular basis early in Progressive Ruin’s existence. Glad to be at least a tiny part of this magazine’s storied history.

Anyway, between this and the New York Times interview, I’m all set to speak to even more outlets about this industry. …Someone get Cat Fancy on the phone!

A big hit out of ’77.


Why yes indeedy, it is May the 4th, the EDIT: observed anniversary of the release of the original Star Wars to theaters back in the long-ago mostly plague-free times of 1977. “May the Fourth Be With You” as the fans say in that attempted-to-be-legally-claimed-by-Disney catchphrase we all know in love.

Anyway, The Star Wars has been a big part of my life since I saw that first film back in 1977 at the age of 8. While I’d already been reading comics here and there prior to that (along with reading anything else I could get my hands on), it was Star Wars that got me attempting to purposefully follow a specific title issue by issue, month by month. I mean, I cheated a little, I got the first six issues (adapting the movie) in those three-packs, and I may have even bought 7-9 in a three-pack as well. But I was checking the spinner-racks and whathaveyou on a regular basis, looking for anything new that was Star Warsian. And of course, in the process, I started checking out other comics as well.

So anyway, it’s pretty safe to say that you can draw a straight line from that initial viewing of Big George’s Sci-Fi Puppet Show and Toy Rocket Extravaganza to me owning a comic shop and spending afternoons bagging up old issues of X-O Manowar. Everything I am now can pretty much be pinned on that movie, and possibly also my inability to get a real job, BUT MOSTLY THE MOVIE.

If you have the Disney+, I hope you’re watching the last season of The Clone Wars, probably one of the best bits of ancillary storytelling to arise out of the Star Wars merchandise-verse. I remember long ago on this blog writing that I not terribly impressed with the very first installment of this end of the franchise, the Clone Wars “movie” (actually several episodes glued together), and I was right to not be impressed because it wasn’t very good. But the series that followed really embraced the movie-serial origins of Star Wars and was enormous fun. Right now the series is coming to its conclusion, and is in fact overlapping events from Revenge of the Sith. Very dark and interesting and almost improves the Prequel Trilogy with its existence.

And of course there’s The Mandalorian on Disney+, surrounded by lots of “Baby Yoda” hype but is a very stripped-down, “earthy” (if you’ll pardon the expression) vision of the Star Wars universe. We’ve got that Obi-Wan series coming eventually, despite some apparent production troubles, and a proposed new film trilogy by Last Jedi‘s Rian Johnson, not to mention all the tie-i comics and novels and other storytelling sources. There is literally too much Star Wars media than I can consume, but don’t tell that 8-year-old me sitting in a theater in 1977 about to watch that film for the third time…he’d never believe that there would ever be such a thing as “Too Much Star Wars.”

ADDENDUM TO THE EDIT: Was informed that May 25th is in fact the actual release date for Star Wars in ’77, and “May the Fouth” became the observed date because, well, you know. Ah well, I apologize for my mistake. At least we’ll always have Greedo shooting first.

Look, just go read the entire Wikipedia article on Deathmate.

So the other day I saw that comics artist Dan Panosian had posted a photo from the Deathmate promotional tour he and other artists did in the 1990s. (Here’s another pic showing more of the particpants.)

For those of you who weren’t there in the comics field during the ’90s, or were there and have since buried those memories. Deathmate was a high-profile intercomany crossover event between Image Comics and Valiant Comics. It…had some scheduling issues, shall we say, mostly on the Image side, with one chapter (Red, as they were IDed by color not issue number) coming out after the Epilogue. End result…sold well at first, then customers just kinda gave up on it partway through, leaving retailers with plenty of unsold copies.

I’ve noted Deathmate on this site here and there before, mostly in the context of how it was a symptom of/contributor to the comics market crash of the ’90s. I remember having boxes of these things in the back, and aside from a very brief flurry of interest in Deathmate Black due to it having an early appearance of the now mostly-forgotten Gen13, there were no aftermarket sales. Well, okay, that’s not entirely true, at one point at the previous place of employment we brokered a deal to sell 100,000 copies of our overstock to someone-or-‘nother for literally pennies apiece, and thus were we rid of these things. We got a nickel each, and we were glad for it.

Anyway, back to the tweet…I retweeted Mr. Panosian’s tweet with the comment about how “I’m here for Deathmate content,” which amused him. In the ensuing exchange we had (in which I assured him I wasn’t making fun, I’m genuinely interested in this period of comics) he asked “did it ever finish?”

Okay, you know publishers done screwed up when the folks who worked on the comics don’t even know if the series ever completed. I let him know “well, yes, technically” and that was that.

What amazes me most about Deathmate is how it should have been a slam dunk. Valiant was red hot, Image was red hot, a series pairing up all their characters written and drawn by strong creative teams (and they were!) should’ve sold like each copy was bagged with an original Incredible Hulk #181. And as I recall, the initial installments sold very well…and dropped off almost immediately after that. Even I tried only the first couple of issues and gave up (I think primarily because I was interested in the Valiant characters, but not so much the Image ones). The long delays on many of the books didn’t help, and despite it being emphasized that you could read the installments in any order, that apparently wasn’t true. All in all, it turned out to be a huge mess, and you should really read former Valiant honcho Bob Layton’s thoughts on the topic.

I am curious if any of you folks out there braved the entire series. My opinion of the project is based somewhat on those two issues, but mostly on the retail end of it, where I could probably have built a house using the leftover copies. I’m also curious if anyone is trying to revisit it today, as Valiant is a current thing again and, I don’t know, maybe someone out there has an interest in early Image publications? (If so, send them my way, I’ve got some Spittin’ Image to sell them, too.)

One last thing…as I was looking up those tweets, I found this one where I posted a pic of an original promotional poster for the Deathmate event. Being the wag that I am, I noted the optimism of the poster declaring the event as taking place “over the summer.” But then Twitter pal Corey outwagged me with “they didn’t specify only one summer” and fair play, sir. Fair play, indeed.