Eat it, Google Maps!

The timing on this worked out fairly well, as I’m under the weather and this is content provided by YOU, the reader. As I was hoping, some of you folks took this map and did something creative and amusing with it, which, as someone in need of some cheering, I very much appreciate.

Swamp pal and damned dirty ape expert Rich Handley put his stinking paws to work on this fine map:


Sleestak consulted the Library of Skulls in the Lost City, and came away with this timely map ripped from headlines of the 1950s…or is it today:


And this last one is from the little stuffed bull to end all little stuffed bulls…the Fantastic Bully, who clobbered me with this:

It seemed wrong to post this particular image without any alt text, for some reason.

Thanks, guys…you done good, you mugs.

ADDENDUM: I missed this one that was sent to me by Dave from Dave Ex Machina…sorry, Dave!

I WILL OCCUR AGAIN.

Today’s post title comes from the wide selection of only the finest comment spam my site receives on a daily basis, where, in broken English, the “commenter” extols the virtues of my webpage, describing how my writing “brings great informative on this topic that I find interest,” and ends the response with a promise to “return in short to find more of this content” or, as above, “I WILL OCCUR AGAIN.” It’s like an excerpt from the first draft of General MacArthur’s speech: “‘I will occur again!’ No, no, that’s not it…wait! ‘I SHALL RETURN!’ That’s PERFECT!” Except, you know, with links to v1ag4a sites.

Anyway, enough about that, let’s look at some comics:

  • Jeff Parker takes over writing chores on Hulk with #25, bringing the book from its big, loud and stupid beginnings and moving it forward into a big, loud and not-quite-as-stupid future. Not that I’m slamming the Loeb issues…ain’t nothin’ wrong with a comic book that’s just action action action and not a brain cell in sight, so long as it’s fun (and I have been enjoying the book, despite the “event” tie-ins that frankly I’m having less and less patience with). And really, Hulk should be big and loud with lots of action. It’s a Hulk comic, for God’s sake. Anyway, Jeff Parker: good start. Nice art by Gabriel Hardman, too.
  • Fantastic Four #583 kicks off the whole “Death of One of the FF” storyline, though nearly everyone who’s reading the book knows that whatever character they kill off, that character will be back sooner rather than later, so it’s kind of quaint that they’re putting this much effort into hyping this storyline. Of course, Hickman is a good writer, and has been doing a strong job on the book, so I expect we’ll be getting more than the typical “oh noes [REDACTED] is dead and gone forever, how can the team go on” kind of thing. …This first chapter is nicely done, and sets up an unexpected alliance between a couple of characters whose interaction certainly grabbed my interest.
  • Boom! Studios has a new Muppet Show (#10) written and drawn by Roger Landridge this week, and as usual, it’s perfect funnybooking, and pal Ian has another issue of his Darkwing Duck comic on the stands, and, oh, I guess it’s okay, if you like that sort of thing.
  • I haven’t had a chance to read the new Zippy the Pinhead collection, Ding Dong Daddy from Dingburg, but Zippy hasn’t disappointed me yet, and I don’t expect this to be the exception.
  • Pal Dorian already reviewed the new editions of the two Smurfs volumes released this week, and I concur with the statements made by the gentleman from Santa Barbara. I would also like to reiterate the apparently near-universal complaint that they used a lousy font on these books, and that it’s too slight and tiny to comfortably read, especially at the sizes these books are printed at. Otherwise, this is classic cartooning and well worth seeking out. Have your jeweler’s glass handy, though.
  • The Simpsons’ Treehouse of Horror #16 isn’t as relentlessly weird as last year’s installment, but filled with some good ol’ fashioned Simpsons-style, kid-pleasin’ gore and violence anyway. Particularly in the lead story by Evan Dorkin, which is almost Milk ‘n’ Cheese-esque in the amount of Grand Guignol-ish mayhem dished out on each page.

    Lemmy from Motörhead is the celebrity contributor for this ish, contributing the story (with a script by Tom Peyer) for the last segment of the book. Needless to say, this would be the Most Metal Comic Book Story on the stands this week.

    BONUS FEATURE: inset sheet of Marge Attacks trading cards. It’s exactly what you’re thinking, and it’s fantastic.

  • Justice League: Generation Lost #10 – You know what? I like this series. A lot. It’s very well done, fast-paced, with strong, witty dialogue, and most importantly, doesn’t feel too padded like DC’s last couple of year-long series…which I’m sure cutting the number of issues in half helped with quite a bit.

    Also…I liked Kingdom Come. Liked it well enough to get that Graphitti Designs slipcased edition with the Mark Waid and Alex Ross autographs and the extra sketchbook and all that other hoohar.

    …But seeing Kingdom Come pop up in Justice League: Generation Lost made me groan just a little. I think I’ve reached my KC saturation point during that eighteen-year-long storyline in Justice Society. I mean, Generation Lost hasn’t disappointed so far, and I’m sure they’ll handle the KC stuff just fine, but…man, I can probably do without seeing any more references to KC for a while. Unless it’s KC and the Sunshine Band, because that’s the way (uh huh uh huh) I like it (uh huh uh huh).

  • And I also got Fables #98, which I’m still enjoying, and Legion of Super-Heroes #5, which, I’m sorry to say, the recent relaunch of which hasn’t helped sales any, at least for us.
  • Also, I’m still not buying The Flash. Am I missing anything there?

I’m probably the only person amused by this…

…but I love doing things with this stupid map from Sensation Comics #50.

…Like this:


The maps may not be to exact scale. Or have anything resembling actual geographical locations:


Would I pay good money to read a comic with Swamp Thing chasing Arcane on a motorcycle? Yes…yes I would.

This could almost be an editorial cartoon of sorts, if I’d put any actual thought into it:


Yeah, yeah, I know, I’m totally wrong. Here, have at it yourself:

Soon perhaps to be the #1 Google result for Teaser and the Blacksmith.

Some of you may have noticed that I had sort of an impromptu Low Content Mode on the site last week, aside from Thursday’s post when I just kinda went on and on. No particular reason for it, other than, you know, having some other things to occupy my precious, precious free time. Like doing a little interior house painting. Or shooting people getting shot repeatedly on Red Dead Redemption. Or actually reading the occasional comic book. Or getting my usual daily dosage of five hours of sleep.

Plus, it doesn’t hurt to ease off a bit to recharge the batteries. I have been doing this daily for nearly seven years, when, after working all day slinging funnybooks at customers, I come home and write about funnybooks on the internet for free (well, mostly free, he said, gesturing desperately at his Amazon links). Please don’t begrudge me doing some “easy” posts once in a while. (And I put “easy” in quotes, because sometimes the simple posts end up taking as much time to put together as the more content-ish posts.)

I’m overreacting…it’s not like anyone really complained or anything, and traffic on the site has been up, and it seems like a lot of you folks have enjoyed the last week’s worth of entries…so consider my behavior encouraged. But I sometimes do feel like I’m skimping a bit when I do a lot of scan-heavy posts in a row, so…well, there you go. I’m a victim of my own guilt.

By the way, remember how like every year I say “okay, I’m going to stop updating every day” and yet I still keep posting every day? There’s something wrong with me, man.

BOO HOO I DON’T WASTE TIME ON THE INTERNET PROPERLY. Okay, enough of that, let’s move on to this:

I’ve been trying to use the category/tagging function of this site a little more frequently, mostly because I’m tired of seeing all my posts read “filed under Uncategorized” and, okay, fine, to make things easier for the readers, too. I’ve been a bit silly with some of the tags…I don’t know that I’ll ever use “worm-suit” again, but I’m sure someday I’ll once again find use for the “tampons” tag. I think my favorite category is “freak-out”…be sure to click that and scroll down for an old favorite of mine (after the much more recent post).

• • •

So Tom Spurgeon did one of his regular “Five for Friday” polls where he asked folks to list five favorite Fantagraphics publications that weren’t by Chris Ware, the Hernandez Brothers, Charles Schulz, Dan Clowes, and Peter Bagge. For once I managed to participate in the poll, and you can see my entries about a third of the way through this list of results, somewhere.

I found myself wanting to list far more than the five allowed…I did mention in a note accompanying the list I emailed Tom that the only reason I didn’t list James Sturm’s The Cereal Killings was that he’d already used it in his example list. (And come to think of it…has The Cereal Killings ever been collected? I can’t recall that it has. (For those unfamiliar, it’s sorta like the Watchmen/League of Extraordinary Gentlemen of cereal mascots, only far more low key and melancholy than those comparisons may suggest. Also, it’s brilliant.)

One title I did mention was the sadly uncompleted Eye of Mongombo, but when I Googled it up just to make sure I had the spelling correct, I found the blog for Mongombo creator Doug Gray! Specifically, this post featuring newly (as of 2009) commissioned Mongombo art! Pretty cool. Gray also mentions trying to work on the book again, and I sincerely hope he does.

There were several Fantagraphics publications I wanted to mention, like their excellent Popeye collections, or their Zippy books, or any of their Kim Deitch releases, or the pure evil of Scott Russo’s Jizz, or the assorted J.R. Williams magazine one-shots — but I did list his series Crap. Yes, that’s right…Jizz and Crap. Ask for ’em by name! I also thought about mentioning Don Rosa’s Comics & Stories but wasn’t sure if that counted…but looking at that Comics.org entry which lists Fantagraphics as the publisher, yeah, I guess it would have.

And then I saw other people mentioning Amazing Heroes and Comics Journal in their lists, and I was thinking, damn, why didn’t I think of that?

Oh, man…and there’s Real Stuff, and Anything Goes, and Schizo, and….

Anyway, not sure what the point of all that was, other than “I like a lot of stuff from Fantagraphics and should talk about them more on the site.”

Didn’t see anyone mention Teaser and the Blacksmith, a comic that was…certainly something. Not even sure how to begin describing it, and given the Googling I just performed, if I did describe it I’d become the go-to source on this book and I’m not sure if I’m ready to shoulder that responsibility. (EDIT: Ah, here’s a brief article that notes the premise of the story.)

I was also genuinely surprised no one listed Wendy Whitebread, from Fantagraphics’ Eros division. C’mon, the thing went through multiple printings, and I know I sold a ton of them…some of you have this comic. Don’t deny it.

Behold my mastery of graphic manipulation.

So anyway, I did this as a quickie gag for a couple of friends in email, and the files have been sitting on my desktop for a few days, so what the heck, here you go:


SUPERMOBILE


CLARK KENTMOBILE

Just grabbed the pic via the Googling, so hopefully I didn’t offend anyone with my repurposing his/her scan. It was for the purpose of creating a better world, my friend.

Anyway, in other news:

  • Regarding that panel I posted yesterday…I felt a little funny picking out a panel by freakin’ Jerry Siegel and Joe Shuster, the creators of Superman, for a bit of good-natured mockery. I mean, it seems almost sacrilegious, doesn’t it? Anyway, that panel was from a strip called “Federal Men,” which ran for quite a while in the various iterations of early Adventure Comics. You can read descriptions of some of the stories here. A reprint collection of these stories would be interesting, but I’m not holding my breath.

    By the way, speaking of sacrilege: here’s reader Todd with his slight reworking of the panel:


  • Tom Spurgeon has some commentary from one of his readers about comic pricing and buying habits. In particular, there is some discussion about the likelihood of someone spending more than $20 a week on comics in the late 1980s. As someone who entered the high-finance world of funnybook retailing in the late ’80s, I thought I’d supply a brief bit of anecdotal…well, perhaps not “evidence,” but it may be of interest.

    Starting about the mid-’80s, and off and on through the late ’80s, our shop had a box of overstock and/or deadstock comics by the register with a sign on it that read “FREE COMIC WITH $20 PURCHASE.” And, it is my memory that the $20 level was originally picked because 1) it wasn’t a price level that was normally breached terribly often by the majority of customers, but 2) it was close enough to what a significant portion of customers were spending that the hope was that they’d plop another comic or two on the pile to hit $20 and qualify for their free comic.

    Now…and please consider, I’m working off decades-old memories here…I believe that we had some, but not a lot, of customers slapping on additional comics to get to twenty bucks, but that eventually we had enough people already buying twenty dollars’ worth of stuff without going back and grabbing an extra book or two that they got their free comic anyway. And, eventually still, sometime around the big Batman movie-fueled boom, we did away with it completely. (I suppose we could have just raised the price level to, say, $30 or $40 for the free book, but at the time rivers of cash were flowing through the direct market and thus, perhaps the need to encourage additional sales in that fashion was no longer as strong.)

    Later, we briefly did a “spend $50, get a free poster” thing along these same lines, which I’m pretty sure was in the post-market crash years of the mid ’90s. And that tells me that, even though the high-livin’ days of the boom were long gone, the customer base that remained was spending far more on average than they had pre-boom, so that $50 now seemed like the just-above-average typical sales level that seemed achievable.

    My memory was that was more about clearing out old poster stock than hoping people would hit $50, which, like what happened with the $20 level, is something people gradually started doing anyway.

    Wish I remembered more details about these things. Should’ve kept better notes.

  • Speaking of our retail past: Chris Sims recently concocted this Comics Alliance article about comic book bumper stickers, and in the comments section to it, someone mentioned our old “U.S. OUT OF LATVERIA” stickers that we had at the shop. [NOTE FOR MY DAD, WHO READS MY BLOG: Latveria is the fictional country that the Fantastic Four’s arch-nemesis, Dr. Doom, hails from.] Now, I tried to respond to said comment with a link to a post on my site featuring said sticker, but alas, the CA comment machine does not like linkity-links, so instead I’ll post that link here.

    And before you ask: no, I don’t have any more. Sorry, kids.

  • More Comico history: the transition to color printing, including some early and neat-looking coloring guides for a page from the original Mage series.
  • Pal Dorian does terrible things to an old DC subscription pitch. TERRIBLE THINGS.
  • Employee Aaron’s fiancée Kempo whips out her 2010 San Diego Comic-Con report, with lots of photos of the two of them eating meals.
  • I’d noted something on my Twitter the other day, and thought I’d repeat it here: you know what I’d like to see Christopher Nolan name the third Batman movie? The Caped Crusader. That’d be pretty awesome, right? Yeah, I knew you’d agree.