I can’t wait to explain to my customers why they can’t see the special 4D covers all at once.

So following up on my brief grumbling about DC Comics and their handing of the 3D covers for Villains Month….

To recap briefly: DC Comics is replacing their regular superhero series for the month of September with what is essentially 52 supervillain “one-shots” as part of their line-wide “Forever Evil” crossover event, though they are all branded and numbered as part of particular series. For example, what would have been one issue of Action Comics for that month is now Action Comics #23.1 through #23.4, four weekly issues of Action each featuring a different villain. And on top of that, DC is using advanced lenticular imagery to give each cover a 3D effect.

In ordering these special issues, I had to take into effect the following considerations:

1. I needed enough copies to cover in-store sales, both for customer pull boxes and for sales off the rack (based on sales histories for each title over previous months).

2. I needed to gauge how many extra copies I’d need to cover extra interest caused by being a crossover tie-in.

3. I also had to estimate interest based on the specific villain being featured in each issue. (A Joker comic will sell forever…a Count Vertigo comic I’d probably have to staple dollar bills to the cover to get people to take it home.)

4. And then, of course, I had to use the immense precognitive powers all comic retailers must develop to foresee how many extra copies I’m going to sell because AWESOME 3D COVERS, DUDE!

After too many weeks of agonizing over these things (particular over Justice League: Dial E, tying together one of DC’s highest selling titles with one of their lowest, and wondering how stuck I’m going to be with copies), I finally settled on numbers I could live with for each title. I had enough to cover regular monthly sales, I believed I had enough to handle any additional interest each individual title might bring in, and I thought I had enough of a buffer to accommodate folks attracted by the 3D novelty.

And then this happened. DC wasn’t able to produce enough copies of the 3D versions of these titles to meet demand, resulting in allocation of retailer orders and the announcement of alternative editions of these comics with regular 2D covers.

In my case, it’s not as bad as it could have been, but Good Lord it ain’t good. Out of 52 titles, my orders on eight remain unchanged. On eleven books (including some particularly significant ones, like some Justice League titles), my orders were cut in half. Even more than half, in a couple of cases. Some orders were only dropped by about 1/3, but that’s enough of a cut to be problematic. In a number of cases, I only lost a few copies, sometimes as little as two. And, oddly enough, in the case of at least one title, I was allocated more than I ordered (which has me wondering if DC way overestimated the popularity of that one issue when originally setting their print runs).

For a couple of the drastically reduced titles, I am going to be stuck with not enough of the 3D covers to even cover pull lists, though discussion with some customers has shown that they’re sympathetic to the situation we find ourselves in, that it’s not our fault and they’re okay with receiving 2D covers if necessary.

Plus, there’s another potential hiccup, even with the titles for which I’m receiving my full orders (or close to full orders). The news regarding the allocation of the 3D covers has been widely disseminated, which means it’s widely known (or at least perceived that) these books are in short supply, which will jump up demand beyond that which I anticipated. As I noted, I based my orders on particular factors, but not one of them was “DC won’t be able to print enough of them, ensuring I don’t get even the numbers I ordered.” I was doing my level best to estimate sales levels on previous histories, demand for specific characters, and general interest in the 3D effect. Now that we’ll likely have “speculation” and “other stores trying to buy copies for their shelves” and “I hear these are rare, we better buy ’em” goosing sales, rack copies are going to dry up immediately, even with one-per-customer limits that we’re almost certainly going to have to impose. Even on that one Joker issue, for which I am getting my full order, but will now surely blow off the shelves.

Ordering the 2D cover alternatives to make up the 3D cover shortages was bit of a bear as well, though, as I said, some of my customers are cool with having 2D replacements. But now, I have to reconsider what my potential racks sales are going to be, as my estimates were at least partially based on the 3D covers attracting attention. Point 4 is now no longer a consideration in my numbered list above, which would have been the dealmaker in at least a few of the more borderline titles being offered. No offense to the World’s Biggest Count Vertigo Fan, who is very likely reading my website right now and is about to shoot off an angry email to me, but a Count Vertigo comic with a cool 3D cover might have sold to someone with no prior interest in Count Vertigo out of the novelty of it all. A plain ol’ Count Vertigo cover may not have grabbed that same customer.

Of course, Harley Quinn and Joker and Lobo and the like will sell comics regardless of how many dimensions their covers have…I plan on getting plenty of the 2D versions of those titles. Regardless, this whole hoohar DC caused by their overreach and inability to provide the product they promised is going to make a very nervous September for us, as I hope the orders I did my best to estimate will actually reflect reality. Otherwise, you may see me in front of the shop, rattling a tin can and asking for spare change.

Sigh. I hear if you look closely, you can actually see the grey hair shooting out of my scalp.

• • •

In other more amusing news: where I lead, Grant Morrison follows! Big news over the last couple of days, as Morrison revealed his interpretation of the end of Alan Moore and Brian Bolland’s Batman: The Killing Joke. Basically, Morrison thinks at the end of the story, based on particular storytelling clues, Batman kills the Joker.

Why yes, that is an interesting interpretation, and old news to longtime readers of this site, who may remember I came to the same conclusion nearly a decade ago. …Of course, I’m sure I wasn’t the first, and in the end it’s just an interpretation of the ending, and not necessarily reflective of any direct intention of the authors. Not that I got anywhere near the blowback on this at the time that Morrison’s receiving now, since Morrison seems to attract his share of folks getting the vapors whenever he says anything. But anyway, I was a bit bemused by this turn of events, and my thanks to folks on the Twitterers who did their best to point out my original post.

• • •

One last item: Bully, the Bull Who Walks Like A Little Stuffed Bull, was responsible for my corner box image last week, in case you wanted to know what that was all about.

Jack Davis is fine, thank you very much!

So a long time ago, shortly after I entered the high-flying life of comics retail, I decided to pick up a copy of this on New Comics Day:


A coworker asked what exactly made me decide to pick up this oddball indie comic, and I told her the truth: it was that awesome Jack Davis cover. I wasn’t certain I was going to enjoy the non-Jack Davis contents, but good gravy, what a cover. I couldn’t resist it.

It seems like Jack Davis drew for everything. We all know his Mad work, and his movie posters, and his awesome EC Comics stories, and his video game ads, and his Sesame Street drawings, and his TV Guide covers, and his album covers, and his ad containing the second greatest* sound effect in comics (“SLAMDUNK!”) of all time, and surely much, much more.

Anyway, a rumor spread late last night that he’d passed away, and it turns out, nope, Mr. Davis is still with us, and thank goodness for that. When the “news” started to spread, I put together this post, but realized that I hadn’t seen any official confirmation yet so I’d better hold off putting it on the site, and I was right to do so. However, there’s no reason to wait to enjoy the man’s work, so please, visit some of those links or pull out your Mads or your ECs and appreciate that one of the legendary giants of cartooning is still with us.

Thanks, Jack!
 
 

* The greatest sound effect in comics of all time.

 
 

image borrowed from the Grand Comics Database

Hey, remember when I used to “watermark” pics on my site! That was a smart use of my time!

I’m not reading Infinity, but hell yes I’m down for some Infinity buttons:


Look for ’em at your shop today, but good luck finding that rare Black Bolt “chase” button.

Of course, none of these are a patch on my other Thanos button:


OH YEAH.

On a related note, I would totally read an ongoing Jim Starlin Presents comic where he just does whatever with any characters he can get his hands on. (We almost had that in his last ‘Breed series.) …Like, Dreadstar, Warlock, the Weird and Captain Marvel teaming up to fight the evil Mongul/Thanos/Lord High Papal triumvirate of terror. I would buy that comic like my life depended on it.

I’m trying not to be too angry about this.

So due to DC’s recent announcement that they’re allocating the 3D Villains Month covers, my position on my orders for the books has gone from “I’ve ordered way too many, I’m probably going to take a bath on some of these” to “oh Lordy I’ve ordered not nearly enough.” As I write this (late Sunday evening) the page on the distributor website that will tell me the exact numbers I’m being allocated only results in an error page, so I have no idea how badly my orders are being curtailed. DC is offering 2D versions of the books to make up any shortfall, but the primary selling point on these were the 3D covers, so I suspect the 2D covers will be the disappointing consolation prize.

Since the allocation has been widely publicized, I may have to go the “one per customer” route on many of the books to avoid rampant hording and speculation from those folks who only show up at the store when the faint whiff of a buck to be made wafts gently through the breeze. We’ll see what happens, but let me tell you, it’s a lot of fun to agonize over orders, finally get some numbers down that you can live with, and then have to address the same problem all over again just a few weeks later. Ah, well…I figured there likely wouldn’t be any reorders to be had, but I had hoped at least our full initial orders would ship.

And in conclusion: I’d better get my 3D Swamp Thing covers.

…Anyway, I apologize for the shortness of this post. I try to have longer posts for Mondays, but I’m actually frustrated enough with this situation that I really don’t want to think about comics right now, beyond getting this hoohar straightened out about as much as I can manage. Not knowing how my orders are being cut is probably the worst part at the moment. I’ll let you know how things work out.

Frankly, this book has a lot of problems with hyphens.

So I purchased a comic collection Thursday afternoon, and among the assorted Iron Man issues and a reader copy of Sub-Mariner #1 (1968) and some British edition Freak Brothers comics and the one issue of Secret Defenders that still sells, I found a handful of copies of this:


…the 1983 Spider-Man Fire-Star and Iceman insert for the Dallas Times Herald newspaper, tying into the Spider-Man and His Amazing Friends animated series. Note that Firestar gets an extraneous hyphen, which also runs through the interior pages. I was kind of hoping we’d get “Ice-Man” inside the book, too, but no such luck.

Anyway, the story involves our heroes going to see The Nutcracker ballet, but not until after answering nature’s call:


…but ending up in a fight against the surely-must-have-turned-up-in-a-Bendis-issue-of-Avengers villain Daddy Longlegs:


…whose motivation is summed up thusly:


And frankly, that’s a motivation I can understand, more so than the usual reasons of “I want to blow up the Earth/take over the universe/get revenge on the Kryptonian for making me lose my hair.”

The latter portion of the comic involves our super-pals sitting in the audience and actually watching the performance of The Nutcracker, the story of which is retold in the comic. Please enjoy this horrifying version of the Rat King:


…who surely must also have made a cameo appearance in one of the Bendis Avengers comics.

Since this publication was one of interest to a particular locality, there are ads for area businesses throughout the book, generally featuring Marvel characters in varying levels of association. Apparently there’s something to do with “swinging” in this ad:


…which you’ll note neglects the necessary hyphen in Spider-Man.

This ad, placed on the page right next to the previous ad, remembers the space for the hyphen, but not the hyphen itself:


And here’s Spider-Man again, still missing that hyphen, this time shilling for fine RCA television products:


Surely the unnecessary hyphens in each occurrence of “Fire-Star” used up the hyphen quota for this comic, resulting in Spidey’s rampant hyphen shortages. Ah, if only the people placing these ads had access to the decades-later wisdom of Metrokitty.

Now, the Hulk isn’t in the story, though I would have paid one American dollar to have him dressed as one of the toy soldiers in the retelling of the ballet, but he does show up in a couple of ads. For example, this ad, where Hulk’s just kinda hanging out there around those boots for some reason:


Man, Hulk doesn’t even wear boots. What’s going on here.

And please enjoy the subtle menace of this image, attached to a restaurant ad ballyhooing Santa’s appearance there:


No, not Hulk-Santa, the attached ad just says “Santa Claus.” I wonder how many kids interpreted it to mean that Hulk would be there, dressed as Santa? “HULK NOT CARE IF YOU RICH OR POOR / HULK SMASH YOU JUST THE SAME”

…Christmas jokes in August. You’re welcome.

EDIT: For more information about Daddy Longlegs, I refer you to pal Andrew.
 
 

images from Spider-Man Fire-Star and Iceman (1983) by Jim Salicrup, Jim Mooney and John Tartaglione

Gone zooin’.


Hopefully I will be at the Los Angeles Zoo today, taking pictures of buff-cheeked gibbons and pointing imprudently at the mighty mandrill. In the meantime, all of you behave yourselves and also try not to think about why, why Superman would keep these innocent creatures in such inappropriately tiny cages.

UPDATE: Alas, the trip is postponed. The mandrills are safe…for now.

 
 

image from DC Special Series #26 (Summer 1981) by Roy Thomas, Ross Andru and Romeo Tanghal

“Aieee! My head!”

So a while back I contributed to Steve Lafler’s Kickstarter for Doggie Style: The Complete Dog Boy, a collection of, as you might have already guessed, Lafler’s Dog Boy comics. The original Cathead Comics series, the Fantagraphics series, his first appearance in Guts #3, even the later appearances in Buzzard, the whole shebang. Now, I already have most of this stuff, aside from the Guts and that Fantagraphics #9, but I had a hard time resisting the temptation of having it all under one cover, with an original sketch inside to boot, as one of the Kickstarter incentives.

Anyway, just yesterday, my hardcover copy of Doggie Style arrived in the mail:


…and right on the first page, the very first thing I saw when I cracked open the cover, is this full-page original drawing of ol’ Doog Boog lookin’ right at me:


It’s a goodly-sized volume at over 11 inches tall and about an inch thick. Covers are reproduced (in black and white), and the actual reproduction of the artwork is nice and clean. And, of course, the comics themselves are hilarious, and I look forward to reading them yet again in this handsome tome.

As I understand it, this book will be eventually distributed through some of the normal funnybook channels, but I am very happy to have had the chance to put my mitts on this thing as soon as it was available.

Here is Mr. Lafler’s official site, and here is the site for co2 Comics, the publisher of the book (and you can also find free online Dog Boy comics there as well).