Unless you all were already familiar with her and were just holding out on me.

So the other day I acquired a number of mid-1960s Gold Key comics, including a couple issues of the long-running Bugs Bunny series. Now, for years, it seems as if the Bugs Bunny comics, and the other Warner Bros. animated family of comics from Dell and Gold Key, have been forgotten by God and man and been shown no love in the back issue marketplace. I think, in the nearly three decades I’ve been at this, I’ve had requests for Warner Bros. back issues only a handful of times.

(Wait, I should add a caveat here…there were lots of requests specifically for Marvin the Martian, more often than not for tattoo ideas, and even that went away with the advent of Google Images. But aside from that, very few requests for Warner Bros. comics that could actually be realistically fulfilled, since Marvin 1) never had his own title, and 2) hardly, if ever, appeared in other Dell/GK books as far as I could tell.)

Part of the problem is, unlike the Disney books which had Carl Barks and a few other “name” artists, I don’t believe the Warner Bros. comics ever had their own “Good Rabbit Artist” spurring on collectors to acquire their titles (though it should be noted Barks did draw a Porky Pig story that includes Bugs). As such, I remember having at the previous place of employment issues of Bugs Bunny going back to the ’40s for as cheap as four or five bucks, or even less. I’d often use them as an example as “no, just because a comic book is old doesn’t mean it’s expensive.”

“Then why would you even buy any Bugs Bunny comics for your shop?” you may be wondering. Well, frankly, they were more or less thrown in with the other comics…as I was totaling up the books, I noted to the buyer I wasn’t going to pay much of anything for the BBs as I would likely never sell them, and as he was just looking to unload the whole lot, he was fine with that.

Thus, that is how I ended up with issue #108 from November 1966, featuring the premiere appearance of Honey Bunny:

bugs108cvr
“Who?” you ask? Well, “Who?” I also asked, and I figured it was just a one-shot character that was never seen again. Here’s another shot of her from inside the book:

notedrabbit
I went to that inerrant font of all human knowledge, Wikipedia, and sure enough, there’s an entry on her which has informed me that she actually stuck around in one form or another until the ’90s. Not starring in cartoons (aside from perhaps a cameo here and there), but primarily in the comics and some merchandising, only to be replaced with the arrival of Lola Bunny in the film Space Jam.

And that’s how I found out about an obscure outlier in the Warner Bros. cartoon family, one that had actually seen a bit of use over the course of a few decades without ever significantly crossing over into wider animated visibility and into the general public’s consciousness. I mean, even Gabby Goat only made it into a couple old cartoons, and we all remember Gabby Goat, right?

In which I’m basically just rewriting something I posted in 2013.

So this week’s Question over at Trouble with Comics is about “enhanced” covers (versus the variant cover topic we covered last week), and what we thought about ’em, and whether there were any we liked, et cetera, et cetera. I threw an answer or two into my response, including one cover I discussed on this site, lo, a decade ago now so I supposed enough time had passed to revisit it.

Fellow Troublemaker Logan had this to say in his own response:

“With the possible exception of the poly-bagged Deadpool card, can any retailer still move their copies of X-Force #1 at even face value? Yet it still gets mentioned in conversations regarding how many copies were sold, how popular the book was, and so on. The only gimmick to it was that there were different trading cards bagged with each issue,* and I don’t recall there being a shortage on any particular card, Mike Sterling would have a better memory of that though.”

The asterisk there was to an editorial footnote reminding us of the “reverse image UPC boxes” which I’d somehow driven out of my mind, though apparently that was a big deal in regards to how “collectible” and “rare” any particular variant of X-Force #1 happened to be. And by “collectible” and “rare” I mean “just slightly more copies of X-Force #1 out there than, say, grains of sand.”

Now, as I do recall, the cards themselves were available in equal numbers. It’s been a couple of decades, but that’s my recollection. But as I noted in this post from a few years ago (where I note the then-decline of Deadpool’s recent popularity and the lack of any kind of promised Deadpool movie…boy, that’s almost “political pundit” levels of foretelling, there), those comics sold like crazy, and even sells once in a while to this day. Yes, even at more than face value. Why, one can get upwards of $3 to $5 bucks per copy, even! Not very often, no, but it does happen.

There is still no shortage of these in the direct market, especially at stores that were open at the time, and even in new stores like mine where they just kinda turn up whether you’re trying to buy ’em from collections or not. And I think it’s because of that proliferation that, even now, even after an actual Deadpool movie is in honest-to-God real-life movie theaters and viewed by presumably willing audiences, there is, like I noted in that old post, still negligible interest in the Deadpool appearances in those early X-Force comics. I mean, people still want those New Mutants #98s with his first appearance, sure (I even had one in my shop for about five minutes last week before it was claimed), but that Deadpool trading card edition of X-Force #1, or that story with Mr. ‘Pool in #2…nope, no one’s biting yet, movie or no.

Looking a gift Swamp Thing in the mouth.

Swamp Mark noted

“i don’t think you’ve said a word about the new Swampy series. which is a shame because Wein and Jones are knocking it out of the park!”

I thought I mentioned it at some point…probably it was on the Twitterers, where I said, after reading the first issue, that it didn’t really do anything for me until the antagonist shows up in the back half of the issue. The series as a whole so far, now that we’re at the half-way point, is…well, it’s okay, I think.

I have no beef with the art. If we can’t have Bernie Wrightson back, Kelley Jones is just dandy, giving us weird, goopy, and creepy illustrations as is befitting a Swamp Thing title. Jones, of course, has drawn Swamp Thing many times over the years, and he’s always welcome.

Swampy’s other creator, Len Wein, is back on writing chores, however, and…well, I don’t know. It’s fine, but…okay, this is mostly on me, I suppose, in that the original ’70s Swamp Thing comics still have a strong appeal, so expecting this new series to compete with my own nostalgic feelings for the older work is very unfair. You Can’t Go Home Again, is what I believe I’d said on Twitter, and that’s probably more aimed at me than it is at Wein. The tone of the scripting just doesn’t feel the same…and why should it, I guess. There is this thing with Swampy’s dialogue that seems out of character, with his talking about kicking something’s ass here, and this bit of business there:

st32016
…which doesn’t sound right to me.

I just paged through the most recent issue, #3, again since it happened to be sitting here, and like that first issue, the story didn’t really grab my attention until the latter part of the comic, which leaves on a cliffhanger that genuinely left me looking forward to its resolution.

But even that brought up an issue with me, which is one that’s probably out of Wein’s hands, and that’s the New 52 continuity. Again, this is an issue that bugs me, The Guy Who’s Read Swamp Thing Comics for Nearly Four Decades, and may not be a problem for someone coming to the character fresh, but there’s the big disconnect between what has come before, and the New 52 version of events. Given that we were reintroduced to the “plant that thought it was Alec Holland” version of Swamp Thing post-New 52, I was able to imagine that the adventures we read of that version of Swampy still existed, more or less, even with the changes to Arcane. But, with the return of a certain old supporting character in this issue, unless there’s a lot of weird backstory to be revealed, one of the classic Alan Moore stories from early in his run now appears to Never Have Happened. (It also futzes up a small bit of Neil Gaiman’s Sandman, for that matter.)

I can sort of understand the decision…why remain committed to a piece of continuity from decades ago when you’re trying to do new comics for hopefully new readers who may, at best, only know the most basic information about the character’s concept? Not to mention the fact that, referring to those old events involving said supporting character, none of them were experienced by this version of Swamp Thing anyway, if you follow me. It’s not like the Alec Holland-version of Swamp Thing is suddenly going to shout “B-b-but you’re DEAD!” when as far as he knew, that character was just fine and dandy when he last saw him.

Ignore all that if there’s a big reveal in the next issue that this was all a trick and it isn’t really that supporting character but some old enemy in disguise or something.

Anyway, wrapping up…I like the series. The art’s great, and the writing’s tone is taking me a while to warm up to but it’s fine. The continuity issues are a thing, which undermines the proceedings a bit, but that’s because I’m old and read all that stuff so it’s still in my mind when I read this new stuff. But to paraphrase those brilliant philosophers, “it’s just a comic book, I should really just relax.”

EVEN SHORTER CONCLUSION: Mike, you got a new and reasonably good Swamp Thing comic written by its creator and drawn by a great artist — shut up, already.

In which I link to myself twice.

Sorry, haven’t had a whole lot of blogging time this week, but I did contribute an extensive thingy to the latest Question Time over at Trouble with Comics in which we were asked our opinions on variant covers for comic books. And opinions we did have, let me tell you, friend.

Pal Andrew wrapped up his month-long visit with the Legion of Super-Heroes’ Shrinking Violet, and had a few smart words to say about both her and the franchise from which she was born.

Bully, the Little Bull Stuffed with Atomic Breath, presents one of the greatest confrontations ever unleashed within the pages of a Marvel comic.

And in case you missed it…the End of Civilization returned to the virtual pages of Progressive Ruin earlier this week. Sorry, I didn’t realize I’d let the feature rest for so long. I can’t promise it every month, but I won’t let half a year go by again without one.

Progressive Ruin presents, at long last…the End of Civilization.

So…nice civilization you’ve got here. Shame if something…happened to it. Say, why don’t you follow along with me in your March 2016 edition of Diamond Previews before something…unfortunate should occur:

p. 76 – Snoopy Qee Mystery Box Series:

p76snoop
Revealed at last: the hideous results of the unspeakable experiments at the Daisy Hill Puppy Farm.
 
 
p. 80 – Scooby Apocalypse #1:

p80scoobap
Sure, you’re all makin’ fun of this now, but once Scrappy-Doo is revealed as the leader of Bartertown, you’ll all come crawling back.
 
 
p. 152 – Wonder Woman Action Figure 3-Pack:

p152wwtrio
You’re gonna do a three-pack of Wonder Woman figures and you don’t do the classic Wonder Tot/Wonder Girl/Wonder Woman team-up?

wwtrio2
I don’t even know, DC…I don’t even know.
 
 
p. 422 – Batman Facts and Stats from the Classic TV Show HC:

p422bat66
Looking forward to the comparison chart showing “Number of Heart Palpitations Caused by Reminding Batman Fans of This TV Show Prior to, Say, The Year 2000 VERSUS After About That Point.”
 
 
p. 451 – Scumbag Loser Omnibus GN:

p451loser
You know, at this rate I’m not going to have any potential titles left for my eventual autobiography.
 
 
p. 460 – 100 Things Superman Fans Should Know & Do Before They Die:

p460100supe
Here’s hoping “actually read a Superman comic” is somewhere in there.
 
 
p. 463 – Superman Classic: Pranking News SC:

p463mrmxy
I’d almost forgotten about the Mxyzptlk New 52 redesign. “Fievel Goes to the Fifth Dimension,” I guess.
 
 
p. 464 – Doctor Who Mad Libs:

p464madlib
“It’s [ADJECTIVE] on the [LOCATION]!” “Quickly, [VERB] the [NOUN] of the neutron [NOUN]!” “Oh for [DEITY]’s sake, not [NAME OF COMPANION] again.”
 
 
p. 468 – Star Trek What Would Captain Kirk Do? SC:

p468kirk
Wait? “What would Captain Kirk do?” Find out exactly what he did by reading this book solicited on page 422 of this very issue of Previews!

p422kirk
 
 
p. 479 – Team Cap T-Shirt:

p479teamcap
I think we can all admit now that we really wanted Bella to hook up with Captain America and not that vampire or werewolf or whatever.
 
 
p. 494 – Marvel Minimates Series 67 Civil War 2-Packs Asst.:

p494cwmini
I see Cap and Iron Man already have the pre-distressed “accidentally left in the sandbox and then dug up a couple of years later” look to them. Why, in my day, we had to do that the hard way. You kids today have got it too easy.
 
 
p. 508 – Batman V Superman Super Deformed Plushies:

p508bvsplush
“DO YOU BWEED”
 
 
p. 521 – Pixel The Matrix 4-Pack:

p521mat
At last, the perfect ice-breaker for conversations with your teenage relatives, which will usually start with them asking “…What are those? Is that based on some old movie or video game or something?” before they wander off playing with some new tech something-or-other you don’t understand and you feel that creak in your bones, surely that creak’s not getting stronger and anyway ha ha I’m just kidding, but seriously, death comes for us all. …Thanks for shopping.
 
 
p. 526 – Teenage Mutant Ninja Turtles Raphael 1/6-Scale Collectible Figure:

p526tmnt
Oh, it’s his tail.
 
 
p. 532 – Dragonball Super Sculture Spirit Bomb Figures:

p532dbz
OVER 9000 ROOFS RAISED

You could probably get a full run of Blue Devil on eBay for less than what that one issue was priced.

Dental issues have kind of thrown me off this week (and why not take a look at my eBay listings, he said completely coincidentally), but I’m still putting together material for this site, and, shhhh, don’t tell anyone, but I may have an End of Civilization post again soon, at long, long last. But, in the meantime, life goes on, and your pal Mike has been processing a few beat-up long boxes of what was once back issue stock for a long-defunct comic book shop. And in these boxes, amongst the copies of Serenity comics with Scotch tape affixed directly to the covers, and forgotten late ’90s Image books that will never ever sell again even in the bargain bins, I found this:

warlord102price

Now, there was a time when Warlord comics were, if not necessarily “hot,” but definitely in demand. However, it was not anytime during or after the release of this comic, which in no way, at no point, should have been priced anywhere close to $24.00. The current Overstreet has it at $4 in near mint, and was likely listed in the guide at that price or even less whenever the pricetag was actually affixed to this issue. Oh, and it probably goes without saying that the comic wasn’t anywhere close to near mint, and I suspect that wasn’t from mishandling in storage, but rather wear that was present when it was slipped into its bag and board.

I don’t think it was a case of switched bags or anything, given that I also found a few issues of Blue Devil, each with the proper issue number inscribed on the tag like above, also priced at $24. This is almost DC-obsessed-with-the-number-52 level, what with all the $24 pricetags. Suffice to say, any given issue of Blue Devil generally isn’t worth $24 even if you stuffed a twenty dollar bill into the comic bag with it. And hey, I love Blue Devil, but c’mon.

I don’t know if this was an honest mistake from misreading the price guide (unlikely, given the multiple instances), or, as was suggested to me, just wishful thinking (“only takes one person to go for it!”) much like the $5000 price tags you’ll see on, say, an issue of Care Bears on eBay or Amazon or wherever.

But don’t worry…I’ll be repricing all these at much more reasonable levels. I might even go as low as only $12 apiece. No need to thank me.

Honestly, people, like, ran to the new comics rack.

Adam asks

“What do you think about the three-month rollout of new titles? I would guess that’s a better system than dumping all 32 new titles, with Rebirth special issues, on the market all at once like they did with the New52. Could that make the ordering a little easier? Or could June be like those Secret Wars months when people are missing their regular books? (Assuming, maybe erroneously, that everything DCU not ‘Rebirth’ is ending in May.)”

The thing about the New 52’s month-long onslaught of new first issues is that it felt like a Big Event, nearly unprecedented in the comics industry. DC didn’t even restart everything after Crisis on Infinite Earths, when it would have been totally justified. The excitement over this weeks-long parade of #1s just kind of fueled itself, and I think I remember mentioning at the time that, when we opened the doors each Wednesday for new comics day, people literally rushed to the funnybook wall to get their hands on the latest DC debuts. People I’d never seen before, people who told me “I heard about all these new first issues on the news and wanted to see what was goin’ on” – the immediacy of all these new comics appearing on the stands more or less at the same time got people in the doors.

Of course, keeping them coming back was the real trick, which, um, didn’t work out so well, as New 52 sales eventually dwindled down to pretty much where things were before. And then Marvel attempted their own rollout of new #1 relaunches, but spreading them out over several months, with some titles ending in the midst of others starting and not having a clearly specified line of “everything before this point is old, everything after this point is new” like DC did with the new Justice League #1…well, that didn’t quite build the same kind of buzz.

And in the meantime we’ve had more relaunches and new #1s from both Marvel and DC and it’s all just business as usual, so I don’t imagine we’re going to have anything close to the same sort of excitement with this new batch of DCs. Which isn’t what you’re asking, Adam, I realize, but it’s just something I’m pondering as I think about what I may do in regards to ordering. Yes, rolling ’em out over a few months instead of dumping them all at once is probably the better strategy this time ’round, especially since this is aimed at growing readership out of a market that already exists, rather than trying to attract new readers from outside the market via a big splashy “TONS OF NEW TITLES, JOIN IN ON THE FUN” New 52-esque carnival. I mean, yes, obviously DC would love to get those new readers into the marketplace, but the concern right now is having a solid base of reasonably-selling periodicals in the direct market as it exists, and hoping to attract new readers with other projects and their trade program and what have you.

I don’t think we’re going to have a Convergence (or Secret Wars) style dearth of sales, where folks just kinda skip over these side mini-series while they’re waiting for the regular titles to return. These are the “in-continuity” books, so Superman readers will likely continue getting Superman, etc., assuming people don’t use these as “jumping-off” points (which some readers invariably do). Now, I have no idea what the actual directions/content of these new line of DC books will entail, and whatever is actually in the books will naturally affect that transition of readers from the old series to the new ones.

I probably should look a little more closely at what the actual plans are, but it’s my understanding that 1) the old series end, and then 2) the one-shots and new series come out over the next couple of months. But during this time, DC will surely still be releasing their Vertigo books, they’ve got those relaunched Hanna-Barbera books, they’ve got Dark Knight III (speaking of comics bringing in non-traditional comic readers!) and their other minis, so they’ll still have plenty of books on the shelves for their customers.

So ultimately, Adam, ordering is still going to be a real bear, but I’m not expecting any wild fluctuations in sales numbers. Unless there’s some mind-blowing stuff going on in these new launches, it’ll probably just keep on keeping on, with a slight improvement in profit coming from DC paring down their line to titles that are more or less proven sellers (with one or two titles in the new line-up that just feel like they’re doomed from the start, but we’ll see).

In conclusion: there’s still no new Swamp Thing series listed, so phooey.

The New 32.

Brad asked, in response to my Archie comments in yesterday’s post:

“Why do kids buy Archie Digests but avoid the same material in pamphlet or trade form?”

My guess is perceived value…digests may cost more, but contain a lot more content, and are closer to books than to periodicals in format. Just a matter of preferred packaging, I suppose.

“What DO kids buy these days anyway? The Disney titles from IDW? My Little Pony? Transformers? Manga? Captain Underpants?”

Yes to most of the above, as well as Sonic the Hedgehog (which is an Archie publication, so there’s that), Simpsons, Avatar the Last Airbender, Star Wars, Mad Magazine, Deadpool if the parents say “yes” — there’s a wide variety of comics to choose from, and kids’ tastes run the gamut.

rebirthcurtainSpeaking of comics, as I usually do here making that a fairly redundant transition, DC Comics announced yesterday just what they were gettin’ at with that image they’d been posting in social media here and there for the last few weeks. As it turns out, it is another linewide relaunch, rejiggering the DC superhero line-up to snap the company out of the publishing doldrums it’d fallen into after the massive New 52 debut sales back in 2011 had since faded away into a distant memory. Marvel’s had line-relaunches for their own books since then, initially goaded on by DC’s success, and have had scattered relaunches of several of their titles before their most recent sorta-post Secret Wars first-issue fest which we are still in the midst of. Basically what I’m saying is that this was a swell time to open a new shop, where I have to make some wild guesses as to how a bunch of new #1s are going to sell.

You can see the list of what DC’s planning to unleash right here, and on one hand, yes, good, they’re standardizing cover prices at $2.99, kinda of like a few years back when they were promising to “hold the line at $2.99” until stuff got pushed up to $3.99 anyway, and well, what can you do. It’d be nice if maybe that would pressure Marvel to follow suit, but it’s more likely the DCs will creep back up to $3.99 before Marvel does any extensive price-drops.

On the other hand, about half those titles are planned to be biweekly, so instead of spending a pocketbook-punching $3.99 on a new issue of Action Comics every month, you’ll be spending the incredibly low price of $5.98 each month for two issues of Action, so, um. But on the other other hand, instead of 52 monthly titles, there will be only 32, and it’s not likely you were going to buy Every Single Title DC was going to publish anyway, so maybe it’ll be at least a wash, or perhaps even a small savings for you. Costwise, $6 a month for 40 pages is a better deal than $4 for 20 pages, if you want to look at it that way. And that’s assuming the format will still include 20 pages of story.

I suspect the schedules are not set in stone…if there’s enough resistance to these selected titles double-dipping each month, DC can scale things back. I’m also concerned about maintaining that cover price…DC cut a couple of pages from the books during that original “hold the line at $2.99” push, so I’m wondering if more page cuts are possible. I would certainly hope not…I would prefer a price increase to that, and hopefully DC will remember that “$3.50” is a possible price point as well.

On the whole though, I do like that the number of titles have been scaled back to a reasonable amount, so that even if readers do decide to follow the double-shipping series, it won’t be as much of an impact at it would appear at first glance. For example, looking at what I’m likely to continue reading after “Rebirth,” it amounts to four biweekly titles, one monthly title, and maybe two or three other of the new monthly titles, depending on just what the actual contents are since all I’m going by is the name (like whatever The Super-Man is). That works about to about 9 to 12 comics a month, which isn’t too bad.

Of course, this is just the main DC Superhero Universe line of ongoing books. This doesn’t count mini-series and special event books and all those Hanna-Barbera relaunches and Vertigo and whatever else.

I saw a lot of comments online about how we should wait and see the creative teams/contents before giving the People’s Eyebrow to DC’s latest publishing endeavor, but I don’t think that’s entirely necessary. The idea of making half your line biweekly is a challenging one, particularly in this marketplace where consumers are looking to spend less money. And, especially after Marvel’s oddball scheduling issues over the last few years (ranging from “every two or three weeks or whatever” to “maybe we’ll see another issue again someday”), the last thing anyone wants is to feel like Lucy and Ethyl staring down that conveyor belt feeding them more candies than they could ever hope to wrap. I mean, yes, maybe the teams on these books will be so amazing that we’ll wish they were weekly, but I don’t think we should judge if someone finds, just from purely physical/economic response, the new DC plans to be a tad intimidating.

For me, the hapless retailer, the trick is figuring the numbers to order. Now, when DC did their linewide New 52 relaunch, that was fairly unprecedented, and received a lot of attention, and sales, not just from the initiated but from non-traditional consumers as well, driven to comic shops for the very first time to check out what was going on. As noted, there have been several attempts at relaunches/reboots from both companies since then, with diminishing returns, so the crowds that turned out for the New 52 aren’t likely to rematerialize. But if this stokes the excitement of the folks already coming to shops, well, that wouldn’t hurt. I expect a small bump in sales, and if the books are any good, and hopefully they are, maybe we can get some medium-to-strong-ish consistent sales on the ones that survive. That alone would be a welcome improvement.

The most unexpected announcement was that Detective and Action would revert back to their old pre-New 52 numbering. Good…I despaired of ever seeing an Action Comics #1000, and it looks like my weird prayers have been answered.

In which I admire Marvel’s restraint.

arch6

The transition from self-contained gag-oriented issues to ongoing occasionally humorous soap opera seems to have been generally a successful one as far as sales go, at least at my shop. However, the comic now sells almost exclusively to adults, whereas the classic version…well, also sold almost exclusively to adults, just in lesser numbers. One thing I’ve noticed over the decades is, despite having dedicated sections of children’s comics with plenty of younger clientele in two different stores, the regular monthly (or so) Archie comics have gradually become harder sells to actual kids. That’s not to say I never had any younger customers for Archie, but they were few and far between. I think I first realized there was a problem during one of my regular bulk comic sales to a local library, when my contact person at said library requested I send them no Archie comics. “They just don’t circulate,” she lamented. Quite the change from my long-ago librarian days, when we had subscriptions to multiple Archie titles.

None of this applies to the Archie digests, which I can still sell to kids just fine. And I certainly don’t mean to criticize these New Look Archie comics, which I think are pretty good. Just…well, like Marvel and DC, Archie had to age with its audience in order to keep up their sales. It’s a tough market, and with decades-old characters as your primary product, you’ve got to do what you can to keep them viable.

sameral

I know the writer on this comic takes a lot grief and inspires some significant eye-rolling, usually for good reason, and I can’t say there wasn’t any of that going on in just this series alone. But, there were some interesting takes on Young Clark Kent here and there that you certainly wouldn’t find in the classic Silver Age Superboy stories, and I think this functions just fine as an alternate version of Superman’s younger years. No idea if this is intended as “canon” or not, which hardly matters nowadays since superhero canon lifespans are generally measured in the months between reboots/relaunches.

This particular issue has Journalism Student Clark meeting several future friends and enemies in the context of “exclusive interviews,” showing Clark different takes on growing into a hero, as well as what he will face when he finally does become one himself…leading into a final confrontation that, while in hindsight certainly should have seen coming, genuinely caught me off guard with its intensity. That’s hard to do to a guy who’s read about a million Superman comics. And it’s all beautifully illustrated with Jae Lee’s strong but delicate linework…boy, Lee’s work just continues to impress me. This issue was probably the best of the run so far.

starwars16

The Star Wars line continues to do well, even as the new movie nears the end of its theatrical run. It’s nice that there hasn’t been an oversaturation just yet…three ongoing series and a rotating fourth spot for minis seems to be working out just fine. Given their sales, I’m honestly surprised Marvel hasn’t canned its lower-selling superhero titles and filled their slots with Ugnaught Adventures and Lobot, P.I. and another dozen-or-so titles any of which I would happily write, but I am glad that Marvel…Marvel…for once let the goose live to continue laying golden eggs. …Okay, none of this specifically addresses the book pictured above, which kicks off a new storyline based around a Rebel prison, which at least gives us a new location in the Star Warsian universe, unlike some sequels I could name. Leinil Yu joins up as penciller, continuing the current tradition of swell artists on this series. It all looks and feels like good old fashioned Star Wars adventure, which may not be cutting edge groundbreaking comics, but it’s entertaining all the same.

loveandr

C’mon, it’s a new Love and Rockets. You don’t need me to sell you on this. Just get it already. (And yeah, it’s not technically “this week’s comics,” since it came out last week. It’s my site, I’ll do what I want.)