Adam West (1928 – 2017).


I know Adam West did more than just Batman, but it’s Batman he’s going to be remembered for…and not just any Batman, but Best Batman. It’s been pointed out by many others how great it was that the ’60s Batman TV show was “rediscovered,” and that Mr. West, in his later years, got a whole new rush of appreciation for his landmark role…and a whole lot more work, too! By all accounts he was a good guy with a sense of humor about his relationship with the Caped Crusader, and I’m glad he got to hear from an enormous amount of people how much he meant to them.

That image above is a screenshot from an 11-year-old post of mine…I posted it to my Twitter, but wanted to repost here as well. That’s from the 1966 Batman theatrical film…it’s a great line, and the perfect statement of purpose for West’s Batman. Sometimes people just remember the silliness and the POWs and BAMs, but there was this occasional moment of truth as well.

I’ve written a bit about the Batman TV show in the past: here’s a defense of the show in the context of differing approaches to Batman; I look at one of its tie-in products; Batman sets a young man on the straight-and-narrow; and the role Adam West was born to play…Batman in Frank Miller’s Dark Knight Returns.

Oh, and I’d be remiss if I didn’t mention Mr. West’s hosting of the Mystery Science Theater 3000 Turkey Day Marathon…which included a certain film, Zombie Nightmare, featuring…Adam West.

Adam West, you were an absolute treasure, and you’ll be missed. So long, Adam.

You never know when I’m going to call YOU with questions about Cap’n Quick & A Foozle.

Okay, to follow up on Chris Gumprich’s Cap’n Quick & a Foozle question from a few days ago, on whether or not it sold:

Yes, I did speak to my old boss Ralph about it, and his initial response was “…boy, that was a long time ago.” What he remembers, however, appears to jibe with my semi-educated guesses, that it sold okay at the time, due to 1) being a different kind of comics market then, with more people sampling oddball indie titles, and 2) being created by Marshall Rogers, who was an active “name” artist then (and not the gone-too-early legend he is now). Not a huge seller or anything, but did well enough. At any rate, we agreed it probably moved units that Marvel and DC would probably kill for now.

• • •

Blogging sister Tegan has the latest installment of her essays up at her site: “Tegan and Sara Made Me Queer” is #11 in a series, and you can encourage this sort of behavior by contributing to her Patreon, like I know I do.

• • •

Sorry for the short post, but your pal Mike needs to get some of this “rest” he’s read about in books. I’ll be back Monday with more of this exciting typing you’ve come to know and love!

Progressive Ruin presents…the End of Civilization.

Civilization ain’t over just quite yet, gang, but will this month’s Previews offerings (in the June 2017 edition) be enough to push it over the edge? Come along with me and let’s find out…together:

p. 62 – Star Trek The Next Generation Adult Coloring Book – Continuing Missions:


“What color is the ongoing obsession with weird alien sexuality?”

“Um…periwinkle?”
 
 
p. 72 – Dark Nights: Metal #1:


CUT TO: Pied Piper trying to force his way into this event. “The flute is a heavy metal instrument!” he argues loudly.
 
 
p. 106 – DC Superhero Girls Past Times at Super Hero High:


BRAD, NO
 
 
p. 115 – Teen Titans Go #23:


So long as Baby Superman there doesn’t end up in a microwave, we should be okay.
 
 
p. 117 – Superman and the Miserable, Rotten, No Fun, Really Bad Day HC:


Looking forward to future releases Green Lantern and Ham, Crisis of Infinite Berenstains, and To Think I Saw It on Danny the Street.
 
 
p. 121 – The Newsboy Legion and the Boy Commandos Special #1:


Chaykin’s doing this, so I expect the Newsboys will become Newsmen at some point, and we’ll finally find out the real reason they’re called “commandos.”
 
 
p. 132 – Superman Reborn HC:


Finally, the all-new, complete, canon history of Superman ’til the next one comes along in a couple of years!
 
 
p. 272 – Casper The Friendly Ghost #2:


Look, I’m all for new Casper comics, but I don’t know if I’m ready for modern stories with, like, Casper on Facebook or the Ghostly Trio texting each other or anything. I’m still trying to recover from that final Carl Barks story where one of Donald’s nephews refers to a fax machine.
 
 
p. 277 – Dark Cider T-shirt:


I can’t imagine the producers of these shirts aren’t hearing from Disney on a regular basis.
 
 
p. 326 – Grumpy Cat/Garfield #1:


I volunteer to write the Marvin/Dancing Baby comic.
 
 
p. 341 – The Green Hornet ’66 Meets the Spirit #2:


Issue number two of the characters arguing who had the best film adaptation in the 2000s!
 
 
p. 376 – That Time I Got Reincarnated As a Slime Volume 1 GN:


You do a story about a dude reincarnated as a typical monster in a Dungeons & Dragons-type game, and you don’t go with the best one?
 
 
p. 525 – Pumps Miniature High Heels Featuring DC Heroes & Villains (Blind Box Assortment):


Just dropping “THIS IS A FETISH FOR SOMEONE” as the punchline is awfully easy, but if ever a situation called for it…
 
 
p. 525 – The Joker Calling Card Statue:


With just a slight repaint job, this could be the Addams Family/Batman ’66 crossover that never was.
 
 
p. 528 – Mr. Potato Head Alien Xenomorph & p. 549 – Mr. Potato Head Predator:


NO MATTER WHO WINS, WE…well, also win, I guess. C’mon, it’s Mr. Potato Head, he’s awesome.
 
 
p. 554 – Spider-Man Homecoming Vulture Attack Set:


If I go see this Spider-Man: Homecoming movie and there isn’t a building that looks exactly like that anywhere in there, I’m walking out of the theater and demanding my money back.
 
 
p. 555 – Star Wars Collectors Gallery IG-88 Statue:


Did IG-88 ever move this much in the one scene he was in? I feel like he’d topple over if he moved his legs like that.
 
 
p. 577 – Toy Box Sofubi 014 Nessie the Loch Ness Monster Soft Vinyl Figure:


Even more real than the real thing!
 
 
p. 613 – Guardians of the Galaxy Vol. 2 Short Range Walkie Talkies:


Relive that scene in the Guardians of the Galaxy film where Drax picks up Rocket and shouts directly into his face in an attempt to radio Star-Lord. Genuine pissed-off space trash panda action!
 
 
p. 617 – The Lord of the Rings Middle Earth 5 Coin Set:


Just like the slammers used in that fateful pog tournament between Gollum and Bilbo deep within the caves beneath the Misty Mountains.
 
 
p. 631 – Star Wars 40th Anniversary Edition Monopoly Game:


Do not pass Tosche Station, do not collect your power converters.
 
 
Marvel Previews p. 91 – Star Wars Mace Windu #1:


Getting ever, ever closer to the inevitable Jar Jar Binks mini-series. It’ll happen someday. And when it does, I’ll buy it, and so will you. Search your feelings…you know it to be true.
 
 
p. 114 – Color Your Own Star Wars Darth Vader :


Once again:

“…Bring out the Sith Lord’s rarely seen lighter side with pastels!”

…the actual solicitation text beats me to the joke. Well played, anonymous solicitation text writer…well played indeed.
 
 
Marvel Previews p. 125 – Marvel’s Thor Ragnarok Prelude TPB:


So going by the logic presented here (and in previous Marvel movie comics of late), in that the “Ragnarok Prelude” is in fact a comic book adaptation of the previous Thor film The Dark World, then the currently running Rogue One adaptation should be called A New Hope Prelude.

…Hey, maybe the comic book adaptation of the Howard the Duck movie could be repackaged as the Guardians of the Galaxy Prelude! You can have that one for free, Marvel!

Because I still have the receipt, that’s how I know exactly when.

So from Wednesday’s post, adam asks

“hey mike did you ever read the novelization of the film? i remember it had a nice meta tone to it.”

And the answer is, of coures, I certainly did read the novelization! I even talked about the book (the actual physical object, though, not so much the content) about nine years ago, so I don’t blame anyone for not remembering. But here’s the scan I made of my actual copy of the book, purchased at 4:44 in the afternoon on July 18th, 1986:


I haven’t read it in a long time…I know I’ve read it more than once, but I definitely haven’t read it since maybe sometime in the late 1980s. I know I say this a lot about things I haven’t read or watched or otherwise experienced in a while, but I really should read it again, if only to see if there are maybe some nuances to the novel I missed the first time around or have forgotten about in the meantime. adam notes its “meta tone,” and I’d like to see, or at least be reminded of, what he’s talking about. Add that to the “Future Posts on Progressive Ruin” whiteboard!

Blogging sister Tegan adds

“I’ve been thinking Howard would be perfect for something like a low-risk/low-reward web series.”

That probably wouldn’t be a bad place for him. I thought for a while that a late-night animated series on the televisions might be a good fit, though I suppose if any studio or network is going to have some new thing with the name “Marvel Comics” on it, they’re gonna want it in front of as many eyes as possible. But that desire versus the aforementioned reluctance for putting too many eggs in the Howard basket would probably result in no Howard show at all. So instead, it’s probably cameos and guest-appearances for the near future…but I suddenly just pictured Howard popping up on Marvel’s site as an updated version of Clippy, making acerbic comments about how many times you keep clicking on that one Spider-Woman cover.

However, I would just plotz if Howard started showing up on Agents of S.H.I.E.L.D.. I know there’s a general “never the twain shall meet” policy, that’s mostly held, between the Marvel TV shows and the Marvel movies, but I can’t imagine they’d be too worried about Howard making the leap between the two.

All this speculation is likely for naught, since realistically I expect Howard is going to stick to Guardians of the Galaxy appearances. …Unless we get that letter-writing campaign started right now, gang!

Almost too much Howard the Duck content.

Now I generally like the Howard the Duck movie, as I’ve noted before. No, it’s not a terribly accurate reflection of our favorite fowl Trapped in a World He Never Made, but it has its moments, and more importantly, it has Lea Thompson…and so I don’t end that sentence in an overly sexist fashion, it also has Tim Robbins, who’s a lot of fun.

But Howard the Duck has been coming up in conversation at the shop a lot more often lately, thanks to his cameo appearances in the Guardians of the Galaxy movies. I even had one kid (“kid” i.e. approximately late teens/early 20s) point at a Howard the Duck somethin’-or-other in the shop and exclaim “hey, it’s that guy from Guardians of the Galaxy!” so the cultural rehabilitation of Howard amongst today’s youth continues apace. I mean, it has been 31 years since the movie’s release, so I imagine there’s at least a generation or two who either have avoided direct exposure to the film (though it’s been occasionally available via online streaming) or, more likely, weren’t there for the huge bombing of the film and its subsequent equivalence with “disaster.”

I’ve been asked a handful of times if I think Howard may get another film of his own. Despite what I just said, about Mr. Duck experiencing something of a — “popular” resurgence isn’t quite the right term, but you know what I mean — that film still casts a long shadow. As a trusted advisor once informed me, it seems unlikely any studio executive would want to be the fella/lady on record saying “yes” to a new Howard the Duck film. Even though…right now, Marvel Studios has yet to have a poorly-performing release, so if there was a new Howard flick, just on Marvel’s rep alone butts would meet seats. Or it could be Marvel’s first big flop, and we’d be right back where we started.

For the time being, it’s probably just continuing cameos for Howard, which is just fine, and frankly, it’s something of a miracle we’re even getting those. That aforementioned Marvel Studios rep for continuing hit films is most likely what got someone to say “ah heck, a Howard cameo might not hurt anything” and let it in.

Anyway, the reason for all that typing is that, on the occasion when someone unfamiliar with the comic asks me how the movie compares (and believe it or not, the topic comes up quite a bit at the shop), my go-to example has been the particular bit of business regarding “quack-fu.”

“Quack-fu” in the comic is the hook by which writer Steve Gerber (along with artists John Buscema and Steve Leialoha) examines the then-huge pop culture faddish-ness of martial arts:


…the movies, the magazines, the “learn the secrets of the masters” ads, even Marvel’s own Master of Kung-Fu series. It’s an extended and pointed satire of a contemporary cultural trend with the additional contemplation of violence and its acceptance in media and society.

The movie strips “quack-fu” of all that context, and suddenly it’s just another duck joke:


…and a way to move the plot along by having Howard kick butt when it’s convenient.

This may be the most blatant example of Howard’s misuse in the film. Like I said, the movie does have its moments, and overall it’s likeable enough, but you’re not getting the satirical commentary of Howard’s comic in here. (Sorry if I made anyone’s monocle pop out by saying that.) And I wonder if that’s the sort of thing that would translate to a new big-budget Marvel action movie anyway. Can you imagine? “It’s like Network, but with a talking duck!” I mean, it’s not impossible, and would certainly be different from the usual superhero fare, but I don’t know if the world is quite ready for it.

• • •

In other news:

Frankly even the top-selling comic book would have at best “a cult following.”

THE QUESTIONS, I’M BACK AT ‘EM:

Mikey Wayne lays the following on me:

“In light of the promises/suggestions that both the JSA and Legion of Super-Heroes will soon rebirth themselves into comic stores everywhere:

“For each team, which member would you most like to see rebirthed and why? If you could choose the creative teams for each book, whom would you choose?”

For the Legion of Super-Heroes, that’s easy…I’ve said before I’d like to see a Brainiac 5-centered Legion relaunch. Brainy as the cool, rational, scientific center surrounded by the utter madness of “Bouncing Boy” and “Matter-Eater Lad” and so forth, just trying to do his job despite all the crazy nonsense in which he finds himself mired. As far as a creative team…I’m always bad at picking out folks for this sort of thing, but I feel like Warren Ellis would make this absolutely bonkers. He’d give us a Brainiac 5 that actually seems like he’s intellectually superior to everyone around him, I’d think. And yeah, he’d probably be all bastardly-like, but not on purpose…he’s trying to be helpful, to fit in, but he’s so far beyond everyone else that he comes across as kind of a jerk without meaning to. (As opposed to some previous portrayals, where he pretty much was a jerk.)

For an artist, I’d say…well, so long as we’re playing pretend here, Paul Chadwick. I’d love to see the 31st century as drawn by him…I’m picturing a more futuristic sci-fi version of his series The World Below. Like, weird to the point of being creepy, which I bet Ellis could work with quite nicely. Man, now that I’ve described it, I’d love to see it.

With the Justice Society o’America, that’s a bit harder to choose. I really want to say Jay “Golden Age Flash” Garrick, but the Flash family is already pretty mired in the whole “Rebirth” thing and I’d prefer a character that’s a little more standalone. I’d maybe say Wildcat, partially because I think pal Dorian rubbed off on me after all these years and I would like to see a new, ongoing title starring his favorite character. I don’t really have a hook for the character as such, except even as I started typing this sentence the creator “Matt Wagner” came to mind and I can totally see Wildcat sorta remodeled by him into a Spirit/Shadow/Green Hornet-ish type crime fighter. I mean, he’d still totally be a boxer who puts on his Wildcat outfit and goes out to punch crumb-bums what need punching, don’t get me wrong. But Wagner could make just that much weirder, with only the occasional intrusion from the superhero element (maybe treated as a more supernatural occurrence) but with plenty street-level action with gangsters, creeps, dames, and beat cops. I would read that in a heartbeat.

• • •

Dani makes me retreat with

“Mike… one thing I’ve been wondering… just between us nerds… What exactly did you say to Encyclopedia Brown to make him snatch out your eye?”

Friends, sometimes running jokes from my beloved BBS days of decades ago follow me into the wide world of the internets.

…But basically what I told that Brown guy was “BUGS MEANY IS RIGHT.”

• • •

Chris Gumprich wonders

“1. Have you noticed an uptick of non-comics people coming in and asking for comic versions of the various DC-TV heroes?”

This is sort of a variation of the question “do the movies help comic sales?” and the answer is generally “not a whole lot.” The movies and TV shows increase awareness of the characters, certainly, but as discussed in the past, people who are fans of comic book movies and TV shows don’t suddenly acquire the “go to a comic shop on a regular basis” lifestyle. That’s not to say I haven’t had the non-initiated come in and ask for Supergirl comics, or grab Flash off the shelf. There is a slight increase, but compared to the number of people who get all the Flash and Supergirl adventure they need a couple of dozen weeks out of the year, it doesn’t seem like a whole lot. But, you know, a little is better than nothing!

“2. Do you think CAP’N QUICK & A FOOZLE would sell today? Did it sell in 1983?”

Well, for the latter part of the question, I’m going to have to say “I don’t entirely know,” since that was about five years before my entry into the world of comics retail. I’ll have to ask my old boss Ralph when next I talk to him, so I’ll update you later. My guess is that it sold…okay, in that this was the early days of the indie market still, and the black and white boom and its subsequent effect of making people not want to buy indie books was still in the future. Probably people were experimenting a little more with trying out different things, and Cap’n Quick & a Foozle may have benefited from that. Plus, Marshall Rogers was still a draw, so it may have sold just on his name alone. Again, I’d have to ask someone who was there to be sure.

Would it sell today? This is going to sound bad, and it’s no reflection on the great work of the late Mr. Rogers, but the answer is probably “no.” It’s too hard for any new titles to get real traction, so just by pure percentages, a series, particularly a weird-ish indie series, may get a small cult following but probably wouldn’t sell all that greaet. Just too tough of a market nowadays. Maybe “Cap’n Quick and a Zombie,” or “Deadpool and a Foozle.”

• • •

Andrew Davison schools me with

“If Swamp Thing falls over in the forest, and there’s no’one around to hear him, does he make a sound?”

Now, in the similar question regarding a tree falling in the forest, with no one to hear…in that case, I would say it doesn’t make a sound. If no one, meaning the lack of presence of ear canals that can interact with the resultant vibrations caused by the tree’s impact that can in turn be translated by an attached brain into what could be interpreted as “sound,” then no, no sound was made. The potential for sound is created, but no “receivers” as such exist to covert that potential and have it be recognized as sound.

However, Swamp Thing has anywhere between one and two ears, depending on who draws him, so he’d hear himself making a sound as he fell. I mean, assuming he’s real, and not just drawings on paper, of course.

Yeah, I know things don’t end well for the dog.


So blogging sister Tegan reminded me with her Twitter post about that poor ol’ mutt in the early issues of Swamp Thing, so anyway, there he is with our swampy pal.

I don’t think they ever called the dog anything other than “mutt” (or “hound dog” or “Linda’s dog”) for the entire time he was in the book. Hmmm…maybe “Bernie” would be a good name for that dog. Let’s just pretend that’s what Linda Holland named him off-panel.
 
 

image from Swamp Thing #2 (Dec 1972/Jan 1973) by Len Wein and Bernie Wrightson

You probably thought I forgot about your questions, didn’t you?

Okay, it’s been exactly a month since I last dipped into the most recent question pool, so let’s knock out a couple right here:

William Burns lights a fire under my butt about

“Do the Black Mask Studios comics sell much for you?”

They do…okay, I suppose. Some better than others. There was a while there, a year or two back, where the investor-types were looking into new releases from indie companies for their next fortunes. It’s still happening to a somewhat limited extent, but mostly with, say, Aftershock and Scout, possibly because nobody’s quite sure how to order on a lot of these, meaning if one catches one, any given store is likely to be caught short.

But with Black Mask, Four Kids Walk into a Bank and Young Terrorists still get a small bit of attention…in fact, I just turned a customer on to the latter title, and he thinks it’s great, so, you know, they’re still capable of finding new readers. It’s hard, though, in the current marketplace, to get any sort of traction, but I’m glad companies like Black Mask, and Aftershock, and the rest are still hanging in there.

• • •

Rob Staeger grills me with

“I’ve recently been reading a bunch of old Warlord issues. They’re so enthusiastically batty! I was wondering what your thoughts are on Mike Grell and the evolution of his career. Are you/were you ever a fan?”

Sure, I liked Mike Grell well enough. I wasn’t a huge follower of Warlord but I had this digest collecting his several-issue battle with his wizardly arch-nemesis Deimos, and that was pretty good. I tried the monthly series for a while (though at this point I can’t remember if Grell was still involved with the series or not) but I didn’t like those single issues as much as that digest, so I didn’t keep reading.

I don’t know if I would say I was a “fan” in that I was a devotee of his work, but usually his art was professional and effectively presented the the stories it was illustrating, like in Green Lantern or in Legion of Super-Heroes. I haven’t read Green Arrow: The Longbow Hunters in a while, so I don’t know how that holds up…all I seem to remember are some unfortunately violent bits that may not have aged well in the nearly 30 years since its release. And I read Jon Sable Freelance for a time, too, and the “usually” qualifier I used just a moment ago applies to this title, as the art got a little…sketchier that I preferred in the later issues of this series. I never did get around to reading Starslayer, though I own several issues for the Grimjack back-up stories and that early appearance of Groo the Wanderer. Should probably look at the stories in the fronts of those books someday.

Overall, I think his work is fine. I know he’s done a few covers for the recent Green Arrow series, and those have been nice. I can’t recall how much interior work he’s done of late (aside from a couple of those Arrow TV show tie-ins), but I wouldn’t mind seeing his storytelling in action on a regular basis again. I mean, if they can give Neal Adams regular Batman and Superman minis for him to be his Neal Adams-est, why not give Grell a short-run Green Arrow or Green Lantern (or Green Arrow AND Green Lantern) series? I’d read that.