The return of Sir Links-a-Lot.

YOUR ACAPCWOVCCAOE* UPDATE:

Bow before the return of BATFATTY and his Bat folk-art.

Pal Ian ponders reader resistance to manga, and the lack of manga in used book stores.

The last thing Kid Chris posted was a Dora the Explorer belt buckle. You know, the Kid has an unusual belt buckle or two himself…er, not that I make a habit of studying his belt buckles, you understand. Um, moving along….

I think something terrible has happened to former employee Nathan. Last post: August 23. If you see this man, please mail him back to us.

Pal Tom sees that the producers of the Heroes TV show have trouble with numbers. You know, I finally saw an episode of Heroes and…eh, not bad. I want to see more of that Hiro fella.

Pal Dorian posts beefcake pics of Wildcat. TRY TO CONTAIN YOUR SHOCK.

Captain Corey and pal Sean: currently resting.

MEANWHILE, ELSEWHERE IN THE MULTICOMICSWEBLOGOSPHERIVERSE:

Hey, you know the mighty Chris Butcher has changed domains recently, right? Anyway, he looks at a Tokyopop ad-mail that was sent to funnybook stores recently…hey, Chris, I thought the Ally McBeal reference seemed a little odd to me, too, when I got that e-mail. “Great for fans of Ally McBeal!” So, no one, then?

Fortress of Fortitude says Bouncing Boy is cool. (For you readers new to my site, I had a question about Bouncing Boy’s powers that you might enjoy.)

Have you been reading Tim O’Neil’s “The Fate of the Critic?” You really should be: parts one, two, and three are up so far.

Kalinara ponders Christianity in comics, and whether it is really underrepresented.

The first appearance of Wildfire of the Legion of Super-Heroes is dissected over at Ye Olde Comick Booke Blogge.

I always enjoy it when Chris Karath takes pictures of his action figures.

Daniel85 finds that Power Pack panels are especially creepy when taken out of context.

Tangognat offers up some manga recommendations.

Thought Balloon looks at Justice League of America #185 and the bad-assery of Big Barda.

The fate of the Thunderbolts comic (one of my favorite Marvel books, as I’ve noted before) is pondered over at Nobody Laughs at Mister Fish.

Bill examines some of the new TV season’s offerings…hey, he likes Hiro, too!

H posts his Sad Sack tribute, and Mag reminds us that it’s the Comic Treadmill’s third anniversary! Huzzah!

‘Tis the season for Halloween costumes, and Booksteve wants to show you some of his.

I love Eliza humor.

Daredevil is what?


See here for more of Amanda Waller’s missions.

* Associated Comics And Pop Culture Webloggers of Ventura County, CA And Outlying Environs, in case you’d forgotten.

Stripping.

Now I’m already in the Peanuts reprint thing for the long haul. We’ve got six of the twenty-five volumes down, and I fully intend to buy them ’til the end. Things may get a tad dire as we slog through the volumes that cover the ’80s, which was the period, I seem to recall, some folks feel the strip began to decline, though perhaps we’ll all get to reconsider that assumption once we get all those particular strips in bulk. Of course, this reconsideration may just confirm everyone’s opinion, but, you know, even just merely average Peanuts is better than, say, Tumbleweeds, and surely still worth reading.

The other strip reprint series I will buy is Fantagraphics’ forthcoming Popeye set. I noted before that I had regretted missing Fantagraphics’ original volumes reprinting the classic E.C. Segar era of this strip, but Bully tells me that this new edition was worth missing that previous set, and Bully hasn’t lied to me yet…that I know of.

Another reprint series I’m very, very tempted by, but haven’t quite decided upon yet, is IDW’s Dick Tracy. I love the look of the book (the characteristic yellow color and the sewn-in bookmark) but there have been no shortage of Dick Tracy reprints over the last few years, from Gladstone’s short run, to the “new” ACG’s avalanche of comic books of varying quality, to the hardcover books focusing on the famous villains, and so on. It’d be nice to have all the strips, unedited, in chronological order, but I may be a little burnt out on Dick Tracy right now. There are a couple ACG issues that I think I still haven’t gotten around to reading, in fact, and those reprints stopped coming out, what, two, three years ago? (To get an idea of ACG’s commitment to the quality of their reprints, here’s R.C. Harvey’s review (about halfway down the page) of a book focusing on a DT supporting character, where they manage to misspell the character’s name in the book’s title).

There have been a couple of other high-end reprint series that I skipped…while I do like Dennis the Menace, quite frankly, I just had to draw the line somewhere. These are handsome volumes, however…squat, square books reprinting each panel on a page of its own, at a nice, large size. And there’s no denying the sheer beauty of Drawn & Quarterly’s Gasoline Alley volume, which I’ll occasionally pick up and flip through it at the shop, trying to talk myself into bringing it home…but I have to admit my fascination with the strip is mostly restricted to the more peculiar recent strips.

I don’t know what other strip reprint projects like these would compel me to buy them. I suppose it may come as no surprise that I’d love to see a complete Nancy, but I’m not quite sure the world is ready for such beauty. And would you start with just the Nancy strips, or with the Fritzi Ritz strip that preceded it? And would you pick up the Fritzi strips from when Ernie Bushmiller took over, or would you start with the comics by the strip’s originator, Larry Whittington? (In fact, have the original Whittington strips ever been reprinted? My Google-fu turned nothing up.)

Bloom County is another strip I’d love to see in a complete run, as I’ve said before, since there are a large number of those strips that have never been reprinted. And I’d like to see a run of the early B.C.s and Wizard of IDs as well…hey, I liked them.

Just so long as I see a complete Bloom County before I see a complete Tumbleweeds. Or Marmaduke.

"You’re kinda super yourself! …In a teenagey sort of way!"

So, in Betty #6 (June 1993), Betty had passed a note to Archie during class, and Archie, apparently unable to do anything on the sly, got caught with the note by the teacher, the ever-present Miss Grundy. Thus, Archie is kept after school for detention, while Betty, practicing outside for a forthcoming gymnastics competition, feels guilty for letting Arch take the rap.

Desperate to tell Archie she’s sorry, Betty comes up with a cunning plan: she moves a trampoline to just below Miss Grundy’s second story window and, after preparing a few handwritten signs, puts her plan into action:


Archie, having the memory of a goldfish, forgives her immediately, and writes his own sign in response: “I THINK YOU’RE SUPER!” He flashes the sign at the window during Betty’s next bounce, but it’s then Miss Grundy decides to look up from her desk:


Flattered, Miss Grundy lets Archie out of detention early, but as Archie tries to get while the getting’s good, Miss Grundy calls him back with an “Oh, Archie….”


“Why, Miss Grundy, are you trying to seduce me?” AWK-WARD.

I wish I could say the next panel is Grundy pushing Archie up against the wall and giving him a freckle-bath, but…no, actually, I don’t wish I could say that. I wish I could un-think it.

Speaking of awkward, sometimes the Betty and Veronica pin-up pages are a little worrisome. Yeah, I know, it’s a long-standing tradition in the funnybooks to have B ‘n’ V in cheesecakey pin-ups, either inside the books or on the covers, but every once in a while you’ll come across one of these pin-ups and think…


…aren’t these supposed to be high school girls? I seem to recall Jughead’s age being pinned down at 16 at some point, so presumably Betty and Veronica are about the same age (not that Archie comics are real bastions of consistency or anything). Well, okay, I can see Veronica maybe being held back a grade once or twice. But still, something about that image in particular just seems a little more…prurient that usual, like Betty picked “stripper” for Career Day.

But, then, given how often the gals show up in the comics in the altogether, at least Betty’s wearing something in that pin-up.

Briefly…

1. The creator of this video featuring the floating Sluggo (as seen in my Nancy linkdump) has a fine weblog, with interesting photos, amusing videos, and classic (or, at least, old) comics. Currently featured: Little Roquefort comics here and here.

2. Another great site I’ve encountered over the weekend is Plastic Pumpkins, a Halloween-themed site with toys, comics, photos, and whatnot. I do loves me the Halloween, so hopefully this site will be able to keep that Halloween spirit going year-round.

3. Folks are drawing their own Hulk faces and posting them in the comments section for yesterday’s post…even former employee Kid Chris participated, so grab the blank and draw your own! Or blow it up, print it, cut out that white space, and vee-ola, your very own Hulk mask!

4. More puzzle fun for everyone:

We are all Nancy.

The official Nancy site, with a new strip posted each day and a month’s work of archives.

The Wikipedia entry for Nancy’s creator, Ernie Bushmiller.

Is Ernie Bushmiller dead? (Apparently so; here’s where he’s buried.)

An “interview” with the “real” “Nancy.”

An appreciation of Guy and Brad Gilchrist’s version of the strip.

Some original Nancy art by Bushmiller and Gilchrist.

5-Card Nancy, a game created by the right and good Scott McCloud. Play the online version (here’s an archive of some generated strips).

…And this person, inspired by 5-Card Nancy, created his own surreal Nancy strips. (As opposed to all those non-surreal Nancy strips.)

The Dark Horse Nancy and Sluggo limited edition statues.

Howard Cruse’s nightmarish classic “Raising Nancies.”

Nancy and Sluggo blown-glass ornaments.

Power Computing ’96 “Sluggo” poster – “Let’s Kick Intel’s Ass!”

The Nancy and Sluggo blue silk tie, the red silk tie, and, best of all, the POWER TIE.

Wear the tie with your Nancy and Sluggo suspenders for maximum fashion sensibility.

Andy Warhol’s “Nancy” and Shane Swank’s “Nancy Warhol.”

Nancy and Sluggo vinyl figures.

A letter of complaint re: “domestic violence” in a Nancy strip, and the response.

Nancy and Sluggo dolls from the 1950s which only barely resemble the characters.

Nancy in French, which points to this page (“Arthur et Zoé”).

Roger Green looks at a repurposed Nancy strip from the Black Comic Book.

Nancy & Sluggo Tootsie Roll display (from this site).

Just a slight scroll down this page you can see some Nancy & Sluggo stills from the Archie’s TV Funnies cartoon.

Scott Shaw! examines Nancy & Sluggo #16, with its soul-piercing cover.

“NANCY AND SLUGGO” — as in Nancy Kerrigan and, um, whatshername.

“Old Nancy Doll with Huge Head.” FEAR IT.

Dig this Nancy and Sluggo marble.

Another Nancy doll, from 1973, at the top of this page (right above The Nanny sunglasses).

Ivan Brunetti’s Nancy.

We are all Nancy.

Nancy golf gag briefly examined.

Bill Griffith’s tribute to Nancy.

If Mickey Spillane Wrote Nancy – from Mad Magazine.

“But despite their common origin and certain structural similarities, the Nancy and the Sluggo have some very important differences. The Sluggo was outfitted with a single purpose in mind, that of all-out aggression, whereas the Nancy’s owner was more concerned with the design of the galley and the equipping of the entertainment center, opting for a minimum of offensive weapons in favor of the essential defensive ones. So, while the Sluggo’s big guns and ramming capability constitute a threat not to be taken lightly, the Nancy enjoys far greater speed and maneuverability.”

Jim Woodring presents the Greatest Nancy Panel Ever Drawn.

Here’s an animated version of the Greatest Panel Ever Drawn:

…And the original strip from which it came:

New Comics Day.

…And hopefully I won’t go on and on like I have been the last couple of days. I’m still ill, even bailing out of work on New Comics Day after finishing the comic saver pulls and the mail order stuff. As such, I don’t have much of a New Comics Day roundup this time around:

Evan Dorkin’s Dork #11 has finally darkened comic shop doorsteps across the nation, and it’s well worth the wait. More laughs per page than your average issue of New Avengers.

X-Isle #3 – Tempers flare as the castaways begin to turn on each other, even as they encounter an unusual tribe of…critters in their quest to track down on of their own. Fast paced and entertaining, even if I sometimes have trouble of keeping track of which character is which (more of a symptom of reading the comic in a serialized fashion, one chapter a month).

Infinite Crisis novelization – Now, I first mentioned this on the site in a previous End of Civilization installment, where I said that, yeah, I’m probably going to get it out of curiosity about how they’re going to handle explaining the series in a prose format. And, given that the price it was originally solicited at was $6.99, I figured “Hey, what the heck?” Well, now it’s shown up as an oversized paperback at $15.00…apparently there was a last minute change by the publisher, thus making it returnable to our distributor, thus making me think twice about actually wanting to keep it. Feh.

DC Who’s Who Mystery Box Series 2 – The deal with the Mystery Box series is that they’re marketed a bit like trading cards…you buy the package, and one of six different plastic statues are randomly packed inside, with the idea that you’d buy ’em and trade ’em and whatnot. Apparently this didn’t go over so well, as this new series now indicates on the outside of the box which figure is in which package. Not much of a “mystery box” anymore, it seems. (But I do like this Aquaman figure.)


And, yeah, that’s pretty much it for today. I had another extensive and rambling essay in the works, this time about the Superman books, but it’s going to have to wait for another day, I’m afraid. Yeah, I know, I’m wussing out, but let’s face it, I’m sure we both need the break.

But, hey, at least I have another disturbing image for you…from one of the Kitchen Sink Nancy books again:


EDIT: Since there appears to be some confusion…that’s not supposed to be Nancy’s Aunt Fritzi.

EDIT AGAIN: And yes, in response to an question posed by a hotlinking weblogger, this image is 100% authentic, direct from the pen of Mr. Bushmiller himself.

Mike’s Medicated Ramblings, Day 3.

I’m still trying to recover from my illness, so I’ve not been doing a whole lot of keeping up with online comics news and weblogging shenanigans and whatnot…er, not that I ever do, of course. However, I have been thinking a bit about this hobby in which I find myself involved, and I’ve been just sorta throwing my thoughts out there on this site over the last couple of days. I realize they’re hardly well thought-out, or come to any kind of reasonable conclusion, but I hope you folks will excuse my self-indulgence. Well, my extra self-indulgence, since weblogs are kinda self-indulgent to begin with.

Anyway, I did spot, on some site or another, a particular bit of business I wanted to address. It doesn’t really matter where I spotted it, because we’ve all seen some variation of it:

Company A does something Reader X doesn’t like. Reader X then declares publicly that he is going to drop all of Company A’s books off of his regular reading list in protest of whatever it was that Company A happened to do.

Of course, Reader X will eventually back off this stance because whatever Company A did is 1) probably no big deal, 2) if it’s some kind of “permanent” change to a character, it’ll be undone eventually, or 3) if it’s some kind of company-wide change in direction Reader X disagrees with, sooner or later Company A will publish something Reader X won’t be able to resist buying and he’ll quietly end his boycott.

I’ve seen examples of this in-store, such as when one customer told me he was going to drop all DC books from his comic saver list because of the line-wide price increases from $2.50 to $2.99. However, in the wake of Infinite Crisis, he found himself intrigued by enough of the new directions of the books that he ended up adding nearly every DC Universe title to his pull list.

And I’ve seen this on a more limited scale…I think both pal Dorian and I have noted that when Grant Morrison took over X-Men, a number of the regular readers of the book went “Ew, weird, I’m dropping it until he’s gone.” And then, beginning a few months later, these same fans started buying the issues they skipped as back issues to fill the holes in their collections.

Plus, I’ve had enough people say things to me like “I REFUSE TO BUY ANY DC…well, except Sandman, that’s pretty good” and then they’re buying the Death mini-series, and the Dreaming spin-off, and the Lucifer spin-off….

Or they dropped all the Marvel titles in disgust, because, say, they didn’t like the whole “Gwen Stacy was pregnant with the Green Goblin’s kids” thing, but then they hear Joss Whedon was gonna write some X-title, and suddenly, they find themselves back in the fold.

So, yeah, I’m guessing that message board bluster about dropping everything a company is doing is more or less just that…bluster. I’m sure maybe someone, somewhere, dropped a company’s output in protest and stuck to his guns…but for the most part, I call “yeah, right” on these sorts of declarations.

I wonder if other publishing concerns have this problem? (“I hated the ending of Stephen King’s From a Buick 8! I’m never buying another book from Scribner ever again!”)


Of course, people drop books all the time, but they usually don’t make a big production out of it. Either it’s out of purely financial concerns, or they don’t care for a direction a particular comic has taken, or they just plain lost interest…eh, it happens, and it’s done on a case-by-case basis, not a blanket “now I hate DC because its run by jerks, so I’m dropping all their books” decision.

I’ve written about my decision to drop the Flash comic after reading it for a couple of decades, as the new creative team and direction were, um, not really to my taste. And I followed that up with a brief discussion of why I dropped a handful of other titles. In short, not because I was trying to take a stand, or trying to “send a message” to the publishers in question that they weren’t going to notice anyway, but simply because…I didn’t feel like reading those titles any more. Well, I did kind of make a deal out of it, since, as a sinner, I’m gonna talk about this sort of thing on my weblog, but you get what I mean.

And that, in a roundabout way, brings me to Marvel Comics.

I used to read a lot more Marvels when I was younger. I used to read Uncanny X-Men, Fantastic Four, Thor, Amazing Spider-Man, Ghost Rider, various mini-series…blah blah blah, you don’t need me to list them all. But I was pretty much as mired in the Marvel Universe as I was, and still am, in the DC Universe.

But, over the years, I find myself buying fewer and fewer titles from Marvel, not out of some conscious decision to weed Marvel out of my life. Rather, it’s just because the stuff Marvel is publishing just isn’t getting my attention.

I do love most of the classic Marvel characters, for example. I know people probably assumed I was making fun of Wolverine during “Wolverine Week” (starting here) and…yeah, okay, I was having some fun with fan perceptions of the character, but honestly, I do like Wolverine. It’s just that, 99% of the time, nothing’s being done with the character that I can enjoy. I liked the Claremont/Miller mini-series, I liked some of the issues of his initial regular series, and of course when Morrison got his dirty, dirty hands on him, but, yeah, that’s pretty much it. I love the Fantastic Four, too…I own the Marvel Masterworks reprints of the Lee/Kirby stuff, and there have been occasional periods on the book that I’ve enjoyed (the last being Mark Waid’s tenure), but there have been long, long gaps between those moments.

Compared to the number of Marvels I used to get, my current list ain’t nuthin’:

Punisher – Garth Ennis gives me what I want from a Punisher comic…guns, violence, and irredeemable bastards.

Nextwave – Warren Ellis plays with the Marvel Universe, making it fun and silly when everyone else seems dead set on making it oppressive and morose.

X-Factor – Just because of Peter David. And Strong Guy. If you don’t love Strong Guy, your heart must be a tiny piece of coal.

Hulk – I’ve been reading Hulk comics for nearly a quarter of a century now, and, surprisingly, aside from the rare misstep, the book has maintained a high level of compelling and interesting storytelling. In the Hulk. Yeah, I know how that sounds.

Ultimates 2 – A comic stuffed full of unlikeable characters that somehow manage to keep your attention anyway. May be dropped when Jeph Loeb takes over the book, if his run is more like the end of his Superman/Batman run (confused and disjointed) and less like the beginning of that run (big, stupid fun).

Thunderbolts – The most Marvel-y Marvel book I read, with bickering heroes, villains changing sides, straightforward super-action, the works. Probably one of the only direct descendents of the classic ’60s “House of Ideas” that Marvel publishes.

…And I’ll at least look at Warren Ellis’ newuniverse when that comes out, because, hey, it’s Ellis doing the New Universe, how can you not look?

That’s pretty much it. And, again, it’s not because I have anything against Marvel. These are just the titles that have managed to keep my attention, whether it’s from my particular enjoyment of the character (such as the Hulk) or because of the creative team (I don’t think I’d be reading an X-Factor book not by David, Strong Guy or no Strong Guy).

And there you go. Like I said at the beginning, I’m just throwing my random thoughts out there, so I’m sorry I don’t have a proper conclusion wrapping this all up. Well, aside from “buy comics you like, regardless of company,” but that should be self-evident, right? Right.


And for reading all that, have another disturbing comics image: