If it’s one thing I need, it’s more “to read” piles of comics at home.

So I’ve been going through box after box after box of comics at the store, just piles of ’em from collections acquired over the last few years, and finally making some headway in getting the processed and put out for you, the people, to come and buy.

I’ve been pretty good about not pulling from said boxes to fill my own collection…plenty of stuff I’d love to have, but I’d love to make money on selling it even more. By and large I just keep to filling holes in the ol’ want list on things I’ve been seeking out for years, like some of the Atlas/Seaboard comics from the ’70s, and fanzines of pretty much any period. Oh, and the occasional Charlton Popeye.

Jumping back a bit, to back when I was but a mere non-comics-retail-working mortal, like most of you common folk out there, I was pretty good about picking up comics I was interested in. Particularly throughout the 1980s, when DC and Marvel discovered he idea of “mini-series” and put out a boatload of purposefully short-run titles, many of which caught my eye and were dutifully snatched off the racks by my young allowance-stretching self.

However, there were a couple of series that I wanted to pick up, but, for reasons long forgotten by God and man (but probably related to “that allowance can only stretch so far”) I never did get around to acquiring. One such as Sword of the Atom, basically “The Atom as Tiny Conan the Barbarian,” featuring some of that great 1980s-style Gil Kane art that the Kane purists may have pooh-poohed at the time but that I really enjoyed.

As it turned out, a run of that original Sword of the Atom was present in the stacks upon stacks of comics I was processing, and set it aside for myself. It did inspire me to check the ol’ Diamond Comics database to see if a trade paperback existed, collecting this mini-series and the three subsequent specials (which I did not have in the piles here at the shop, far as I could tell). There was a trade, published in 2007, and apparently long out of print, and going for some not-terribly-high but more-than-Mike-wanted-to-pay prices on your eBays and your Amazons and such.

Mentioning my quest for the remainder of this series did bring pal Nat into the shop with the first special for me, which was very nice of him. However, a Twitter pal picked up a copy of the trade in the clearance bin at his local shop for dirt cheap, and it is now winging its way to me via the tender mercies of the post office. Thus, with its eventual arrival, that will be one less missing comics experience from my youth. And I’ll be able to put those issues of the mini-series back out for sale…though I’m not sure what to do with the special, since Nat gave that to me as a gift. I’ll have to ask if he wants it back!

Now another comic that I inexplicably passed on during its original run was Night Force by Marv Wolfman and Gene Colan. I was reading New Teen Titans at the time, and in issue #21 there was a special 16-page free insert previewing the forthcoming Night Force title.

Now, I liked that preview. I was into Gene Colan’s super-moody art, and I was enjoying Wolfman’s work on Teen Titans, and I was a fan of horror comics…or at least the weird, creepy off-on-the-distant-edges-of-the-main-fictional-universe books like, oh, say, Swamp Thing. But, again, like with Sword of the Atom, and for probably similar reasons, I did not pick up with series.

Not much later, the main character of Night Force, Baron Winters, plays briefly into one of Alan Moore’s Swamp Thing storylines, which just sort of added to the “well darn, should have picked up that series” feeling I had. But I still didn’t. Even working at the other comic shop which had no end of full runs of Night Force (only 14 issues long, mind you) didn’t get me off my duff to pull a set aside for myself.

Many years later, a collected hardcover edition of that series was announced, and I sort hemmed and hawed over getting one for myself at the time. I did wait, however, and not too long ago I did finally get my hands on a new copy of the book for a bargain price. And I’m glad I waited…the printing on the original comics wasn’t awful, but seeing Colan’s art recolored on nice paper is a real treat.

Its title of “The Complete Collection” is bit of a misnomer, in that there were two follow-up series (in 1996 and 2012)…these were also written by Wolfman, but drawn by Brent Anderson (2nd series) and Tom Mandrake (3rd series). Not collected, and probably harder to find in the back issue bins. If only I’d bought that first series at the time, then I would have bought series 2 and 3 as they were coming out, and I wouldn’t be in this mess now.

And there’s your little bit of insight into what your pal Mike still gets for himself. I mean, I even bought the full run of Spanner’s Galaxy at the time, I have idea why I passed up those two series.

Progressive Ruin presents…the End of Civilization.

Neither sleet nor snow nor, um, minor fender-bender will keep me from fulfilling my End of Civilization duties! Run out and buy yourself a copy of the November 2018 edition of Previews, while being very careful when backing your car out of the driveway, so you can follow along with me:

p. 92 – Avatar Tsu’Tey’s Path #1:


Oh, these characters had names?
 
 
p. 114 – Disney Don Quixote, Starring Goofy and Mickey Mouse TP:


I can’t wait for Disney Terry Gilliam’s movie of this!
 
 
p. 170 – Swamp Monsters:


Ah, a new release from the Specifically for Mike Sterling Publishing Company.
 
 
p. 171 – Dirk Gently’s Holistic Detective Agency Everything Is Connected & The X-Files Conspiracy Theory Everything Is Connected:


I did a little…well, very little…research, and as far as I can tell, the two games aren’t connected to each other. No Dirk Gently aggravating the Cigarette-Smoking Man here, which would be a darn shame.
 
 
p. 306 – Star Trek I Am Mr. Spock Little Golden Book:


Market testing revealed that the Little Golden Book based on I Am Not Spock was too upsetting.
 
 
p. 331 – Sartre HC:


“There’s no exit from the greatness of this comic! Why, I feel nausea at how unprepared I was for how good it was. Anyone of the age of reason should love this!”

“Okay, Mike, that’s enough reviewing for you.”

“C’mon, can’t I have the reprieve I deserve?”
 
 
p. M22 – DC Comic Gallery Dark Nights Metal Drowned PVC Diorama:


Repurposing those old Kryptonite Pet Rocks as statue bases, I see:


 
 
p. M48 – Harry Potter Die Cast Wands Series 1:


Look, I read all the books, saw all the movies, and if you put a gun to my head, I probably wouldn’t be able to tell you which wand belonged to whom. …This is getting dangerously close to me, a collector and seller of comic books, saying fans of something else are too…whatever, so I’d better stop now.
 
 
p. M49 – The Nun 18-Inch Rotocast Plush Doll:


So when Warrior Nun Areala was a thing back in the ’90s, we would have the occasional purchase of a copy of the comic or action figure for…or even sometimes by…a nun, who would be amused by the very idea.

Just saying I’m not seeing history happen again, here.
 
 
p. M50 – Living Dead Dolls Friday the 13th Part II Jason Voorhees Doll with Sound:


KI KI KI “Math is hard!” MA MA MA
 
 
p. M68 – Pop! Rocks Metallica Lady Justice Vinyl Figure:


Looking forward to the Throbbing Gristle “Hamburger Lady” Pop.
 
 
p. M72 – Halloween Michael Myers Bishoujo Statue:


Okay, add my name to the petition for the sexy girl version of Belial from Basket Case.


 
 
p. M99 – Garfield 1000% Be@rbrick:


I can’t even say anything about it. Just look at it. Just look at its tail. And this is 1000% of whatever it is. JUST BEHOLD ITS GLORY AND ITS HORROR
 
 
p. M115 – IT 3-Piece Lapel Pin Set:


What kind of terrible rebus is this, anyway?
 
 
p. M116 – Justice League PVC Bust Banks:


Just in time to build anticipation for Justice League 2!
 
 
p. M124 – Star Trek Discovery Black Badge:


“Wait, what department are you in again?”

“Isn’t it obvious? I’m black on the right side. All of those lower ranks are black on the left side.”
 
 
p. M131 – Monopoly Fortnite Edition Game:


Do not pass GO, do not play those ding-dang video games that all you kids waste your time on, I don’t even know what the heck this Fortcraft thing is anyway.”
 
 
p. M132 -Star Trek Fluxx:


I bet Kirk would be really good at this g–ooooh, you said “fluxx.”
 
 
p. DC80 – The DC Universe by Len Wein HC:


Finally, issues #27-#29 of DC Comics Presents, containing the entire story that introduced Mongul, under one cover and hopefully unedited/free of production errors! You know, unlike the previous Superman trade paperback that only had parts one and two, and the UK hardcover that altered some of the caption boxes and, um, left out God’s Word.

‘Course, maybe this book will have the pages of the story printed upside down, or with the colors reversed…something. SUCH IS THE CURSE OF MONGUL.

Honestly, that picture of my hand is in, like, the top three best pictures ever taken of me.

I’ve had a long day, so I’m keepin’ it short and sweet for this post right here, including some stuff you may have already seen on one of my other social media platforms (like the Twitterers). Sorry about that, but I should have a new End of Civilization next week to make up for it!

First, reader Sir A1! dropped this into the comments of Wednesday’s post, and I gotta share it on the main page here: a bit of a Badger fanfilm he worked on some time ago. Some NSFW language in there, so be warned:

Second, just look at this tiny book…or conversely, look at this giant hand:

Third:


You don’t say.

They should get Skottie Young to finish up Big Numbers.

Here I am with more unsatisfying answers to your inquiries:

Gareth Wilson reaches new frontiers with

“Which comic book had the best stories about exploring new worlds?”

Huh. That’s the kind of vague-ish question I occasionally get at the shop that sounds like it should be easy to answer but…I don’t know, can be hard to nail down sometimes. Taken literally, as in “going to new planets in outer space in a sci-fi type way” there are plenty of anthology titles published over the years with weird alien landscapes and critters and situations. Classics like Weird Science or Mystery in Space, or newer (er, relatively speaking) comics like Alien Worlds which pretty much has it right in the title there. For comics with more of a continuing narrative, there’s Black Science from Image, with folks bouncing from dimension to dimension. And there’s Legion of Super-Heroes and the various permutations of Star Trek, I suppose, though those would be far more superficial a take on the “new worlds” thing.

Oh, there’s Stellar from Image, too…I’ve only read the first issue so far (picked it up because I love Bret Blevins’s art) but that looks like it may be up this particular alley as well.

I’ve sure there are others that will come to mind after I hit the “PUBLISH” button on this post, but that’s probably a good start, I think!

• • •

Matthew suggests:

“…Maybe write about some never-to-be-finished comic book stories/series. (And not just Sonic Disruptors.)”

Sonic Distruptors was one of those comic series I was enjoying but got cut down in its prime…and I swear I saw a news blurb in the comics press at the time that a one-short or graphic novel or whatever was going to come out wrapping up the series, but of course that didn’t happen. I’ve written a little about it on this site in the past, but look to pal Andrew and his post for the best take on the situation.

Grimjack is another one I’ve mentioned before, where the forward progression of the story has halted. It wasn’t so much cut off mid-story like Sonic Disruptors — there was an ending to that final storyline — but more was definitely planned, continuing the ongoing Grimjack saga. It’s unusual in that there have been newer mini-series featuring the character, but they were essentially flashback tales involving the “classic” Grimjack and not the Grimjack that he had eventually evolved into.

And of course there was the Helfer/Baker Shadow, and Eye of Mongombo which I talked about way back in the very beginnings of this site, so I’m sure all the links are kaput by now. I seem to recall that cartoonist maybe emailing me or leaving a note in the now-deceased Haloscan comments that he planned on bringing the title back to finish it up, but I never saw that he did. Too bad.

Let’s not forget 1963, which is like the patron saint of this sort of thing. Or Big Numbers, which hadn’t really grabbed me as of its second and, as it turned out, final issue, but I was looking forward to to reading through ’til the end anyway. I’d also love to see more of Journey: Wardrums, too.

I was kinda digging this adaptation of the Illuminatus Trilogy, too, but they didn’t want it to finish. You know…them.

More recently there was that Badger revival, which far as I can tell never put out its last issue.

There are no end to series that never reached their intended conclusions, of course. What’s nice is that there is the occasional happy ending, play on words intended, with new collections of previously unfinished comics. I’ve talked about the Puma Blues hardcover before. I thought I talked about the Border Worlds volume on my site here, but I guess I missed it…but that book adds a new 30-page chapter that, despite the publisher’s description, doesn’t exactly conclude things, but is at least more of a stopping point than where it left off before.

So, you know, it’s possible that some of these interrupted comics can get the conclusions they need. Well, maybe not 1963, since it seems unlikely that particular band will ever get back together, but sometimes I think about stocking a complete 1963 hardcover that I’d have to reorder on a regular basis and I get a small tear just in the corner of my eye.

I do eventually start talking about comics.

So…feeling a little more…secure while visiting my site? Well, I certainly hope so, after the trouble I had Saturday trying to get my SSl certificate in order here. Anyway, if you are on my site, and not just reading through a feed reader of some sort, if you look up to the address bar in the browser of your choice you’ll see Progressive Ruin Dot Something or Other now has a little padlock symbol on display. No more “this website isn’t secure” warnings when you visit or try to leave a comment! Your personal information is no longer captured by me and sold to Rufus T. Firefly in the distant land of Freedonia!

A few days ago I installed one of those SSL thingies on my store site with no hitch whatsoever, so I decided, during a brief lunch break on Saturday, to do the same for ol’ ProgRuin. And of course, instead of being a quick install, my images broke, then my page wouldn’t load right, then I somehow managed to lock myself out of my site with no way back in, blah blah, other dumb stuff. “You know just enough about computers to be dangerous” a programmer friend once told me years ago…and while I’ve learned my way around the computatrons a little more since then, I certainly proved her right that Saturday afternoon.

Anyway, if you tried to access my site that day, you may have had a problem or two getting in, but it’s all fixed now, and I’m sure no other problems will crop up ever again. ‘Course, part of the issue I was having is that my site is nearly 15 years old, and there’s a whole lotta patchwork in the backend of things…don’t look at my FTP directory, it’s hideous. Plus, my htaccess file, that bit of programming where I try to block out hotlinkers and junk traffic, is a mile long and cobbled together from my own typed-in additions and whatever things my WordPress plug-ins put in there. (Part of the problem with the images is that while I allowed my progressiveruin.com domain access to my image files, I forgot to allow access to the “https://” version of the site. Oops.)

Anyway, it’s done, and my site is more or less secure. If you’ve bookmarked the “http://” version of the site, it should automatically forward to the secure version. I have a couple of straggling HTML pages separate from the main blog that need some adjusting (not this one, which is now secure as well as perfect), but otherwise you should see that little padlock wherever you go the site, reminding you that your credit cards are all safe with me, so just send in those numbers whenever you’d like.

So the other thing I did on Saturday, aside from thinking “well, maybe I can move my blog over to pogressiveruin.com,” was the Halloween ComicFest, one of the various special comic days during the year trying to expand the success of Free Comic Book Day to other parts of the year. And I did manage to have a pretty good turnout…had a line of folks waiting outside the front door when I opened, which is always a good sign, followed by periodic waves of business throughout the day.

In general, I don’t order huge numbers of the Halloween books, since the turnouts for this event aren’t really a patch on FCBD. But I do, and did, get quite a few people in, Saturday (the official day of the event) and Sunday, so I try to have enough on hand. In some cases, like for this year’s Ms. Marvel book, I ordered a lot extra just to have ’em around as giveaways in the future.

As it turned out, I burned through the majority of the books I had this weekend, with only relative handfuls left over. Even that Ms. Marvel issue was nearly wiped out. You may have noticed above that I gave away these comics on Saturday as well as Sunday, and that’s because the timing of the Halloween ComicFest is always so…peculiar. I mean, “Halloween” is in the name, so it always takes some explaining to establish that, no, the event isn’t necessarily on Halloween, but on the Saturday just prior to it. Yes, it says the actual date on the promo materials, but it also clearly says “1ST SATURDAY IN MAY” on the Free Comic Book Day info, and I’ll still get folks coming in on May 1st looking for the freebies.

What I end up trying to do is, while not overloading on the giveaway comics, try to order enough to actually carry me through to the Halloween day itself. This time around I could be a tad short…but then, Monday and Tuesday usually aren’t blockbuster days, so the supply I have now will likely be little changed by the time Wednesday rolls around and business picks up again.

In the end, it was a lot of fun, and I gave away plenty of comics, and made some good sales, too. Like Free Comic Book Days have been for me since the beginning, the event paid for itself. Even had a few folks show up in costume…at least one Squirrel Girl made it in that day!

So, that was my Saturday. Lots of customer traffic and folks happy with their free goodies, and computer travails. I know which I prefer on any given business day.

Featuring Norbert the Narcotics Bobby.


So pictured above are four issues of The Fabulous Furry Freak Bros. that I purchased from a gentleman at my store on Thursday. They’re not in very good shape…they’re intact, but they are very worn. I’ll generally buy most underground comix regardless of condition — well, within reason — just because undergrounds can be hard to come by, and I always have customers for them.

These particular Freak Bros. were of interest, though, as they were published in the United Kingdom…if you look closely, you can see the UK price on the covers, and maybe the Knockabout Books logo and/or text there. Sometimes the price was printed as part of the cover, and sometimes it was a small round sticker affixed directly over the original cover price, as was sometimes done in the U.S. Whether in this instance it’s covering a U.S. price or another UK price, I do not know. The copyright info on the inside covers also reflect their UK origins.

Wish now I’d taken more (and better!) pics of these items beyond just a representative image to throw on the Instagrams. But I still have ’em at the shop, should you like to drop in and inspect these items in person, hint hint. C’mon, it’s not that far of a drive, if you’re, y’know, on the same continent.

So there you go…my “weird thing that walked in the door” for the week. …Did I tell you about the weird thing from last week, this Li’l Abner comic with the amazing cover? Well, check out the pic of that, too, and that’s all I have of it now, beyond my fond memories, because that cover sells itself, and brother, it sold.

That was more than one question, but I had joke answers so I’ll let it slide.

Let’s tackle another one of your questions! BRIAN, YOU’RE UP:

“1. What is your name?”

Michael Ricardo Anatoly Sterling.

“2. What is your quest?”

“3. What is your favorite color?”

Squant.

“4. Probably something that you’ve discussed before, but I’ve missed it, but I’m curious how you go about sorting back issues in the age of constant reboots and New Number Ones (including volumes that slightly change the name on occasion and then change it back). Being a fellow child of age of long runs, where a title might have hundreds of issues to be put in the bin together, I’m curious how it’s done differently when major titles aren’t aiming at Major Anniversary Issues.”

I did go into some detail about this just under a year ago, when pal Cathy posed that question to me. The short answer is basically labeling new title dividers with names and dates to identify series (for example, “Venom [2018 series]”). That admittedly does make the back issue bins appear a bit cluttered, particularly since a lot of these series (especially at Marvel) tend to run short and get relaunched anyway, making for smaller sections, but that seems to be the best way to avoid confusion.

There are a handful of titles where I just haven’t separated out the newer series from the older series, partially from no huge demand (or simple lack of backstock) for a specific title, or not wanting to put yet another title divider on the table, or just sheer laziness. But on the whole, more information is better for customer awareness than less information, so I do try to properly I.D. everything.

Not everything gets its own title divider, of course. I do have, like, an “X-MEN MISC.” section for the piles of mutant mini-series or short-run titles…though sometimes something graduates to its own section. And sometimes if there’s a small run of something related to a longer running title, I might just put the smaller run in the back of the box of the main run…like putting Groo Chronicles in the back of the Groo the Wanderer section.

It can be a real…well, I don’t want to say “mess,” but it certainly is some work keeping on top of it.

• • •

ThomH dares to inquire

“I like it when you discuss old independent comics that I’ve never heard of (a la Jupiter most recently).

“Anything else you’ve read and enjoyed but maybe not talked up on the blog in a while (or at all)?

“I’d love to be pointed in the direction of something interesting, wacky, weird, or just plain awesome.

“Thanks!”

Oh, don’t thank me yet!

I suppose one old indie title I really liked that I’ve never really mentioned here is Ralph Snart Adventures by Marc Hansen.

It has a slightly convoluted publishing history involving multiple series…and going back to the previous question, at the previous place of employment I had them all filed in the same section with notations on the price tags as to which series was which. And, if you pulled up the title divider, I had written on body of the divider which issues comprised which volume of the series, as the price guides at the time had it all messed up. …Probably should’ve made sections for each series, but what can I tell you.

But the series itself…it’s kinda sorta an anthology title with our titular hero as the recurring character in a variety of wild, usually contradictory, adventures from issue to issue. The thread pulling everything together is that Snart has, well, been driven nuts by the pressures of life and is stuck in an asylum, while his brain generates strange and fantastic scenarios in which he may engage. The set-up is a little…well, the idea of “this guy is crazy and his crazy brain invents crazy stuff!” is perhaps not the most sensitive portrayal of mental health issues, but me describing it is probably worse than actually reading it in context. So blame me, not Mr. Hansen.

Anyway, the story functions on two levels…the internal fantasy life of Mr. Snart, and the “real world” shenanigans, mostly revolving around nefarious forces trying to harness the unusual imagination power of Snart’s brain…I seem to recall at least one cliffhanger where his brain has actually been removed from his body! Don’t worry, it gets put back (SPOILER).

If you can get around the set-up, the comics themselves are pretty funny, and Hansen has this great, lumpy cartooning style. It’s been a while since I’ve read ’em, and of course writing about it here makes me want to read them again. Like, you know, I have time. Ah, well, I still have them…didn’t give those up to my store when I opened it up!

If you do seek out Ralph Snart comics, keep in mind that there are some non-Hansen issues…The Lost Issues is all non-Hansen, so avoid. Also, the black and white Volume Two that ran 9 issues is reprinted in color in the first nine issues of the 26-issue long Volume Three. You can find previews of various issues here, along with some extensive descriptions that would probably give you a better idea about this series than my meandering typing here.

• • •

Okay, more questions answered next time, probably! Add more to the pile if you’d like!

I think “The Violence and the Vulgarity” was my prom theme.

I’ll get back to the topic of extended breaks in ongoing series (1 and 2) shortly, but I wanted to get a couple more questions ahead if at all possible:

William opens the gate to the following:

“Let’s talk about that evergreen topic, The Bat Penis.

“Maybe I’m cynical, but it seems like the image was provided just to garner controversy (and sales) for that issue. The image does not play into the plot, and is basically superfluous. It’s only there to either satisfy the kinks of the creators or stir up word of mouth and demand, which if it was the latter, it did magnificently.

“My question is this. I know you touched on this briefly in your post on the subject, but, as a retailer, do you feel that DC left you out to dry in this case. I am old enough to remember the Friendly Frank’s raid when it was current events, and while a lot of things changed since then, a lot of things stayed the same. I know the book was advertised as mature readers from the get go, but it seems DC didn’t let retailers in on just how ‘mature’ the book really was. And there is a difference between ‘expletive-laden’ mature readers and ‘Let’s look at the Batwang’ mature readers, and parent would be far more upset if the latter landed in their kids hands.

“I’m just wondering if you wish DC was more upfront about what the mature content was beforehand or if it didn’t really make a difference. I’m not a censorship guy, but an informed retailer can better avoid any potential legal entanglements that might cause. I’m curious on your opinion on the matter.”

So I’ve been watching that new Titans series on the DC Universe streaming channel, and…well, if you’ve been following my Twitterings, you’ve probably seen a few of my comments on the show. Overall, I do like it, but it does inspire a bit of eyerolling when they lay on the violence and the vulgarity. Especially in that one scene from the premiere episoide, the one that made it into the pilot, with Robin, um, expressing his opinion about his former crime-fighting partner. What I tweeted was

“Yes, in context Robin’s ‘F Batman’ line is totally gratuitous and tacked on as the buzz-creating ‘everyone will talk about this’ free advertising moment it was meant to be.”

Okay, maybe when they were writing this scene, they were simply intent on making this as “adult” and “gritty” as possible, and that meant the occasional f-bomb…but they still put that scene into the trailer, knowing full well that would engender some controversy and get mouths yappin’ and fingers typin’ about this new TV show.

That I think was an intentional usage of unexpected “mature” content to garner attention. I honestly don’t think Full-Frontal Bruce in Batman: Damned was the same situation. I don’t know the specific reasons why they decided to include that image (if the creators were interviewed about that topic, I haven’t seen it) but my guess is that they took this new “mature readers” “almost anything goes” imprint at DC to heart and, well, went for it. I could see ’em saying “mature imprint, huh? Let’s see if THIS gets past the editor” and then a while later: “oh dang it did.”

I don’t think I was blindsided by the image…I knew it was a mature readers title, and granted, the image itself it relatively minor…silhouetted, almost easy to miss, not like other popular comic book penises like Watchmen‘s Doctor Manhattan. His Lower Manhattan just popped up (heh) in DC’s Big Event Series Doomsday Clock, and seems more like a thing (ahem) than Batman’s deal. I think exposed wedding tackles fit well within the subject matter covered by the “mature readers” label. Now if there were explicit close-up images of Tab A being inserted into Slot B, that’d be a different story…one likely published by Avatar or Boundless.

I don’t think I felt legal problems were potentially a threat here…I mean, the Comic Book Legal Defense Fund still exists for a reason, but the naughty Batman comic probably received more jokes about it on late night talk shows than actual complaints from concerned citizens. Raina Telgemeier’s publisher probably receives more letters from uptight parents about her graphic novels per week than the whole of DC does all year. Superheroes are “mainstreamed” now, and I think enough people have been exposed to tie-in media where Batman says “shit” or where Deadpool gets, um, rogered roundly, or where Robin says “fuck Batman” that the idea of an adult-oriented comic book isn’t quite the foreign idea it once was. I’m not saying problems wouldn’t, or don’t, happen, just that Batman: Damned probably wasn’t going to open those particular floodgates.

Not that I shouldn’t be careful, of course. Keep the Bondage Fairies off he kids rack an’ all that.

Why this wasn’t pressed on dark green/brown vinyl, I have no idea.

Okay, I’ll get back to your questions next week (and feel free to add more to the list if you’d like!), but your pal Mike has an early morning doctor’s visit and thus is keeping it short so he can hit the sack a little earlier than normal.

So today I’ll just show off this copy of the original Harry Manfredini soundtrack to the first Swamp Thing movie from 1982, a sealed copy of which I’ve had in my collection for quite some time:


…Well, formerly sealed, as I recently purchased a new turntable to listen to a bunch of records I inherited from my grandparents, and have been going back and revisiting some old vinyl from my own collection as well. This particular record I bought online way back in the early days of eBay, if I recall correctly, and I never did get around to popping it open…so there it was, sitting in a box in the house, just waiting for the day I finally, carefully, slit open the shrinkwrap and exposed that platter to the light..and to the needle on my player.

Anyway, this turntable also has a built-in recording function, where you just slap in a flash drive and press the “record” b¨tton and whatever’s playing gets output as an MP3, so now I can have this muck-encrusted musical of a man emitting from my (apparently passé) MP3 device whenever I wish.

Now if I can just get the hit theme song from this cartoon as a single 45, I’ll be set:

And yes, that off-kilter pic of the album is the same one, more or less, that I put on the store’s Instagram. I post lots of neat pictures there, so you should totally follow me. If you don’t, it’ll hurt my feelings. (sniff).

File under “death, beaten to.”

Following up on the last post, where I answered Paul’s question about “longest publication gap” in a series, I feel like I may have confused the issue a bit. So let’s clarify:

THE PRODUCTION DELAY: what I think Paul was specifically referring to, where an ongoing series, which is intended to continue or complete, experiences a huge unintended delay between issues. Ultimate Wolverine Vs. Hulk, with its years-long pause between issues, is my go-to example of this, though there are plenty of others (like Spider-Man/Black Cat: The Evil That Men Do, or Camelot 3000, or anything in the Dark Knight Returns ongoing saga).

THE RETURN FROM THE GRAVE: where a series totally ends, and is not intended to continue at the time…but the title is later revived and continues the numbering. Seems like such a foreign idea now, where any given comic book series seems to have a new #1 every few months or so, but there was a time when the Golden Age Flash series would end at #104, and a few years later, after the introduction of the Silver Age Flash, said series would be resurrected beginning with issue #105. Those “Blackest Night” one-shots which purported to be, like, issue #48 of the canceled Power of the Shazam series and whatnot, would fit in here, as well as those new issues of long-canceled Marvel titles (like Power Pack #63). Ghost Rider #94 would probably fit here, too, since as far as anyone was concerned at the time, #93 was the end of that series, and it wasn’t like there was an editor impatiently waiting nine years for script pages to come in so they could wrap the title.

THE INTENDED SPORADIC RELEASE: where there are extended gaps between issues, but more from design than because of any particular delays in production. I’m pretty sure something like Zap Comix would go here, where it was just released as the participants came together to produce it. (Unless Zap was intended to be monthly, in which case hoo boy did they blow it.)

There are other permutations and variations, but I think those are the big divisions, there. The recent Miracleman reprints probably span a couple of these categories, and some of the longrunning Disney comics which nobody thought would go away for long but definitely stopped publishing at times ’til a new publisher put ’em out again. but I think I’ve created enough headaches splitting these funnybook hairs like this.

Separate from all that are the aborted series, where an issue or three came out and then never continued. I mean, sure, this happens all the time, but it’s relatively unusual from Marvel and DC. Daredevil: The Target is one fairly high profile series that got out one issue and then vanished, never to be seen again except when we dug out our unsold copies of that first issue to return them to the distributor for credit. Or something like Sonic Distruptors, which I liked, but stopped at 7 out of the intended 12 issue run.

But I think what we’re specifically talking about is the first category: the comic that did eventually complete in the format and numbering in which it was intended, just with excessive pauses/delays in the release schedule, and never officially intended to be over and done with. Like Ronin with a much delayed final issue.

That’s the spirit in which I took the question, and sorry if I confused the topic initially. You all had interesting (and some extreme) examples of extended gaps in comic series publication, mostly of the resurrected title kind, which would probably be an all new post just by itself! DON’T TEMPT ME

So, with all that in mind…what’s the record production delay in a comic that did eventually publish an issue after said delay? And again, not meaning a revived title that picks up the numbering, but rather has everyone involved going “holy crap, is this book late.” Excluding Ghost Rider #93/#94 for reasons noted above, would that Spider-Man/Black Cat mini, with 3 1/2 years between issues, be in the top spot?