The problem with the most recent Flash series…

…aside from the last issue being crap, is….

Well, let me set up the situation for you, in case you don’t know already.

DC Comics brought the previous Flash series, starring the Wally West version of the character, to an end about a year and a half ago. Then a new Flash series was launched, featuring Bart Allen, the former Impulse, as the title character. It was a whole big relaunch hoo-har, with a new #1 issue and everything, and even though the writing in the early issues of the book was pretty dismal, things picked up a bit when a new writer came on board and readers started to slowly come back, at least in our neck of the woods.

But it’s not the quality of the book that concerns me here. Don’t get me wrong, it does concern me, and that is an important issue, but the point I am trying to make here makes the actual quality of the title moot.

As I’m sure most of you know, we have to order books ahead of time, getting our order numbers in to the distributor about two months or so, usually, before the items are released. And, in the last couple of months, we dutifully placed our orders for Flash #14 and Flash #15.

Well, Flash #13, which came out a couple weeks ago, is actually the last issue of the series, and DC took order numbers on succeeding issues as an attempt to keep secret the shocking surprise wrap-up to Bart Allen’s run as the Scarlet Speedster (a strategy last used, far as I recall, for the Ultraverse title Exiles). The orders for issues #14 and #15 have since been transferred to a Flash one-shot special and the “first” issue (actually picking up the numbering from the previous Wally West series) of the new Flash title.

And, judging from statements made by folks at DC, this was the plan the whole time. There were a lot of comments made along the lines of “don’t get attached to this new Flash” and “the Flash in the early issues may not be the same Flash in the later issues” and that sort of thing.

The end result is that a title that was launched as a new ongoing series was, in fact, a mini-series. I don’t have the solicitation info right here in front of me, so maybe it was never explicitly described as an “ongoing,” but neither was it presented as a finite run, either.

In most cases, this wouldn’t be that big of a deal. Plenty of comics start big, intended as ongoing series, and fizzle out in short order. In fact, this was practically Image Comics’ publishing strategy for a while, there. In any case, publishers start new ongoing series, retailers order what they think they can sell, and we all hope for the best. Sometimes things go well, sometimes they don’t, sometimes publishers pull the plug on a series a little too soon, sometimes something that sells well for us isn’t selling well anywhere else and thus gets canned, and so on.

But a Flash series is different.

There are certain characters that Marvel and DC publish that, while not their primary licensable properties like Superman or Spider-man, will nevertheless almost always be assured a place in their publishing schedules. Partially because of the its recognizability or importance to the company’s history, primarily because of the its translatability to toys and movies, these characters will almost always have a comic with their logo on the cover. There will likely always be a Captain America comic, for example, or a Green Lantern comic. Sometime sales will dip so low that one of these titles will disappear for a brief time (like GL did, or Thor), but will then get relaunched with a lot of fanfare.

In short, the chances of survival for an ongoing series starring the Flash is better than, say, the chances of survival for an ongoing series starring, say, Penance or Blue Devil. Not saying I wouldn’t like to see an ongoing title with…well, with Blue Devil, at least, but from the point of view of someone who has to sell these books for a living, I’d have to imagine the publisher would have more invested in perpetuating the recognizable, marketable trademark in an ongoing series than any of their secondary, less marketable characters. If a Blue Devil series is launched, goes nowhere, gets cancelled…no big whoop. That idea didn’t work, let’s try something else with another character. If a Captain America series is launched, goes nowhere, gets cancelled…they’ll try again with a new Captain America series in short order.

So, let’s go back to the beginnings of this recently cancelled Flash series:

DC puts an end to their previous Flash series starring Wally West. Okay, it wasn’t selling like gangbusters or anything, but I can see where DC may want to revitalize their Flash character with a big, new revamp/relaunch.

It’s time for us to place orders for the new Flash #1, the series starring Bart Allen. Since it’s a Flash series, and the previous Flash series have each lasted hundreds of issues, we make the seemingly-safe judgment call that this new Flash series probably will stick around for a while. Given this, and the fact that we tend to do pretty good business in back number sales, we order heavier on the initial issues. We’ll adjust orders once actual sales figures are evident, but it’s okay if we have some extras of #1, #2, and #3 floating around. Having a Flash series on the stands, particularly with low numbering, functions as a good advertisement for its own back issues. People who start with, say, #8, are likely to go back and buy the first seven. Plus, early and relatively inexpensive issues of a comic book series starring one of the major characters is an attractive draw.

And, while the Bart series is running (har har), we do indeed experience some significant back issue movement. People pick up a Flash #3 on the stands, they’re gonna want a #1 and a #2.

Had the Bart series continued, this probably would have been the case for quite some time. Not indefinitely, of course…once you get to issue #15 or so, which the series had been approaching, you’re not going to have as many people impulse-buying (har har, again) #1 through #14. But, as I’d said, this is a series featuring one of DC’s major properties…those #1s through #3s had at least a little sales life left in them.

However, now that the Bart series is a self-contained one-off mini, with that version of the Flash not being seen again at least for the near future, and which has been supplanted with the revived numbering of the previous Flash series and once again starring Wally West…well, one of the motivators for folks to buy those back issues has been removed. Now it’s a canceled, soon to be forgotten oddity, for Flash fans and completists only, with no back issue sales to casual comic fans driven by new issues of that series on the rack.

Had this actually been an ongoing series that we’d ordered heavily on for the early issues, and it got canned due to poor sales…well, What Can You Do? We took a bet that the series would succeed, we lost, it happens. We ordered the best we could with the information we had.

For the Bart Flash series, we didn’t have all the information. We didn’t know it was only an interim series published during a hiatus in the Wally West series. Yes, there were hints that the Flash that started the series may not be the Flash who would end up starring in it…but at no time did we suspect that the relaunched title, quite the big deal at the time, would be canceled and replaced by the previous title with the old numbering.

I expect to still sell some back issues of the Bart series, as there may be some cursory interest driven by the news around the Flash cancelation/relaunch and the forthcoming All-Flash one-shot which spins off from that last issue. The healthy lifespan of those back issue sales, however, has been severely curtailed without a “live” series driving them. Even where, unlike this case, there’s a continuity of character across multiple “ongoing” (but canceled and replaced by other ongoings) series, like Captain America…back issue sales on the previous series tend to dry up in favor of the current one.

That was a long row to hoe to basically say “We wish we new that Bart Allen series was a mini, because we would have ordered it as such.”

Nothing to do with comics.

BRUCEPLOITATION – dedicated to the many, many Bruce Lee-a-likes that popped up after Lee’s death (via). Lots and lots of reviews, and it’s hard to not like a site with this disclaimer on the main page:

“I would appreciate any feedback on the site whether it be bad or good. Also if I messed up on the information or whatever.”

A quick glance at the DVD reviews reveals solid info re: video and sound quality and extras and such.

For a taste of true Bruceploitation…from Bruce Lee The Invincible, Bruce Li fights a kung-fu gorilla:

Supermouse #27 Part One: Fun with Punctuation.

So I was flipping through a copy of Supermouse #27 (November 1953), and I saw an art school ad on the last page. Save for a single comma (I think, unless it’s an accidental spot of ink), the woman’s word balloon is devoid of punctuation, giving her dialogue a rant-ish, “I’ve totally had fourteen cups of coffee this morning” feel:


Well, nice guy that I am, I thought I’d help out:


And apparently that’s her horrible job in that panel, there; I don’t know what it entails, other than waiting on old ladies. “Oh, man, this kissing booth gig is just getting me down.”

"It’s time to taste what you most fear…."

  • What I did on Saturday: for a customer who was confused about how Black Adam, who had lost his powers by the end of 52, suddenly had them back again in Countdown…I drew out a timeline on a piece of paper, showing how Infinity Crisis, 52, “One Year Later,” and Countdown all fit together, and where the forthcoming Black Adam mini-series takes place.

    I need a white board for the store for stuff like this. Except I’d probably use it all the time and annoy the hell out of everyone.

    “Hey, Mike, how come this copy of Tack Graphy, Two-Fisted Stenographer #2 is $50, while this one is only $20?”

    “Well — ” (pulls out the white board) “– let me draw you various types of comic book damage and wear and their influence on comic pricing….”

    “GROOOAAAN….”

  • Our store is located on the main drag through town. On one side of us, around the corner, is about three hospitals. On the other side of us, at the end of said main drag, is the fairgrounds, where the Warped Tour has apparently touched down Saturday for an day of rocking and rolling and young folks carrying on.

    I lost count of the number of ambulances that have sped from the hospitals in the direction of the fairgrounds that day. During our typical day, it’s not unusual for the occasional ambulance to zip by, sirens blaring. Saturday, it was like the fairgrounds had been considered a disaster area. Heck, maybe it was, I don’t know.

    They must have been dropping like flies over at that concert. It’s all that mary-jane they’re injecting directly into their veins, I just know it.

    Also, the Warped Tour thing really fouled up freeway traffic for a while, so folks were pulling off the freeway and taking the road outside our store to get across town instead. Heard a lot of “Hey, look! A comic book store!” from people stuck in the bumper to bumper traffic. They shoulda jumped out and shopped…or maybe I could have taken comics to them, wandering through the sea of cars carrying my stock and calling out “COMICS! GETCHA COMICS HERE!”

  • Not to belabor this point too much (and when do I ever do that?), a quick search through Newsarama’s forums only brought up one reference to the Superman/Wonder Woman thing as a “pieta.” And that person admitted that he was working on vague memories from college, and that he wasn’t entirely sure what the Pieta looked like.

    A cursory Google search didn’t dig anything up, either, but I only spent a little time looking until I realized I didn’t really care that much.

  • Projects to do when I have the time, the inclination, and the lack of anyone telling me “what’re you, crazy?” – a breakdown of scenes in Watchmen, with estimated times for each one, because I have a sneaking suspicion that if you were to add it up, the actual length of the narrative may be normal movie length (2 1/2 hours or so, maybe), and not the “only an HBO mini-series can do it justice!” length some people seem to insist on.

    It’s all a moot point anyway, since I have a not-so-sneaking sensation that the movie we’re actually going to get will be more like “X-Men with different costumes” than “examination of the superhero genre and why it doesn’t work.”

  • Actual discussion at work:

    Me: “Ooh, hey, I forgot about this copy of Super Mouse!”

    Employee Aaron: “Hey, who’s stronger? Super Mouse or Mighty Mouse?”

    Me: “Super Mouse is stronger.”

    EA: “Um…why?”

    Me: “Because he’s super, he’s not just mighty.”

    EA: “Your stupid hurts me.”

  • For no good reason, other than I’ve been on a Dead Kennedys trip again lately…here’s a live performance of “Holiday in Cambodia” from back in the good ol’ days:

Who said what now?

From this interview with DC Comics’ Dan Didio:

“DD: There’s something key that’s going on in that Superman/Wonder Woman image and I can’t give away the story beat there. Superman’s crying, and it’s for a good reason, and looking for comfort from Wonder Woman. The position they’re in, how they’re seated…it all gives away bits of the clues as to the pain that Superman is feeling.

“NRAMA: There have been those who’ve said it’s reminiscent of Michelangelo’s Pieta, which is Mary cradling the body of Jesus…a parent mourning over a lost child…”

Michelangelo’s Pietà:

(image from Wikipedia)


Not Michelangelo’s Pietà:


I hear something is like the Pietà, I think of a very specific pose…the body of the recently deceased draped across the lap, and cradled in the arms, of the mourner. Not two people positioned differently, sitting next to each other, both living, both in mourning, one resting his head upon the other. That’s two very different effects upon the viewer: in the first, we’re watching a mother mourn for a lost son. In the second, we’re watching two people mourn together, for unknown reasons, with one providing comfort to the other.

And, yes, I know the “interviewer” said “reminiscent,” not “looks exactly like.” But I don’t find, either in appearance or context, that it reminds me of the Pietà at all. Well, maybe the way Wonder Woman and Supes’ capes drape beneath them, that sorta looks like the statue. Of course, I may be overly nitpicking a statement that’s only there to provide a hint to future shocking DC events (why is Superman crying? Is it related to some kind of “parent/child” relationship in his life, you know, like the Pietà? Is Pa Kent gonna bite it?).

Now, the image on this cover…there, maybe you’ve got a supportable “reminiscent of the “Pietà” argument.

"Shazzam reminds me of Kazzam which was a terrible movie so i dont like it."

“Best and Worst comic book names”

“Ok i dont think this has been done before… But who has the coolest comic book name.

“Im talking about the most fitting and sharpest for a real person who had super powers.”

“Matter Eating Lad has to be one of the worst names ever.”

“Mr. Sinister would be better if it was just Sinister without the Mr. IMO. still like it though.”

“Shazzam reminds me of Kazzam which was a terrible movie so i dont like it.”

“Wonder Girl, or any name with girl or boy, in my opinion, smokes pole.”

“I def like Thanos… its evil, but at the same time godlike sort of greek/latin.”

“Sentry, the Golden Guardian of Good”, in my opinion, blows everything out of the water.
Greatest name ever!”

“Sentries name only sucks because it’s (basically) Silver-age.”

OH NO HE DIDN’T:

“what about Galactus?
that name sucks”

And, well, you can’t really argue with this:

“But, the worst one is quite clearly:

Thor Girl”

Kicking against the pricks.

BeaucoupKevin gets all Sherlock on us, discovers his longtime internet nemesis “Steve Ebbling” is in fact Gary Esposito. A woefully unacceptable “apology” and a final confirmation of Gary’s “Steve Ebbling” double-life from Tom Spurgeon follows.

What kind of a jerk spends two years persistently harassing some guy he’s never met over the internet, even continuing to send angry and insulting comments long after Kevin began filtering out his messages so that they’d never see the light of day, and then tries to pass it off in a half-assed apology as “Hey, all in fun, right, pal?”

Dear God, that’s depressing.


Turns out some of our copies of this week’s X-Men #200 had missing and/or repeated pages, which was discovered by one of our customers who had bought one each of the 50/50 covers only to find both were misprinted.

I immediately set Employee Aaron on the task to pore through our remaining stock of this book, and seek out other error copies. As it turned out, he only found two more, but that doesn’t account for the huge number of X-Men #200 we’d already sold on Wednesday. No one else has reported misprinted copies, so maybe we got lucky…or maybe our customers haven’t read their copies yet. Or maybe they just assumed the misprint was, in fact, some kind of avant-garde storytelling technique. (I once had someone try to use that explanation on me in regards to the misordered pages in Batman: The Cult #4.)

Aside from finding the error copies, we had another result of Employee Aaron going through these books: he’s now read X-Men #200 about a hundred times. A hundred times! You may think you’re an X-Men fan, but I bet you haven’t read this latest issue one hundred times in the one day the book has been out. Well, Aaron has, so put that in your pipe and smoke it, buddy.

It’s not quite the 10,000 comics in a row that caused the Flaming Carrot to crack and begin his life of super-heroism, but it’s a start.


How not to sell me comics:

Hold the cardboard box that contains your comics tightly in your arms, as you gingerly pull each individual comic out of the box and hand it to me. Ma’am, your beat-to-crap Web of Spider-Man ain’t no treasure…just hand me the box and let me give you the bad news fast.


Let’s lighten the mood a little with a LOLcats RSS feed for my site. I know the LOLcats craze is in its fourteenth minute of fame, but, hey, everyone likes cute animals — even you, Mr. Cranky Cynicalpants — and I just gotta see what turns up with the title of this very post.

This one’s pretty good, too:


Ooh, and this one:


Yes, I’m posting LOLcats on my site. I need this to be happy. THE DRUGS NO LONGER WORK.