In which I link to myself twice.

Sorry, haven’t had a whole lot of blogging time this week, but I did contribute an extensive thingy to the latest Question Time over at Trouble with Comics in which we were asked our opinions on variant covers for comic books. And opinions we did have, let me tell you, friend.

Pal Andrew wrapped up his month-long visit with the Legion of Super-Heroes’ Shrinking Violet, and had a few smart words to say about both her and the franchise from which she was born.

Bully, the Little Bull Stuffed with Atomic Breath, presents one of the greatest confrontations ever unleashed within the pages of a Marvel comic.

And in case you missed it…the End of Civilization returned to the virtual pages of Progressive Ruin earlier this week. Sorry, I didn’t realize I’d let the feature rest for so long. I can’t promise it every month, but I won’t let half a year go by again without one.

Progressive Ruin presents, at long last…the End of Civilization.

So…nice civilization you’ve got here. Shame if something…happened to it. Say, why don’t you follow along with me in your March 2016 edition of Diamond Previews before something…unfortunate should occur:

p. 76 – Snoopy Qee Mystery Box Series:

p76snoop
Revealed at last: the hideous results of the unspeakable experiments at the Daisy Hill Puppy Farm.
 
 
p. 80 – Scooby Apocalypse #1:

p80scoobap
Sure, you’re all makin’ fun of this now, but once Scrappy-Doo is revealed as the leader of Bartertown, you’ll all come crawling back.
 
 
p. 152 – Wonder Woman Action Figure 3-Pack:

p152wwtrio
You’re gonna do a three-pack of Wonder Woman figures and you don’t do the classic Wonder Tot/Wonder Girl/Wonder Woman team-up?

wwtrio2
I don’t even know, DC…I don’t even know.
 
 
p. 422 – Batman Facts and Stats from the Classic TV Show HC:

p422bat66
Looking forward to the comparison chart showing “Number of Heart Palpitations Caused by Reminding Batman Fans of This TV Show Prior to, Say, The Year 2000 VERSUS After About That Point.”
 
 
p. 451 – Scumbag Loser Omnibus GN:

p451loser
You know, at this rate I’m not going to have any potential titles left for my eventual autobiography.
 
 
p. 460 – 100 Things Superman Fans Should Know & Do Before They Die:

p460100supe
Here’s hoping “actually read a Superman comic” is somewhere in there.
 
 
p. 463 – Superman Classic: Pranking News SC:

p463mrmxy
I’d almost forgotten about the Mxyzptlk New 52 redesign. “Fievel Goes to the Fifth Dimension,” I guess.
 
 
p. 464 – Doctor Who Mad Libs:

p464madlib
“It’s [ADJECTIVE] on the [LOCATION]!” “Quickly, [VERB] the [NOUN] of the neutron [NOUN]!” “Oh for [DEITY]’s sake, not [NAME OF COMPANION] again.”
 
 
p. 468 – Star Trek What Would Captain Kirk Do? SC:

p468kirk
Wait? “What would Captain Kirk do?” Find out exactly what he did by reading this book solicited on page 422 of this very issue of Previews!

p422kirk
 
 
p. 479 – Team Cap T-Shirt:

p479teamcap
I think we can all admit now that we really wanted Bella to hook up with Captain America and not that vampire or werewolf or whatever.
 
 
p. 494 – Marvel Minimates Series 67 Civil War 2-Packs Asst.:

p494cwmini
I see Cap and Iron Man already have the pre-distressed “accidentally left in the sandbox and then dug up a couple of years later” look to them. Why, in my day, we had to do that the hard way. You kids today have got it too easy.
 
 
p. 508 – Batman V Superman Super Deformed Plushies:

p508bvsplush
“DO YOU BWEED”
 
 
p. 521 – Pixel The Matrix 4-Pack:

p521mat
At last, the perfect ice-breaker for conversations with your teenage relatives, which will usually start with them asking “…What are those? Is that based on some old movie or video game or something?” before they wander off playing with some new tech something-or-other you don’t understand and you feel that creak in your bones, surely that creak’s not getting stronger and anyway ha ha I’m just kidding, but seriously, death comes for us all. …Thanks for shopping.
 
 
p. 526 – Teenage Mutant Ninja Turtles Raphael 1/6-Scale Collectible Figure:

p526tmnt
Oh, it’s his tail.
 
 
p. 532 – Dragonball Super Sculture Spirit Bomb Figures:

p532dbz
OVER 9000 ROOFS RAISED

You could probably get a full run of Blue Devil on eBay for less than what that one issue was priced.

Dental issues have kind of thrown me off this week (and why not take a look at my eBay listings, he said completely coincidentally), but I’m still putting together material for this site, and, shhhh, don’t tell anyone, but I may have an End of Civilization post again soon, at long, long last. But, in the meantime, life goes on, and your pal Mike has been processing a few beat-up long boxes of what was once back issue stock for a long-defunct comic book shop. And in these boxes, amongst the copies of Serenity comics with Scotch tape affixed directly to the covers, and forgotten late ’90s Image books that will never ever sell again even in the bargain bins, I found this:

warlord102price

Now, there was a time when Warlord comics were, if not necessarily “hot,” but definitely in demand. However, it was not anytime during or after the release of this comic, which in no way, at no point, should have been priced anywhere close to $24.00. The current Overstreet has it at $4 in near mint, and was likely listed in the guide at that price or even less whenever the pricetag was actually affixed to this issue. Oh, and it probably goes without saying that the comic wasn’t anywhere close to near mint, and I suspect that wasn’t from mishandling in storage, but rather wear that was present when it was slipped into its bag and board.

I don’t think it was a case of switched bags or anything, given that I also found a few issues of Blue Devil, each with the proper issue number inscribed on the tag like above, also priced at $24. This is almost DC-obsessed-with-the-number-52 level, what with all the $24 pricetags. Suffice to say, any given issue of Blue Devil generally isn’t worth $24 even if you stuffed a twenty dollar bill into the comic bag with it. And hey, I love Blue Devil, but c’mon.

I don’t know if this was an honest mistake from misreading the price guide (unlikely, given the multiple instances), or, as was suggested to me, just wishful thinking (“only takes one person to go for it!”) much like the $5000 price tags you’ll see on, say, an issue of Care Bears on eBay or Amazon or wherever.

But don’t worry…I’ll be repricing all these at much more reasonable levels. I might even go as low as only $12 apiece. No need to thank me.

Honestly, people, like, ran to the new comics rack.

Adam asks

“What do you think about the three-month rollout of new titles? I would guess that’s a better system than dumping all 32 new titles, with Rebirth special issues, on the market all at once like they did with the New52. Could that make the ordering a little easier? Or could June be like those Secret Wars months when people are missing their regular books? (Assuming, maybe erroneously, that everything DCU not ‘Rebirth’ is ending in May.)”

The thing about the New 52’s month-long onslaught of new first issues is that it felt like a Big Event, nearly unprecedented in the comics industry. DC didn’t even restart everything after Crisis on Infinite Earths, when it would have been totally justified. The excitement over this weeks-long parade of #1s just kind of fueled itself, and I think I remember mentioning at the time that, when we opened the doors each Wednesday for new comics day, people literally rushed to the funnybook wall to get their hands on the latest DC debuts. People I’d never seen before, people who told me “I heard about all these new first issues on the news and wanted to see what was goin’ on” – the immediacy of all these new comics appearing on the stands more or less at the same time got people in the doors.

Of course, keeping them coming back was the real trick, which, um, didn’t work out so well, as New 52 sales eventually dwindled down to pretty much where things were before. And then Marvel attempted their own rollout of new #1 relaunches, but spreading them out over several months, with some titles ending in the midst of others starting and not having a clearly specified line of “everything before this point is old, everything after this point is new” like DC did with the new Justice League #1…well, that didn’t quite build the same kind of buzz.

And in the meantime we’ve had more relaunches and new #1s from both Marvel and DC and it’s all just business as usual, so I don’t imagine we’re going to have anything close to the same sort of excitement with this new batch of DCs. Which isn’t what you’re asking, Adam, I realize, but it’s just something I’m pondering as I think about what I may do in regards to ordering. Yes, rolling ’em out over a few months instead of dumping them all at once is probably the better strategy this time ’round, especially since this is aimed at growing readership out of a market that already exists, rather than trying to attract new readers from outside the market via a big splashy “TONS OF NEW TITLES, JOIN IN ON THE FUN” New 52-esque carnival. I mean, yes, obviously DC would love to get those new readers into the marketplace, but the concern right now is having a solid base of reasonably-selling periodicals in the direct market as it exists, and hoping to attract new readers with other projects and their trade program and what have you.

I don’t think we’re going to have a Convergence (or Secret Wars) style dearth of sales, where folks just kinda skip over these side mini-series while they’re waiting for the regular titles to return. These are the “in-continuity” books, so Superman readers will likely continue getting Superman, etc., assuming people don’t use these as “jumping-off” points (which some readers invariably do). Now, I have no idea what the actual directions/content of these new line of DC books will entail, and whatever is actually in the books will naturally affect that transition of readers from the old series to the new ones.

I probably should look a little more closely at what the actual plans are, but it’s my understanding that 1) the old series end, and then 2) the one-shots and new series come out over the next couple of months. But during this time, DC will surely still be releasing their Vertigo books, they’ve got those relaunched Hanna-Barbera books, they’ve got Dark Knight III (speaking of comics bringing in non-traditional comic readers!) and their other minis, so they’ll still have plenty of books on the shelves for their customers.

So ultimately, Adam, ordering is still going to be a real bear, but I’m not expecting any wild fluctuations in sales numbers. Unless there’s some mind-blowing stuff going on in these new launches, it’ll probably just keep on keeping on, with a slight improvement in profit coming from DC paring down their line to titles that are more or less proven sellers (with one or two titles in the new line-up that just feel like they’re doomed from the start, but we’ll see).

In conclusion: there’s still no new Swamp Thing series listed, so phooey.

The New 32.

Brad asked, in response to my Archie comments in yesterday’s post:

“Why do kids buy Archie Digests but avoid the same material in pamphlet or trade form?”

My guess is perceived value…digests may cost more, but contain a lot more content, and are closer to books than to periodicals in format. Just a matter of preferred packaging, I suppose.

“What DO kids buy these days anyway? The Disney titles from IDW? My Little Pony? Transformers? Manga? Captain Underpants?”

Yes to most of the above, as well as Sonic the Hedgehog (which is an Archie publication, so there’s that), Simpsons, Avatar the Last Airbender, Star Wars, Mad Magazine, Deadpool if the parents say “yes” — there’s a wide variety of comics to choose from, and kids’ tastes run the gamut.

rebirthcurtainSpeaking of comics, as I usually do here making that a fairly redundant transition, DC Comics announced yesterday just what they were gettin’ at with that image they’d been posting in social media here and there for the last few weeks. As it turns out, it is another linewide relaunch, rejiggering the DC superhero line-up to snap the company out of the publishing doldrums it’d fallen into after the massive New 52 debut sales back in 2011 had since faded away into a distant memory. Marvel’s had line-relaunches for their own books since then, initially goaded on by DC’s success, and have had scattered relaunches of several of their titles before their most recent sorta-post Secret Wars first-issue fest which we are still in the midst of. Basically what I’m saying is that this was a swell time to open a new shop, where I have to make some wild guesses as to how a bunch of new #1s are going to sell.

You can see the list of what DC’s planning to unleash right here, and on one hand, yes, good, they’re standardizing cover prices at $2.99, kinda of like a few years back when they were promising to “hold the line at $2.99” until stuff got pushed up to $3.99 anyway, and well, what can you do. It’d be nice if maybe that would pressure Marvel to follow suit, but it’s more likely the DCs will creep back up to $3.99 before Marvel does any extensive price-drops.

On the other hand, about half those titles are planned to be biweekly, so instead of spending a pocketbook-punching $3.99 on a new issue of Action Comics every month, you’ll be spending the incredibly low price of $5.98 each month for two issues of Action, so, um. But on the other other hand, instead of 52 monthly titles, there will be only 32, and it’s not likely you were going to buy Every Single Title DC was going to publish anyway, so maybe it’ll be at least a wash, or perhaps even a small savings for you. Costwise, $6 a month for 40 pages is a better deal than $4 for 20 pages, if you want to look at it that way. And that’s assuming the format will still include 20 pages of story.

I suspect the schedules are not set in stone…if there’s enough resistance to these selected titles double-dipping each month, DC can scale things back. I’m also concerned about maintaining that cover price…DC cut a couple of pages from the books during that original “hold the line at $2.99” push, so I’m wondering if more page cuts are possible. I would certainly hope not…I would prefer a price increase to that, and hopefully DC will remember that “$3.50” is a possible price point as well.

On the whole though, I do like that the number of titles have been scaled back to a reasonable amount, so that even if readers do decide to follow the double-shipping series, it won’t be as much of an impact at it would appear at first glance. For example, looking at what I’m likely to continue reading after “Rebirth,” it amounts to four biweekly titles, one monthly title, and maybe two or three other of the new monthly titles, depending on just what the actual contents are since all I’m going by is the name (like whatever The Super-Man is). That works about to about 9 to 12 comics a month, which isn’t too bad.

Of course, this is just the main DC Superhero Universe line of ongoing books. This doesn’t count mini-series and special event books and all those Hanna-Barbera relaunches and Vertigo and whatever else.

I saw a lot of comments online about how we should wait and see the creative teams/contents before giving the People’s Eyebrow to DC’s latest publishing endeavor, but I don’t think that’s entirely necessary. The idea of making half your line biweekly is a challenging one, particularly in this marketplace where consumers are looking to spend less money. And, especially after Marvel’s oddball scheduling issues over the last few years (ranging from “every two or three weeks or whatever” to “maybe we’ll see another issue again someday”), the last thing anyone wants is to feel like Lucy and Ethyl staring down that conveyor belt feeding them more candies than they could ever hope to wrap. I mean, yes, maybe the teams on these books will be so amazing that we’ll wish they were weekly, but I don’t think we should judge if someone finds, just from purely physical/economic response, the new DC plans to be a tad intimidating.

For me, the hapless retailer, the trick is figuring the numbers to order. Now, when DC did their linewide New 52 relaunch, that was fairly unprecedented, and received a lot of attention, and sales, not just from the initiated but from non-traditional consumers as well, driven to comic shops for the very first time to check out what was going on. As noted, there have been several attempts at relaunches/reboots from both companies since then, with diminishing returns, so the crowds that turned out for the New 52 aren’t likely to rematerialize. But if this stokes the excitement of the folks already coming to shops, well, that wouldn’t hurt. I expect a small bump in sales, and if the books are any good, and hopefully they are, maybe we can get some medium-to-strong-ish consistent sales on the ones that survive. That alone would be a welcome improvement.

The most unexpected announcement was that Detective and Action would revert back to their old pre-New 52 numbering. Good…I despaired of ever seeing an Action Comics #1000, and it looks like my weird prayers have been answered.

In which I admire Marvel’s restraint.

arch6

The transition from self-contained gag-oriented issues to ongoing occasionally humorous soap opera seems to have been generally a successful one as far as sales go, at least at my shop. However, the comic now sells almost exclusively to adults, whereas the classic version…well, also sold almost exclusively to adults, just in lesser numbers. One thing I’ve noticed over the decades is, despite having dedicated sections of children’s comics with plenty of younger clientele in two different stores, the regular monthly (or so) Archie comics have gradually become harder sells to actual kids. That’s not to say I never had any younger customers for Archie, but they were few and far between. I think I first realized there was a problem during one of my regular bulk comic sales to a local library, when my contact person at said library requested I send them no Archie comics. “They just don’t circulate,” she lamented. Quite the change from my long-ago librarian days, when we had subscriptions to multiple Archie titles.

None of this applies to the Archie digests, which I can still sell to kids just fine. And I certainly don’t mean to criticize these New Look Archie comics, which I think are pretty good. Just…well, like Marvel and DC, Archie had to age with its audience in order to keep up their sales. It’s a tough market, and with decades-old characters as your primary product, you’ve got to do what you can to keep them viable.

sameral

I know the writer on this comic takes a lot grief and inspires some significant eye-rolling, usually for good reason, and I can’t say there wasn’t any of that going on in just this series alone. But, there were some interesting takes on Young Clark Kent here and there that you certainly wouldn’t find in the classic Silver Age Superboy stories, and I think this functions just fine as an alternate version of Superman’s younger years. No idea if this is intended as “canon” or not, which hardly matters nowadays since superhero canon lifespans are generally measured in the months between reboots/relaunches.

This particular issue has Journalism Student Clark meeting several future friends and enemies in the context of “exclusive interviews,” showing Clark different takes on growing into a hero, as well as what he will face when he finally does become one himself…leading into a final confrontation that, while in hindsight certainly should have seen coming, genuinely caught me off guard with its intensity. That’s hard to do to a guy who’s read about a million Superman comics. And it’s all beautifully illustrated with Jae Lee’s strong but delicate linework…boy, Lee’s work just continues to impress me. This issue was probably the best of the run so far.

starwars16

The Star Wars line continues to do well, even as the new movie nears the end of its theatrical run. It’s nice that there hasn’t been an oversaturation just yet…three ongoing series and a rotating fourth spot for minis seems to be working out just fine. Given their sales, I’m honestly surprised Marvel hasn’t canned its lower-selling superhero titles and filled their slots with Ugnaught Adventures and Lobot, P.I. and another dozen-or-so titles any of which I would happily write, but I am glad that Marvel…Marvel…for once let the goose live to continue laying golden eggs. …Okay, none of this specifically addresses the book pictured above, which kicks off a new storyline based around a Rebel prison, which at least gives us a new location in the Star Warsian universe, unlike some sequels I could name. Leinil Yu joins up as penciller, continuing the current tradition of swell artists on this series. It all looks and feels like good old fashioned Star Wars adventure, which may not be cutting edge groundbreaking comics, but it’s entertaining all the same.

loveandr

C’mon, it’s a new Love and Rockets. You don’t need me to sell you on this. Just get it already. (And yeah, it’s not technically “this week’s comics,” since it came out last week. It’s my site, I’ll do what I want.)

Now I’m reasonably certain neither Superboy nor Mon-El actually need to eat.

slsh208panc
Look at those two gluttons pack it away while poor Ma Kent works up more skyscraper-sized stacks of pancakes.

dhppamcakes
That’s okay, Li’l Hellboy, apparently Superboy and Mon-El will gladly eat them for you. Sheesh.
 
 

from Superboy and the Legion of Super-Heroes #208 (April 1975) by Cary Bates and Mike Grell, and Dark Horse Presents Annual (1999) by Mike Mignola

Okay, more like a dozen Batman series.

So Chris in the comments to Monday’s post noted that he often wondered why superhero movies didn’t lead to higher sales on the related comics. His answers — price and availability — are part of the problem, clearly. The other answer, essentially spinning off the idea of availability, and one I’ve noted on this site before, is that it’s practically a lifestyle choice. Going to a comic book store on a regular basis to follow the serialized adventures of superheroes is a commitment, as opposed to seeing a superhero movie every few months or a TV show beamed directly into your lean-to every week, which is good enough for most people.

The other problem is, as Chris also mentions, is that the stories themselves often don’t tend to welcome new readers. I think it goes even beyond that…if someone sees an Avengers movie and comes to a store looking for an Avengers comic, there’s at least three or four to choose from. Or Batman. Or Spider-Man (which, for bonus confusion, has a side series numbered 1.1, 1.2, etc.). It can be hard to pick which one is the one to follow. At least in most cases, if someone comes in and says “I want a Batman comic” there’s usually a comic that’s just straight-up called “Batman” that I can hand them. And to Marvel’s credit, while their flagship Amazing Spider-Man title is doing some different stuff with the character, there’s a side-series, Spidey, which is a more recognizable version of old Web-Head that’s not tied into any post-Secret Wars, pre-Civil War 2 hoohar for the uninitiated to worry about.

Now, it’s not as bad as all that. I still do reasonably good business (and repeat business!) in folks young and not-so-young just popping in and trying out comics that look interesting. Plus, of course, there are always the trade paperback collections for anyone seeking out longer reads. This is generally despite the comics themselves, with confusing numberings and constant reboots making it difficult for titles to get traction and for new readers to catch on and catch up.

Anyway, as usual, there are no answers here. It’s a weird business, but generally a rewarding one for readers who decide to put the effort into it and figure out just how to keep up with the mostly-bonkers publishing end of things.

Be sure to go back and read the comments to Monday’s post…some good discussion there.

• • •

The latest Question of the Week over at Trouble with Comics is regarding favorite romances in comics, and while I considered the Brain and Monsieur Mallah, I went with the response that will surprise none of you.

And four bedroom houses only used to cost twenty bucks.

So the other day a lad and his grandmother came to the shop to look around, and everything was going well until the grandmother took a close look at the new comics rack and exclaimed “comics cost $3.99!?” It was a bit of sticker shock for her, as that was quite a bit higher than the new comic prices she remembered from her youth.

I mentioned this on the Twitters, and as the discussion continued from my initial post there, I realized there were two different issues that were perhaps being conflated. The first issue, and the one of greatest interest to those of us who regularly consume this particular artform, is that of perceived value. “Did I get my $3.99’s worth out of this comic?” “Did I just blow through this $3.99 comic filled with splash pages and no dialogue in two minutes?” “Did I just spend 20 minutes slowly absorbing the intricacies of dialogue and appreciating the beautifully-rendered art?” All questions we’re familiar with, I’m sure. And it is an important concern, that everyone from the reader to the publisher to the retailer needs to worry about: is the product worth it?

There’s no simple answer, of course. Maybe you don’t like the all-splash page comic with no dialogue, but maybe someone else loves the art in that comic and is thrilled to have huge images and no text to get in the way. Maybe I like dialogue-heavy comics that take me a while to read, and maybe someone else thinks if they wanted to read a prose novel, they’d have bought one. Everyone decides for him-or-herself if the price they’re paying for a comic is worth the value they get from it.

Anyway, we’re all comics people, we know all that. But the other issue I was thinking about, based on that grandmother’s response to seeing the price, was the very fact that the price itself is a barrier to new readers, independent of whether or not the contents could deliver on the cost of admission.

This isn’t a very deep topic, admittedly. “High price drives away customers” – no dur-hay, right? But it reminded me of when I wrote about DC’s “The New 52!” slug that they had on their covers for the last few years. For those “in the know,” it told us “hey, this is part of DC’s newly-rebooted continuity!” For anyone else who hasn’t read comics, it told them “you have no idea what this means, so clearly this isn’t for you.” Even though the New 52 initiative is no longer marketed as such (ending when it did just as reader Ray predicted), the phrase still exists on back issues and on the trade paperbacks and I still hear “hey, what does this mean” from folks new to the industry all the time.

Basically, it’s something on the cover that warns people not already reading comics “this is not for you.” And maybe the higher price points on the regular monthly series (currently averaging $3.99, with Marvel slowly getting us used to $4.99) are yet another warning. Okay, maybe it’s mostly a warning to people who remember when comics were ten or fifteen or thirty-five cents and have somehow wandered back into a comic shop only to discover 1) wait, they’re still making Howard the Duck? and 2) it’s $4.99 a throw? And I don’t think four bucks is too bad a price point for what you’re getting…that’s like a pack of Magic: The Gathering cards (I think…it’s been a while since I’ve had to sell any), or…fancy coffee, I guess? But it’s not “toss the guy a coin and not think about it” pricing…it’s not a significant amount of money, but it’s not nothing, either. And that’s just one more barrier to someone new to comics trying to decide if he or she really wants to take the plunge.

Again, this is hardly a new observation, but it brought me to think once again about what the breaking point is going to be. I’m sure those of us who were around a couple of decades back buying comics for, what, $1.25 or $1.50 each, would have laughed in your face if told we’d be buying essentially the same comics for $3.99. But here we are. And so far any comics that have been $4.99 or higher have had higher page counts or nicer production or some other aspect that improved the perceived value of the item. But then, so did $3.99 comics at one point. And so did $1.99 comics.

My thought was that eventually periodical comics would have to evolve into thick anthology magazines, front-loaded with ads to keep costs down, but attracting advertisers is a problem now for comics, too. So who knows where it goes from here…moving to a trade paperback-only model? Everyone moves to digital comics? Your pal Mike shutters his store and has to find a real job? I don’t know…it’s a thing I have to worry about, and it’s a situation that’s coming whether anyone likes it or not.

Boy, that’s cheery stuff, right? Anyway, this isn’t a “comics industry is doomed” thing, since people have been saying for decades that the business’s death is “five years away.” I’m just curious about what’s coming next, and hopefully whatever’s coming will appeal to new customers rather than try to block them out.

• • •

I wanted to post a brief note regarding pal Dave’s decision to end his blog, at least for the time being. He’s one of my favorite writers…smart, funny, and very insightful, with plenty of interesting things to say on a wide variety of topics which as I type it sounds like a remarkably generic thing to say about someone, but it’s really true in his case. I’ve never been much of a gamer, but his posts on the various games he’s played were just as fun to read as his occasional comics or movie post, which fell more within my specific wheelhouse.

I’m sorry he’s taking down his virtual shingle, but I’m glad he shared as much with us as he did. Plus, I still get to bother him on Twitter, at least until he blocks or mutes me. Thanks for all the good work, Dave, and hopefully we’ll see more from you in the future.