Phooey on you.

In case you missed it, I had a couple posts about the Free Comic Book Day event at our store here and here.


The Complete Peanuts volume 3 brings us up through 1956, and the characters are slowly changing into their more familiar forms. Linus is still more toddler than philosopher, Snoopy is still more dog than…well, the anthropomorph he would later become, but Charlie Brown is firmly established as the loser/center of the strip.

What was interesting was seeing some of the strips that haven’t been seen since they originally ran in the newspapers. I don’t think I’ve ever seen the one that references Elvis Presley by name before, and while I remember seeing a number of the Davy Crockett coonskin cap strips, the eventual payoff strip to that particular sequence (“Whatever happened to Davy Crockett?”) was new to me.

Another notable aspect of this project was the varying quality of reproduction of some of the strips. This isn’t a criticism…it’s just a physical reminder of the difficulties of attempting to assemble a collection like this. Given said difficulties, it’s amazing that as many of the strips are as clear as they are.

Something pal Dorian and I have been discussing is the eventual health of this series. Everybody wants the early, hard-to-find Peanuts strips, but we wonder what’s going to happen once the series reaches some of the rough patches…like the highly-reprinted, not-so-good 1980s strips. Obsessive collectors like me will pick ’em up anyway…even lesser Schulz is better than some cartoonists on their best days…but I’m afraid sales will dip at that point. Not just because of the strips, but from “weariness” from buying $30 hardcovers twice a year for over a decade.

Well, I made it through the Carl Barks Library series from Gladstone, I can make it though The Complete Peanuts!


Another strip I’d like to see released in complete collections is B.C. by Johnny Hart. Oh, don’t look at me like that. I’d like to at least have the first decade’s worth, back when it was, you know, funny.

Then again, the last few years’ worth would be interesting to see, just for the “car wreck” aspect of it all.



A number of years ago, some friends of mine formed a band called “Phooey,” which was quite popular in our area. They were sort of a geek-rock, proto-Weezer type group, which actually doesn’t do them enough credit. I only bring it up because I keep coming across panels in comic books and comic strips that use the word “phooey” that I can’t help but think “wow, that would have been good to use on a band flyer.” Even now, ten years after the band broke up, I still think that every time I see a particularly appropriate usage. That Peanuts panel on the right, from the latest Complete Peanuts volume, seemed like a good one.

By the way, the index in The Complete Peanuts does list all occurrences of the word “phooey” (and its variant, “fooey”). Now that’s an index!

My favorite “Phooey” panel for its flyer-usage potential was from an issue of Casper the Friendly Ghost (or perhaps even The Friendly Ghost Casper), where a character was exclaiming “Phooey! It’s no fun to play with girls!” That would have been nice on a flyer for when Phooey was sharing the stage with an all-girl band that one time….



Spotted via the one essential online comics news source, The Comics Reporter…a new DC logo? The heck? What was wrong with the old one? Okay, I guess we’ve had the DC Bullet for a while, and maybe we were due for a change…but all I can think when I look at this new logo is “boy, that’s going to have to be replaced in a few years.”

Not that the logo is all that bad, really. It seems to work okay on the Return of Donna Troy mock-up (in another link stolen from The Comics Reporter). But I’m not really sure I want to see it on every DC book.

The lateness of this post brought to you by Blogger. Thanks, Blogger!

Do do do do do do do do Deadman!

So I was reading the Doug Moench/Kelley Jones Batman run, when I got to the Deadman storyline…and a couple things stood out:

1. Deadman suddenly has the power to make himself visible to the living…only for a moment, and only with a great deal of effort.

2. There’s an in-continuity explanation given for Deadman’s skeletal appearance (as Jones tends to draw him)…he’s accepted his “deceased” status and his appearance has begun to reflect as such.

Of course, this is all ignored, if I recall correctly, in later Deadman series…though Alex Ross just made him an outright skeleton in Kingdom Come. (You can see a review of the toy based on Ross’ design on this page.

Other Deadman links:

A look back at Deadman’s early appearances.

Apparently Hawkeye beat out Deadman in some “Ultimate Battle” dead character competition. Er, yeah.

Here’s a better battle: Deadman versus Dr. Thirteen!

Hitting the Wall: Deadman as a character without a direction.

This news column from 2000 contains a brief note about a potential Deadman movie for TNT (“…a murdered stuntman who can inhabit the body of his nerdy accountant brother”). This 2003 update at Comic Book Resources includes an interview with a scriptwriter for a Deadman film, and has a link to a (PDF) portion of the script.

A review of the action figure.

Here’s a custom figure.

An index of appearances up to about 1985, including creative teams and synopses. (Apparently the Challengers of the Unknown appearances with Swamp Thing are non-canonical, and thus not included.)

An overview of a meeting between Deadman and the pre-Crisis Supergirl.

Bloggers, books, and beriodicals. Er, periodicals.

1. Okay, so I’m a doofus: when I listed the other webloggers who answered this questionnaire, I unfortunately did not mention some of my other favorite webloggers who also answered the questions, for which I apologize. So, in addition to Attentiondeficitdisorderly Too Flat, Comic Book Galaxy, Motime Like The Present, Johnny Bacardi Show, and Otto’s Coffee Shop, we also have Legomancer, Chris Brown (thanks for the kind words!), Near Mint Heroes, and the inimitable Ringwood.

EDIT: Miraclo Miles, too.

2. Pal Dorian and I both forwarded copies to ourselves of the forthcoming DC trades e-mail I mentioned here, so there may be some overlap in discussion. (You can also find the list here, via Thought Balloons, who also points to Comics.212‘s commentary.) Anyway, I did want to point out a couple things:

  • The Vertigo book My Faith in Frankie is manga-format for $6.95. Nice to see DC putting some thought into what actually might appeal to your basic manga buyer, rather than just pumping out superhero trades in smaller formats and hoping they fly.

  • Oh dear: the cover price on JLA: Another Nail is $4.90 less than the cover price for all three issues of the mini-series.

  • That DC Rarities Archives I mentioned previously is a pretty hefty volume at 348 pages…given that the New York World’s Fair comics are 100 pages apiece, and The Big All-American Comic Book is 132(!), it’s a necessity. The other archives are about 200 to 220 pages, for comparison.

  • Swamp Thing: Bad Seed, reprinting the initial storyline of the new series, is only $9.95. I like this trend of starting off Vertigo trade paperback series with a nice, low introductory price. I hope this continues.

  • Gen 13: Ordinary Heroes: seems a little late in the game to be putting out Gen 13 books, but since this one has Alan Davis art and thus will most likely be cross-marketed with Another Nail (and it doesn’t hurt that he’s got a high-profile assigment at Marvel), it makes sense to release at least this volume, I suppose.

  • Starman: Grand Guignol is, I’m pretty sure, the last of the Starman trades…hopefully, that’ll jumpstart sales on the other books in the series, as sales on them have stagnated around here. A shame, really, since it’s a fine comic…drags a little in places, but nicely illustrated and quite thoughtful. Plus, it took a couple of your dopier Golden Age villains (Shade and the Mist) and made them interesting.

  • …and, looking at the rest of the list (lots of Humanoids, 2000 AD, Elfquest books, and so on) it almost makes DC look like a real publisher, with a wide range of products aimed at different markets. Whether the people in those different markets will come looking for them is another matter altogether.

3. New comics day: I hate when new comics day is pushed back a day due to holidays…it really throws me off. Don’t really have much to say about the new funnybooks: Superman: Birthright #11 opens with Lois spouting some dialogue that might as well have been “hey, you, reading this comic! Here’s what happened last issue!” It doesn’t seem terribly likely that anyone is starting this series with the next-to-last issue, so a little less exposition would probably be called for. Plus, it’s going to look darn awkward when the whole thing’s collected in that $29.95 hardcover. I do like this series, don’t get me wrong.

Girl Genius #11 – hey, it’s bigger! It’s magazine-size now, and that’s fine (even though everyone complained today that they won’t be able to file it with their other issues…look, we all survived the Great Eightball Size Shift, we can survive this too), as anything that emphasizes Phil Foglio’s fantastic art is okay with me.

Why must three of the four current Fantastic Four titles ship out on the exact same day?

4. My Canadian blood-brother Flat Earth has been on a Turok binge lately, of which I wholeheartedly approve. Go visit and hunt some honkers with the man. He even interviews Gary Panter about Turok…now that’s cool.

Look, that Freddie Mercury gag is gold.



1. That panel to the right was pointed out to me by pal Corey, who found it in DC Comics Presents #18, guest-starring Zatanna. So, if Superman has the Necronomicon, does that mean the DC Universe fits within the Cthulhu Mythos? Will Aquaman fight the Deep Ones? Will the Justice League fight Shub-Niggurath?

2. It makes me inexplicably pleased to see in the new issue of Invincible that Invincible’s dad comes from…The Planet of the Mustachioed Men. “A planet…where men evolved from Freddy Mercury?

3. A German comics weblog had some thoughts on my Things Not to Say… list, particularly about the “Superman’s still being published” comment. If I’m reading the translation correctly (the online automatic translator I used having a grasp of German only marginally better than my own) Comicgate believes that this problem doesn’t exactly speak well of DC Comics’ marketing department, and I’m inclined to agree, somewhat. It’s probably safe to say that the people who say this to me haven’t even thought of Superman since the whole “Death of Superman” thing, and never bothered to find out after buying their “collector’s item” if Superman ever got better.

4. And for today’s AiT/Planetlar review: Blackheart Billy by Rick Remender, Kieron Dwyer, and Harper Jaten. The title character is a skateboarding punk rocker who hates hippies, hates religious nuts, hates pacifists, hates the Grateful Dead…hates anything that offends his sensibilities (i.e. pretty much everything), and, oh, by the way, he also has a robotic head he got as a replacement when his previous head was seriously damaged at a punk rock concert. Well, it wasn’t exactly my cup of tea (and I imagine that Billy also hates people who use phrases like “wasn’t exactly my cup of tea,” and who could blame him for that)…I mean, it was fine and all, but a little of this sort of character goes a long way. The lead story is the strongest, with Billy facing the menace of a resurrected Adolph Hitler, inhabiting the body of Jerry Garcia, and wrapped within a giant robot body. It’s completely insane, plenty vulgar, and contains quite possibly the most offensive use of an inflatable love doll that you’ve ever seen. Remender’s script is amusing, with an excess of pop culture references, but it’s Dwyer’s highly detailed and appealling art that carries the story.

The rest of the book is made up of shorter stories, one pagers, and comic strips…the short with Billy trying to get a coffee shop employee to let him use the restroom is probably the best, but the final strip, with Billy and his lady-friend Skeeter having a conversation about, what else, things Billy hates, and Billy’s confrontation with a pacifist, is pretty good as well. The creators on this comic aren’t afraid to go for the gross-out in the pursuit of a joke, which one should probably expect with Dwyer‘s involvement. Again, like I said, a little does go a long way…the excessive in-your-face outrageousness can wear thin a little after several pages, and feels forced at times. On occasion it seems like the creators are practically preaching at you through Billy’s dialgoue about why these people deserve to be hated (particularly on the first few pages of the book), but that’s more the exception. Some lines, though, are laugh-out-loud funny (“Well, hi-de-ho! A generous plank and me without a carpenter!” — you really need the visual for the full impact. Yes, it’s rude). So, overall, I did enjoy Blackheart Billy, but I don’t think I’d want a steady diet of it. There, that’s my wishy-washy conclusion.

And besides, there’s a quote from Mr. Show‘s Brian Posehn on the back cover, and if he likes it, certainly you’ll find something to like here as well.

Recommended for fans of Ralph Snart (the good ones, by Marc Hansen) and Tank Girl.