Gang of street toughs closely stalking the Black Cat, or promo image for a new wave band?

…or, possibly, both:


Anyway, that’s not what I originally planned this post to be about. This image was taken from Peter Parker The Spectacular Spider-Man #90, cover-dated May 1984, and is notable primarily for being one of the first appearances of Spidey’s then-new black costume.

The subject came to mind when, on our store’s Facebook page, a customer questioned an assertion I made on our regular website that Amazing Spider-Man #252 was the black costume’s first appearance. “Isn’t it Secret Wars #8?” he wondered, and I explained that even though Spider-Man is shown first receiving the costume in SW #8, that is actually a good seven months or so after the costume made its debut in ASM.

However, even that’s apparently not cut ‘n’ dried, since in Overstreet it’s noted that ASM #252, the aforementioned Peter Parker #90, and Marvel Team-Up #141 are “tied” (Overstreet’s terminology) for the costume’s first appearance.

Today’s Marvel is more than happy to crank out four or five or six Avengers or X-Men titles the same week, but it was my memory that wasn’t Marvel’s habit way back when, when all these comics were hitting the stands. So it had me wondering, even though they’re all cover-dated May 1984, did they all come out the same week, or on succeeding weeks, and which one was first?

Alas, though our store was open then, those invoices/cycle sheets/what-have-yous were discarded long ago. A little Googling finds some discussion (like this example), based mostly on “I-was-there” memories, plus additional blurring of the costume’s history with the inclusion of prior promo pieces from Marvel’s news/interviews comic Marvel Age and elsewhere.

A mention of Amazing Heroes #39 as a possible “first appearance” of the costume (speaking of blurring the lines) reminded me of a feature of Amazing Heroes, the “Coming Distractions” section, which would list all the new releases for that month, including specific release dates. Thus, I pulled out #40, the issue with the relevant information, out of the Vast Mikester Comic Archives, and here is what it says:

Amazing Spider-Man – “ships 1/10, newsstand o/s 1/31”

Marvel Team-Up #141 – “ships 1/24, newsstand o/s 1/14” [typo – supposed to be 2/14…see below]

Peter Parker the Spectacular Spider-Man #90 – “ships 1/24, newsstand o/s 2/14”

And, yes, of course there’s that typo in the Marvel Team-Up listing, confusing things. But it’s certainly a typo: every other comic with a ship date of 1/24 is listed as being on sale on newsstands February 14th. (Both December 24, 1983 and January 14, 1984 would have been Saturdays, whereas every other date listed is on a Tuesday. In addition, no other book with a December shipping date is noted, so the 1/24 date doesn’t seem to be a typo.)

According to the information provided by Marvel, Amazing Spider-Man #252 was at least planned to ship out at least two weeks before the other books, making this the first in-story appearance of the black costume. This is of course assuming things worked out the way they should have. Shipments could have been delayed, books might have been late, etc. etc., so it is within the realm of possibility that some of the books may have been released, at least in some locales, simultaneously.

And then there’s the fact comic shops in the direct sales market received their books weeks prior to newsstands. I wasn’t on the business side of the counter in those days, but my memory is that direct shipping of new books wasn’t quite the exact science it is today, he said half-sarcastically, so again, it’s possible that even if the books stuck to Marvel’s schedule, who knows what order they showed up in which comic book stores.

On top of that, there was the usual speculation/hoarding shenanigans that turn up whenever something in the comic market smells like it could be “hot,” so it wouldn’t surprise me at all if some people remember seeing Marvel Team-Up #141 before Amazing #252, since all the 252s were immediately scooped up, bagged, boarded, and thrown in boxes marked “DO NOT OPEN ‘TIL EBAY.” And even beyond that, the disparity between new arrivals in comic shops and new arrivals on newsstands could have meant people spotting the latter Spidey books at their comic shops before seeing #252 pop up at the local 7-11.

Anyway, I wish I knew back then I’d be writing this blog today, so that I’d have taken better notes. As it is, at the time I did buy Amazing Spider-Man #252, from a newsstand no less, because I was semi-collecting that series anyway. I don’t recall when those other Spider-Man comics in question came out in relation to 252, since I wasn’t reading those at the time and didn’t pay any attention.

I was also going to discuss whether or not Web of Spider-Man #18 should be considered the actual first appearance of Venom, but I think we’ve all had quite enough of this sort of talk today. (And if you say ASM #252 is his first appearance, I’m gonna pop you in the nose.)
 
 

image from Peter Parker The Spectacular Spider-Man #90 (May 1984) by Al Milgrom and Jim Mooney

Fifty Who Made DC Great (DC Comics, 1985).


So here’s this weird thing, released in conjunction with DC’s fiftieth anniversary in 1985, which, as the title promises, lists fifty people/licensees/products responsible for the company’s success and endurance. This would include the business people who started and / or ran the company:


…and the creative types who created the characters and produced the high-profile projects:


There are also entries dedicated to studios producing the films (like Fleischer Studios and Hanna-Barbara), actors who portrayed the characters (including Lynda Carter and Best Batman Adam West), the World Color Press, and of course, a page devoted to Superman Peanut Butter:


…which may seem a little silly at first, but that sure helped to keep Superman in the minds of kids. It’s no crazier than Donald Duck Orange Juice.

The entries for Bob Kane and Bill Finger are interesting for what they say and don’t say, as noted here by Boys of Steel author Marc Nobleman.

Alan Moore doesn’t rate a mention, having only worked on Swamp Thing for a year or so at that point, and the endless piggybacking of his work was still in DC’s future. Helen Slater gets a page, having portrayed Supergirl in the big-budget film flop from the previous year, which seems odd on the face of it. However, she made a good Supergirl, even if the movie itself wasn’t, and it remains, then as now, the only big-screen adaptation starring one of DC’s heroines. (EDIT: I mean, aside from that other one.)

One of the neat things about this booklet were the caricatures, credited to Steven Petruccio, of some of the personalities involved, illustrating various aspects of that person’s involvement in Making DC Great. You can see examples above in that scan of the M.C. Gaines entry.

Bookending the publication are some color cover images of DC’s major publications with brief notes as to why they’re important, such as indicating that issue of New Fun from 1935 was DC’s first comic book. (House of Secrets #92 is among those covers, making this yet another Swamp Thing appearance, kinda sorta, I had to own.) Along with those pics are quotes from notable folks occasionally about DC but mostly just about comics in general, from some diverse personalities as movie critics Gene Siskel and Roger Ebert, underground comix legend Richard Corben, the Muppets’ Jim Henson, Stephen King, and Stan Lee.

I’m not even sure why I bought this at the time, beyond it catching my eye as the oddball release that is was, and perhaps appealing to my budding interest in the history of the medium. Plus, it felt sort of fanzine-y, and I do so love ‘zines.

A couple more comments on this: I may have inadvertently stole my “Suddenly, [X] Years Later” gag from that cover. And, if DC were to put this out today, surely it would be Fifty-Two Who Made DC Great!

I’d probably hate that title less if there actually were three “Trinity of Sin” comics on the stands.


Normally, on the rare occasion I buy Avatar comics and am forced to choose among the various cover options, the “regular” cover or the “terror” cover or the “propaganda” cover or the “lava leopard” cover or what have you, I usually go for the wraparound cover. Maybe it’s the mindset of “I’m want as much for my buck as possible, so I want twice as much cover as normal,” I don’t know. But this time, for Caliban, I went for the above “regular” cover, which just seemed more creepy and evocative than the perhaps more on-the-nose wraparound cover (which you can see on the publisher’s site). It certainly looks more like an old sci-fi paperback cover, at least to my eye.

The comic itself is off to an interesting start (an Earth ship unexpectedly merges with a mysterious, and much larger, alien craft, unpleasantness ensues) placing it solidly in the horror sci-fi genre along with Alien, Event Horizon and even Disney’s The Black Hole. …C’mon, you know that movie’s terrifying.

Some short notes about other comics this week:

Action Comics #30 – drawn, in part, by local artist and friend of the shop Jed Dougherty! Features the beginning (more or less) of the return of Doomsday storyline, or at least has that big ol’ “Prelude to SUPERMAN DOOMED” banner inset on the cover, and it doesn’t look like lightning is striking twice on this yet, but who knows. Maybe demand will pick up on these when the Doomsday story really gets moving along. And maybe all those copies of Adventure of Superman #500 will start selling again. And Superman #75 will finally break that $1000 barrier! I’LL BE RICH, I TELL YOU

Swamp Thing #30 – unexpected DC Universe guest-star in this issue, assisting Mr. A. Holland and friends with their particular dilemma. This installment ends with just about as disturbing a sequence as I’ve seen in Swamp Thing in quite some time, without having to resort to gore or corpses or really violence of any sort.

Starlight #2 – continues to be very by-the-numbers plotwise, but competently so, and thus is at least readable while you enjoy the true star of the book, the beautiful artwork by Goran Parlov.

She-Hulk #3 – everyone is telling you this is a great comic, and everyone is correct. This issue, She-Hulk tries to secure asylum for the “son” of Dr. Doom, and it’s exciting, it’s funny, and Doom’s son is both trying and a bit tragic. One thing I need to remember is that every two-page spread needs to be read across both pages, rather than down page one then back up to the top of the facing page. I’m so trained to do one page at a time that I kept having to remind myself “read all the way across before going down to the next tier of panels.” Not that I said that out loud to myself as I was flipping through the book, why would you even think that.

Phantom Stranger #18 – the Stranger helps Superman struggle against the ghosts of those he’s failed, or something like that. I’m pretty sure I need to read this again, because I’m not sure I quite caught it all the first time. The plot centers around that recent development over in the Justice League books, where a mind-controlled Superman straight up flash-fried Doctor Light, which is, mind control or not, kind of an upsetting thing to have as part of Superman’s history. Even the New 52 history, such as that is. I was kind of happy ignoring that, but nope, here it is in a book I read. Ah, well. Also, I’m totally shelving this comic in the Ps, not under T for “Trinity of Sin: Phantom Stranger” which is the official title, because that official title is dumb and I hate it.

Prime #1/2 (Malibu Comics/Wizard, April 1994).


So for a while there, price guide/news/interview mag Wizard would offer special issues of various ongoing comic series, usually numbered as “# 1/2” (and there may have been a “#500” in there once or twice, too) that you could send for by mail using the special certificate ‘n’ envelope enclosed. And also by sending that check or money order, too…hey, Wizard ain’t runnin’ a charity, here. The comics themselves generally contained a new short story unavailable anywhere else, plus some sketchbook work or similar backmatter rounding out the publication.

I only availed myself of that particular scheme a handful of times…I sent away for the Sin City #1/2 and Daredevil #1/2 and probably a couple of others I’m forgetting.

And, of course, the comic pictured above: Prime #1/2, by Len Strazewski, Gerard Jones and Norm Breyfogle. Prime, for those of you too young to remember or have just generally driven the ’90s comic market out of your memory, was a modern spin on Captain Marvel, in which a kid gains the ability to transform into a seemingly adult-aged superhero. In this case, the kid, I don’t know, exuded some kind of fleshy substance to, in effect, grow his superhero body around his actual body, and I think I probably need to take a look at these comics again and remind myself that was what was actually happening.

At any rate, it’s my memory that this was one of the better titles that came out of the Ultraverse superhero line published by Malibu, even though it’s been a couple of decades since I’ve read these and that semi-recollection of our hero’s abilities the paragraph previous is about as much as I can recall at this time. Even flipping through this #1/2, now that I have it out of the box, it all looks brand new to me. And I did read the series, at least for 18 issues of its initial run.

I always say “I should pull these out and reread these” when I’m reminded of some comic I know I read and enjoyed a long time ago and haven’t looked at since. But, there’s only so many hours in the day, and sometimes it’s just going to have to be enough to know that I did enjoy them at one time, even if the specific details have faded away.

Oh, and back to the whole Wizard #1/2 thing…these special issues usually came with one of these “Certificates of Authenticity,” to ensure you weren’t receiving one of those cheap knock-off bootleg #1/2s that were flooding comic markets all across the world:


Thank goodness, this comic is an authentic! It’s the authentic-est!

Progressive Ruin presents…the End of Civilization.

Hey, remember comics? Boy, I sure do. Those cute little booklets of pictures, folded and stapled, that we all so enjoyed. Those were the days, back when we had trees, and people who could read, and before the electromagnetic pulses destroyed all electronics. Ah, yes.

But perhaps I’m getting ahead of myself! Civilization’s still here, but not for long, as perusing this month’s selection of goodies from Diamond Previews may show. Grab your copy of the April 2014 edition and follow along:

p. 101 – Superman #32:

“A NEW ERA for SUPERMAN begins….”

Oh, good, that’s like era number, what, four? five? in the last three years or so?

p. 149 – Superman Vs. Darkseid Statue (Second Edition):


“YOU WILL NEVER HAVE MY MAGICAL POOL OF ORANGE JELLO, KRYPTONIAN!”

p. 150 – DC Comics Super-Villains Harley Quinn Bust / DC Comics Cover Girls Katana Statue:


Oh, sure, the item that might sell has less than half the production run of the statue of the character no one’s ever been interested in, ever.

[THREE DAYS LATER: policeman gather around Mike’s body, slumped over at his computer desk. A spilled Diet Coke is at his feet.

“We’re not sure what happened here. The only clue we have is…this,” says one policeman, as he points at the katana handle sticking out of Mike’s back.]

p. 154 – Scribblenauts Unmasked Mini-Figures Blind Boxes Series 4:


Man, “blind box” packaging. There’s no way they’re going to suck me into buying blind-boxed stuff ever ag…


…DAMMIT.

p. 182 – Star Slammers Re-Mastered! #4:


I can’t believe they got four comics outta space pogs.

p. 259 – Mountain Dewback T-Shirt:


Coming soon: Yodoo-Hoo, 7-Ugnaught, Black Sunkist, Pepsi Max Rebo, Jar Jar Barq’s, and the dreaded Dooku Pepper.

p. 264 – Fathom Annual #1:


To be followed next year by Fathom Annual #1, and then Fathom Annual #1 the year after that.

p. 323 – The Twilight Zone Vol. 1 TPB:


I know the creative team’s decision to tell multi-issue stories over the course of this series was bit of a controversial one, but my disappointment is that the series wasn’t like “Crisis of Infinite Twilight Zones!” The aliens finally decide to take direct action on Maple Street, only to be countered by Mr. Dingle, who retains his superhuman powers from the Martian and Venusian experimentation! Meanwhile, the gremlin, who landed just outside of town after falling from the plane, teams up with Anthony Fremont to exact revenge upon a world that fears and despises them! Will Robot Grandma step in to help save the world, even as the Kanamits wait in orbit to eat whoever survives?

…I probably need to get out more.

p. 353 – The Smurfs Volume 18: The Finance Smurf:


Bilderberg Smurf’s secret meetings are looked upon with suspicion by Conspiracy Smurf: “They’re up to something smurfy…very smurfy indeed,” he says during his Smurf-to-Smurf AM radio interview.

p. 367 – Doctor Who The Tenth Doctor #1 / Doctor Who The Eleventh Doctor #1:


…released on a just slightly more-than-monthly schedule, with, I’m sure, a Twelfth Doctor series in the offing. And then, eventually, Doctors One through Nine get their own 15-issues-a-year series, and then there’s the War Doctor series telling all those adventures from those missing years. And then the series with the Curator from Day of the Doctor, fighting art thieves and such. And then a series starring the companions…heck, a series for each companion. Sarah Jane, of course, and Ace because Ace is awesome, and K-9, probably Leela, and sure, Rose, why not. And a Brigadier series. And a series for Vastra, Jenny and Strax. And so on.

Will probably still only be about half of the number of Avengers titles that’ll be on the stands by the time they get all these out.

p. 431 – Dream Vader T-Shirt:


Oooh Dream Vader
I believe you can get me to the lightsaber fight
Oooh Dream Vader
I believe we can find the Jedi Knights
Fly me high through the starry skies
Maybe to Dantooine
Cross the highways of hyperspace
Help me to forget Tatooine

p. 434 – Adventure Time Duality Leggings:


Yet another piece of clothing to add to the official store uniform.

p. 480 – Doctor Who Stress Toys:


Oh, good, I’m going to need these squeezable stress toys…

p. 481 – Mr. Potato Head Doctor Who Figures:


…after looking at these nightmarish things. Sheesh.

p. 489 – Star Wars R2-D2 Egg Cup:


Knowledge of the reproductive cycle of the droid is not for the weakhearted.

p. 501 – Doctor Who Car Magnet 3-Packs:


Okay, items like these generally only make sense to other fans of the property when they’re out of context like this. But, c’mon, “Bad Wolf” barely made sense in context.

p. 507 – Teenage Mutant Ninja Turtles Soft Touch PVC Key Holders:


“Honey, which one’s the key to the Ranger?”

“The Donatello one!”

[stares at the key rack for another five minutes]

Marvel Previews p. 75 – Marvel Minimates Series 57 Guardians of the Galaxy Movie Asst.:


Featuring a bunch of other sets that you’ll be shoving aside only to discover you can’t find the Drax/Groot/Rocket Raccoon pack.

Marvel Previews p. 79 – Marvel Masterworks Not Brand Echh Vol. 1 HC:


A missed opportunity to make one of the book’s variant covers look like the DC Archives trade dress.

“NOT BRAND ECHH ARCHIVES” — one of you Photoshop masters can slap together a replacement dustjacket for this, I’m sure.

Faye Dunaway and Tommy Lee Jones in Eyes of Alec Holland

So they found a way to get me to buy those Robot Chicken photo-cover gag variants…GUESS HOW:


This, I realize, comes as a surprise to no one.

On a related note, I had a brief interchange with fellow Swamp Thing fan John regarding the possibility of the existence of color variations of House of Secrets #92, Swamp Thing’s first appearance. It seems that when I’ve posted panels from that original story in the past, Swamp Thing’s eyes were colored red:


…but when John got his own copy of HOS #92, the eyes were colored white-ish:


He wondered why there was an apparent difference between his copy of HOS92 and my own, if perhaps there was another print run of the original where the coloring was altered, purposefully or accidentally. And that had me wondering, too. Mostly along the lines of “how in God’s name am I going to track down this kind of variant for my own collection?”

Well, after a small amount of digging, actually it turns out my scans have been from one of the handful of reprints I have of that story, since I didn’t want to subject my own original House of Secrets #92 to the tender mercies of the flatbed scanner. In those reprints, the eyes have been recolored red from the original version’s white, which is a detail I hadn’t realized had been changed. So, no weird color variations in that original release of House of Secrets #92, I’m afraid. Sorry, price guides and eBay!

Also, I’d be lying if I said that didn’t come as some small bit of relief. Calling store to store asking them to check Swamp Thing’s eye coloring on their copies of House of Secrets #92…I’m not sure the human ear could endure that many hang-ups.

Airlock #2 & #3 (Eclectus Ltd., 1991).


This wasn’t the first issue of this particular series that I’d purchased…it was #2, which had a Not-Safe-for-Work-ish cover I didn’t want to spring on you without warning.

Anyway, Airlock was a short-run black and white anthology series that I bought primarily because it contained “Taffy and the Pirates,” a humor-adventure strip by Cutey Bunny creator Joshua Quagmire:


There are other stories of note, too: issue 2 has “The Iluvlussey,” a funny and nicely-cartooned take on Greek myth by Tim Burgard, “Lost in The Jungle” by To Be Announced‘s Mike Bannon, and the Swamp Thing parody “Yuck Thing” by Jorge Pacheco:


It wasn’t all humor strips; there was an ongoing “Caligula” serial by Rod Underhill and Topper Helmers that was fairly elaborate and certainly mature reader-oriented, as you might imagine.

Issue three cover-features Panda Khan…or rather, “X-Khan,” as he’s known in the story within, and…well, I didn’t realize, or I’d forgotten, how science-fictiony these Panda Khan comics were, though looking now I see this cover of Mr. Khan on a meteor fighting a guy shooting a laser gun, so what do I know. I never read those comics, so beyond being vaguely aware of his ties to the Teenage Mutant Ninja Turtles, my knowledge of Panda Khan’s adventures is alarmingly deficient. This is also the most I’ve typed the words “Panda Khan” in my entire life.

The Taffy strips return and wrap up in this third issue as well. Quagmire (along with Dean Norton) also provides an illustrated prose short “Cyberfox,” which is some funny-animal sci-fi business.

There was a first issue, though I don’t recall having seen it, and that’s probably the sort of thing I should have checked for at the shop prior to writing this entry here. My usual sources don’t have any info on what was in the first issue, so I don’t know if I’m missing any Quagmire there. The “Taffy” story in the second issue pretty clearly starts there, and I’m also fairly certain the me of 1991 would have sought out that #1 if I’d known there was something in that issue I had to have.

I’m still going to check for it at the shop anyway.