I feel vaguely uncomfortable:

Mike Sterling's Progressive Ruin
Putting the bomp in the bomp-bah-bomp-bah-bomp since 1969
I feel vaguely uncomfortable:

And now, some excerpts from the Brady Romance Game:










Although now that I’m getting a closer look at the cover…is that Harvey Pekar in the corner, there? When did he become a Zap contributor?
revised 10/19)

One person mentioned what an Al Jaffee tampon ad might be like, showing cross sections and such, but of course it would have to be a Fold-in: a full-page drawing of a bunch of people at a party or whatever, and then you fold it in and the details at the sides of the drawing suddenly form into a big pic of a tampon.
…Aaaand that’s enough tampon talk. For now.
So there I was, going through my collection of early-to-mid-1970s teen celebrity magazines, like I like to do, when I came across something interesting and perhaps funnybook-related in the December 1973 issue of 16 Magazine.
One of the things teen mags of the time (and maybe still do, I have no idea) would feature in their mags is fictional and sometimes serialized stories of teen celebrities having adventures and/or romantic interludes or what have you. I think one mag I’ve come across involved the DeFranco Family investigating a murder mystery, of all things. So, yeah, it was basically celebrity fan fiction.
In this issue of 16 Magazine is chapter 13 of Cindi, starring a young reader-identification heroine in this ongoing serial who engages in numerous activities of the dangerous and/or romantic sort with, in this case, Donny Osmond. A brief passage, if you’d like:
“In spite of the total darkness, Donny seemed to know in which direction to swim. Cindi held onto Donny from behind, with one hand under his arm and the other across his bare shoulders. As he propelled them forward through the murky depths, Cindi could feel the movement of Donny’s muscles working under his skin, and his soft, thick hair brushing her face. With her left leg alongside his right, Cindi was able to pick up and imitate the rhythm of Donny’s kicking, so that the two of them, intertwined and struggling forward, became as one.”
That doesn’t really have anything to do what I wanted to talk about, but come on, that’s some powerful writing right there.
Anyway, here’s the image that accompanied the story:

Speaking of IDing artists, I spotted this tampon ad in another celebrity teen mag from the same (ahem) period, and at first glance, it looks a bit like the work of Mad Magazine stalwart Angelo Torres:

Now, about that poster from yesterday…that image was taken from the cover of Superman: The Man of Steel #49 (Oct. 1995), and, as Tom and others noted in the comments, the pic certainly evokes a Batman feel. The story inside isn’t particularly moody or Batman-ish, as it involves Superman fighting leftover Byrne villain Skyhook. But then, Skyhook’s shtick is turning kids into bat-people, so maybe that’s the connection there, tenuous as it is.
But again, like I said in the comments, it’s not as if I don’t like Jon Bogdanove. I do. I think he did a swell job during his run on Man of Steel…very loose and cartoony and fun. I realize it’s not to everyone’s taste, but hey, we don’t all have to like the same things. I didn’t even mind the image from that poster as a one-off cover, out of the half-dozen or so Superman covers DC published that month, just for a little variety. But as the image for a store to hang on the wall to advertise the Superman books? They couldn’t find anything a little more…Superman-ish?
But then again, this was the mid ’90s, near the beginning of the comics market crash, and folks were casting about for anything that worked. “You all like dark ‘n’ gritty? Here’s dark ‘n’ gritty Superman for you.”
In fairness, here’s a promo poster I did like, a double-sider Bogdanove drew tying into DC’s Zero Hour event. One side is likely familiar, as it was the cover for Man of Steel #37, with Superman facing off against a number of different Batmen in the styles of the character’s many artists:


Anyway, here’s another nice Batman-esque pic of Superman from Bogdanove:

HEY KIDS
IT’S SUPERMAN

Especially nice is the vocal work of David Warner as Ra’s. The way he intones the word “Detective” (being Ra’s…Ra’s’s?…preferred name for Batman) contains so much. It sounds like an offering of respect for Batman, while at the same time sounding like a challenge. So nicely done.
At the same time, I’m still slowly going through the Ruby Spears Superman cartoons…it certainly says something about the quality of the cartoons, I think, that I put aside the Superman disc to watch through most of the Batman disc once it showed up in the mail. Now that I’ve watched a few more episodes, my opinion of the series is a little higher…the animation is passable, though the storytelling is still on the level of “ah, it’s just for kids…this is good enough.” And the situations are occasionally so out there that they’re almost surreal, like this one episode where Luthor buys the Great Wall of China. Well, sure, why not…wait what?

Anyway, I think I came into this series with decades-old high hopes, ever since reading about the involvement of Marv Wolfman and Gil Kane in that long-ago issue of Comics Scene. And hey, Jim Woodring worked on the series as a storyboarder/design supervisor. Yes, that Jim Woodring. And there are several other names I recognize from the world of comics as well (like Rick Hoberg and Adrian Gonzales).
One thing I haven’t mentioned is that each episode ends with a short second feature, presenting the adventures of young Clark Kent back in Smallville. These have been pretty good, covering Clark’s adoption, going shopping with Ma, being babysat (long before this story), and so on. That shopping episode does effectively demonstrate that trying to raise a super-powered baby would be an enormous pain in the ass, so at least these cartoons have an educational element to them.