This isn’t just an elaborate plug for my eBay auctions, I promise.

In response to my post from Sunday, where I briefly touch upon a reason or two for the mid-’90s decline of the Punisher’s popularity, Alan David Doane had this to say:

“Those Punisher comics that tanked in the 1990s? That had to be in part at least because they weren’t very good, like most Marvel comics prior to the Heroes Return event that briefly ushered in an era of quality storytelling in some of Marvel’s core titles.”

And he’s right, that was probably part of the reason as well, and one I should have mentioned. While one could argue that for some fans, the consideration of “quality” for a comics purchase may not be as strong as an imperative to “keep the run complete” (insert cheap shot at any given X-book here), there does come a point where there is some crap even the most ardent fanboy won’t eat.

Plus, considering the huge attrition of consumers the market experienced during that point in history, all the investors and casual readers and “just buying out of habit” folks were long gone, finding other investments (Beanie Babies! Action Figures!) and other time-wasters (Video Games! Sidehacking!) with which they could occupy themselves. All that were left were the people who were actually reading the comics (and, admittedly, some of the more diehard “buying out of habit” folks), and the big companies couldn’t so easily get away with filling 23 pages with junk, slapping a die-cut holographic scratch ‘n’ sniff cover around it, and expect it to sell.

I’m not saying this was a 100% turn-around in buyers’ attitudes…but I think enough of the audience rejected what was being offered to them that, along with the other reasons I touched upon (overall declining sales, character burn-out), it was enough to end the Punisher’s reign as a “hot” character.


On a somewhat related note, an odd phenomenon I’ve noticed from selling on the eBay is the still-strong demand for Valiant Comics. Not your standard issue, monthly issues of Valiant Comics, but rather the “gold” editions, or the variant cover editions, or the signed books.

I think most comic fans would agree that Valiant Comics were, on average, pretty good, particularly during its initial years. This was at a time when a number of new “superhero universes” were being started by a variety of publishers, but Valiant, for whatever reason, became the star that shined the brightest. Malibu Comics’ Ultraverse, Dark Horse’s Comics’ Greatest World — they had their fans, but Valiant had the most across-the-board success.

It didn’t start out that way…I can still remember looking at a stack of unsold Harbinger #1s and thinking “Oh boy, we’re stuck with these.” A big part of Valiant’s eventual boost in popularity may be attributable to the then-booming comics fad, the influx of investors from the crashed sports card market, encouraging in investment by Wizard, and so on.

But, eventually, when the comics crash came, Valiant went with it (though the beginning of the end probably started with the departure of Jim Shooter, who oversaw Valiant’s shared universe). It lurched on, in varying incarnations, backed with video game money (and found many of its properties converted into games), and even now a high-end Harbinger hardcover reprint (with a new story) is on its way.

Anyway, back to the variants: one day, a few years back, searching for some goodies to throw on the eBay, I noticed that we had in the backroom a set of the two Unity trade paperbacks produced by Diamond Comics (which you can see here and here). I figured, hey, Valiant’s pretty much dead, I don’t think I can move these books locally, and they’re not doing any good taking up shelf space in the back…I’ll just sell ’em on the internet.

So on the eBay they went, and a week later, I had winning bids on both of them in the hundreds of dollars.

Needless to say, I was a bit flabbergasted.

A little research, starting then and over the years since, has revealed a healthy aftermarket for the rarer Valiant items. Alas, I didn’t have too many left…I had a “platinum” Unity #1 that sold for about $16, a handful of blue-variant Harbinger trades for about $10 to $12, on average. That doesn’t seem like much, but compared to how the non-variant Valiants sell, in the store and online (i.e. hardly at all), it’s certainly something.

I’m seeing a little more action on an auction I’m currently running for a Shadowman #0 Valiant Validated Signature Series, which, as I write this, is up to $46.00. (According to this page, guide value is $45.00, last recorded auction sale, in ’05, was $48.00.)

I suppose it’s possible that it’s a small group of hardcore Valiant collectors all competing for the same items, but it may just be that there’s still a sizable following for these titles, and are simply using the eBay now to fill holes in collections and acquire rare items that were unavailable to them at the time. There have also been a number of in-store requests for last issues of Valiant series (i.e. the ones with lower print runs).

By comparison, when I tried to auction off a semi-rare Diamond-produced Youngblood trade paperback, similar to those Unity trades, I received no bids. (Yeah, I know, what was I expecting?) Some of the Ultraverse variants, with the full-cover holograms…those auctions ended with low bids, if any at all. And I think I’d have better luck selling Comics’ Greatest World stuff if I stapled dollar bills to the covers.

I find it interesting that a recently-defunct comics company like this, especially one from the heyday of comics faddishness, is still attracting collectors. Usually when “hot” popular items are past their sell-by date, that’s it for them. But Valiants — at least the “rare” items — still have their buyers. My confidence for the long-term staying power of the company would be stronger if we saw more general interest in the regular, non-collectible, non-rare issues. But that there’s still any interest at all, and that there’s enough apparent interest to justify a new hardcover collection…well, that’s unusual enough to keep me watching further marketplace developments involving Valiant.

(For lots more info on Valiant Comics, including print runs, average pricing, etc., I highly recommend the Valiant Comics fan site, which I’ve already taken advantage of several times throughout this post.)

Who doesn’t love Roadhouse?

Okay, so in this story from World’s Finest #137 (Nov. 1963), both Aquaman and his young companion Aqualad are stricken by mysterious fumes that cause them to be weakened, rather than strengthened, when they are in the water. Aquaman has to go to Aqualad’s rescue, but he’s too weak, and too far away from the sea, to command some nearby fish to help. However, there is another sea creature of sorts nearby:


That almost seems like stretching the definition of “sea life” a bit…at least, considering the types of sea life with which Aquaman usually communicates. But I’d be willing to let that slide…

…Except I’m totally going to have to call “no way” on this sequence :


At most, Aquaman has two load-bearing eagles keeping him aloft, as I don’t believe the other eagles in this grouping would be able to get close enough to provide enough direct support and/or lift to handle Aquaman’s weight. Plus, it would seem as if Aquaman would continually be smacked in the face, sides, and, um, other body parts, by the flapping wings, which would be painful, or at least annoying for him, not to mention how that would interfere with the eagle’s ability to fly effectively. And I have my doubts that this group of five or six sea eagles, as powerful fliers as they are, would be able to handle Aquaman hauling a sopping wet kid-sized load out of the ocean, even briefly.

This is what I think about, when we’re having a slow Sunday afternoon at the shop.


In other news:

  • Sunday morning, I was interviewed by the darling Dafna and the cacophonic Kid Chris for their Bispectacult podcast. It went well, it was a lot of fun, and even though my very first response to a question didn’t come out in any kind of recognizable English (I believe the correct term is “word salad”), after that things went swimmingly. We were silly, we had a good time, we couldn’t keep ourselves on any topic for very long, aside from discussing the greatness of the movie Roadhouse.

    So, even as you read this, Kid Chris is feverishly working away at the post-production of the interview, and it should be up on their site in a couple of days. It’ll teach you nothing, you won’t be a better person for it, but maybe you’ll get a good laugh or two out of it. Hopefully “with me,” not “at me.”

  • A few days ago, I wondered if the printing error in the DC Universe: Stories of Alan Moore trade paperback had been corrected. (Briefly: the text intro to “Whatever Happened to the Man of Tomorrow?” was omitted.)

    In response to the more recent post, commenter Carl told me that a copy he flipped through at a major chain bookstore appeared to have the error corrected. So, one reorder placed through Diamond later…I can indeed confirm the book is on its second printing, and the text intro to the Superman story is back in its rightful place at the top of the splash page.

    The Killing Joke endpapers are still AWOL, however.

  • Harry Knowles of Ain’t It Cool News — once seen, it cannot be unseen:


    And yes, the text tag in that video refers to Harry’s marriage yesterday. Details, of sorts, can be found here (along with the video you just endured above). Congratulations to the happy couple.

Sorry, this domain is not for sale.

from Man-Bat #2 (Feb-Mar 1976) by Martin Pasko, Pablo Marcos & R. Villamonte


Three things the Ten-Eyed Man doesn’t like to do:

1. Pick his nose.

2. Thumbwrestle with the Ten-Penised Man.

3. Wipe.


Found on the eBay:

“ADAM West Signed Check BATMAN ZAP POW BAM….* REAL *”

“Authentic Autographed Check with original signature of Adam West best known as BATMAN…… Check is in very good condition with normal bank markings and cancellations. Check is from 1981 and payable to State Farm . It is boldly signed in Blue Ink.”

“BOLDY.” Take that, evildoers.


We got a couple Marvel key books in a collection the other day that we hadn’t had in the shop for a while: Giant-Size X-Men #1, introducing the new team, and it was all downhill from there; and Amazing Spider-Man #129, featuring the first appearance of the Punisher. I only mention them here because 1) in the case of the X-Men, I felt like being a smartass, and 2) the ASM #129 reminded me of the huge crash in popularity of the Punisher from the mid-’90s. That crash can probably be tied to the general comics market crash of about the same time, at least as a symptom of the overall damage being done to the marketplace. It wasn’t just that sales were dropping across the board, but that once popular characters were being outright rejected by the still-remaining fanbase. Just plain character burnout? A conscious (or even subconscious) realization of the usage of said character, as a sales-bumping guest-star, being part of the market’s poor health?

There’s probably an overlong, confusingly-written essay in me on that very topic, but that’s for another day, I think. No, I just wanted to bring up a brief flash of memory from that middle period of the 1990s, when we had a stack of Amazing Spider-Man #129s all priced up and sittin’ pretty in our big ol’ glass case, just waiting for a Punisher fan with a few bills in his or her pocket to wander by and make a purchase.

Used to be, in the Good Old Days, we could turn over ASM #129s day in and day out. We had people hounding us for them constantly. Almost as soon as we got one in, it went away. And we were buying and selling them all the time. Seemed like every other collection we bought had one of those in it.

Then we ended up with a small stack of them. About half a dozen. Varying conditions. We thought “Wow, those will be gone in no time!”

Then no time passed. Then some time passed. Then a lot of time passed, and there they were, still in the case. The bloom was off the tree on the other side of the fence leading a horse, or something like that, and suddenly we went from having “1ST APPEARANCE OF THE PUNISHER WOO HOO” to “Do you have any cheaper copies of #129? I’m just trying to fill my Spider-Man run.”

And that’s how, with tears in our eyes and Shadowhawks in our quarter boxes, we ended up slashing the prices on those ASM #129s in order to move them out.

‘Course, now, what with a revived interest in the Punisher character, and increased demand for ’70s Amazing Spider-Man comics, we could have sold those ASM #129s for much more than we had them originally marked at the time, but What Can You Do? You can’t sit on everything, thinking its time will come again, or even come a first time.


No, really, this domain is NOT FOR SALE. I will, however, happily accept sponsors. “CAMEL CIGARETTES, HALLIBURTON, STARBUCKS, MARVEL COMICS, WALMART, THE RIAA, AND CHRIS SIMS PROUDLY PRESENT MIKE STERLING’S PROGRESSIVE RUIN.”

Oh, the possibilities. Brings a tear to your eye, doesn’t it? And if you were the Ten-Eyed Man, you’d be weeping from your fingers like nobody’s business, I bet.

"This is not war…this is pest control!"

I don’t have much of a post at the moment, as I was busy catching up on the Doctor Who DVDs. And is there a better scene in season two than the Cybermen and the Daleks totally ranking on each other?


I submit, sir, that there is not.

Yes, I realize I’m, like, a year behind everyone else on the show. Don’t rub it in.


My completely mean-spirited and unfair exchange with Employee Jeff, as he was preparing to move some of our infrequently-accessed comic stock in the stockroom to somewhere out of the way, to make room for more in-demand material:

Employee Jeff: “Hey, is it okay if I move the Gambit comics to the top shelves? I need the space for these other X-books.”

Me: “Yeah, go ahead. No one cares about Gambit.”

Jeff: “Oooooh…don’t let the Gambit fans hear you say that!”

Me: “No worries…Gambit fans are weak and ungainly, and pose no threat.”

And then we laughed and laughed at Gambit and his fans, for we are cruel and heartless. And then I wept openly, for I realized this is all I have.


And now, for no good reason…Swamp Thing in a biplane:

from Saga of the Swamp Thing #8 (Dec. 1982) by Marty Pasko & Tom Yeates

Comics, not comics, and Half-Minute Mikester #1.


So a few folks were intrigued by the Steve Ditko Man-Bat comic advertised in that post of mine from yesterday. The most interesting thing about that very short-lived series (aside from an appearance of the Ten-Eyed Man, as my commenters noted) is that the first issue features a rare, if not solitary, example of Ditko drawing Batman.

I don’t own any of the Man-Bat funnybooks myself, and I was in kind of a rush to get out of the store last night (had to go buy drywall screw anchors — it was vital) so I forgot to grab a copy of #1 from the store stock for some choice scanning.

Luckily this fine fellow also found Man-Bat worthy of examination, and presents a couple pages from that issue. The above image was taken from one of those scans…makes me wish Ditko had drawn more Batman in his career. What an interesting presentation for the character.



Nothing to do with comics, but as a longtime Mystery Science Theatre 3000 fan I wanted to point out this new DVD release of The Film Crew: Hollywood After Dark. The premise of this DVD series is that Kevin Murphy, Bill Corbett, and Mike Nelson (who played “Tom Servo,” “Crow T. Robot,” and “Mike Nelson” on MST3K) have been hired by an eccentric billionaire to provide commentary tracks for films that otherwise lack them…and, of course, the films are appallingly awful, giving the three guys plenty of opportunity to crack wise and/or groan in horror.

And, having watched it, I can tell you…when the movie is playing, and Kevin, Bill, and Mike are in full swing, it’s like MST3K (Sci-Fi Channel era, anyway) is alive again. There’s no visible silhouette of seats and the three guys watching the movie, but in an odd way that evokes the MST feeling a little more by not constantly presenting three guys instead of one guy and two robot puppets. The jokes are just as funny, if a little racier at times, and the sketches…well, there is a half-time “lunch break” where the guys leave the theatre and have a lunchtime meeting, and some bookending material, and if you didn’t like the out-of-the-theatre shenanigans from MST3K, you probably won’t like the sketches here either. I thought they were amusing, though it was a little disconcerting hearing Crow’s voice come out of Bill Corbett’s body. I can’t really match the two up, for some reason.

Also, at the end of the presentation there’s a 2005 copyright date, and if that’s not a mistake, then this particular Film Crew installment has sat on a shelf somewhere for a couple years. Huh.

But overall, a lot of fun, and a welcome return (of sorts) to the format of one of my favorite and much missed TV shows. If you buy the Film Crew: Hollywood After Dark DVD through this link, I think pal Dorian will get a little scratch from it, if I’ve got it set up right. I should set up an Amazon link for myself, someday, but in the meantime let Dor reap the benefits of my laziness.

Plus, my DVD came with a Film Crew patch:


Hey, neat!

(For the sake of completeness, I should note Rifftrax, where you can buy inexpensive and hilarious downloadable commentary tracks by Mike Nelson for big-budget Hollywood films and TV shows. Mike is often accompanied by the aforementioned Kevin, and Bill’s been known to put in an appearance or two. As has noted MSTie Neil Patrick Harris.)

(Sorry, went on a bit about this. Hey, we’re all fanboys about something.)


Because no one stopped me…Half-Minute Mikester #1:


Okay, a few things:

1. This is what I’m talking about, re: Justice Society.

2. That’s my laundry room, not the bathroom, wiseguy. But, that said, I think I know where the next Half-Minute Mikester is being shot.

3. Yeah, there’s a wee bit of an echo.

4. I sound a little tired and monotone-ish…I guess installing those drywall screw anchors took a lot out of me.

5. God, I missed Nexus.

A poster posting.

One of my usual tasks at the store is digging through some of the strata in the back room, looking for some goodies to unload on the eBay. Over the last few weeks I’ve been focusing on putting up some of the old posters we have in storage…posters that have long since gone past their “sell by” date, and had to be moved out of the way to make room for the new posters coming in. Not a big deal, but with a store that’s now in its 27th year of business, even a handful of leftover posters a month will eventually grow into a menacing pile.

We’ve tried to get rid of what we could here, via sales and “free poster with $20 purchase” and “for the love of God, take this ‘Sword of Azrael’ poster…I’ll pay you.” But, eventually, we’re still left with the seeds and stems that we can’t unload locally. Thus…to The Internets!

My posters, let me show you some of them before they go up on the eBay:

Remember that brief period in the ’90s, when Image and Wildstorm and whatever company Rob Liefeld was running that month would get attractive women (including, I believe, Liefeld’s wife) to dress up like their super-characters and pose for covers and posters? Those models should probably consider themselves lucky that Image etc. stopped that behavior before moving into this market. (Link may not be safe for work.)

Electric Superman is now a nearly forgotten footnote in the character’s history, so the window to sell this poster is long closed. But it TOTALLY GLOWS IN THE DARK, MAN. (Also, the Electric Superman story started almost exactly 10 years ago. I didn’t need to realize that.)

This poster, illustrated by Christopher Moeller, actually isn’t too bad, and probably could still sell. May have just suffered from an overflow of competing Wolverine/X-Men posters.

Oh, Lordy.

Sometimes I look back on that time of battlin’, two-fisted nuns with swords in comics, and I wonder just what the heck was in the water.

This poster is comprised of about 99.8% Badass. The other 0.2% is the baggage that is the Shaquille O’Neal Steel movie.

Let’s see…dead, dead, dead…is he a villain now? Anyway, this poster is from 1986, plugging the fact that DC just acquired the old Charlton heroes.

This Matt Wagner poster was actually a popular one for a while…just sold as many as we were going to sell, I guess, and had a couple left over. I would liked to have seen a Thing vs. Hulk comic drawn by Wagner. The signs and hydrants flying by in the background amuse, too.

Now that the character is (or was, who knows) apparently a resident of Crazytown, I don’t hear a whole lot of “I’m a big Scarlet Witch fan…do you have any related merchandise?” from the customers anymore. Not that I did in the first place. Nice drawing by P. Craig Russell on this 20-year-old poster, though.

I’m ashamed to admit how many Teenage Mutant Ninja Turtles II: The Secret of the Ooze posters we had left over. But their day will come again soon…oh yes.


TOKKA ABIDES

Popsicle Pete, filing Supergirl, Mike’s descent into madness, Korg, and the half-baked debut of Half-Minute Mikester.

from Bob Steele Western #5 (August 1951)


Okay, two things:

1. Alternate dialogue for Tim in that last panel: “Where the hell were you when we were under the gun, fancy pants?”

2. I’m guessing Popsicle Pete got beat up a lot on the ranch, there, cool refreshing treats or no cool refreshing treats.


Since the topic came up on Sunday at our shop…where are your stores filing back issues of Supergirl and the Legion of Super-Heroes? I’m just keeping them with the Legion comics, since 1) it’s a continuation of the Legion series, and 2) I doubt it’s going to be Supergirl and the Legion of Super-Heroes forever, and the title will eventually revert back. Unless, of course, the book dies again, leading the Legion into its 129th reboot.

I was just wondering, since a longtime customer of ours was giving us some goodnatured harassment over keeping S&LSH with LSH. I mean, it made perfect sense to me at the time…but perhaps he has a point, that people looking with comics featuring Supergirl are going to go the S section and not the L section.

Then again, I’m doing S&LSH a favor by storing it away from the current Supergirl series. Reaction is generally favorable to S&LSH, from fans and from young girls just looking for comics with Supergirl in them, while the regular Supergirl series continues to be an affront to anyone with working eyes. I wouldn’t want a kid interested in Supergirl accidentally getting his/her hands on a copy of the regular series, and being turned off the character for good.


from All-Star Superman #7 (June 2007)


Example #1881 of my continuing descent into insanity:

On Sunday, I found myself singing this, to the tune of “Tomorrow” from Annie, much to Employee Jeff’s chagrin:

“Zibarro!
Zibarro!
I love ya
Zibarro!
You’re only a page a-way!”

Good Lord, do I need a day off.


from Korg: 70,000 B.C. #1 (May 1975)


This was the title header from one of those allegedly-educational, and totally unread, text pages in the Korg comic book. Just showing it here because it amused me.

However, it does remind me…I don’t know that I’ve ever seen an issue of Korg: 70,000 B.C. past issue #1. Copies of #1, we’ve got plenty of. We have at least a half-dozen graded ‘n’ priced and out for sale in the front of the store, and I’m reasonably certain we have even more copies located in the perilous reaches of our back room. There are at least nine issues, but the only one we ever see is that first issue. When that Korg: 70,000 B.C. big-budget Hollywood movie comes out, directed by Michael Bay and starring Jake Gyllenhaal, we’ll be sittin’ pretty.


Okay…I’d been intending on doing something like this for a while, but it took Dave posting this terrifying video to finally get me to at least test it out. The result: installment #0 of Half-Minute Mikester.

Why only half a minute? Because I don’t have a proper video camera, and that’s the video-record limit of the digital camera I used to make this.

Please keep in mind this was only a test…only barely planned out, shot on the floor of the upstairs loft (please, enjoy my carpet), not terribly well lit, and this was the very first time I used iMovie on my Mac for anything, ever. But hey, at least you ladies (and about 10% of you men) can enjoy the sexy excitement of my voice, so it’s not a total loss. I wasn’t even planning to put this video on my site…but, you know, what the heck. I made it, I might as well show it to you, my close, personal friends what read this weblog:


So there you go. Future installments, if there are any, will actually involve forethought (and, perhaps, a table or a counter of some sort) so hopefully there will be some improvement.