So I started reading the Green Lantern series sometime around 1980, picking up issues here and there until getting it every month starting with #141 in 1981, the first appearance of the Omega Men.
Eventually, I dropped the book after #157 (1982):

…which was still near the beginning of the “Hal Jordan in Space” storyline (more on that in a bit). I seem to recall enjoying that specific issue, since I liked Hector Hammond as a villain, but GL being stuck in space all the time began to wear a bit thin on me, I guess, or the next issue didn’t grab me. Whatever the reason, I stopped with that #157.
While I did check in with a random issue partway through the run (the infamous “exploding boy” cover on #162, which I wrote about…21 years ago? Really?) I didn’t hop back on the Green Lantern train ’til #171, the infamous Alex Toth issue that all the writers removed their names from:

Now I don’t know if I knew it at the time, and given my love of fanzines I can’t see how I didn’t know, but the whole Hal in Space thing was coming to an end, with a brand new creative team and direction for the book starting in #172 (1984). I presume everyone else was sick of the space stories, or sales had dipped far enough that they were ready to try literally anything else, or maybe they just ran out of Gil Kane inventory covers to run. But I kept reading, Len Wein and Dave Gibbons showed up, turned things around, everything was great, and so on.
And it was all well and good for, oh, another decade or so.
That Green Lantern comic went through a few more creative changes over the next few years, with everyone doing interesting and sometimes peculiar work, before that series wrapped up in 1988. I followed the GL franchise into Action Comics Weekly, DC’s new serialized format that was released…well, you can guess how often it came out. And there were the well-received Emerald Dawn minis retelling Hal’s early years as a Lantern, and a new ongoing series that launched in 1990.
That 1990 series was also quite popular, and I enjoyed it quite a bit myself, even if the writer for that series is now considered persona non grata in the comics business, or, well, anywhere for that matter. It was a thoughtful, imaginative run that culminated in a tie-in to the whole “Death and Return of Superman” storyline going on elsewhere in the DC Universe. A storyline in which GL’s stomping grounds, Coast City, is destroyed.
The final issue of that writer’s run is #47, in which Hal comes to terms with that huge loss with his old partner, Green Arrow. And, when the writer actually did a signing at my previous place of employment waaaay back when, before His Troubles were known, he’d basically said as such, that he had other plans for the big 50th issue, that the Coast City thing was dealt with.
But DC was still chasing that “Death of Superman” dollar and wanted Big Changes for the characters that had been around a while and seemed possibly moribund compared to the edgier, “hipper” comics being produced by their competitors. So word came down from on high that Hal was to go away and be replaced with a new fella. And as it turned out, the way Hal went away was to make him go crazy over the destruction of Coast City and start killing his fellow Lanterns to gain enough power to resurrect the city and its inhabitants.
Am I sure this is exactly how it went down? I mean, that this was ordered by DC, not that was what happened in the comics, because that was definitely what happened in the comics. All I have is The Former Writer’s statement on the matter, and given how many brains “The Death of Superman” story broke, it all seems plausible.
At any rate, Hal was gone, we had a new guy, Kyle Rayner, on board as the one (and only!) Green Lantern. And I read his comics up through issue #55:

…and it wasn’t so much that I didn’t like Kyle Rayner, as I didn’t like what they did with Hal Jordan, and I gave up reading Green Lantern again. That was 1994.
Now they did a lot of things with Hal Jordan in the meantime…he popped up in that Day of Judgement mini-series, he was the Spectre for a bit in his own comic, and I read all of those. But it wasn’t until 2004 and the series Green Lantern: Rebirth that DC finally put Hal back in the green and black space togs. That is what finally got me back into reading GL comics, correcting a bizarre decision to try to push a new version of the Golden Age/Silver Age transition without just sort of letting it occur naturally.
From Rebirth we went right into a new ongoing series launching in 2005, and I’ve been reading Green Lantern comics in all their various incarnations ever since.
Until, I’m thinking, right about now. It may be time for the third big Green Lantern break.
I was trying to talk this out on Bluesky, and I think about as far as I got was that it was “too much.” Every comic is crowded with characters, crowded with lore, crowded with ever increasing stakes and risks…it’s practically sensory overload. The alien Lanterns are no longer fun guest-stars, they’re just more noise.
The exact example I used was that it seemed like after the Sinestro Corps War, a genuinely fun and interesting multipart super-battle amongst opposing Lantern armies, every Green Lantern event continued to chase that high. It seemed fine at first, particularly with the introduction of new Lantern Corps based around different spectra (I don’t care what anyone says, I liked the Red Lanterns). But it all just seemed to go on and on and on until this last one, the GL Corps versus the…Starbreakers, I guess? It’s just one more mass of action figures to throw at the GL action figures.
Going back to that 1980s GL series, when I was talking about the “Hal in Space” story. That storyline kicks off with Hal’s bosses, the Guardians of the Universe, calling him on the carpet to remind him that he’s got an entire sector of space he’s supposed to be watching over, not just Earth. As such, the Guardians banish him from Earth for a year, and tell him to work his beat for once. It actually does come across as odd to see Hal not in his regular earthbound stomping grounds.
Which of course isn’t to say Hal didn’t take off into space occasionally prior to this, But there was a balance…sure he may have left Earth once in a while, but he always started there and usually ended up back there, if not at the end of the issue, but eventually at the end of the story. It made him slightly more relatable.
Now, it feels like it’s the opposite, with stories beginning and ending in space and if Earth is seen at all, it’s only sporadically. Even the early issues of the current Green Lantern run, with Hal stuck on Earth, while good and maintaining my interest, were mostly about Hal trying to figure out how to leave Earth.
And while the lore and history of the Corps have always been part of the comics, they weren’t the be-all/end-all like they seem to be now. It felt more special when we got the Deep Lore once in a while, not with every outing.
This may be the first time and last time I’m doing this, but I’m going to refer to something from the Family Guy TV show. There is a line Peter says, in regards to The Godfather, a line that the show’s creator Seth McFarlane apparently liberated from a college professor, in which he says the film “insists upon itself.”
It is a weird critique to make about anything: it’s both exacting enough to sound like a very specific jibe, and it’s vague enough to be wide open to interpretation. But regardless, you sort of get what’s being said here.
This is the Green Lantern franchise as it is currently: it insists upon itself. It’s self-referential, it’s repetitive, it’s Green Lanterns solving Green Lantern problems.
I tried to stick with it, I really did. But I’m just not feeling it right now, and who’s to say if I will again? Am I going to go back to new GL stories when I’m 70? Feels unlikely.
And it’s a real shame, too, because they’re bringing back the old GL villain Krona for a new story, and I have bit of a nostalgic fondness for him. But Krona is who you bring in when you want some big, universe-shaking threat and frankly, what’s one more to add to the pile here.



















