

Mike Sterling's Progressive Ruin
Putting the bomp in the bomp-bah-bomp-bah-bomp since 1969


1. Courtesy pal Tom again…more reviews of Green Arrow’s arrows. Hey, I think it’s funny.
2. Word on the street is that Thought Balloon’s Kevin Melrose has a new site, Scryptic Studios, for “aspiring, semi-professional, and professional comic book writers.” Neat! (I particularly like Kevin’s confession on this page.)
3. THE MEME: From the Comics Journal message board, a list of questions regarding comic stores and comic-buying habits…I see pal Ian answered those questions — that’s my place of employment he’s talkin’ ’bout, brother! I thought it might be at least a little interesting (well, for me, anyway) to answer these, at least from the perspective of someone who manages a comic shop:
A. Do you tend to go to the nearest store, the best store, any store, or does it matter?
I go to the store I work at. Actually, before I entered my indentured servitude, that was my store of choice since first shopping there over 20 years ago.
B. Ladies, what books do you tend to purchase, or what kind would you like to purchase (if you are a male please leave blank or supply what a girlfriend reads)?
The girlfriend really, really, really likes Spider-Man…she was also a fan of Marvel’s G.I. Joe series.
C. What one thing would you add or change about your most frequented store (i.e. What is the worst thing about the store)?
I would change the backroom organization (i.e. less stuff), and get even more shelves for the front of the store. Ideally, I would love more space…we may have to wait for one of our neighboring stores to move out so we can knock down a wall and expand, because I’ll be damned if I’m moving the whole store again. (After our last move into a larger location a few years back, I had dreams about moving boxes of comics for months.)
Oh, and I’d also change my salary to a million dollars a month.
D. What one thing would you not change (i.e. What is the best thing about the store)?
The wide and varied selection of new and old funnybooks! And our customers…despite my recent gripes about certain types of customers, we’ve got a pretty good clientele with several cool and nice people.
E. Do you read any small press comic books currently? Which one(s)? (examples: Lone Star Press, Avatar)
Yes…I’ve been a long supporter of independent comics, stemming in part from being exposed to a wide selection of indies at my shop of choice from the very beginning of my comic-shop patronage. I’ll check out just about anything from Fantagraphics, Slave Labor, and, oh, that AiT/Planetlar company too, I guess…and I’ll poke through any indie that happens to grab my attention.
F. What back issues do you buy?
Mostly DC’s funny animal stuff by Shelly Mayer, as well as his Sugar & Spike, Nancy comics, the Dell/Gold Key Peanuts comics (still missing a couple!), Turok (the original good stuff, not Valiant era), any fun-looking Silver Age Superman-family comics, 1950s and 60s-era Archies, Herbie, and old fanzines.
G. How do you decide what comic book to buy? Writer, artist, character, word of mouth, etc?
All kinds of things…I notice that I’ll buy DC Comics based on character, while Marvel books I’ll buy based on creator, more or less (though I’ve been buying Hulk for decades, through thick and thin). Word of mouth usually doesn’t convince me to buy comics, but all that talk about Street Angel online got me to try it out. Mostly…if it grabs my eye, it’s halfway there to getting onto my purchase pile.
H. Do you buy strictly current age comic books or do you buy older comic books? What kinds?
I mostly buy new comics, if only because I’ve been buying comics on a regular basis for the last 25 years…if I wanted to read it, I would have bought it off the shelf when it was new.
I. How do you feel about graded comic books?
I’m assuming this means those slabbed, “professionally-graded” comics you see people paying too much for on eBay all the time. I don’t know…I can understand the need for such a service, given most auction sellers can’t grade their way out of a paper bag (to use one of our favorite nonsensical expressions)…but the end result is people paying far too much for items that don’t warrant such prices. People investing too much money in overpriced slabbed books are people that won’t be in the hobby much longer, once they realize they’ll never get back the money they’ve spent.
J. What comic book related merchandise do you buy?
Not much…I do occasionally pick up a single HeroClix of certain characters (like Swamp Thing, natch), and I’ll buy the DC Direct Golden Age character action figures, though they’ve mostly dried up lately. Also, I am still sort of semi-looking for that Fin Fang Foom figure Toy Biz put out a while ago.
K. What do you read if you are not reading comic books?
Geez…just about anything. I’m a voracious (and fast, thankfully!) reader. Just finished The Eyre Affair by Jasper Fforde (lent to me by a customer, who had also let me borrow his run of Flashman novels). Also just read Coalescent by Stephen Baxter (who for once didn’t end his science fiction novel with “we’ll never interact with other worlds in any meaningful fashion, we’re pretty much stuck on Earth, and there’s no escape from the entropical death of the universe. The end”). On the waiting to read pile: Death Rat by Mystery Science Theatre 3000‘s Mike Nelson. I also have a subscription to Macaddict. And I’m slowly working my way through The Old West history series from Time/Life Books that my parents subscribed to in the early-to-mid-70s, and have just recently given to me. And, sometimes, if I’m waiting for something on the computer (like for a CD to burn, a restart, etc.), I’ll pick up the dictionary that I keep on the desk near my Mac and just randomly go through a page.
L. What do you buy at comic book conventions?
I haven’t been in years…when I did go, I just mostly poured through the dollar boxes looking for bargains. My best find was someone selling 1960s Archie comics three for a buck. Woo-hoo!

Via pal Tom: reviews of Green Arrow’s trick arrows. (Net arrow – a C+? Don’t they know how useful that is?)






1. I really hope to God that’s supposed to be a mouth.
2. As pal Dorian mentioned to me, it doesn’t appear that the rocket-ship creature really has speed on its side, so Bruno could probably outrun it fairly easily.
3. It also appears pretty top heavy, and there are hills on this planet, judging from background shots in previous panels…if Bruno takes to high ground, he should be safe. Unless those “arms” on the rocket creature are more effective than they look, in which case he’s screwed.
4. What are Bruno’s crimes, anyway? I guess we’re supposed to assume that they’re pretty awful, given that the twist ending means he’s “doomed forever.” It’s gotta be at least murder. I mean, if it’s just tax evasion or embezzlement, does he really deserve to be “doomed forever?”
5. What kind of turn of phrase is “doomed forever,” anyway? Is he going to be chased by a slow, lumbering rocket-monster for all time? Either he’s going to escape, or he’s going to be eaten right quick. It looks like the situation will be resolved one way or the other sooner rather than later.
6. If the surprise twist ending of your story is that the giant rocket that your main character sees is actually a horrible monster, the very first image the reader sees from this story probably shouldn’t be this:

8. Back to the rocket-monster…those legs appear to be placed toward the front of the body, and I don’t see a tail. If that creature tries to move at all, unless it’s hunched forward, or unless the gravity on this world is much less than that of Earth, it’s gonna fall.
9. I’m guessing that the tube Bruno found was all that was left of a previous victim of the rocket-monster…Bruno states, upon finding another piece of equipment, that the items could have fallen from a passing spaceship (and not, say, burn up in the atmosphere or anything), but it’s never decided one way or another.
10. Did I mention that I hope that’s a mouth?
It’s Sunday, it’s a holiday weekend, and I’m tired: so you’re getting one of my lazy posts:
1. Recent acquisitions: Nancy and Sluggo #192 (Dell Comics, Oct 1963) – this is the last issue of the series…it’s in really beat condition (including glue “repair” at the staples). It’s complete, it’s readable, and it was cheap (two bucks!). Also included was a short Peanuts strip, just as slightly off-model as the Nancy stories. Fun stuff, if a little strange…Nancy and Sluggo seem so out of place in extended narratives, but it’s oddly compelling. (Read more about this comic series here.)
The Nostalgia Journal #27 (Fantagraphics, Aug (July on the cover) 1976) – this is the first issue of the adzine edited by Gary Groth, as it began its transition to The Comics Journal we all know and love today. It’s newspaper tabloid format, and most of the issue is given over to exposing the business practices of the publisher of adzine competitor The Buyer’s Guide (which would later become The Comic Buyer’s Guide). Also featured is a transcript of a ’71 radio interview with Jack Kirby, and a short article by Doug Fratz on his top ten favorite fanzines from the 1960s. And, being an adzine, there’re plenty of ads….Jungle Comics in fair to good condition for $1.50? Arrgh! Where’s my time machine?
2. Heard a customer say to her significant other yesterday: “aren’t comic books supposed to be funny?” (Me: “Just the X-Men.” — Okay, I really didn’t say that.)
3. Hey, look, Alan David Doane’s Comic Book Galaxy is back!

Star Wars #50 (August 1981) demonstrates the problem with media tie-in comics…since Han Solo was frozen in carbonite and whisked away by Boba Fett at the end of The Empire Strikes Back, all the comics published between that movie and the then-forthcoming third film Return of the Jedi had to make do without everyone’s favorite space-smuggler.
Either that, or you do lots of flashbacks. This issue (by Archie Goodwin, Al Williamson, Tom Palmer, and Walt Simonson) is no exception…Luke Skywalker is stuck down by a fatal disease known as “The Crimson Forever” – and the only clue to a possible cure is in a past adventure with Solo and Chewbacca. This is a solid Star Wars story, with good adventure writing by the always dependable Goodwin, and if you’re familiar with the names in the illustration credits, you know the art is quite lovely. Unfortunately, the muddy reproduction and the crummy paper undermine the linework. The only real misstep (if you can call it that) in the whole issue is the interjection of an ongoing antagonist created for the comics…it just seemed a little out of place in a special issue that, for 90% of the story, was self-contained and focused primarily on the characters from the movies.
However, if you can overlook that character just showing up out of nowhere (there’s enough clunky exposition thrown in there to catch you up), this is a fun Star Wars adventure, and worth seeking out.
Well, Peiratikos did it, as did Grotesque Anatomy…so here are a few Google searches some of you people did in order to find this little ‘ol website here:
zatanna+cleavage
look+for+criminals+named+sterling (You got nuthin’ on me, copper!)
comic+weblogs (that’s narrowing it down)
tattoos+by+mike+grant
science+lab+spatula+image
Mike+Sterling+suicide (WHAT???)
john+byrne+forum+doom+patrol+hate+morrison
wet+his+pants+briefs (the less I know, the happier I’ll be)
help+i’m+trapped+in+my+sister’s+body (I swear to God this is in my logs)
that+girl+can+pee+a+real+flood (again, I swear…doing that entry on people peeing in the store hasn’t done me any favors)
ATARI+A+B+C+D+E+F+G+H+I+J+K (uh, what?) (EDIT: I’ve been informed this is probably a search method to find ROMs.)
shakespeare+good+or+bad+writer (I’ll say…GOOD! No, wait, BAD!)
peanut+slave+usage+wein (I don’t even get this one)
future+marvel+movies+coming+out+between+2004+3000 (now that’s planning ahead)
disney+droopy+soundboard
Plus, lots and lots of people looking for scans of story pages from recently released comics, and lots of searches just on my name (maybe they should look here instead).
Flash #300 (August ’81) was a 48-page no-ads issue by Cary Bates, classic Flash artist Carmine Infantino, and Bob Smith. Underneath the wraparound cover (showing the Flash feeding knuckle sandwiches to his many villains) we find Barry Allen, heavily bandaged, stuck in a hospital bed. Apparently the accident that gave Allen his super-speed powers instead burned him severely, and his entire Flash career was nothing more than a delusion to cope with his injuries. Allen’s not convinced, of course, and as the story progresses he flashes (har har) back on his own origin, his career, and his friends and allies (like the Elongated Man and Green Lantern). He also goes over the origins of all the villains in his rogues gallery trying to determine which one is most likely responsible for his predicament. It’s a nice overview of the character’s history, as drawn by the one artist most associated with the Flash.
A nice touch is one of Fred Hembeck‘s patented illustrated essays on the inside front and back covers, where he looks at some of the Flash’s more bizarre adventures, accompanied by his fun cover recreations: “I’ve got the strangest feeling I’m being turned into a puppet!” says the Flash; “Just how does one get the feeling he’s being ‘puppetized’?” is Fred’s reasonable response.
By the way, the Wally West Flash series only needs another 35 issues or so, and there will be as many issues of the current version of the Flash as of the Barry Allen Flash. How weird is that? It seems like just yesterday I was buying the first issue of the new Flash series off the shelf.