

several years, I’m afraid.”


Kissing is one of the most natural things in the world! Uh….”












Mike Sterling's Progressive Ruin
For you, the living, this blog was meant too since 1969
















So it looks like Michael Rosenbaum is returning to Smallville to reprise his role as Lex Luthor for the series finale.
Well, good…while the Lex/Clark conflict did wear out its welcome sometime in season 3, it would have been disappointing to have the series conclude without some “closure” (as such, given this is the beginning of the lifelong Superman vs. Luthor enmity) to this particular relationship which drove so much of the series. I realize they could have had another actor portraying Luthor, but it wouldn’t have been the same, really. I mean, the guy I talk about here, or someone like him, would have been okay, but…yeah, it’ll be nice to have Rosenbaum back. The handful of times he was allowed to be a full-on scenery-chewing villain were fun, and gave the show a bit of spark that it was missing.
Of course, being Smallville, I fear they’ll find a way to louse this up somehow, but we’ll see soon enough, I suppose. Still hoping for at least some screen time for Clark finally as Superman, but there’s still the possibility of Tom Welling in the red-‘n’-blues just for the final closing shot. Boy, wouldn’t that just honk some people off.
Speaking of people and the honking-off thereof, I did like this quote from the linked article:
“I appreciate all of their passion, their relentlessness, and even their threats. Ha ha.”
That’s one sarcastic “ha ha” at the end there. You know the dude was getting some serious better-turn-these-over-to-the-police emails from the crazier fans, especially after it had recently been reported he wasn’t coming back to the show.
So anyway, Smallville: usually fun, generally dopey, but it’s mostly been entertaining, and the actors are appealing, and I’ll actually miss the show once it’s gone, I imagine. Well, I won’t miss that season with the magic tattoos. What was up with that?


I don’t specifically remember reading them, so I don’t recall my reaction at the time to seeing the art I provided examples of yesterday. I do have a vague sense of not generally caring for these particular comics, but it’s more a feeling of “I didn’t care for this crossover” than “these look really awful.” It’s very possible that, in the Image Comics/Rob Liefeld/extreeeeeeme-art era of the early ’90s, I just took the art in these books in stride…maybe a bit of an eyeroll, perhaps, but I endured it, read the story, and moved on. It’s just that looking at it now, and being able to see it as so indicative of the excesses of ’90s comics, when the need to fill pages was greater than the need for quality control, that the problems really stand out.
In fairness, not all the art in that Action Comics annual was so aggressively…whatever that was. It wasn’t great, or even good, but it was…passable, if wildly uneven, managing to get the story told even with the occasional “…the hell?” panel like that Superman splash.
That Captain Marvel splash panel actually wasn’t too bad artwise, even with the ropes of saliva dripping in his mouth. Mostly I posted it just because of the contrast between Cap’s traditional and ideal whimsical portrayal and his ill fit into ’90s storytelling extremism.
So, anyway: the 1990s. We sure put up with a lot, didn’t we?


…Man, the 1990s.
…but here’s a Howard the Duck button Employee Aaron made for me recently:

(EDIT: I’ve since been informed by a person in a position to know that actual sales on Death Draws Five were probably closer to about 1,500 copies. Still, not a whole lot of copies out there!)
Copies are priced at about a hundred bucks on Amazon, but there’s a much-cheaper Kindle versionout there for those of you inclined towards Kindling.
Related: hey, current Wild Cards rights holders – let Zack Soto put together a Wild Cards comics anthology, why don’t you?
So here’s a thing that slipped past me: I was looking at our invoice for this week’s comics shipment, and noticed that Spawn #202 was on the list. “That’s funny,” I thought. “Didn’t #201 just come out a week or so ago?” And to the cycle sheets I went, and, yes…in just over a month, #200, #201, and #202 have (or are just about to) come out.
That’s not the thing that slipped past me. This is the thing that slipped past me…seeing on the cycle sheets that during 2010, only four issues of the regular Spawn series were released. And the reason that slipped by me is that…nobody complained. Not a single “when’s Spawn coming out?” that I can recall. Now, I know we have people who buy it at our shop…we don’t sell a lot of copies, not like in its heyday when it seemed like everyone was walkin’ up to the register with a Spawn in one hand, a Wizard in the other, and a copy of any given Valiant Comics title in their third hand. But we pretty consistently sell low but steady numbers on the book (with the extree-sized #200 moving about another 40% more copies than normal).
But it seems strange to me that a title that was once so prominent could fall out of notice, that it could be running so late and not attract my attention, or any customer complaints, by doing so.
On the other hand, I’m also not getting any complaints about the lateness of Image United, the “jam” book featuring most of the original Image artists, only because if this had come out on time, I’m pretty sure most everybody would have died from shock.
In other recent funnybook news, people sure have been commenting on the cover to Legion of Super-Heroes Annual #1 at our shop:

Something I’ve been getting a lot of requests for in the last week or two is Weird Worlds #1, the premiere issue of DC’s new sci-fi/horror anthology. And I’m suspecting it has something to do with this: here is the cover to #1:


Of course, it’s not unusual for people to ask for copies of the first issue because they didn’t notice something was out ’til they saw the second issue. Happens all the time. But it seems to be happening a lot more with Weird Worlds.
And because folks have been asking: yes, I’ve read Aaron Lopestri’s “Garbageman” serial in these first two issues of Weird Worlds, which is very much in the vein of the “man becomes monster in accident, seeks to regain humanity” genre that Swamp Thing belongs to. And it’s fine…I liked Lopestri when he worked on that other title in this genre, Sludge, and while there’s not a whole lot new here, “Garbageman” is still entertaining.
However, it does have me wonder when DC will just put out a Swamp Thing comic, already. They keep trying to fill that niche with comics like “Garbageman” and that Solomon Grundy mini, but, man, I wish they’d quit dancing around Swampy and just throw him out there, already. Okay, I know word on the street is that he’s involved in this whole Brightest Day event hoohar, but we’ll see what happens.
…And that was my “I Demand That a Certain Comic Book Publisher Bend to My Will and Bring Back My Favorite Character” whiny complaint for the day. Hope you enjoyed it.



