
BY CONVERGENT EVOLUTION
Mike Sterling's Progressive Ruin
For you, the living, this blog was meant too since 1969

And then there was the time former employee Timmy came back from the San Diego Comic Con to bring me the Mattel SDCC Exclusive Swamp Thing action figure:

Also, I was not prepared for the arrival of this generous gift, so I didn’t have my regular digital camera and had to make do with my cell phone camera. Yes, I had to “make do” with a dumb ol’ piece of advanced technology. Oh, the problems of the 21st century human, am I right?
Here’s the box the whole magilla came in:

Behold, the frightening visage inside:


You take Swampy’s red innards out, and you discover:

Also included: the little guys that make this an exclusive SDCC figure, since I guess they’re not included with the wide release:

There’s also a “replica” of Alec Holland’s journal, clearly discovered after the fire:

Sincerely, this was a very nice thing Timmy did, so thank you very much, my little British buddy.
So here’s the thing about that Brightest Day Aftermath: The Search for Swamp Thing series:
The end of Brightest Day was about the Swamp Thing “elemental spirit,” bereft of the personality template of Alec Holland and running amok, being brought back under control by “reinfecting” that elemental spirit with the personality of Holland.
The Search for Swamp Thing is about…the Swamp Thing elemental spirit, bereft of the personality template of Alec Holland and running amok, needing to be reunited with Holland’s mind to be brought under control. It’s repeating a conflict and, presumably, a resolution that we already saw at the end of the Brightest Day event (which, admittedly, was undone almost immediately as seen in one of the cliffhanger epilogues at the end of Brightest Day #24). Of course, we haven’t seen the last part of the story yet, but it seems like a done deal, judging by solicits for the upcoming Swamp Thing series, that Holland will once again become Swamp Thing. (SPOILER ALERT, I guess.)
The main purpose of the series is, I guess, to reemphasize the return from the Vertigo imprint of Swamp and John Constantine, having Constantine interact with Batman, Superman, etc. (And just to keep Swamp Thing in the public’s eye, of course.) But really, if it weren’t for that Brightest Day epilogue re-setting up the Berserk Swamp Thing hoohar to be resolved, we could have skipped right from BD #24 to that new Swamp Thing #1 in September.
I don’t know. I’m too much of a Swampy fanboy to argue that there should be fewer Swamp Thing comics, and all things considered, I still find this comic to be inept but amusing. But it certainly feels…redundant in its goals, both in reestablishing the status quo for the character and reintroducing the character to the DC Universe, tasks already accomplished a couple of months prior.
Also picked up this week: the seventh volume of the Smurfs albums, The Astro Smurf. This is the Smurf story I’ve most recently read prior to this new publishing effort, having borrowed an older English album edition from pal Dorian about a decade ago. Haven’t read this new edition yet, but I liked it the last time I read it, and suspect I’ll still like it now, even if it’s in this smaller digest format.
Another new item this week I haven’t had a chance to read yet: The League of Extraordinary Gentlemen – Century: 1969. Any new League comic from Alan Moore and Kevin O’Neill is most welcome, even though Kevin’s response has me intrigued.
As you may have noticed, I’ve been in bit of a Low Content Mode for the last few days. Sorry about that, but on the days I wasn’t feeling under the weather, I was otherwise occupied with Real Life stuff and haven’t had the time or energy to put together my typical way-overwritten commentary on things barely anyone cares about.
I’m not going anywhere, but I’m just going about it a bit more slowly at the moment. I’ll be back to normal operating standards, such as they are, soon.
In the meantime, here’s the variant cover by Ivan Reis for Brightest Day Aftermath: The Search for Swamp Thing #2, due out this week at your local funnybook store:

So I was not having a good time of it at the shop at one point last week, and Employee Aaron left me a Post-It Note sketch to cheer me up:

And I’ve posted pics of these before, but the originals just showed up in the mail and they’re absolutely fantastic and I wanted to scan ’em again and show them off:

Also, this is the greatest thing out of this year’s San Diego Comic Con.



While the “me am Superbaby!” talk is a little annoying, granted:

BONUS: by using this particular standard:

So I generally like Daredevil, though I haven’t been much interested in what’s been done with the character over the last, oh, decade or so. When this new Daredevil #1 came out this week, I didn’t have any intention of picking it up, but 1) just look at this gorgeous cover:

The one recent plot development that does carry over into this new series is the public exposure of Daredevil’s secret identity, and the problems that Matt Murdock has trying to deny everything while that particular genie slowly crawls back into the bottle. It makes for an entertaining read, as this way of dealing with the identity-outing is quite a bit more down-to-earth and (please pardon the expression) “realistic”-seeming than, I don’t know, amnesia spells or deals with the devil or the thousand different ways Superman protected his identity in the Silver Age. No Daredevil robots here!
Anyway, it’s a fun book, with more of a classic House of Ideas feel with its appealing combination of melodrama, exciting superheroics, humor and charm. Here’s hoping it can avoid any intrusive crossover company events and be left to develop on its own, without interruption.
Rocketeer Adventures #3 – each issue’s been a mixed bag, though that makes it sound worse than I mean. It’s all fine and entertaining, with some standouts and other stories just simply “pretty good,” which mostly only suffer in comparison to Dave Stevens’ original Rocketeer stories. So, you know, there’s no shame in coming in second to those. I liked Ryan Sook’s lead story in this new issue the most, and while I think I would have preferred Joe Lansdale and Bruce Timm’s story to be an actual comic story and not just prose-with-pictures, I’m not going to complain about a new Joe Lansdale short story that happens to be illustrated by Timm. I mean, honestly.
Also, each issue has featured the “main” cover by Alex Ross, and a more limited cover reusing Stevens’ art from previous Rocketeer-related publications. I’ve been sticking with the Stevens covers…nothing wrong with the Ross covers, but it feels more…”right” to get the Stevens ones, I guess. Or maybe I’m just being a sentimental ol’ dope.