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So a couple of weeks ago my parents got themselves a pair of new iPhones, and as part of the deal they received a couple of free iPad Minis. They kept one, and gave the other to me.
Now I was trying to figure out what to do with it, exactly…I have another tablet, a Nook, which I used primarily for book readin’, as I generally used desktop computers for fooling around on the internet. But given my recent entry into store ownership (that store being Sterling Silver Comics, located in the heart of beautiful Camarillo, CA) and my increased work hours, I’ve been falling behind on my reading, be it comic books, actual physical novels or virtual novels on said Nook. Now, I did power up the Nook again just recently, to take advantage of the recent ebook settlement credit I had in the Barnes and Noble account to finally get that final Dexter novel, and I totally plan on reading it as soon as I finish these other two books I’m in the middle of (yes, two, I paused reading one to read the other). If it takes me this long to get around to reading something on my Nook (which I do enjoy, by the way), what am I going to do with yet another tablet?
Well, I think I may have found a possible use…the Comixology app.
GASP! What? A gentleman whose livelihood depends on the selling of physical media comic books, delving into the digital alternative of same? MONOCLE LOSS: IMMINENT.
Yeah, yeah, I know. Mostly I poked around some of the free offerings just to see what reading a digital comic on one of these newfangled contraptions was like. Of course, I tried it out with Swamp Thing #1 (1972), and enjoyed the guided reading, where it goes from panel(s) to panel(s), zooming in when necessary, as you swipe the screen from page to page. (I did notice Swamp Thing’s word balloon from this page was miscolored…don’t know if that was a deliberate artistic choice or a mistake.) Anyway, for an Old Person like myself who still prefers holding an actual comic book in my hand, I found the Comixology thing an interesting novelty. I know many people find it a convenience, and it’s certainly a cost-effective way for smaller publishers to get their material into the marketplace.
Now, while I would prefer comics on actual paper, the digital alternative does seem to solve a particular dilemma I have as an owner of an Actual Comic Book Store That Sells Actual Back Issues.
Recently, I acquired another collection of ’60s and ’70s comics, including a small stack of Metal Men. Metal Men is one of those series I’d always meant to collect…it was one of those series I’d planned on tackling after finishing my run of the original Doom Patrol, though after completing that run, I never got around to seeking out the other series. It’s not like I didn’t have opportunity, as my previous place of employment usually had a good selection of them. But it was financial constraints, not really wanting to get started on chasing down more comics, getting distracting by other shiny objects…there were a whole lot of reasons why I never got around to it.
And here we are, years later, at this point in my comic collecting, and I’m still not really looking to start yet another back issue hunt. Yes, I’m still filling holes in my ’70s Atlas/Seaboard comics, I need a couple more comics to round out my Inferior 5, and I’ll grab any fanzines that come within reach, but I’m now buying back issues to resell in the store, not to fill my own boxes at home. I need to show some restraint, as any old comic I decide to keep for myself is suddenly a comic that’s not going to make me any money. As much as I’d love to take all these recently-acquired Metal Men home and love them and pet them and squeeze them and call them George, I need them to make me some scratch. I don’t even particularly want to “borrow” them and take them home, since it might take me a while to get through them and I don’t want to take a chance on losing a sale. (And no, I don’t really have time to read comics at the store.)
Here’s where the digital comics thing comes in. If I were to buy them as digital comics, that’s not taking product out of my store that I could resell, and that reduces the time I’d spend searching for these. I don’t necessarily need to have all these Metal Men in the original physical format…I’d just like to read them, and digital versions would be good enough.
Of course, after thinking about all that, it turns out those original Metal Men are not available through this app, but I suppose it’s only a matter of time. If DC eventually does some softcover color editions, as opposed to the high-end DC Archives or that black and white Showcase book, I’d rather get those, but digital would be fine. But this particular strategy might come in handy for any other older comics I’d like to read but not take away from store stock…or even comics that I’m likely not to see anytime soon, like that New York World’s Fair book.
So this iPad Mini looks like an interesting way to supplement my comics reading…I certainly don’t want digital to replace my beloved physical comics, but I realize the day may come sooner than I’d want it. Just give me two or three decades to make a living off of selling actual items before you younglings push Old Man Mike out of the way to download Marvel’s newest line of monthly first issues.
Trouble with Comics had a massive response to Question Time this week…so massive that the responses were posted in three parts, all of which can be found here. The Question this time around is “what are your three favorite current titles?” and you can find my response at the end of Part Three.
Also, Twitter pal Ryan is Kickstartererering a comics-related novel he’s written, Four Color Bleed, and you can check out the details about that, including a preview sample of the novel, right here. Plus, my pal Weshoyot is one of the artists on the project, so you’ll be helping her out, too!
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A few days ago I was chatting with pal Nat, and somehow the topic came up about a particular bagged four-pack of comic books published by Hamilton Comics in the mid-1990s that was distributed exclusively through the Walmart store chain. Three of the included books were the Eek! the Cat mini-series, pictured here in a scan “borrowed” from this eBay auction:
Nat wrote one of the stories featured in this comic, which is why he owns a couple of copies of the four-pack, and also why he was able to let me know the fourth comic in said pack was inexplicably the comic book adaptation of the Alex Winter/Tom Stern horror/comedy film Freaked:
(Image also “borrowed,” this time from the Comic Book Database.)
Now, why Eek! the Cat and Freaked were paired up like this, aside from Hamilton having these apparently piled up in a warehouse and undistributed to comic book shops (sadly, because I would have been all over that Freaked comic) I don’t know. But this was bit of an oddity, I thought, and what use is this blog if I can’t showcase oddities?
So here’s a Superman comic that I bought off the stands way back in 1983. That’s a scan of the actual comic, straight out of my collection, up there. There’s nothing particularly of-note about it, as individual issues go. It’s not a key issue, no first appearances (aside from Superman’s “brother,”
whom I believe is never seen again), not particularly scarce by any means. Just your plain ol’ Superman comic, with a dime-a-dozen Gil Kane cover, and yet another art job, the latest in a string of hundreds of assignments on the character, from Curt Swan. Another story by Cary Bates (plot only this time, scripted by Paul Kupperberg).
So, you know, nothing special…
…we thought at the time.
What I wouldn’t give to be able to wander into a local newsstand (or even my own store, though that dispels the nostalgia somewhat) and be able to pick up a new Superman comic, with another wonderful Gil Kane cover like the one above, with more beautiful Curt Swan art, written by either Cary Bates or Paul Kupperberg…or, you know, both. Or with Kurt Schaffenberger art. Or with Elliot S! Maggin scripts.
Or…well, you get the idea. The Superman comics were always just sort of there, but looking back at them today, knowing that exact style of Superman comic will likely never return…well, they all seem a little more special now.
Even the ones where Superman meets a brother he didn’t know he had. No, really. And his brother’s a secret agent! It’s all pretty awesome.
EDIT: See the comments for more comic book appearances of Superman’s brother.
Before we begin, don’t forget to give me your 2016 comic industry predictions so that I can talk about ’em in 2017. NOW BACK TO THE POST, WHICH IS ALREADY IN PROGRESS:
So my old pal Brandon asked me on the Twitter the other day if I’d ever written anything on this here comic book blogging website about DC’s 1960s “War That Time Forgot” series in Star Spangled War Stories.
Now, “The War That Time Forgot,” for those of you who don’t recall, revolved around a lost island where U.S. soldiers would occasionally find themselves stranded, and oh yeah, there were dinosaurs on that island, too, resulting in situations not unlike this one:
And honestly “soldiers fighting dinosaurs” is second only to “Native Americans fighting dinosaurs” when it comes to the Best High Concept Comic Book Premise of All Time.
As it turns out, for me personally, as a collector, I had room for only one “________ fighting dinosaurs” comic book in my ongoing quest of unknowingly building stock for the eventual opening of my own comic book store, and Turok Son of Stone was the funnybook what got the nod. That’s not to say I didn’t try…I did have a few of those Star Spangleds in the Vast Mikester Comic Archives over the years, but had long since traded them off for other comics more to my liking. Not that I didn’t like them…they were goofy fun, and well drawn as DC’s war books often were, but I decided I couldn’t collect everything and decided to part with them.
A large portion of these stories have been reprinted in one of DC’s black and white “Showcase Presents” softcovers. My pal Brandon hopes for a second volume, but the Showcase line’s output has slowed down considerably, and despite that, I don’t think there really are enough of the War That etc. tales to fill a second volume, unless DC padded it with other oddball stories from their war books. There ain’t no shortage of those, surely. TWTTF was revived a couple of times in G.I. Combat and Weird War Tales, so maybe those can be plugged in as well. And there were more modern revivals in a couple of DC mini-series from within the last decade or so, but those wouldn’t fit tonally.
That’s all probably moot, anyway, as unless there’s a War That Time Forgot: The Movie And/Or TV Show on the CW Starring Good-Looking 20-somethings Playing Teens Playing Dinosaurs in the works, a Showcase volume 2 or some kind of color omnibus aren’t going to happen. NOTE TO READERS: this is where you jump into the comments and tell me that Amazon has a Volume 2 listed for a 2018 release that I somehow missed in my Googlings.
I do remember, at the previous place of employment, that we received enormous numbers of requests for these throughout the 1990s and maybe into the 2000s, and DC’s war books were hot hot hot. I don’t know if that’s quite the thing any more, as I can’t recall the last time we had folks banging our doors down for them, but I imagine there’s still some brisk business to be done in old dinosaur war comics. I mean, c’mon, “dinosaur war comics” is a phrase that forever pays…surely they’re still circulating among fans new and old.
One weird thing is that in the middle of all those War That Morris Day and The Time Forgot comics was one issue that skipped that regular feature in favor of one of the greatest comic book stories of all time:
Possibly the only story better than soldiers or Native Americans fightin’ dinosaurs is that. In case you’re wondering…yes, I had that issue in my Star Spangleds and kept it when I sold off the others. I have the complete Sgt. Gorilla run, and couldn’t bear to break it up.
So for this week’s Question Time over at ye olde Trouble with Comics, we were asked about the greatest comics gift we’d ever received. (You can read Alan’s response, posted separately as a Stan Lee’s Birthday special). As per usual, I delved into the inquiry at length, relating a gift I received when I was but a young Mikester. But it got me thinking about the number of comic book gifts I actually have received over the years.
As I say in my excessive preamble to the response over at TWC, I usually didn’t get comics as gifts because either 1) I bought what I wanted during my trips to the comic shop, or 2) I bought what I wanted during my work hours at the comic shop. I sorta feel funny asking other people to buy me comics, a habit that continues to this day as I was recently admonished for not informing a certain significant other that a book set I’m thinking about buying for myself could have been a good Christmas gift for her to get for me.
That said, there have been a couple of comic book presents I’ve received over the years. The most recent were a handful of Starman trade paperbacks, catching me up on the James Robinson series I’d just started reading, but that was some years ago.
A few years prior to that (which may have been just before my entry into comics retail) was a massive tome that caught my eye after being drawn back into world of Donald Duck and Uncle Scrooge comics in the mid-1980s. It was Don Rosa (whose work I’d enjoyed in various fanzines) that got me back into the Disney books, but that got me to rediscover Carl Barks, and boy, when I saw this book on the shelves at the comic book store:
I had to have it. Several classic Barks stories, fully recolored, in a nearly 400 page volume that stands 13 inches tall. It’s something else. One thing I remember is that my mother, who used write inside any books purchased as gifts “to my son, Christmas ’82” or whatever, told me that she specifically didn’t write anything inside this book if I ever decided to resell it. Well, fat chance of that happening…even having nearly all the stories inside reprinted elsewhere, this is a special enough item that I don’t want to let it go. There’s even an introduction by George Lucas, with whom some of you may be familiar.
And earlier than that, I received this book as a gift for my 12th birthday:
This extensive encyclopedia helped put some of the pieces together on Superman’s early adventures, which I was only getting here and there in assorted reprints. It certainly helped explain who, say, the Ultra-Humanite was, after I read his reappearance in a Justice League/Justice Society crossover event. And they’re not kidding about the “book length biography of Superman” — Superman’s entry, and nearly every other character’s entry, is essentially a chronological summary of purt’near every appearance of that character. I spent many hours perusing this book, and it wasn’t so long ago that DC reprinted this in softcover, so you can check it out yourself if you’d like. This is a precursor, in a way, to the Marvel Universe/DC’s Who’s Who comics, though the Great Superman Book is a little more convenient in giving specific issue numbers for story events beyond just first or last appearances.
One thing I found odd at the time was that the cut-off date for materials referenced in the book was, with few exceptions, the mid to late 1960s despite being published in 1978, but now that I think about the amount of time that had to be spent researching this book (i.e. the “seven years” they mention right on the cover), they had to draw the line at some point. Still, sort of odd to have no entries for “Morgan Edge” or “Darkseid,” but this is still a wonderful reference book for the Golden and Silver Age adventures of Superman.
There were others in this series, covering Batman and Wonder Woman (and also reprinted by DC in the last few years) but I don’t think I ever saw them in the wild when I was a kid. Which is just as well…just one of these volumes kept me busy enough.
And I think that was it for funnybook presents. I mean, I did keep bugging Santa for a Yummy Fur #9, but I ended up having to buy it myself. Which is just as well, since I was beginning to get odd looks at the mall whenever I sat on Santa’s lap to ask for it.
So early on in my store’s history, I made a crack or two on the Twitters about now being able to get all the comics I want for freeeeee, about loading up on DC Archives, etc. which alarmed a couple of retailer pals. I promised them I was only joking, that I’d be a responsible consumer. In fact, if anything, I’m probably getting fewer comics now…I’d rather leave ’em on the shelf for customers. (For example, see my answer to the first question here.)
That goes for graphic novels/trade and hardcover collections as well. My plan was to replace some of the comics I gave up to the shop (like Preacher and Invisibles) with the reprint collections eventually, but I’m in no great rush. Those particular titles aren’t in any danger of going out of print anytime soon, and even if they do, they should be in enough supply that copies will probably be available on Amazon forever.
As for new collections, I’m trying to restrict myself to items I’d already been acquiring, like the Complete Peanuts books. Only one volume to go in the series, kinda dumb to stop now. There are collections I’d love to own, like the Eightball slipcase, but I already have all the comics (which I didn’t give up to the shop!) so I’ll just leave that on the shelf for someone else.
But once in a while, I gotta splurge, as I did for the complete Puma Blues hardcover this week:
Look at the size of that thing. Here’s a better look at the cover, from Diamond’s site:
This is an beautifully-illustrated ecological sci-fi adventure/treatise/poem-kinda-sorta by Stephen Murphy and Michael Zulli (and a small bit of material by Alan Moore) published in the mid-to-late 1980s. Some folks may remember the comic as being a bit of a pawn in a battle between its publisher, Dave Sim, and Diamond Comics.
It had been a while since I read it…in fact, I’m not sure I sat down and read it as a whole since it was originally released. I bought each issue as it came out, and, as I recall, I found it to be a challenging and enjoyable work. It’s one of those things that had always been in the back of my mind to revisit someday, as it’s still sitting there in one of my remaining back issue boxes at the house. When the solicitation for this hardcover popped up in Previews, noting that it included the previously-unpublished 40-page conclusion to the series…well, Fan Mike outvoted Retailer Mike on this one and made sure I ordered a copy for myself. (And one for the shelf, too…I don’t know if any customers will go for it, but I like having it there, so that’s good enough reason.)
And, well, here it is, in my hot little hands, waiting for me to peruse it. Also included is the Puma Blues #24 1/2 mini-comic, which I seem to recall having some copies floating around my old place of employment, though for the life of me I can’t remember how we got ’em. I have a vague memory that they were distributed with one of the original Puma Blues trade paperbacks. At any rate, I never got one, so that’s a little more added value to the book.
Just briefly glancing through it, the reproduction seems nice and clear…no idea if it was shot from the original art, or scanned from printed pages, but it looks nice, especially now that it’s on white paper instead of newsprint (not that the newsprint was all that egregious). The original color covers are not reproduced…in fact, I’m not sure if the covers are in there at all, which is a shame as they were quite lovely. But overall, this is quite the tome and I’m glad to have it.
Well, now I’m at the point where the to-read pile of comics is beginning to creep every so slightly upwards each week, as I find myself with decreasing amounts of time to keep up with them. The side effect of owning a store, surely, particularly since it’s still just me running the place seven days a week, so “free time” is no longer the easily-obtainable commodity it once was. “Read ’em at work,” I’m sure someone may cry out, but I’m generally too busy trying to make some coin of the realm while at the shop, and I’m sure it wouldn’t help matters any for comic book guys ‘n’ gals across the nation to perpetuate the idea of “wow, a job where you just sit around and read comics all day…sounds like hard work, har har.”
It’s not as if I get all that many comics, either. And I manage to make time to read the Peanuts reprints and last week’s release of Kate Beaton’s new book, so it’s not as if I have towers of unread runs of Those Other Avengers and Swamp Thing’s Kung-Fu Force teetering over me in my Gentleman’s Reading Room. Like I said, it’s a slow creep, a small stack getting gradually, almost imperceptibly higher each week, filling me with no small amount of nostalgic lament for the days when I’d bring home the week’s new comics, and just sit there and read ’em ’til I was done with the stack. Now I have my allotted comic reading time, where I read what I can until I have to go on and do whatever the next thing is.
Okay, it’s not quite as regimented as that, but I’m a little more aware of the free time I have and more careful about how I spend it. Like spending an hour or so every other night writing a comics blog.
Some of the comics that are getting backlogged on me:
The Maxx – Sam Keith and William Messner-Loebs’ weirdo Image comic from the early days of the company, now being reprinted issue-by-issue by IDW. I read the first six issues of the original release back in the ’90s, and cut it from my reading list in a cost-saving measure, I think, and sort of regretted it ever since. I fell behind on reading the newest reprintings, but knowing this is a finite run makes it easier to deal with. I suspect this comic holds together better reading all together over a short period of time, anyway, rather than absorbing it in monthly installments.
Haunted Horror and Weird Love – two of Craig Yoe’s bimonthly reprint series, which are great, don’t get me wrong. However, being as how most of the stories contained within date from a time when comic publishers weren’t scared of piling the text into each panel, it can take a little longer to properly appreciate each issue. Which is great…get that $3.99’s worth out of each installment, but sometimes they get sorted to the bottom of the pile as other, more current, more easily absorbed titles get read first.
Miracleman – well, sure, I read ’em all the first time when Eclipse Comics published them decades ago, and still have those issues in what’s left of The No Longer Quite So Vast Mikester Comic Archives. I’m still buying the reprint issues, partially to appreciate the recoloring/remastering, partially to complain, and partially to support the series so that we can finally get the new Miracleman stories by Gaiman and Buckingham, picking up from where they left off twenty years ago, or whatever it was. Tends to get left for last because I don’t feel like prying off the mostly-unnecessary polybags.
In conclusion, “a bloo-bloo, I don’t have time to read my funnybooks,” which is the whiniest of my complaints ever. I think I’m in good shape, though, so long as I don’t backlog myself into a warehouse full of boxes filled of unread comics, awaiting that day I’m bedridden with some horrible yet non-reading-impairing illness that will allow me to catch up.
And that’s just comics. Here’s a stack of hardcovers sitting on an endtable in the bedroom, and the Netflix queue, and…ugh, someone tell the Grim Reaper I can’t fit death into my schedule for the next few decades, I have too much entertainment to follow.
• • •
This week’s Question Time over at Trouble with Comics addresses the most terrifying of queries: “DO COMICS MATTER?” The answer is of course, NO WAY, NUH UH, FORGEDDABOUDIT…well, okay, we all say they do, more or less. SPOILERS. Also, this time around everyone’s question is put up as a separate blog entry, so this little ol’ link here
to this week’s question time should take you to all of them. You’ll need to scroll down a bit to see mine…stop when you find that one somewhat familiar picture of me (which has been altered ever so lightly).
Sorry for missing out on my usual Monday post…turns out Sunday night your pal Mike’s body said “NO BLOGGING, MUST SLEEP,” and I had to give it a pass.
I’m still a little wiped out, but I was reminded of a story from the Comic Collecting Adventures of Young Mikester, in the far-distant mists of time, of that near-fabled year of 1985. It was then that I picked up a copy of The One #2 off the rack, attracted by the strange looking cover and the fact that it was by that Rick Veitch guy whose work I’d enjoyed in Epic Illustrated:
I looked around the shop a bit, looking for a copy of the first issue. When I couldn’t find it, I put the request in to Ralph
(the shop owner and, a few years after this, my boss) for that initial issue. He didn’t have it available just then, but said he’d try to get one for me.
So, for the next couple of weeks, when I made my usual new comics day journey to the shop, I would bug Ralph about the status of my request. “Is The One #1 in yet?” “No.”
“Is The One #1 in yet?” “No.”
“Is The One #1 in yet?” “NO.”
Until finally, one week, I asked if it were in again and Ralph replies “YES! Yes, I have it! Here you go!” and hands me a copy.
With a twelve dollar price tag on the bag.
I know I said “…uh….” I’m sure I blanched a little. As cheap as I am now, I was even cheaper then and I certainly wasn’t expecting that price for the comic.
And then Ralph laughed at my reaction and quickly scratched the “1” out of the price, making the comic two bucks. And thus I learned my les…okay, I didn’t learn anything. Well, except to do similar pranks to my own customers, but that was still a few years away.
Anyway, I actually still have that sticker attached to my copy of The One #1:
I’ve even replaced the bag on that comic at some point since then, carefully removing the sticker from the old bag and placing it on the new one.
Here’s a closer look:
According to the most recent price guide, near mint copies of this comic now price out at $3.00
. Hah, I got this comic out from under Ralph for only 2/3rds guide! What a (thirty-years-in-the-making) deal!
When I initially opened my shop, I was primarily feeding the back issue bins with comics from my own collection…sure, there was the odd long box or two I picked up along the way, but a lot of the books were collected by my own hands, picked up once a week at ye olde comick shoppe (later ye olde place of employmente). I was, and still am, by and large, okay with parting with most of the stuff…I’ve read and enjoyed it all — well, enjoyed most of it, anyway — and I don’t mind it going to new homes for new folks to enjoy. And some stuff (like, say, Preacher) I can always get in reprint form.
I’ve noted before that not everything went into the shop. Obviously I kept my Swamp Thing comics…I mean, duh. My Don Rosa Disney comics I didn’t have otherwise reprinted. My Groo the Wanderers. My Cerebus. That full run of Yummy Fur I finally finished and am selling over my dead body. And so on.
But there are a few things that I put on the tables at the shop that I kind of regretted, and as I’ve acquired more collections and filled up more of the store with a wider selection of back issues (and not just “whatever Mike was reading when he was in high school”), I’ve felt like I can take back some books I planned on sacrificing to the greater good and return them to the personal collection. Not that I’ve done it very often…the odd book here and there, DC’s Who’s Who, that’s about it. Not anything that was really selling at the shop anyway.
…Like, as I said above, Dr. Fate.
I doubt there will ever be an extensive reprinting of these particular comics, unless DC decides to counterprogram Marvel’s Doctor Strange movie with a Dr. Fate film and merchandise appropriately, and I will go to the hat store, spend an hour picking out a hat, buy said hat, take the hat home, gently remove the hat from its packaging, cook the hat for about an hour and a half at 350 degrees, take the hat out, let the hat sit for about fifteen minutes, garnish the hat lightly, and then eat the hat if that should actually happen. Anyway, I really enjoy this particular run of the book, from the ’80s into the ’90s, starting with this three-issue reprint series:
…which includes a Golden Age Fate story, plus a kick-ass story where Fate fights a mummy, as drawn by Walt Simonson:
The remaining two issues reprint the Dr. Fate back-ups from The Flash
…which features Keith Giffen’s art to better effect on the nice white Baxter paper than it did in its original newsprint presentation, which had lots of color holds and heavy inks and other visual hoohar that kind of got lost in translation initially.
A little bit later was this all-new mini-series establishing a new status quo for the good Doctor, again illustrated by Giffen, who’s joined by J.M. DeMatteis:
With DeMatteis along, things get a little more spiritual and mystical (even for a character already mired in magic, that’s quite the trick), and occasionally a bit abstract:
…which makes complete sense in context, I promise.
DeMatteis continues to bring his more introspective perspective to the character in the follow-up ongoing series, primarily illustrated by one of my favorite artists, Shawn McManus:
That’s not a typical cover for the series…usually it’s line-drawn images, but I always liked that weird cover so there it is, representing the ongoing series on this here website.
With issue #25 William Messner-Loebs, Vince Giarrano and Peter Gross come on board, and…if memory serves, it’s not quite as bonkers the preceding 24 issues, but it’s still not bad. Can probably stand to reread the series and refresh my recollections of it, but if only I had a full run of…oh, wait, I do! I can’t believe my good fortune.
…Of course, this will be the week someone charges into my shop, waving a fistful of hundred dollar bills in his hand, demanding that he be able to buy full runs of the above Doctor Fate series right this instant.
So being in the comics retail industry in a location close to where Malibu Comics’s home base was located when it was active, we’ve seen a lot of the material produced by that company. And I don’t mean just the regular stuff, but promotional material, rare items, and just lots ‘n’ bundles of multiple copies of various products. I remember at one point obtaining what must have been a case of The Trouble with Girls graphic novels.
I’ve seen a pretty large number of the variant covers over the years, such as the full-cover hologram variants for Mortal Kombat and Star Trek Deep Space Nine and the like, not to mention plenty of those foil-variant Ultraverse covers. In fact, the other day I had a fellow who identified himself as a former employee of Malibu (and Marvel, after that company bought out the former) come by the shop, hand me a small pile of comics, and tell me “here, I’ve been sitting on these a while and you can have ’em if you can use ’em.” And yes, there were a few of the usual items in there, like those hologram covers I mentioned, and what I thought was just another foil Ultraverse variant:
…until I noticed this embossed stamp on the front cover:
…and this certificate explaining just what it was:
…and I was all set to write up a whole post about this, but just like two weeks ago this Ultraverse blog already put together a far better and more informative post
about this very thing than I would have. The thing I learned from that post I found most interesting was that, despite the certificate stating “limited to 500 copies,” far fewer than that were actually created and distributed. The number given is about 30, though the picture in that blog post shows a certificate numbered 134, but who knows what kind of numbering shenanigans were going on. Perhaps earlier numbers were being reserved for employees and other special persons, since the copy in my hands is #7.
Anyway, I put it on the eBays to see who’d salute, so we’ll see how it goes.
Also recently acquired was the Platinum Edition of Adventures of Superman #500, which you can tell is totally the platinum edition of the comic because the bag surrounding it is clearly printed with the words “PLATINUM EDITION” along the bottom:
It’s kind of a drag that someone had this pinned up on a wall, apparently, as there are a couple of pinholes in the top center of the polybag…who’d buy a “hot, rare collectible” in a time where “hot, rare collectibles” were the be-all, end-all of the comics retail industry and then pin the sucker on a wall? That seems almost counter-intuitive to the investment mentality running rampant in the business then. It even had the $125(!) price tag still affixed to the comic bag it was being stored in.
I’ve come across these bagged platinum editions before, and always wondered if just the polybag itself was supposed to be the “platinum” bit (as this bag was black and silver, versus the red and white of the regular version) or if the comic inside was platinum-ized. I suppose if I really wondered that much, I could have Googled or eBay-searched it for myself before now, but I finally looked and found a few of these for sale:
This is one of those “pro-graded” slabbed copies, where they apparently removed the polybag before sealing the funnybook into its little plastic coffin. The color of this cover may be dimmed a bit, as you’re seeing it through about 1/16 inch or so of plastic, but that is definitely a “platinum” (well, silvery-whitish) version of a cover that is normally black. Plus it says “platinum” in the corner and they wouldn’t print it if it weren’t true. Another difference is that the logo on the platinum version features raised lettering while the regular version does not, a fact I just now went to check with my copy of the non-platinum version down in the No-Longer-Quite-As-Vast Mikester Comic Archives.
Speaking of polybags, I also picked up one of these:
…which is the regular cover edition Superman
#82, which also had a chromium cover
. However, this version of #82 polybagged with a poster was, according to my two seconds of Google research, a Walmart variant
which I don’t believe I’d seen before. No UPC code on the comic cover, but said code was provided on the back of the bag itself. I don’t know what the poster itself looks like…my guess is that it’s that cover, but maybe someone can let me know.
Twenty-plus years on, I’m still talking about the Death of Superman. Let us look forward to a happy 2015 and, with any luck, even more posts about the Death of Superman. See you then, friends.
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