“This popular pet is the number one threat to your comic book collection!”
So over thge years I have heard many, many times from folks who wanted to sell me comics that the items they were offering were “in mint condition, still in their bags.” And of course, while a comic bag certainly does offer better protection for the funnybook contained within than no bag at all, it’s obviously no protection from bending, stabbing, being set on fire, being chewed on by the pet llama, whathaveyou. (And no, even the addition of a backing board to your comic’s security may not be enough to help.) I’d say the vast majority of comics I’ve received “still in their bags” are nowhere close to mint.
Basically, what I’m saying is that it takes more than just sliding a comic into a bag and/or board to preserve its condition. It takes proper handling, storage, and distance from the previously mentioned pet llama. You can keep a comic inside a bag all you’d like, but that’s not a bulletproof container. And it’s not going to magicallly undo whatever damage you did to it prior to its placement in a bag.
This is all a roundabout way to talking about the comics pictured above, Superman #75 and Adventures of Supermnan #500 (and, by extension, other comics packaged by the publisher inside sealed opaque polybags like these). When it comes to pricing/grading these for in-store sale, there’s no real way to gauge the condition of the comic therein if the polybag is still sealed and, from all appearances, still new-looking and intact.
Emphasis on “looking.” Like the standard clear plastic bags used for comic storage, these polybags won’t protect from bending or creasing or the like, but if they are sealed, you aren’t going to be able to directly check the comic for any damage done. I mean, you can kind of feel along the spine and maybe along parts of the cover (working around the various trading card and poster inserts and such, of course) and determine if there is any phyiscal harm. But, again, without visual confirmation, it’s hard to nail down a grade.
So long as the exterior of the bag looks new, and if the item is sealed (and no damage is immediately detectable within the package) I generally just mark these as “MINT – SEALED.” In a way, it’s like Schrödinger’s Comic…so long as that polybag stays sealed, we have no exact idea what’s going on in there. It’s not ’til we open it up that the reality is solidified and we get a comic that’s, I don’t know, actually in FVF or whatever.
Now it’s possible the polybags themselves could do harm to the comics inside eventually. I’m pretty sure that’s not archival material used in the packaging, there, but on the other hand…I opened my personal copies of these when they were new, and just kept everything, comics and inserts and all, still inside those opened polybags and then inside one of your standard comic bags…and far as I can tell, no damage done by those wrappings yet. And if you remember that overflowing case of Adventures #500 I got a while back…people who’ve bought copies of thoese from me and opened ’em up didn’t find any problems.
If you’re really concerned, I guess you can just store the comic and its polybag in separate bags. As I somewhat recall, in the ’90s during the real heyday of publishers prepacking their comics in bags with goodies like trading cards and pogs and such, the price guides, of which there were many at the time, had to set down rules as to what would preserve the collectibility of these items. I think it was Overstreet which put its nickel down on the comic still being considered “mint” or whatever so long as the opened bag and contents were all present. And I think our attitude at the shop at the time was “okay, fine, but sealed copies are still going to sell for more than opened copies,” and lo, it is still true to this day. I don’t have my current copy of Ovewrstreet right in front of me to see if they still hold that position, if in fact it was them.
Anyway, just something I think about every time I get these in collections and have to price ’em up. I’ve written before, somewhere and at some point, about how a lot of those Superman #75s were purchased by folks who didn’t normally collect comics, so I suspect a large number of them had been stored improperly and damaged, or just outright discarded, over the years. There may not be as many sealed copies of this still around as we assume, so getting them at all is welcome. And they do still sell.
In some brief non-Death of Superman news, it was announced over the weekend that the DC Universe streaming service’s Doom Patrol series has been renewed for a season 2, to be produced in conjunction with Warner’s forthcoming streaming service HBO Max. The story says the new season will show simultaneously on both services, so that, along with the news of the DC Universe exclusive Young Justice series also getting a renewal, that this streaming channel will continue to be its own thing. The fear was that DC Universe would be folded into the HBO Max service, and sure, that could still happen eventually, but it looks like it’s still operating on its own for now.
I’ve seen a few episodes of Doom Patrol, and overall I think it’s pretty good. Weird to see Rita and Jane on the same team at the same time, but I like what they’ve done with Rita so I’m fine with it. In fact, Rita is probably one of my favorite parts of the show. Makes me wonder how a back-to-basics team — just the original three + Niles — would have played out.
Unfortunately, I remember quite vividly the impact of some of Grant Morrison’s stories in the comics, so I’m inevitably let down by their translation to TV. Can’t be helped. I’m interested to know how the show is playing to people unfamiliar with the source material, in particular Crazy Jane and Danny the Street.
P.S. Glad DP is being renewed, which was the original reason for commenting that got lost in my scintillating review.
Thom H.–The current series of Doom Patrol, which just started last week, has both Rita and Jane. I haven’t seen the TV show, so I’m not sure what else the current creative team is doing to make the comic reflect the show.
Yeah, and it feels weird there, too. I’m trying to figure out if it’s because they’re both women, but I don’t think that’s it.
I think it might be more about watering down the concept. Focusing on three miserable freaks still makes them seem lonely and isolated. Creating an entire team of six or more means that they might actually have support — like a family.