There’s a lot of Comics Ages talk in the comments to this post — well, a lot of talk in general, hi Sean! — especially about the term “Bronze Age.”
Now that’s something I’ve poked at a few times in the past on this blog, like way back in 2008 and then relatively recently in 2019, and I’m sure one or two more times but you get the point. I’m not a huge fan of the term “Bronze Age,” and as I point out in one of those old entries, even the Overstreet Price Guide was all “yeah, that’s not an official Age of Comics” until suddenly it was an official age of comics.
Also as I’ve said, those are all just marketing terms to help sell old comics, whether it’s a publisher trying to make their reprints of 1940s books sound like a Big Deal instead of just filling some space in a World’s Finest 100-pager, or it’s someone trying to make their old issues of Arak Son of Thunder seem fancier by slapping a “COPPER AGE CLASSIC!” sign on their box.
Bronze Age eventually made the Comic Ages cut after enough people started using it to describe their books…and after getting enough distance from the period to be able to say “yes, this period of comics does look distinct enough from what came before and what came after to make it its own thing.” But that said…I feel like 1984 is too late a cutoff date for the period. Crisis on Infinite Earths I think is what’s being used as the break between ages, given its massive (and continuing) impact on DC Comics and how other publishers handled big events with their title. I’d say New Teen Titans #1 in 1980 would make a better separation point, given its new style and direction for the team and how it energized DC to an extent, and it’s what lead Marv Wolfman and George Perez to Crisis. I’d say it’s as much as a demarcation point as Showcase #4 in terms of “this is what superhero comics are now.”
(Yes, New Teen Titans is walking in X-Men‘s footsteps, but that would really disrupt the whole “what is Silver/Bronze/Copper” thing and I’m too tired to deal with that right this second.)
Daniel T notes that he’s not a fan of “Bronze Age” including stuff like Love and Rockets and Nexus, and that’s fair enough, as Comic Ages tend to be DC/Marvel/superhero-centric anyway. I mean, I don’t know that I’ve ever seen the underground comic God Nose described as a “Silver Age book.” There’s a case to be made that undergrounds/small press/indies are their own thing, outside the main “comic ages” universe. A parallel universe of comics history, if you will. One that contains the “Black and White Boom/Bust,” a phenomenon almost entire separete from the color superhero funnybooks.
I mean, people will use those terms for “Cerebus #1 Bronze Age Key!!!” or “Bone #1 Copper Age Key!!!” but…I don’t know. I don’t have an answer. And the rise of indie titles was a big part of the comics industry…pushing the Bronze Age back to 1980 to include a lot more of them would be nice.
Anyway, not going to solve this issue right here and right now, and yes we still need to come up with divisions to split up that “Modern Comics” age. I came up with a good’un in one of my old posts linked above.


































