You are currently browsing the lex luthor category
Yup, I’m still addressing comments left on this site from nearly two months ago. What can I tell you?
So Daniel sez
“Byrne’s first meeting of Superman and Luthor in Mos #4 was soooo much more interesting than the pre-Crisis Superboy-causes-Lex-to-lose-his-hair-in-a-lab-accident”
Now let me just step in here for just a sec and defend the “Superman makes Lex lose his hair” thing. I’m not going to say you’re wrong for your position, for reasons I’ll get into, but I think Superboy being at least partially responsible is good actually, and fits tonally with the kind of stories being told in Super-comics of the time.
We’ve all probably seen this sequence, or something like it, from Adventure Comics #271 (1960) by Jerry Siegel and Al Plastino. Lex, the local boy genius who had been fast friends with Superboy, was working in his lab (built by Superboy, in fact) to create a cure for Kryptonite for his super-pal. Suddenly Science Goes Awry and the Boy of Steel blows out the flames and smoke in the exploded lab, only to discover:
This works in the Superman books of the day in that is fits the general low rent level of almost dreamlike myth-making in the stories. Motivations and broad and simplistic, intended to be easy for children to understand. (I’m put in the mind of an early ’60s Green Lantern story where the impetus for Sinestro’s actions was that he losing out in some popularity contest with another villain and he wanted to regain the top position.)
“You did something bad to me” (well, sort of) “and now I hate you forever!” is a plain enough explanation. Plus, it was probably a surprising twist for readers to discover that adult Luthor’s baldness was tied to the actions of a young Superman. It’s all very “closed-circle” kind of stuff. And this doesn’t get into the mythological/Samson-esque implications of a loss of hair equating a loss of strength and virility.
In other words, It Was Good Enough, at least for the time. As the actual stories of Lex vs. Supes played out, it was not so much about “my beautiful curls!” but just Luthor trying to find ways to commit crimes and outwit and/or destroy Superman. So the hair thing didn’t really play that much into the enmity between the two, aside from the occasional flashback. Now, had Luthor spent all his time trying to cause Superman to lose his hair, well, that’d be another story entirely. I think there were one or two stories like that, but it wasn’t, like, Lex’s thing.
When the Superman comics entered the ’80s, it was decided to change things up just a little bit. Not Crisis on Infinite Earths-levels of changing up, that would be a couple years hence, but for Superman’s 45th anniversary in 1983, here in Action Comics #544 by Cary Bates, Curt Swan and Murphy Anderson, Luthor was given all-new reasons to hate the Man of Steel.
Long story short, Lex was living on the planet Lexor, where everyone loved him, and he and Superman were fighting, Lex fired an energy beam at him with his fancy new armor, the beam bounced off Superman and hit a big doodad that was keeping Lexor’s core stable, and everything went kablooie. Lex of course blames Superman entirely, resulting in:
A more brutal origin for an age when comics were, just very slightly, beginning to get a little edgier with their storytelling…not that Superman was going to suddenly become, I don’t know, Frank Miller’s Daredevil or anything. But we were getting to the point where the more fantasy-ish “loss of hair” origin wasn’t enough in comics, where a little more grounding in reality (relatively speaking) was becoming more in vogue.
As it turned out, this New Unleashed More Dangerous Than Ever Luthor only popped up a handful of times before the aforementioned Crisis came along, and frankly things weren’t much different than before except for Luthor having his new space armor suit.
With Crisis and the accompanying sweeping 1986 reboot of the Superman line by John Byrne, all that previous Luthor stuff was cast aside, and a new relationship between the two was forged. “Introduced” in Man of Steel #4, our new Luthor is now a wealthy businessman whose successfully hides his shady side from the public (causing a lot of comparisons to Marvel’s Kingpin in the process):
And yes, he has hair. At least until Lois slings this parting shot at him after an eventful evening:
…which, hey, I don’t know, don’t be hairline-shaming my man William Frawley:
But this being the motivation for Lex to start shaving his head clean (as he appears sans hair in EDIT: his very next appearance Superman #1 – was reminded in the comments he didn’t go Full Yul ’til after the Man of Steel mini was over) is frankly just as silly as Superboy blowing Kid Lex’s hair away after a lab fire. BUT TO BE CLEAR I know this isn’t the argument at hand. Hair is removed as a motivation for Luthor’s behavior…now it’s just a small point being made about his vanity.
Luthor’s hatred of Superman comes from the Man of Tomorrow’s replacing Lex as the most powerful man in Metropolis. This is a more modern, a more…well, using the word “subtle” for anything Byrne works on is bit of a misnomer, but it is a more nuanced take on his hatred for Supes than “I lost my hair.” It rises out of the character’s personality, a change that comes from the increasing demand for the approximation of “realism” and storytelling sophistication in comics.
In a way, though, it still hearkens back to the childlike simplicity of comic character motivations of decades past: “I was the biggest guy, now someone else is bigger, and I hate him.” It probably just comes down to being more relatable…everyone’s been jealous of someone else, but very few people have experienced a friend causing their immediate and total hair loss. Unless, you know, their arch-nemesis is an evil barber or something.
As a small addendum, one of the elements of the Smallville TV show I appreciated is the fact that the meteor swarm that stuck the town, the one in which baby Kal-El’s rocket was enmeshed, was responsible for a young Lex’s baldness. Bringing back the “Superboy was kinda responsible for that” which had been missing from the other live-action adaptations…nicely played.
While I’ve commented before on the unusually complicated yet compelling premise of the current Superman titles, I haven’t said much about Lex Luthor’s development in these post-Rebirth comics. Picking up on threads from the latter part of DC’s New 52 era, Luthor has seemingly decided to become a superhero…literally, with the New 52’s Superman’s death, becoming Superman, with the “S” logo and everything. It seems apparent that Luthor is trying to force himself into a role for which he is ill-prepared, though via his own egotistical self-aggrandizement he feels he is the better fit for the job than his predecessor.
Now, given Luthor’s portrayals in the past, we, the readers, know this almost certainly can’t end well. From our perspective, we’ve seen how Luthor behaves, we’ve seen the crimes he’s committed, we’ve seen him brag about his misdeeds…we know, despite the many changes he may have undergone over the years, that there is a rotten core that is always present, no matter how respectable the exterior appears. The other characters in the comics know this as well…they of course are limited to whatever experiences they are allowed within the latest permutation of their shared fictional universe, but a Luthor never changes his spots, as it were, and despite any superficial efforts at semi-redemption, the inertia of Luthor’s portrayal over the decades will certainly result in a return to form.
In this week’s issue of Action, this bears out, given that visitors from the future have come back to the present to put a stop to Luthor before he becomes a universal scourge, a tyrannical madman with ultimate power crushing all before him. We don’t have the full story yet about this, of course, but totally within possibility knowing what we know about him.
Interestingly, undermining Luthor’s perhaps spurious attempts at redefinition is a secondary plotline, hinted at in this issue of Action but primarily playing out in Superwoman, is the fact that he is currently under the influence of enemy agency. Specifically, it’s his estranged sister Lena, exerting control over him for her own nefarious ends, while Luthor tries to continue following his own agenda, as tinged as it may be by Lena’s own.
At any rate, we’ll see how these particular plotlines work out over, oh, I don’t know, the next four to eight years.
Having watched just a few weeks ago the Dear Mr. Watterson documentary on Netflix, and with Bill Watterson’s recent brief return to the the comics page, I was fairly well primed to revisit his famous Calvin & Hobbes strip. Fortunately, I own a set of the slipcased hardcovers reprinting the whole shebang and was able to satisfy this urge in short order. Unlike the esteemed Mr. Isabella, who has the astounding self-control to restrict himself to only a week’s worth of strips at a time, I would read huge amounts at any given opportunity, immersing myself in Mr. Watterson’s imagination for an hour or so.
While the strips’ run concludes with a fairly open-ended Sunday page, essentially indicating that the pals’ adventures will continue, even if we won’t see them for ourselves, there is at least one bit of closure, I think, prior to the end, with Rosalyn the babysitter. All of her previous appearances involve direct, angry (or at least highly annoyed) conflict between Rosalyn and Calvin, but in her final story sequence, Rosalyn and Calvin finally find common ground:
Ah, Calvinball. The great equalizer. It’s the one time the two characters manage to get along peacefully, bringing a happy ending of sorts to the long series of battles they’ve endured over the history of the strip. It’s no Charlie Brown finally saying “hello” to the little red-haired girl, but it’ll do.
• • •
I also recently read a handful of ’70s and ’80s Lex Luthor appearances, because I miss this version of Lex Luthor, the one with the green ‘n’ purple jumpsuit:
…who would also occasionally disguise himself like, oh, say, Kurt Vonnegut:
One of the big losses of the mid-1980s Superman reboot was losing the “fiendish schemes” of the “criminal scientist” era of Luthor, who was in at least some measure occasionally sympathetic and even funny, in favor of the cruel and unpleasant businessman Luthor. There was some slight return to the somewhat goofily-evil in-love-with-his-own-voice Luthor in the last decade or so, even to some extent in the post New 52 DC Universe, but nothing is quite the same as Lex in his green/purple tights and his bandoliers, zipping around in his rocket pack.
images from The Complete Calvin & Hobbes Volume 3 (2005) by Bill Watterson, and Action Comics #510 (August 1980) by Cary Bates, Curt Swan and Frank Chiaramonte
…or at least satellite radio:
That’s some devoted gang. Do you think they broadcast 24/7, or did they wrap up their broadcast day at midnight, and started up again at 6 or 7 in the morning? Did the gang write up the stories themselves, or just read ’em direct from the newspapers? Did they have a wacky “morning zoo” pair of radio personalities discussing today’s top crime stories along with sound effects and…well, I was going to say “call-ins from listeners,” but if it’s just Luthor, then, well, you know. But then again, maybe Luthor
did call in…he’d never get a busy signal, and the call screener would always know who it was.
Anyway, probably still more listenable than most radio programming.
from Action Comics #295 (Dec 1962) by Leo Dorfman & Jim Mooney, as reprinted in Super DC Giant #24 (May-June 1971)
THE ORIGINAL HAIRY LUTHOR
THE PRISON-GREYS LUTHOR
THE HERO OF THE PLANET LEXOR LUTHOR
THE PURPLE ‘N’ GREEN FLYING JUMPSUIT WITH BANDOLIERS LUTHOR
THE ADMIRER OF ALBERT EINSTEIN LUTHOR
THE AVENGER OF THE DEAD PLANET LEXOR WHICH HE KINDA PRETTY MUCH DESTROYED BY ACCIDENT LUTHOR
THE CORRUPT BUSINESSMAN WITH HIS FINGERS IN CRIMINAL ACTIVITIES AND NOT AT ALL LIKE MARVEL COMICS’ KINGPIN LUTHOR
THE ROBOT HAND REPLACING THE HAND LOST TO RADIATION POISONING AFTER WEARING THAT RING WITH THE KRYPTONITE ROCK FOR TOO LONG LUTHOR
THE AUSTRALIAN SON OF LEX THAT WAS REALLY A CLONE INTO WHICH LEX HAD HIS BRAIN TRANSPLANTED AFTER DISCOVERING THE RADIATION THAT COST HIM HIS HAND WAS IN FACT KILLING HIM AND THUS FAKED HIS DEATH IN A PLANE CRASH IN ORDER TO SECRETLY HAVE SAID BRAIN TRANSPLANT PERFORMED LUTHOR
THE I CAN’T BELIEVE ACTUALLY WENT THROUGH WITH THIS STORYLINE BUT GOSH DARN IF THEY DIDN’T STICK TO THEIR GUNS AND KEEP HIM AS THE PRESIDENT OF THE UNITED STATES FOR PRETTY MUCH A FULL REAL-TIME TERM LUTHOR
Additional linkage:
Superman Through The Ages has a comprehensive overview of our favorite bald villain, as does Wikipedia (at least until Luthor complains and the entry is reduced to just his bibliography).
More “Many Faces of Lex Luthor,” this time from TV and movies. And here’s Kevin Spacey as Luthor from the forthcoming new movie.
DC Comics’ official Lex Takes the Presidency page, complete with Shockwave campaign ad.
Comparing and contrasting the comic book origins of Luthor with his counterpart on TV’s Smallville.
Who will win in the battle of the (previous) century? Khan versus Luthor, or Luthor versus Dr. Doom – you be the judge.
“Bin Laden as Lex Luthor.” Er, um….
Fred Hembeck presents: Brainiac and Lex Luthor!
This lucky fella has a “Baldy Award”autographed by Mr. Luthor himself!
The original Mego Luthor Pocket Super Hero from 1979. And here’s the Super Powers figure.
…And here are some custom figures, including probably the only Earth-3 Luthor figure you’ll ever see.
The Planet Lexor, where Luthor was a hero and Superman was the villain!
Information about the Silver Age Luthor’s estranged sister.
Luthor only made it to number 4 on this list of Evil Geniuses? Bah!
Luthor is also on the Forbes Fictional Fifteen richest characters list.
Here’s a biography that’s a couple years out of date, but gives you an idea of what the post-Crisis Luthor is all about.
The Luthor Hero Clix figure.
A thumbnailed overview of the Super Friends episode “Lex Luthor Strikes Back” (complete with Super Mobile cameo!). (warning: pop-ups)
Luthor as Capitalist Bogeyman. (warning: more pop-ups)
The absolutely genius Lex Luthor mini-bust.
