Well, we’re trying this again. Legion really should be one of those titles that’s always there, like Superman or Green Lantern, a significant corner of DC Comics’ fictional universe that remains always out there as part of the gestalt. However, due to reboot after revival after relaunch, the franchise has been on the ropes for years, never quite getting traction. It kinda came close the last time, a few years back with the highly-promoted Brian Michael Bendis series, but that ended after only about a year for reasons I don’t really know. It seemed to be selling well enough.
But here we are, seventh or eighth time is the charm, and…look, it’s a perfectly fine comic. Well written, certainly well drawn, and for us old Legion nerds, the Interlac alphabet is still intact and readable (with a nice Interlac-written nod to Paul Levitz and Keith Giffen right there in the beginning). The idea this time is that superheroes are outlawed in this version of the future, reminiscent of the Threeboot Legion‘s premise, and the familiar central characters of the team (Lightning Lad, Saturn Girl, Cosmic Boy, Brainiac 5, along with Matter-Eater Lad) find themselves bumping up against that societal ban. It’s all told nicely with interesting page layouts, looking not quite like anything else on the stands.
What made the Legion “The Legion” for so many years were the longstanding subplots and characterizations and soap opera aspects and such. It’s a hard thing to build from scratch, as a Legion without all that doesn’t feel right, but jumping right into a Legion with those aspects already in place feels overwhelming. It’s a real tough needle to thread, and I’m not sure this new series is going to manage it, but I’m willing to give it a try and see how it does.
So we’re getting a series of one-shots for this comic book revival of Clive Barker’s horror franchise. Not sure if it’s in continuity with the previous series Boom! published, or how Barker’s novel The Scarlet Gospels fits in (since that pretty much put the kibosh on the whole “Cynobites” thing). And don’t even get me started on where that Sherlock Holmes/Hellraiser crossover novel fits in.
This is the first in a series of one-shots (and I’ve already read the second one, due to my evil retailer powers) setting up the current status quo for the Cenobites while also following the stories of those individuals who happen to get their hands on one of those Puzzle Boxes. It’s all gross and bloody and folks getting what’s coming to them, as you’d expect, but I am curious as to what the overall story is going to shape up into being.
So I hemmed and I hawed about picking up this latest revamping of the Archie franchise…I really liked the one they did a few years ago, with Waid and North an’ all them, and was a little sorry to see that effort wrap up. I think I finally convinced myself to give this one a try because, well, I’m a longtime Archie fan and my curiosity won out. Plus, I couldn’t resist that specific variant cover that’s pictured above.
It’s perfectly fine…unlike that previous reboot, which was a little more “soap opera (there’s that term again!) with jokes,” this new Archie #1 is more like a typical Archie comic, with several gag-filled stories. Not every joke lands, and I feel like the characters’ likenesses could be tightened up a bit…Archie and Jughead are recognizable, but others, like Reggie, Betty and Veronica don’t have distinctive enough portrayals to really grab you. Overall, it’s still enjoyable, with a Jughead story having a surprising amount of emotional depth to it that makes me want to see where it goes in the next issue. So, yeah, I guess Archie has got its hooks in me yet again.
I did almost pick up the Local Comic Shop Day variant, because c’mon, just look at it:
Anyway, this new Archie went really overboard on the variant covers, and I didn’t even order all of them for the shop. There were literally more variants than the number of issues I expect to sell of this thing. I mean, guys, you gotta settle down with these. Yes, I’m aware of the irony that it was one of those variants that factored into my decision to try out this new series.
I don’t know know why we have to kinda relaunch the Doom Patrol again, when that previous Doom Patrol mini wasn’t that long ago and was perfectly fine. A continuation of that would’ve been fine. But this new attempt is good, too….Robotman, Negative Man, Elasti-Girl, the Chief, hail hail the gang’s all here and they’re doing what you want and being weird about it. Kinda the Platonic idea of what this comic should be.
It’s silly nonsense, but it’s good silly nonsense, and if it were anything else, you’d be disappointed. Which isn’t to say there’s not an affecting message central to the book. Anyway, it’ll put a smile on your face, which is Weird Al’s purpose in this fallen world.
“It’s a hard thing to build from scratch, as a Legion without all that doesn’t feel right, but jumping right into a Legion with those aspects already in place feels overwhelming.”
This is exactly why all the Legion relaunches have failed and will continue to fail. Probably the best solution would have been to stick with the Retroboot version, but not as an ongoing–maybe a 6-8 issue mini-series per year.
And congratulations on 38.
I can’t recall from all you’ve written about your history in the field, but when you started, was this something you went into thinking it would continue, or did you just…keep doing it (as I did with my job)?
And contemplating this always makes me think of this Onion article: https://theonion.com/day-job-officially-becomes-job-1819567250/
Mike: I know LEGION OF 3 WORLDS touched on it, and I’ve mentioned it a few times, but I can easily see a few failed Legion titles simply being Earth-9 LSH. This way I stop caring about the eventual new title. And, for the record, Threeboot was still the best.
@Daniel T: I’m a writer in Chicago. THE ONION used to be free at kiosks and record stores. I had two interviews to write articles and failed the second one. The publisher at the time was cool enough to let me have my first article–which they did like a lot–and put it on my miserable CV.
I’ve got a lot of hope pinned to this iteration of the Legion clicking with readers, for at least long enough for it to get its legs and start to become a perennial again. I think Williamson’s centrality to the spine of the DCU, and Sherman’s exciting, innovative artwork will do that trick, but what do I know? Last go-round had Sook and Bendis — another fantastic artist, and a writer who was central to *that* era of the DCU.
Yet Bendis somehow always felt like an interloper in a way that Williamson doesn’t, so maybe, in the end, THAT’s what I’m pinning my hopes on: that with Williamson at the helm, the rank-and-file DC fans will get a chance to see how truly special this team is, and embrace them in all their goofy futuristic glory.
But this book had me with the first page turn — a simple concept that I’m grateful no pre-sale interview spoiled. It took my breath away.