More racial sensitivity in comic books.

Big Chief Wahoo #7 (Winter 1943/44?)


Man, early comic books were always sticking it to our Native American friends. Though, given how comics also treated Blacks and Asians, I suppose no one should be terribly surprised. At least in this instance Big Chief Wahoo was the star of the strip, but was still saddled with stereotypical Indian dialogue (“ugh” and “how” and “-um”s).

Lots more information on this remarkably non-politically correct character can be found at the excellent Toonopedia. This comic book is actually a collection of reprints of a comic strip, and as much as I like old strips, I am woefully uninformed regarding them. Therefore, it comes as a surprise to learn in that Toonopedia article that the Big Chief Wahoo strip, which was originally The Great Gusto, eventually became Steve Roper and Mike Nomad!

And, just for the heck of it, here are some Big Chief Wahoo gum packages.

Sir Links-a-lot.

Via pal JP – Superhero Food Commercials! The Hawkman commercial is still a favorite of mine.

Spotted in The Sock Drawer – some slightly better cast pictures from the Fantastic Four movie. They’d better tape up the Thing’s left wrist…ouch! And the more I think about it, the more I wonder how they’re going to get away with Mr. Fantastic’s stretching power without the movie being laughed off the screen. Hoo boy.

This fellow has gone through DC’s Who’s Who series issue by issue, with commentary…starts here, continues here, here, here, here, and I’ll let you seek out the other entries. He also did the first five issues of the Official Handbook to the Marvel Universe here, here, here, here, and here (he completely has the right attitude about Galactus).

A website chock full of X-Men fan art and fan fiction…Disco Dazzler is my favorite, and the “Rogue KISS Doll” page hurts my head. There’s oh so much more, but it’ll feel like I’m picking on people if I keep pointing things out. Oh, and apparently X-Day is officially celebrated on September 23rd…I’d better get out my “Happy Belated X-Day” cards.

Milo George has reached Part the Hundredth of that darn Last Road Home. Somehow this has something to do with Endemic Treponematosis.

In the world of the Associated Comics And Pop Culture Webloggers of Ventura County, CA And Outlying Environs*, Pal Ian continues his look at the work of Howard Chaykin, this time focusing on Blackhawk, pal Corey has discovered a possible connection between the Hulk’s Leader and our own Fearless Leader, pal Dorian has a brief look at what is and is not selling at our shop (and also wishes boyfriend Pete a happy birthday — happy birthday, Peter!), pal Tom is watching TV until his eyeballs fall out, and pal Sean is on semi-hiatus as his impending marriage…um, impends, I guess.

Speaking of me and my pals, it appears that Yoko Ono is currently getting more votes than our little band of misfits in that “Who’s the Identity Crisis Killer?” poll on The Comic Treadmill. Ahem.

* As always, ACAPCWOVCCAOE for short.

Stick ’em if you got ’em.

What can you really say about the Swamp Thing puzzle (from RoseArt, a company that’s gone on to license slightly more profitable characters)? It’s got a hundred “fully interlocking” pieces (I know I’d be pretty steamed if none of the pieces fit together), and you get that great picture you see on the box lid once you’ve assembled it. (And before you ask…yes, I once spent about 15 minutes or so assembling the puzzle. I’m a lonely, lonely man.) I’m fairly certain that not once in the comic did Swamp Thing fire a weapon even remotely like that, um, log-lasso cannon-thing. And I’m sure giving the Native American chararacter (who’s already saddled with the name “Tomahawk”) a giant crossbow-gun that shoots huge Indian arrowheads isn’t demeaning at all.

The Swamp Thing Colorfo…er, “Presto Magix” set (also from RoseArt) lets kids create their own exciting Swamp Thing adventures with a whole seven different Colorf plastic removeable stickers. Now, I don’t really see the potential for a whole lot of exciting adventures in combining the stickers they give you:

Quite frankly, they all look like they’re dancing. That Swampy in the lower left corner is “raising the roof” or something, as you kids say.

Here’s the equally-exciting background:


Ah, yes, the ever-popular “Romantic Swampland at Dusk” setting, certain to fire children’s imaginations with visions of action and derring-do. However, maybe I’m being a little hard on the “Presto-Magix” set…when I was a kid, one of my favorite toys was the Evel Knievel Colorforms set, and I played with that thing until it fell apart. Maybe I’m too old to appreciate the play-potential for the Swamp Thing Presto-Magix set.

But then again, just look at the Evel Knievel Colorforms:


(image totally stolen from this eBay auction)

That thing comes with a ton more stickers, with a lot more variety…you could have Evel completely dismembered, flaming pieces strewn across the track in the aftermath of some horrible motorcycle-stunt mishap! (Er…not that I ever did that.) What does the Swamp Thing set get you? A bunch of characters waving their hands around and pointing things at each other. Feh…today’s (well, 1991’s) kids got rooked.

Because you demanded it:




Mighty Mouse #10 (July 1991)



In case you can’t see it…that’s “Late Night with David Udderman.”

You can see the Mighty Mouse Crisis on Infinite Earths tribute cover here…it’s from the Homages page at the excellent George Perez fan site.

Ack! No new Justice League Unlimited last night! But I did finally see, thanks to the Netflix, Batman: Mystery of the Batwoman, the latest installment in the Batman: The Animated Series feature-length (well, 75 minutes, anyway) films. The animation was nice and clear, if not very smooth…near the beginning, the character of Kathy Duquesne is shown with a hip-wiggling walk that’s supposed to be sexy, but looks more like her legs are out of joint. Plus, there are some scenes where the action sequences look more like you’re watching a flip-book. And is every road in Gotham City elevated? Otherwise, the actual “mystery” of the Batwoman is played out nicely, with a twist that I half-suspected at the beginning, didn’t think they’d do, then was surprised when they did it anyway. The villains of the piece (the Penguin, Rupert Thorne, and an arrival later in the film) don’t exactly inspire a lot of interest, though I suppose they can’t draw from the Joker well every time. And it was nice to hear David Odgen Stiers as the Penguin.

One of the bonus features is the much-praised short “Chase Me,” which focuses on what Bruce Wayne would rather be doing instead of being trapped at some socialite gathering: chasing Catwoman through the streets of Gotham. The gimmick is that there is no dialogue or sound effects…the only soundtrack is a musical accompaniment, which is quite effective. You can see some screen grabs from the short here.

Overall — heck, worth a rental.

In other news:

  • H at The Comic Treadmill has posted a theory on who he believes may be the killer in Identity Crisis…and makes a convincing argument. More convincing than Nightwing, for goodness’ sake. Plus, upon rereading…I don’t see anything that would really contradict this guess…and the killer standing in the shadows on page 14 does bear a passing resemblance to the character in question, given that he does appear to be drawn as being a little heavier-set now.)

    Also, Comic Treadmill has put up a new poll asking who you think is the mystery killer in Identity Crisis. One option is we members of the Associated Comics And Pop Culture Webloggers of Ventura County California And Outlying Environs (which is, as always, ACAPCWOVCCAOE for short)…so of course, that’s the one I voted for, and far be it for me to perhaps suggest that others do the same, if you know what’s good for you. I mean, at least get us more votes than Yoko Ono!

  • Speaking of Identity Crisis and the ACAPCWOVCCAOE, pal Dorian shows up Meltzer (and Marz, for that matter) for the pikers they are.


Mighty Mouse #6 (March 1991) – cover by Milton Knight

The fact that there’s someone willing to go out in public dressed in a Thanos costume proves to me that there is still beauty in this world.

I can’t stop looking at Firestorm’s big flaming head, either. It’s hypnotic.

About Comics’ forthcoming publication It’s Only A Game, reprinting the little-seen comic strip by Charles M. Schulz and Jim Sasseville, is now available for preorder. (Buying it through this link gives a little chunk o’change to publisher Nat Gertler.)

So it appears it’s going to be the all-nekkid season on Smallville this year, what with nekkid Clark, nekkid Lana, previews featuring nekkid Lois…yup, we’ll be seeing a lot more (wink, nudge) of our favorite 25-year-old high schoolers this year, it looks like. Anyhoo, the season premiere felt pretty disjointed, as all the subplots and cliffhangers and plotlines are thrown together and stirred up a bit. The much-ballyhooed appearance of Superman veteran Margot Kidder (playing the assistant to Christopher Reeve’s Dr. Swann character) was just long enough for her delivery of a deus ex machina to Ma Kent, in the form of “Black Kryptonite.” So, when Ma exposed her son to said Kryptonite, was anyone else reminded of that scene in Superman III when the two halves of Superman’s personality literally split apart and started fighting each other? No? Um…me neither.

(EDIT: Just noticed Peter David also refers to the Black Kryptonite as a deus ex machina. Well, that’s what it was!)

Erica Durance makes her debut as Lois Lane…Lois is talky, pushy, and actually quite enjoyable. Looking forward to seeing more of her (wink, nu…oh, forget it). Interesting that she shares the smoking problem of Kidder’s version of Lois.

So, I wonder just how much more convoluted the origin of Superman is going to get this year?

In other news:

Tim at The Hurting reviews the first story arc on the new Swamp Thing series and finds it somewhat lacking.

Mark Evanier reports that the rights have been sold for a Groo the Wanderer movie. While I’m sure it’ll be live-action, what I wouldn’t give to see a fully-animated movie done in the Sergio Aragones style.

"HA!"

Tim posted an Alf cover over on The Hurting, which brings to mind something that I remember reading a while back: that the Alf comic was actually one of Marvel’s top sellers on the newsstand (as opposed to comic shops) at the time, outstripping even the X-titles’s newsstand sales. I don’t remember exactly where I read that, otherwise I’d pull the exact quote, but I think I’m recalling that correctly. If true, it’s amazing what 1) recognizability and 2) availability can do for sales. Even on Alf.

That cover Tim posted does highlight one of Marvel’s problems with licensed books like these…Marvel insisted on squeezing in parodies and references to their superhero books, which at best meant nothing to kids buying these on newsstands, or at worst alienated fans of these licensed properties who had no interest in superheroes. (Alf wasn’t quite as bad about this as the Mighty Mouse title was.) I realize that Marvel did this only to expose potentially new audiences to properties Marvel actually owned (and maybe to pick up sales in comic shops), but it seems to me that it may have hindered as much as helped.

Anyway, all this Alf talk gives me an excuse to post my favorite Alf cover (sorry about the low quality…I don’t have a copy in the store currently, and this scan was found online a while ago):





Even The Comics Journal highlighted this cover. Who could blame them?