All the news that’s fit to get around to eventually.
Okay, first off, right now it looks like everyone’s all “woo-hoo, it’s the 30th anniversary of that first Tim Burton Batman movie starring Prince” and I’ll have you know I’m so ahead of the game, I posted about that film for its 28th anniversary! Take that, Batty-come-latelies! Anyway, I even created a special category for those posts where I talk about my retail memories of that exciting time when the words on everyone’s lips were “Mr. Mom is Batman!?” so be sure to click on that link there and bask in the nostalgia.
Now, one of the problems of doing a comics blog that updates usually about three times a week (or less, depending on which of my eyeballs has exploded this time) is that I don’t tend to concern myself with the day-to-day Hot Comical News that’s all the rage on your Mastodon incidents and no other short-form social media sites. I figure everyone else has got it covered, no one’s coming to my site for anything hot off anybody’s presses, they’re coming here to see me talk about Frank Miller’s The Spirit or Swamp Thing or whatever. I mean, after Journalista folded, I tried once or twice to do big ol’ linkblogs to “hey here’s what’s going on” but quickly learned that was the sort of thing I enjoyed seeing other people do, not, you know, do myself.
But occasionally things come up that I have to say something about, like this relatively old but surprising news that the Seaboard/Atlas Comics of the 1970s, mostly notable for launching big then, um, flaming out, have been optioned for movie/TV deals. And I gotta be honest, my first thought when I heard that was “every single other comic book thing must have been taken” — and please don’t take that the wrong way. I adore those Atlas Comics. I’ve written on and off about collecting them here on the site…and I’m about 80% of the way to having a full collection, so this movie news kinda irks me a bit in that I’m sure the issues I still need will suddenly get cranked up in price.
But back to my point that this seemed like a really strange thing to do. And that’s coming from someone who does like these comics. I’d love to see what they’d do with a Grim Ghost movie, for example, even though the reaction would likely be “that’s just a rip-off of Spawn!” grom the grandparents in the audience old enough to remember the Spawn movie. I mean, I guess some characters might be fun to see in live-action…in discussing this with a customer he mentioned that seeing Morlock 2001 on the big screen would be something else, and by God I can’t disagree. And I think Ironjaw would be kind of amazing as well. So, who knows, I shouldn’t judge too harshly. It’s still pretty surprising…who saw that coming?
Another thing announced a little more recently was the impending return of the Legion of Super-Heroes, and there are a bunch of reports about it on the Googles, but I’ll link to this one because it talks about some tie-in Flight Ring replica merch. I mean, good, I’m all for a new Legion series…they’ve been teasing the Legion, after an extended newsstand absence, in Doomsday Clock, but it’ll be nice to just have a full-on Legion of Super-Heroes title on the stands again.
That said, I don’t know if I’ll be back for it, personally. I hope it does well, I hope it gets a new audience that’ll stick with it and not peter off after a year or two, requiring yet another relaunch. I stuck with the Legion books for a long time, and enjoyed them best I could, but finally gave up after relaunch and reboot and re-whatevers…I didn’t pick up the New 52 titles, and frankly I don’t think I ever finished reading the last couple of issues of the incarnation just prior to that.
The thing that might get me to try it out is 1) the artist, Ryan Sook, seems well-suited to the title, and 2) I have enjoyed the writing of Brian Michael Bendis on the Superman titles, and his take on the Legion may be…”modern” enough, for a loack of a better term, to get the attention of current comic fans, and maybe break the perception that the Legion is a relic of an older time in comics. Well, when you get right down to it, all superheroes are relics of an older time in comics, but anyway.
Like I said, I hope it does well, and I hope it lasts a long, long time, in a marketplace where publishers don’t keep their comics running for a long, long time. One of the things that appealed to me about the Legion was the idea that there was a line you could draw from that first appearance in Adventure Comics #247 in the 1950s to the (then) current pre-first reboot issues. That the “Five Years Later” Legion was the same Legion that had, at one point, had to deal with the Fatal Five or the Super Moby Dick of Space or whathaveyou. That the characters and relationships and such had a continuity to them, a history, that you could see where they’d come from and wonder where they were going. (See also “X-Men.”)
That’s not a feeling that’s going to be replicated in a new series, I realize. Too much water under the bridge, too much resistance to giving readers a new book with a steep learning curve and the idea that “you’ve already missed a lot of what’s happened.” Not saying a new Legion can’t been good, just saying it’s not going to give me that ineffable essence of what I enjoyed about the original Legion, which can’t be helped.
Okay, I typed too much and my eyes need their beauty sleep, but let me just touch upon DC’s recent reorganization of their publishing imprints. We’re down to just plain ol’ DC for their main line, DC Kids for kids what read the DC, and “DC Black Label,” which basically replaces the to-be-shuttered mature-readers, occaionally creator-owned Vertigo label. That makes sense, I suppose…DC’s Black Label books have been a sales success of late, whereas the Vertigo brand doesn’t move books like it used to, just by virtue of having “Vertigo” on the cover. I’m sad to see it go, given Vertigo outlived the other similar imprints from DC and Marvel, like “Helix” and “Icon” and…does “Barkerverse” count as an imprint? Let’s say it does, just to annoy you.
I guess that’s fine, which I’m sure relieves DC to no end. But I kind of wish the Vertigo label would stick around, but if a whole series of Sandman-related titles couldn’t revive it sufficiently for DC’s tastes, I guess that’s that. Gonna be strange seeing the Black Label logo on preacher and whatnot. I do wonder what’s going to happen to the Young Animal imprint…I presume that’s Black Label now, though the “Young Animal” thing actually does get in new readers looking specifically for those. I haven’t read every news story on the topic, so I presume somebody covered this somewhere. Same with “Wonder Comics” Maybe the new imprints will have sub-imprints? EDIT:: Yes apparently so.
Oh, and in other news, the Swamp Thing TV show is still canceled. The jerks.
I feel the same way about the Legion – I really loved that long continuity line and the way the characters developed over the years. It still kind of irks me that DC broke that for no good reason other than “new!! Shiny!!” But I will be tempted again, I know it. Just like I did the last 3 or 4 times.
Hopefully this will at least prompt a new Showcase volume. I really want them to get that to the point where it overlaps with my run of issues.
According to the article on the Hollywood Reporter website: “Although the new announcement means that DC’s permanent imprints will close at the end of 2019, Heat Vision has been told that the publisher’s “pop-up imprints” — small lines of miniseries, curated by an individual creator, such as Gerard Way’s Young Animal and Warren Ellis’ The Wild Storm — will continue.”
To me, this feels very much like “the few creators who had enough pull to get safety clauses put into their contracts will be untouched.”
I love the Legion, and I love Ryan Sook, but he’s not the most reliable monthly artist, right? I sense a one-arc-and-he’s-done situation coming up.
And as much as I love his costume designs, I’m a little suspicious of anyone else’s ability to draw them well. Maybe cut out the fussy straps and reinforced bits so someone else has a chance to render them after Sook’s gone?
Having said that, Saturn Girl looks amazing.
The Clive Barker superhero titles for Marvel did have a separate imprint – Razorline. It’s scary that I can remember that after 25 years (though I did confirm it with Wikipedia).