Another backroom find — a Vigilante promo from ’83. I wasn’t much of a fan of the comic (I only read the first two issues and the Alan Moore/Jim Baikie two-parter), but I do like the design of this poster. Note the selling point of “quality printing.” Oh, the days of Baxter versus Mando paper….

In other news:

The Beat notes an article over at ICV2 regarding Dark Horse Comics’ plans to release the entire run of Marge’s Little Lulu in that convenient black and white manga-paperback format all the kids are into. This is one of those series I’ve been wanting to get into collecting for ages, but have always been daunted by the large number of issues and even larger collectors-market prices attached to them. $9.95 for 200 pages of Lulu comics? I’m all for it.

1. Pal Reid covers the MOCCA convention, complete with a gallery of sketches he acquired.

2. Dr. Radium and Comic Book Heaven mastermind Scott Saavedra has cut himself a slice of that weblog pie, to which I say “huzzah!” (And you all did catch the return of the aforementioned Dr. Radium in the Slave Labor Free Comic Book Day giveaway, didn’t you?)

3. Also, noted comicsweblogosphere proponent Heidi Macdonald has herself a fun weblog as well.







Look at what we dug up from the back room…a pristine Walt Simonson Thor promotional poster, featuring Beta Ray Bill! Cool, huh?

Anyway, that darn Free Comic Book Day…in the week or so prior to the day in question, pal Dorian, Kid Chris, and myself divided up all the FCBD comics into age-appropriate packages (more or less how Laura split them up). We had several long boxes filled with these packages…and halfway through our day, we’d given them all away. We had plenty of spares of most of these books so we slapped together more packages…plus we had tables filled with some leftovers from previous FCBDs. Altogether, we had plenty of happy customers with armloads of free books…including several people I’d never seen before, which was the very purpose of FCBD, wasn’t it?

Traffic through the store was steady, without being swamped…and we had relatively few problems, aside from a kid who kept badgering whoever happened to be monitoring the FCBD tables for the “adult” bag of freebies (Dorian was about one nose-hair away from tossing him out), and there was a group of people at the end of the day that, while they seemed nice enough, had some…odd requests, but Dorian called dibs on telling you about them, so watch his space.

By the way, despite the fact that we did order it (I double-checked!), the FCBD book A Bunch of Baboons was a no-show for us. Apparently some stores got them (Joanna got her mitts on a copy which she reviews here), so I’m kind of wondering if they’re going to show up in a couple weeks…and if they do, we darn well better not get charged for them.

In other news:

  • I was taking a look through my girlfriend’s copy of the Amazing Spider-Man: 500 Covers hardcover book…it’s a nice, if slightly overpriced, overview of Spidey’s history, featuring clear color scans of all the issues, alternating between 1 to 4 images per page. Now, I can understand if the conditions on the earlier issues are a little shaky…after all, Marvel Comics of the period were printed on really awful paper. However, once you start getting into the 1970s, better-conditioned copies of the books should be a lot more common. If you’re going to be putting together an archival book like this, you’d make an effort to get the nicest-looking books possible, right? Again, I’ll cut them slack on the early issues…but if you get a chance, take a look at the copy of #159 (from 1976!) that they used. It’s a rag, with serious tears and flaking along the edges. So no one working on this book could find a copy of this comic in at least fine? Okay, maybe there were deadline issues that I don’t know about and they didn’t have time to go searching for a replacement, and I’m sure the people working on this book weren’t happy with the conditions of some of the comics either, but it’s still a shame.

    Oh, and I did spot a minor typo: it’s “Liz Allen,” not “Allan.” Also, in the cover credits section in the back, they indicate that the cover artist for #267 is unknown. You’d think Marvel would have records on an issue that recent…I mean, someone had to get paid for drawing that picture, right? Well, this site says it’s Bob McLeod, and that looks right to me.

  • Regarding John Byrne’s Doom Patrol…well, pal Tom relates his story about how, upon finding out from me that Doom Patrol #1 picks up from the recent Claremont/Byrne JLA arc, he couldn’t put it back on the shelf fast enough. And, unfortunately, that’s mostly been the case over the last few days…people pick it up off the shelf, briefly look inside, then put it back. That doesn’t exactly bode well. And before anyone in the Byrne fan forum claims it’s because I’m a bad retailer, let me counter the reasons they usually give in their retailer horror stories:

    1. I don’t badmouth comics or creators in the store. In fact, I happen to be a fan of Byrne’s comics.

    2. We ordered plenty of copies of Doom Patrol #1, and they’re prominently displayed.

    3. We even put the promo poster for the series right there above the new comics racks.

    4. I really like the Doom Patrol (I even own all the original 60s issues), and want to see a series featuring that team do well.

    Unfortunately, that first issue just isn’t grabbing people so far…perhaps, as I’d mentioned last week, it’s because it feels too much like part 7 of that JLA arc, and people may have had enough of that vampire story. Not kicking off with a brand new storyline may have been a mistake, and possibly the focus on the new characters at the very beginning of the issue may have turned off those people expecting more with the original members of the team. (And yes, I know, the original members dominate the last 2/3rd of the comic.) I’ve seen the solicitations for future issues of this series, and they sound much more interesting to me, but if people aren’t starting with issue #1, they’re probably not going to jump on with #3. (Though if there’s good word of mouth, it does occasionally happen…it’s happening right now with She-Hulk.)

  • Found via Chris Karath’s weblog: Toonzone has a list of forthcoming Justice League Unlimited episodes, which includes an adaptation of Alan Moore and Dave Gibbon’s story from Superman Annual #11, “For The Man Who Has Everything.” I’m sure everyone else knows about this already, but hey, I’m excited!

And yet, I live…Free Comic Book Day was a success! I’ll report more when I’m no longer dead (probably on Monday).

Have a nice Fourth of July, where applicable.

I’m on my way to work, and I have this waiting for me:







…so wish me luck.

In the meantime…take me away, Pat Boone!




Superman’s Girlfriend Lois Lane #9 (May 1959) – cover by Curt Swan & Stan Kaye

Well, it’s my girlfriend’s birthday today (and, by some odd coincidence, her twin sister’s birthday as well), so that means no post for you!

In the meantime, however, why not try pal Tom’s new comics/movies/tv/assorted media weblog You Know What I Like – recommended by four out of five doctors.

And also please visit the weblogs of other close, personal friends of mine: pal Ian’s Brill Building, now with extra flouride protection; Captain Corey, only half the calories of regular beer; and pal Dorian’s Postmodernbarney, now with 50% more Red Dye #3.

Oh, and don’t forget:





Okay, so that Spider-Man 2 movie…I’m warnin’ you now, I will be making mention of elements of the movie that you may not want to know beforehand. So, if you don’t want to know that Venom (John Goodman) and Will O’ The Wisp (Eddie Murphy) team up to defeat Spidey (Kirk Cameron, replacing Tobey Maguire), then for God’s sake, skip this entry.

Look, I’ll even put SPOILER WARNING in bold letters right here:



SPOILER WARNING!!!



There, now you have only yourselves to blame.

Now, this isn’t a real Roger Ebert-style review or anything…that would require “effort” and would be too much like “work,” and I’m too “lazy” to put together anything like that right now. So, here are a bunch of observations about the film slapped together in no particular order:

  • First off, this film is quite a bit better than the first one…the CGI effects are much less dodgy, the film flows a lot better, and there are no real draggy parts. It’s also a funnier film, which is nice…sometimes superhero movies are so determined to be taken seriously that they forget it’s okay to be funny once in a while.

  • What I particularly liked was the emphasis on just how screwed up Peter Parker’s life is, with his double-life as Spider-Man being primarily to blame. One of the main components of the comics is that being Spider-Man is simultaneously a burden and a release for Peter, which the movie does a good job of expressing.

  • Another nice feature of this movie is that there is some forward motion in the relationships of the characters…while “status quo — SUCCESSFULLY MAINTAINED!” (as pal Dorian likes to say) is the name of the game in the Marvel comics themselves, it’s nice to see the films not do the same — even if all they’re doing is following (kinda sorta) the plotlines in the comics.

  • Tobey Maguire is up to two emotions for this film, rather than the one that he had in the first. He can now do “weepy sadness” and “angry determination.” Well, maybe he can do three emotions, but I’m not committing until I figure out just what the heck he’s supposed to be feeling here:






  • Okay, so Harry is pushing Octavius’s work in the fusion field as a way to make a huge fortune (and Noble Prizes) for the company. Um…Doc Ock has four mechanical arms with sophisticated artificial intelligence that network directly with a human nervous system. Screw the fusion nonsense…market that!

  • If you have a problem with the idea that the arms’ artificial intelligence was controlling Doc Ock, I think you can make an argument that it was just a delusion of D.O.’s, transferring blame for his actions onto this…um…extremities, and not literally what was happening.

  • It came as a bit of a surprise that, in movie time as in real world time, two years have passed. Not much to say about that…just thought I’d note it.

  • Remember that part near the end of the first film, right as Green Goblin is about to be stuck right through the breadbasket by his own rocket sled? There’s that split-second close-up of Willem Dafoe saying “oh!” just before his perforation. At that point I thought to myself, “okay, I’m watching a Sam Raimi film.” Something similar happens in this movie, in a short and peculiar sequence near the middle, where I again suddenly think to myself, “okay, Sam Raimi is in charge of this film.” You’ll know which sequence it is…it’s the one with the last song you ever expected to hear in a superhero film.

  • By all rights, every single person in New York City should know that Spider-Man is Peter Parker by now. Why does he even have a mask? On the other hand, I did like the sequence with a maskless Peter facing a crowd of New Yorkers…yes, yes, in the real world every single one of those people would hightail it to the nearest tabloid with a story, but their reaction to Spidey did give the character (and the film) a slight mythic quality.

  • I did mention that I might have some spoilers in this little list of notes, didn’t I?

  • What did I want more of in the first film, and what did I get in the second? That’s right…J. Jonah Jameson. He’s a real scene stealer, and lots of fun. Alfred Molina is darn good as Doc Ock as well.

  • For just a brief moment, it almost looked as if Robbie Robertson (when he was holding the Spider-Man mask) was going to be a plot point instead of just window dressing for Jameson’s office antics. Alas, ’twas not to be.

  • I’m not sure I buy the whole reasoning behind Spidey’s intermittent powers. Because he’s insecure, he can no longer spurt stuff out of his body? And I’m not supposed to read anything into that?

  • By the way, this is yet another Big Hollywood Blockbuster Film in which the Good Guy wins by blowing something up that the Bad Guy owns (which I’ve discussed before). Okay, maybe Spidey doesn’t literally blow it up, but it is big, and it does get destroyed, and thus the Good Guy wins. I’m willing to let it go this time, though, since there’s a little more emotional depth to it than is usual for blockbuster action movies. And by “a little,” I mean, “very very little.” But some, at least.

  • Okay, show of hands…who thought “hey, Aunt May knows darn good and well that Peter is Spidey” during her little pep talk to him outside her house?

  • I know it looks like they blatantly set up the villain for the sequel here, but really, if it’s not Venom in the next movie, they’re really going to be pushing the patience of the kids in the audience. (And my girlfriend’s patience, for that matter.) Of course, if they do both Venom and the aforementioned set-up villain, then they’ll be getting into Batman movie sequel too-many-villains territory, and I don’t think they’re gonna want to kill the golden goose like that.



SPOILER WARNING KAPUT!!!



Well, if you read any of that and you haven’t seen the movie, and do plan on seeing the movie…hey, I warned you. At least don’t tell any of your friends about the surprise cameo by Madame Web (Bea Arthur).

Just a very quick post…yes, I did see Spider-Man 2 last night; no, no cell phone users had to face my wrath; yes, the movie was pretty good; yes, the trailer for the I, Robot movie confirms that it’s based on Asimov’s robot stories in that they’re both in English*; and yes, I’ll post more about Spider-Man 2 later tonight or perhaps tomorrow, if I get the time, since the next day or two are going to be pretty full. I’ll avoid major spoilers, but there still might be some minor spoilers, so if you want to go into the film not knowing a darn thing about it (beyond the 75% of the movie they’ve already shown in the trailers), you may want to skip my next post.

* Reference totally stolen from Mystery Science Theatre 3000.

Just a quick rundown of a couple of today’s new comics, since I’ve got to run like the bunny to the theatre tonight for that Spider-Man movie.

  • Star Wars Tale #20 was probably the single best-selling issue of this series ever at the store…we only had a couple left by the end of the day. The reason? This is the all-indie creators issue! If a James Kochalka Boba Fett story, Jar Jar Binks stories by Peter Bagge and Tony Millionaire, and “Young Lando Calrissian” by Gilbert Hernandez don’t convince you to buy this comic, then truly there is no love in your heart. (Bagge drawing Jar Jar…never has there been a greater match of a cartoonist to a character.)

  • Batman: Harley and Ivy #3 is probably the strongest issue of the three-issue series…a big Hollywood movie is being made of our favorite felonious damsels, and H & I decide that there’s big money to be made by taking over production of the film and skimming off its overblown budget. You’ll see the ending coming a mile away, but it’s still a lot of fun.

  • Doom Patrol #1 is really sort of all over the place…I am a fan of John Byrne’s art, so I think it at least looks nice. The story…well, it would have been nice if it didn’t feel like “Part 7” of the JLA story this series spun out of, and the new Doom Patrol members don’t really do anything for me. Hopefully once we’re done with the whole vampire thing, we can get on to more interesting storylines. I really do like the new visual interpretation of Negative Man, however.

Also of note is the arrival of three more Free Comic Book Day comics…Slave Labor Stories #2 (with all new Milk ‘n’ Cheese, Street Ninja, and Dr. Radium strips, among others, plus an excerpt from the forthcoming Bill ‘n’ Ted collections that will make more sense in context, I promise), that Avatar Press thing I didn’t even get a chance to look at, and, a special surprise comic, Dungeons & Dragons: Crisis in Raimiton which is…um, fairly dire. It’s supposed to give you the flavor of what a Dungeons and Dragons game is like, with kids gathering around a table, rolling up characters, and going on an “adventure,” which is of course dramatized with drawings of stock fantasy characters running around in stone corridors fighting zombies and whatnot. Also, all the lettering (captions and dialogue) are just printed in white letters against colored backgrounds…not a caption box or word balloon to be found. Hoo boy.

Ack! Look at the time…I gotta run. Tomorrow I’ll let you know how Spider-Man 2 is…assuming I’m not in jail for beating the daylights out of some idiot talking on his cell phone during the movie. (Not that any jury would convict me.)