Larry Niven dressed up as a Jedi Knight. Precious little to do with comic books, I know, but there you go.

As long as I’m on the off-topic:

A Cylon Centurion page. Warning: features hot Cylon-on-Stormtrooper action. “Oh, Cylon Warrior, no one must ever know of our forbidden love!”

An ancient page about Star Trek Deep Space 9‘s Morn. Your moment of Mike Sterling trivia: I own a full color photograph of Morn, autographed by Mark Allen Shepherd (“To Mike – see you at Quark’s”).

The official page of Spider Robinson. (Where’s my Callahan’s Crosstime Saloon comic?)

Your A to Z of sci-fi robots, including some from comics, so here I am, back on topic. Nice, eh?

from Cracked Super #11 (Summer 1996) – art by Alan Kupperberg

Commenter Howie reminded me that “The Kisser Strikes” story I was talking about on Monday was brought up in a Comics Journal interview with Dan DeCarlo. How I forgot a magazine with this cover, I’ll never know.

Anyway, I pulled the mag (#229) out of the vast Mikester Comic Archives and did a quick reread of the interview, and it’s the interviewer who brings up the story (in the context of semi-naughty stories leading up to DeCarlo’s creation of the slightly more…aggressive Cheryl Blossom). When the interviewer explains the plot of the story to DeCarlo (to recap: Betty, in disguise, kisses girls), DeCarlo’s priceless reaction is as follows: “I didn’t draw that, did I?” No, he didn’t (it was Harry Lucey), and unfortunately, we get no more background on just what the heck was going on with that particular comic.

Despite this regrettable omission, it’s still a great interview, and still available for a measly six bucks (plus shipping) from Fantagraphics.

Okay, now there was a McDonalds comic book that tied into the American Bicentennial, right? I’m not just imagining things? I could have sworn I had one as a kid.

Alas, my Google-fu, normally tireless and mighty, has failed me in my quest to track down said funnybook. However, I did find a scan of this one.

Weird goings-on in Riverdale.

So I was looking at some ’60s Archies the other day, and noticed a handful of sophisticated ladies just wandering the streets of Riverdale:


The odd thing is that 1) these are just background characters — with the exception of Archie checking one out in the second panel up there, they don’t interact with the story, and 2) they’re not drawn in the traditional Archie house style.

A quick search of my Archie Comics collection didn’t turn up any other examples of this, which is unfortunate, as I was planning on just posting a gallery of them today. However, I did spot some other strange shenanigans.

For example, in Archie #143 (February 1964), the story “The Kisser Strikes” relates the pulse-pounding tale of a mysterious menace sneaking up on girls and giving them a hearty smooch. Veronica is the first victim:

The next day, all the Riverdale High gals are excitedly buzzing over the possibility of being assaulted: “Something should be done about him!” one says, only to have another reply “nothing drastic like stopping him, I hope!”

At night, Reggie and Archie investigate, following their suspect Jughead, who appears to be following a young lady through the park. The woman is attacked by the Kisser, unfortunately while out of sight of Arch ‘n’ Reg. They split up, looking for Jughead…and when Archie is temporarily felled when he runs into a low-hanging branch, the mysterious Kisser takes advantage and plants a kiss right on him! Immediately afterward, Reggie enters the scene with a firm grip on Jug, and thus no longer a suspect!

The next day, Reggie begins to claim that Archie made up the story of being kissed the night before, and thus must be the Kisser! To prove it, the Riverdale High girls decided to “provide him with lots of targets,” and basically throw themselves into his arms. Archie, for some reason, wants nothing to do with it, and runs for cover! Spotting Betty, he asks for her help, and she drags him to some secluded wooded glen. Exhausted from being run ragged by those “nutty gals,” Archie falls asleep…at which point, Betty bends over him and plants a mysterious Kisser-style kiss! Archie immediately “wakes,” revealing that this was all an elaborate trap to ensnare Betty, the real suspect:

That seems like a fairly weak motivation, given that Betty probably could kiss Archie (the only male victim) whenever she pleased…so we’re left with a story where Betty dressed up in an overcoat and a hat so she could run around kissing girls.

“Plane Crazy” (from Life with Archie #37, May 1965) starts off with Betty and Veronica hanging out in the Lodge mansion, practicing the Twist, when yet another mysterious stranger busts into the house and, um, well, ties the girls up:

This opening chapter just feels like someone working out some issues, as a bound Veronica rolls around the room, opening a drawer with her gagged mouth to retrieve scissors to cut their ropes.

However, given the Google searches I’ve seen in my referral logs, this is what some of you are looking for, so never let it be said I didn’t deliver:

Add in the supporting evidence from pal Dorian’s two posts, you’re kinda left wondering…wasn’t one of Archie’s founders responsible for the Comics Code Authority?

“Also, his foot. And that weird mole on his chest, no idea why we kept that.”

from Batman #240 (March 1972) by Denny O’Neil, Irv Novick, & Dick Giordano


At the store today:

Kid Chris: “Did the police in Gotham City ever solve any crimes?”

Me: “I think that’s what Gotham Central is about.”

KC: “I mean, before Batman showed up…it seems like he does all the work for them now. They should just make him Commissioner.”

Me: “‘Commissioner Batman?'”


So this All-Star Superman cover…I know it’s been discussed to death by now, but I just wanted to chime in with “it…it’s gorgeous!” Frank Quitely handles a pen quite nicely, he said with no innuendo whatsoever.

But speaking of innuendo, apparently there are a few folks out there who think that there’s some kind of “homoerotic” underpinning to the illustration, and as such undermines the character, or attacks family values, or some darn thing. An image of Superman just sittin’ on a cloud, relaxing, glancing over his shoulder has been interpreted as a “come hither” look…give me a break. Besides, if you want “homoerotic,” drink this in, baby. (Thanks to pal Corey for reminding me!)

EDIT: Another thing I was just reminded of…apparently the other problem with this cover is that it doesn’t “represent” Superman, that’s it’s not “iconic” enough. And, of course, what everyone means by that is “he’s not hitting anyone.” Well, we’ve had nearly 70 years worth of “Superman punching someone” covers, and now there’s one “Superman being relaxed” cover. I think the Union will stand.

For my favorite interpretation of the cover, I point you in the direction of my esteemed colleague, pal Dorian.


Apologies to the right and good Tony Isabella, who reminded me that, um, perhaps this post would have made a little more sense had I actually remembered to include the link to his article as I intended.

If you haven’t been visiting his site, regularly updated every couple of days or so, you’re missing some great reviews and commentaries from this industry veteran. So go check it out already…help assuage my guilt!


(Another EDIT) Due to being a victim of my own excess, I am rapidly approaching the limits of the monthly bandwidth allotted to me by my webhosting service. I think I’ve got it taken care of and my site shouldn’t go *poof* tomorrow when the limit is reached…but just in case, don’t panic if you get an error message. Believe me, I’ll be panicking enough for the both of us.

See you tomorrow…I hope!

No time to post…

…so instead, I present another moment with Cap and the Falcon:


from Captain America #161 (May 1973) by Steve Englehart, Sal Buscema, & John Verpoorten