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So anyway, there’s Jimmy Olsen with two members of the Jimmy Olsen Fan Club at their campsite out in the woods, about to sit down and have breakfast, when suddenly Brainiac strikes! One thing leads to another, with Brainiac wreaking havoc with his Enlarging Ray, and ultimately Brainiac is defeated, and Jimmy’s got hold of said Enlarging Ray. Meanwhile, Superman is at the bottom of a steep hill, his life endangered by a giant piece of Kryptonite! (Which used to be a small piece of Kryptonite, until Brainiac enlarged it, and, well, there you go.)
Jimmy is stuck about how to help Superman, because he and his pals can’t climb down the hill due to being bitten on the legs by giant fireants (the Enlarging Ray, again), until inspiration strikes!
After the guys rescue Superman (by enlarging a giant lead tackle between Superman and the Kryptonite, thus depleting the Enlarging Gun of all its juice, so too bad, Bottle City of Kandor), Supes asks “what the hell were those giant tire-things you rode down in?” if I may paraphrase slightly. Jimmy thus ends the story with a blatant bit of product placement that beats out Superman: The Movie
by about a decade:
I did a little Googling research, and all I can turn up was that Superman was licensed to Kellogg’s
in the 1950s for Frosted Flakes, and that DC didn’t team up to produce comics with General Mills (makers of Cheerios) ’til 2011
. Granted, “licensed characters on cereal boxes in the 1960s” is not my particular field of expertise, so I could very well be missing something, but it looks like Cheerios was just used as the punchline for this particular story, no deals attached…unless there’s some kind of backroom deal we didn’t know about, or DC Editorial was fishing for some free boxes of cereal. “Thanks for featuring our product…have this truckload of Cheerios on us!”
If someone has any additional background on just what was going on here, or if it simply was “we’ve got a funny gag involving Cheerios,” let me in on it please!
from Superman’s Pal Jimmy Olsen #116 (December 1968) by Otto Binder, E. Nelson Bridwell and Pete Constanza
1. That’s some typesetting.
2. The Pope story is so big, they featured it twice. Unless the Pope is going somewhere after he goes to Zimbabwe, since the destination is cut off in that second article.
3. Well, that’s an unfortunate date. …Even the most innocuous of usage sticks out like a sore thumb now.
4. Honestly, that typesetting. But I’m grateful to this newfangled Digital Versatile Disc technology allowing us to freeze on frames like these for such important projects as, say, looking for injokes or poking some gentle fun.
still from “Superman and Wonder Woman vs. the Sorceress of Time” (1988)
So it occurred to me a few days ago, in regards to all my griping about the order in which this “Truth” storyline in the Superman books is playing out, that what we’re getting in the forthcoming Superman #41 (the issue readers were referred to in Action #41, the actual first part of “Truth” to hit the stands) is backstory intentionally deferred until after the in media res chapters we’ve already seen. And now that I’ve seen the issue, that’s more or less what happened, though, well…here’s what the original solicitation says for Superman #41:
“The epic new storyline ‘TRUTH’ continues with the debut of the amazing new creative team of new writer Gene Luen Yang (American Born Chinese) and continuing artists John Romita Jr. and Klaus Janson! What will happen when the big secret is revealed?”
Okay, the storyline continues, so I was wrong about this issue being delayed and thus “the first chapter” of this storyline being skipped with following chapters being released. The egg is in my face, as the saying goes. “The big secret is revealed” in a way, though not how we expected, in that someone knows, but it’s not the big “here’s how the world found out!” reveal everyone was assuming would happen in this issue. And you know what they say about assuming…it makes an “ass” out of “you,” and, um, somebody else, I think…slips my mind at the moment.
The editorial aside to Superman’s reference in Action #41 to having a couple of “crazy weeks,” asking readers to see the then-forthcoming Superman #41 for details, certainly gave me the impression that this would be the issue where the secret I.D. hits the fan, but I was wrong again. Instead, it looks like this will be the book where it catches us up on what happened, while the other Super-books give us the “current” adventures. Don’t know if my previous assumptions were from misdirection or outright being misled, but I’ve been enjoying this particular direction of the franchise so far, so I guess I’ll just have to deal with it.
I am curious, plotwise, how they’re going to get this particular genie back in the bottle without “magic” or “Brainiac wipes everyone’s memory” or some other similarly cheaty fashion. I know the general meandering direction of the genre has been kinda/sorta away from the secret identity concept, but it still holds firm in some parts. I doubt Superman, the archetypal example of this particular trope, will be left without his Clark Kent for long, but it’s interesting in the meantime.
from DC Comics Presents #53 (“Superman in the House of Mystery,” January 1983) by Dan Mishkin, Curt Swan and Tony DeZuniga
Now here’s a thing I’ve not seen before:
This is copy of the Marvel Milestone reprint of the original Hulk #1
, sealed in a polybag promoting the 1994 Incredible Hulk video game
. Sealed inside the polybag is a smaller pack of…something, sealed within its own cellophane wrapper:
It appears to be a stack of three or four large-ish trading cards, or perhaps stickers, but it’s hard to say.
I’ve never seen this comic packaged like this before, but I wasn’t frequenting video game stores or even video game sections of toy and department stores, so it’s easy to believe that I missed it. What is odd is that I haven’t come across these in any collections in the ensuing 20+ years until this past week. But then again, I hadn’t seen one of these ’til this past week either, so there are still plenty of surprises out there for me.
Anyway, if any of you folks out there have bought and opened one of these wrapped Hulk comics, please let me know if those are trading cards or something else in that little package there. Thanks!
• • •
Commenter reaction to the Superman
cover scan I posted yesterday
was fairly unanimous in their negative responses to John Romita Jr.’s drawing. And…yeah, that’s not a great cover. Things look significantly better within the actual book, honest. I generally like JRJR’s art, though, as I believe I’ve stated on this site before, it’s a rarity for his art to be on a project I have any interest in reading. In fact, it’s been quite a while
. On Superman
he and Geoff Johns been doing fun work, bringing some life to a franchise that had been mostly ill-served by DC’s linewide revamping…though, as I’d said, Superman comics as a whole have been improving of late. We can probably stand to have one or two fewer Superman comics on the shelves, maybe, but what can you do.
SPOILERS for Superman #38 to follow:
So this issue contained two big events in the history of the Man of Steel: first, the acquisition, or, rather, revelation of a new power (the ability of expel all the solar radiation in his cells at once, creating a big explosion and hopefully not giving everyone in the immediate area cancer), and second, finally revealing to his best pal Jimmy Olsen that he and Clark Kent are one and the same.
I’m okay with both of these things, which I’m sure the powers-that-be at DC are relieved to hear. When I first heard “new power,” I figured it’d be some crazy thing that’d be around for a couple of issues until plot machinations or creative team forgetfulness/disdain did away with it. I mean, they still might, but it’s nice that the new power is explained as a natural extension of how we understand Superman’s powers to work. Plus, it has that Space Battleship Yamato/”wave motion gun” effect of Superman only getting one shot at using it before having to wait a day for his “solar batteries” and superpowers to recharge. (It also reminds me a little of the nova blast power of the Fantastic Four’s Human Torch.)
And regarding Jimmy…well, there’s not a lot to say about that other than it’s sort of about time. The issue’s been brought up before, as I recall, particularly in the Silver Age, where Jimmy would say something along the lines of “it’s best I don’t know Superman’s secret identity, so that his enemies don’t use me to get to him!” Again, it’s a change that can be undone in short order, but I’m looking forward to seeing the repercussions of Jimmy sort of taking the position of “normal person confidant” that Lois held in the pre-New 52 universe.
Now, I said I’m “okay” with this, but…well, this is kind of the weird aspect to it, in that I’m sort of not “feeling” the full impact of these changes. This New 52 Superman still doesn’t quite feel like the “real” Superman to me, which is a completely ridiculous thing to think about a comic book character, but there it is. Of course, then you have to ask, well, who is the real Superman, and there’s no good answer to that, either. Superman’s undergone enough changes/soft reboots/full-on reboots over the years: the Golden Age Superman certainly feels different in tone from the Silver Age Superman, and 1970s/early ’80s Superman is a different animal from the previous versions, and the the post-Crisis John Byrne start-from-scratch reboot is a whole other hoohar altogether.
But the thing about all those Supermen is that you can sort of feel a connecting thread through them all, that they were all drawing from the same essence-of-Superman well. Even the Byrne relaunch, though perhaps a bit on the rough side at first, eventually came ’round to feeling more Superman-ish, though perhaps that’s more due to 25+ years of dozens (hundreds?) of creators churning out lots of Superman material that, averaged out, gave us a recognizable modern Superman that outgrew his ’86 reboot.
The New 52 Superman seemed to break that thread, likely due to a seeming lack of a plan aside from “do something different,” giving us a character that sort of looked like Superman but didn’t really feel like him or act like him, and, aside from Grant Morrison’s entertaining efforts in early issues of Action Comics, didn’t really have much of interest going on in any of his comic book appearances. Of late, that’s changed for the better, as recent Superman-starring titles have had a reasonable increase in quality, and have gone a long way in rehabilitating Superman’s character in that he now sort of feels like the Superman we remember.
That said, this version of Superman (the New 52 version, which itself seems to have have a number of different sub-versions since the 2011 relaunch) doesn’t feel like he’s been around long enough yet for These Big Changes to have the impact they should have. There’s too significant a break between Superman Now and Superman That Has Come Before for these changes to feel like additions to the legend. Right now they just feel like “here’s something else different that we’re experimenting with for this Superman-like character we’re publishing while the real Superman is on hiatus.”
Totally not a fair thing to think, and honestly, I have been enjoying the Superman comics of late, and I do look forward to seeing how they’ll follow up…but man, what I wouldn’t give to have seen the Curt Swan-drawn Superman telling Jimmy he’s Clark Kent, and having it stick as part of the ongoing saga, and not as a dream, hoax, or imaginary story.
Oh, and there’s a third change to Superman, in that his New 52 costume is now mildly less terrible, though it still has that awful collar and there’s no forgiveness for that.
Another thing I love from comics…this final battle between Superman and Murdermek from the pages of DC Comics Presents #61 (September 1983) by Len Wein, George Perez, Pablo Marcos and Rick Hoberg:
This issue teamed Superman with OMAC, the One Man Army Corps, so here’s a shot of him from earlier in the issue:
Man, that’s comics
So there’s the trailer for that Constantine TV series, based on that little-known Swamp Thing supporting character, and…it looks pretty good, I think. To be honest, I had no idea they were this far along in producing the show. I thought it was more along the lines of “well, yeah, someone got the rights from DC and we might see a pilot or something that may or may not be picked up in a year or two,” but nope, there it is, in living technicolor and lifelike stereo sound.
John Constantine certainly looks like John Constantine, the character seems to have the right tone in what little we see of his personality, but I guess we’ll have to wait and see how his name’s pronounced:
I was asked by quite a few folks on the Twitterers and in what passes for my real life if I was looking forward to any possible Swamp Thing cameos. It’s my understanding, and I could be wrong on this, that the Swamp Thing media rights are still fairly well locked down by whoever was responsible for the movies and cartoons and whatnot. Doesn’t really matter, I guess; nothing’s necessarily missed from the Constantine concept by not having that Swampy tie-in. In the comics, Swamp Thing was more of “yet another weird adventure for ol’ Conjob” than “A VITAL PIECE OF CONSTANTINE’S BEGINNINGS” so if all we get in the series is maybe a vague reference to having to “deal with some plant creature in Louisiana” that’ll be okay with me.
Employee Timmy wants to see Etrigan and Zatanna in the series, and I have to agree that would be amazing. But not as amazing as if they’d put this special Constantine moment into the show:
• • •
Oh, and then there’s this, posted by Zack Snyder on his Tweetery
Looks okay to me. Definitely looks like a Batman. Some have noted it’s Dark Knight-ish, which fits with what seems to be Snyder’s concept of an older, been-around-the-block-a-bit Batman for the next Man of Steel
movie. As one of the few people in online fandom who didn’t absolutely hate
the first film, and have generally enjoyed Snyder’s other films, I am looking forward to the follow-up, even as the film’s DC character pile-on seems to be more a reaction to The Avengers
making all the money ever than as an attempt to tell a story. It’ll look nice and be action-packed, though, I’m sure. The theater will probably be air-conditioned, too, and you certainly can’t discount that.
images from Swamp Thing #73 (June 1988) by Rick Veitch and Alfredo Alcala; Constantine #5 (September 2013) by Ray Fawkes and Renato Guedes
…but one of you did, taking to heart the subject line of this post and sending me my very own copy of the Superman Annual 1983 from the UK. Big thanks to longtime reader, the spectacularly-if-possibly-filthily-handled “Suckmaster Burstingfoam.” Here is a scan of the back cover of the very item he sent me, since you already know what the front looks like from the previous post on the topic:
See, it’s entirely different.
Here are the endpapers:
And as expected, there was some slight editing required with the dropping of the flashback pages in this collected edition. In the original DC Comics Presents #29, the full-page flashback sequence in which Superman recounts the events of the previous two issues is followed by this panel at the top of the following page:
With the flashback page gone, the panel undergoes some minor editing:
It’s a minor skip in the storytelling, and the other missing flashback page creates even less of a gap, so the whole thing flows together fairly well, more or less (aside from this glitch
described by BobH a couple of years back). There is a Superboy reprint (“The Slay-Away Plan”) inserted between parts two and three, as well as a two page history of Luthor in the comics and the movies.
It’s a nice item, and I’m very grateful to Mr. S.B. for sending it my way. Thank you!
So I was looking for something else on the eBay the other day (the Man of Steel prequel comic, if you’re wondering) when this particular item caught my eye:
It’s one of those “Choose Your Own Adventure”-type books, but with that Super-fella I’m sure some of you have heard about. I ended up buying it, primarily for three reasons: first, I am a Superman fan, and this kind of oddball thing is right up my alley. Second, pal Andrew
has his Choose-Your-Own-Adventure Tumblr You Chose Wrong
, and I figured I could contribute some endings from this book for his site. Third, I could write about it on my own site. And thus, here we are.
I’ve only done one read-through, following a couple of different branches here and there when it was pretty obvious when a decision was going to lead to an unfortunate ending.
AN ASIDE just in case you don’t know about this kind of book…it presents a narrative in which you are asked at certain points to make a decision about where the narrative should go. You are then directed to another page in the book which continues the narrative until you either reach another branching decision point or an ending. The decisions are usually in the format of “If you decide to go into the dark, foreboding cave to investigate the growling sound, turn to page 57. If you decide to run the hell in the other direction like a sensible person, turn to page 99.”
In the narrative line I followed, Superman ends up going with Lex Luthor to fight it out on another planet with a red sun, nullifying Superman’s powers so that they can engage as physical equals. If he didn’t do so, the missiles Luthor has aimed at Metropolis would activate, destroying the city. At various points you are given options to knock out Luthor (which sets off the missiles, automatically activating when Luthor is disabled), or even to straight up let Luthor get killed (very unSupermanly, resulting in an appropriately bad ending for Supes).
As you can see on that cover, there are other villains that turn up along the way, such as the Toyman and the Phantom Zone villains (General Zod and Faora, of course, but also the fabulously-named Kru-El). The book helpfully includes a couple of pages of villain fact-files, which you are invited to turn to when the villain(s) first pop up in whatever narrative thread you’re following.
“FORTRESS FACT FILE #3 – FAORA HU-UL: This female Phantom Zone villainess is crazy! Her hatred of all mankind makes her the most dangerous of all the Phantom Zone foes! Do not approach Faora without a weapon, or you will have no chance of surviving!”
Well, sure, why not.
Hold on, only reading one line of narrative before writing this post doesn’t seem right. Let me go through again and see what happens. Be right back.
Okay, so this time Superman encounters a nine-foot-tall yellow monster wreaking havoc, and one thing leads to another, the monster tells Supes that he came to Earth to ask Superman for help, but the oxygen-rich atmosphere disoriented him and made him act all crazy ‘n’ such. He wants Superman to go back to his planet, but (turning to page 24) Superman decides to take him back to the Fortress of Solitude to run him through his super lie-detector to make sure it isn’t some kind of trap. Once there, the monster notices the Fortress Zoo and asks to see it. (Turning to page 34) Superman agrees, but while in the zoo, the dreaded Bravado Beast, who hates the color yellow, breaks free of its pen and charges at the monster, breaking cages and freeing other creatures in the process. The rampage continues into Superman’s Kryptonite storage room, which exposes some of the deadly rocks:
“‘Help me!” Superman shouts to the creature.
“‘I can’t!” the creature replies in terror. ‘The Bravado Beast has me in its clutches — and it won’t let go!”
“‘Then this,’ Superman gasps, ‘is…’
I’m a lousy Superman, it seems. Also, you can see the Bravado Beast itself in this article about Superman’s zoo.
One more point about this book…on the very first story page, Superman is referred to as “Earth’s Mightiest Mortal,” which I’m pretty sure was solely Captain Marvel’s tagline. That Superman, always horning in on Billy Batson’s action.
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