So the story is nominally about Bamm-Bamm — excuse me, Teen-age Bamm-Bamm — finding his pet dinosaur Snoots holding a treasure map in his mouth, and then going off in pursuit of said treasure, while rivals Bruno and his gang, pictured here:
…try to get their mitts on the map.
There’s a lot of hoohar and goings-on as the battle for the map rages on, until the startling truth comes to light:
Now, I could go into the whole “which animals are sentient and self-aware, and which are just dog/cat-level pets in the Flintstones milieu” discussion, and that Snoots clearly has crossed the previously unbroken line between the two, if he’s, you know, making hand-drawn maps. Though I recall Dino’s comic book appearances give him thought balloons and a more comprehensive inner intellectual life than evidenced in the original animated source material. And then, of course, I’m trying to recall if the speaking animals actually interact conversationally with the humans (beyond repeating messages left by other humans), or if their comments are strictly for gag asides.
But that’s not what I’m here to talk about. Mostly, I just wanted to point out this breaking of the fourth wall by one Mr. B. Bamm, in which he expresses his surprise at Snoots’ heretofore unrevealed cartological skills:
Perhaps one could surmise he is speaking to Bruno, whom he was speaking to just the panel previous, and we are taking Bruno’s point of view. However, the convention in comics storytelling for this particular panel composition is the direct addressing of the reader. Bamm-Bamm is expressing directly to you his surprise at his pet dinosaur’s skills. He has broken the fourth wall. He knows there are readers outside his world, looking in. Much like Buddy Baker in Animal Man #19 from 1990:
…he is aware he is in a comic book. In other words, what Bamm-Bamm is trying to say is
images from Pebbles and Bamm-Bamm #6 (September 1972), and Animal Man #19 (January 1990) by Grant Morrison, Chas Truog and Doug Hazlewood — special thanks to Bully the Little Image-Manipulating Bull for his production assistance!
So pretty much in every media adaptation of Swamp Thing, be it cartoon or live action TV show or two fantastic movies or video game, hearing him refer to himself out loud as “Swamp Thing” always sounds just a little goofy. Some kind of weird combination of self-importance and “…seriously, that’s the name you’re going by?” And look, I’m saying this as the guy that, some of you may know, kinda likes this Swamp Thing character. But sometimes, something that reads okay on paper just doesn’t seem to translate to actual spoken out-loud dialogue, and, well, what can you do. And maybe they hit the “I AM THE PROTECTOR OF THE GREEN” thing a little too hard. Still, though, it was nice to see an animated Swamp Thing that had purpose beyond selling toys. Would love to see a standalone Swamp Thing animated movie at some point, but it would have to probably have to shoehorn Batman or Superman into it like they do with pretty much all the direct-to-home-video DC cartoons, like they did with this one, so I’m not holding my breath.
Oh, and by the way, “this one” is Justice League Dark, as some of you probably surmised, teaming up DC’s spooky characters, like Deadman, the Demon, Zatanna, and John Constantine, mispronouncing his name as they have in, I think, every TV and movie version of him:
…but What Can You Do? Despite that particular issue only I care about, I enjoyed the film well enough. It’s still weird seeing Constantine just straight-up casting magical spells like Dr. Fate in an overcoat, which is not something you saw him really do too much in the early comics but is perhaps a bit more frequent in modern funnybooks. But beyond that, it was a good showcase for all the characters, all of whom got something to do, with a variety of action sequences and creepy locations, but that one scene with the cast being chased by a hurricane with a face felt more like something out of Scooby-Doo There was just enough left unexplained in characters’ backgrounds to maybe urge the more inquisitive viewers to Read More About It. Hopefully in the comics, that is, and not just on Wikipedia.
As mentioned above, Batman does appear in the film to help sell it to people for whom the “Justice League” in the title isn’t enough to entice them, but other JLA members appear as well. Alas, though we’ve all moved on to the “Rebirth” era in the comics, the movies are still in their “New 52” phase, so that’s the Superman we get, whose New 52 costume is somehow even worse in animation than it is on the page. Fortunately he’s not in there that much, since that costume more than anything dates the film (to, like, the early ’90s, frankly). Wonder Woman’s New 52-era costume makes an appearance, too, though that’s slightly more tolerable.
I haven’t really gone through the extra features (available on the Blu-ray version) just yet, beyond the “Story of Swamp Thing” short, in which Len Wein and Kelley Jones discuss the character’s origins and history. There are other short pieces titled “Did You Know? CONSTANTINE ORIGIN” and “Casting Deadman” and the like, plus a preview of the New Teen Titans: The Judas Contract cartoon, originally announced years ago, which is finally coming out. (Not that it was made years ago and has been sitting on a shelf, but…well, you know what I mean.) There are also the usual “From the DC Vault” cartoons, this time a couple of episodes of The Brave and the Bold featuring the Demon.
…And speaking of Deadman, Nick Turturro does the perfect voice for him. I don’t know that I ever imagined what Deadman would sound like as I was reading the comics, but now this is the voice. So great.
Overall, an enjoyable film, I thought. Not really expecting a sequel, despite the fact it would be nice to see some…resolution to the seemingly final fates for some of the characters. But, despite what I said above about the possibility, I’m still holding on to that faint hope that maybe, just maybe, now that we’ve cracked the seal, we might see some kind of solo Swamp Thing animated effort. Well, even if it does have to guest-star Batman…whatever it takes, I guess.
I received a certain item in the mail this week…that item being the Blu-ray disc of the Suicide Squad movie from Netflix, which I never made it out to the theater for. Not sure when I’m going to make room in the schedule for it, what with Christmas looming in the very near future and me with shopping and wrapping to do still. (I haven’t even made it out to the new Star Wars movie, which makes the Ghost of 8-Year-Old Mike loom over me and shake his head in disapproval.) Anyway, I’ve been curious about the film, even though I’ve heard only generally negative things about it from other comic folks…but then again, I’m the Guy Who Liked Batman V Superman so maybe I’ll be more favorably inclined toward it. I will say that my initial reaction to trailers and stills is that it appears all dirty and grimy and sickly and yeccchh so the movie may have a struggle overcoming my visceral negative response to its looks.
Yes, I did watch the first episode of the new Justice League Action cartoon, and yes indeedy, it does contain the Swamp Thing/Plastic Man team-up the world has been clamoring for. Also featured: an all-ages appropriate John Constantine, who is more British than approximately 10 British men in, at least, this initial installment. There’s a story reason given for his particular style of dialogue, but I hope that’s how he’s portrayed consistently in the series because it’s hilarious…and probably can be read as a critique of how folks can kind of go overboard writing his dialogue in the comics.
Anyway, I had a hard time pulling a still of Swampy from any of the clips I saw online, so here’s a link to the trailer where the timestamp should take you directly to Swamp Thing getting clobbered by Solomon Grundy. Not his most dignified moment.
So I watched the new direct-to-home-video Batman: The Return of the Caped Crusaders animated movie, starring those stalwarts of superhero snazziness Adam (Batman) West and Burt (Robin) Ward, with special guest villainess Julie (Catwoman) Newmar. And…yeah, that was pretty fun. My very mild apprehension re: West’s voice work from the trailer was thankfully not the problem I feared…no, not about the aging of his voice, but rather the way he seemed to play up the humor as opposed to essentially being the straight (Bat)man of the TV show. It wasn’t quite so bad when the entire project was taken as a whole, and it was nice to hear him Batting it up once again. I’ll have to say that Burt Ward’s voice didn’t sound like it aged a day, which was pretty amazing.
Nearly all the stuff you remember from the show is here, and more besides: you kinda/sorta see what happens as Bruce and Dick slide down what appear to be miles-long Bat-poles as their costumes are donned, and the Batmobile’s exit from the Batcave is now long and winding with an array of sliding doors. The ever-present dinosaur from the Batcave of the comics is here as well! The replacement voices for the other featured fiendish foes (Joker, Riddler and Penguin) do well enough, though I imagined briefly what it would have been like to get John Astin, who filled in as the Riddler for Gorshin on the TV show (and is still with us!) to reprise that role. Many of the other ’66 series villains put in brief appearances as well…even Shame is in there, somewhere.
The animation is serviceable, capturing the 1960s look-and-feel, the plot is silly but when were they not, and overall it was a good ol’ time returning to this classic iteration of the Batman. Interestingly, they didn’t go with the TV show’s narration, though someone is doing their best William Dozier impression for the sequences featuring the announcer on a TV show Bruce and Dick are watching. One voice acting moment that was particularly affecting was West’s portrayal of a Batman under the influence of a drug designed to make him…well, evil. Yes, it’s been noted here and there the humor of ’60s Batman quoting Frank Miller’s The Dark Knight Returns in one scene, but overall it was a little uncomfortable hearing Best Batman just being so mean. Kudos to West and the producers for making that bit of business work as well as it did.
I said in that last post that I figured this would be the one-and-only return of West ‘n’ Ward in animated form, but I was wrong. Boy, was I ever wrong. William Shatner as Two-Face is the classic TV crossover I never expected, but now can’t wait to experience. Alas, that we waited too long to get Ricardo Montalbán as animated Batman ’66 Bane.
So it turns out I was able to pick up the Batman: The Killing Joke Blu-ray for a reasonable price (“not cheap enough!” I already hear some of you saying) so I was able to form an opinion on the thing for myself rather than depending on the internet’s wailing and gnashing of teeth that followed its unleashing upon the world.
And…well…I mean, the cover’s nice:
…though looking at a large version of the image, I can’t precisely tell if this is a brand new image based on the cover of the original comic, just with extra details that extend beyond the borders of that comic’s cover, or if it is the original drawing, with those additional details added after the fact, or what. My vote’s for brand new drawing, since it wouldn’t surprise me if Brian Bolland exactly duplicated every strand of hair, every glare on the camera, for this new image. There are enough little differences that could be attributed to recoloring/Photoshop manipulation, I suppose, but…
“Hey, Mike, what about the actual cartoon?”
…Now, the discs inside are certainly very round, with nice labels, and…
Oh, okay, fine.
What we have here are two very different cartoons basically just glued together to make a feature with the expected run-times of DC’s usual home video product. You have the first half (more or less), which is relatively standard issue Batman/Batgirl fighting bad guys, and the second half which is the actual adaptation that you presumably bought the movie for. The big problem is an issue of tonality…the second part does not flow from the first part. You have slam-bang action with relationship melodrama, and then you swing into a story that, as originally presented in print form, has a measure of melancholy and introspection that the cartoon at least attempts to duplicate.
The elephant in this particular room is of course that Batgirl and Batman perform, to borrow a phrasing from my initial Twitter response, the horizontal Batusi in the first half of the story. Now, this seems very much to be wildly inappropriate for the characters, to say the very least, given the “mentor/student” relationship that the two have…and is in fact reinforced throughout this half of the film, despite Batgirl’s efforts to alter that status. Batman even says to her at one point “we’re not equals,” emphasizing the apparent power imbalance that makes this “hook-up” even more cringeworthy. Yes, in context, they’re both adults, but that’s not how their relationship has ever read. At any rate, I will say that to the film’s credit, their sexual encounter is presented as a Very Bad Idea, so for a one-off film, I suppose can deal with it…
…Not that there’s any real point to it, beyond (as I’ve seen some folks suppose) to give Batman even more reason to hunt down the Joker, since apparently just shooting one of his crime-fighting partners and, oh, the simple fact that he’s the Joker aren’t enough. This is part of the larger idea that the producers added this extended prologue to give context as to who Batgirl is, so that we’ll feel the loss more when Joker shoots her in the back half of the movie (oh, SPOILERS, by the way) and…I don’t know. I feel like if you had to it, an entirely separate adventure, giving us not just the classic context for Batgirl but the Batman/Joker conflict as well, would have provided sufficient contrast and not have diminished the whole by pretending to be part of “The Killing Joke.”
Now the actual adaptation itself is…serviceable, if viewed as its own thing. There are some highlights, like Mark Hamill’s voicework as the pre-Joker Joker, which was as good as I’d hoped. He sounds like a perfectly normal guy…with just the faintest hints of his eventual Joker voice at the edges. And the scene where Barbara opens the door and the Joker is waiting there with the gun pointed at her…that’s just as terrifying and horrible as it needs to be. In fact, that entire scene is probably the best paced of the film, and most closely resembles the source material. There are attempts at some of the visual transitions from the comic, too, and those aren’t too bad, I suppose.
But overall this trip didn’t feel necessary. Nothing’s really added by giving voice to the dialogue, by making the pictures move. Part of the appeal of the original Killing Joke is, like I’d said, the quiet melancholy, as in the scenes where the Joker is clearly reflecting on his past. And Batman’s opening speech to who he thinks is the Joker, about how he’s been “thinking about you, about me” — that works read on a page. It doesn’t work when read out loud. Even the joke that ends the story…the timing on its telling feels like it’s off…and we don’t get the sirens that drown out the laughter, even though Batman has explicitly said that the police will be coming. You can still interpret the ending in this way, however, which is a good thing since in my mind I do think that’s an important part of the story.
It’s like animating The Killing Joke has made it smaller, taking its sadness and its nightmarish qualities and reducing them to Just Another Cartoon, and tacking on an unnecessary prologue didn’t help.
I mean, believe it or not, I’m glad I saw it…I think it’s interesting from the perspective of what happens when direct adaptations like these are attempted (see also The Dark Knight Returns and Watchmen), but maybe we’re better off when these stories are used as inspirations for new media adaptations rather than expecting accurate translations.
§ August 22nd, 2016§ Filed under adam west, batman, cartoonsComments Off on I think this new cartoon should open with a live-action version of the original show’s animated credits.
Okay, so I’m a little behind on this, but I’m thrilled this is happening…Adam West, Burt Ward and Julie Newmar returning as Batman, Robin and Catwoman for a new animated feature based on the ’60s Batman TV show.
There’s a trailer at the link…the animation looks nice, West and Ward’s voice work sounds good…it feels like West may be pushing the “jokiness” of his voice a bit more than we got in the show (similar to his voice work in Lego Batman 3) which sort of gives Batman more seeming self-awareness of the inherent ridiculousness of his circumstances. In the show, the joke was Batman was deadly earnest about everything, and making him in on the joke would undercut the show’s tone. HELLO, I’M THE GUY NIT-PICKING A NEW ADAM WEST BATMAN THING — I’m sure it’ll be fine, and will be perfectly happy getting new Adam West Bat-anything. I mean, I’m sure my voice won’t sound exactly the same 40 years from now. I’m just glad that The Bat-Powers That Be were able to get this accomplished while West and Ward and Newmar were…still available to perform, shall we say.
I’d love for there to be a series of these films, but I’m going to hazard a guess and say that one’s all we’re getting. Besides, they’ve already done an animated Dark Knight Returns adaptation, which is basically the only other story I’d insist on West voicing.
At the very least, it’ll be nice to have a new Batman direct-to-home-video cartoon that kids can watch, as opposed to the Killing Joke flick that was released a few weeks ago. I haven’t yet seen it, and I’ve been hesitant to do so after hearing about a wholly unnecessary and distasteful expansion to the story, with Batman and Batgirl having a sexual relationship. (Apparently to give Batman more reason to be angered at what the Joker ultimately does to her, since “the Joker seriously injured my crime-fighting partner” isn’t enough.) From what I hear, the adaptation of the actual comic itself isn’t bad…I mean beyond the problems with the actual story itself, which has undergone quite a bit of reconsideration in recent years…though apparently the ending is made less ambiguous. What I’ve been most curious about is Mark Hamill’s voice work on the pre-Joker Joker…I want to know what he does with that. Ah, well, maybe if the price on the Blu-ray drops a bit more, I’ll pick it up, or I can just Netflix it eventually.
Maybe instead of tacking on that unnecessary prologue, they could have used that portion of the disc’s runtime to adapt a different Joker story? Like “Dreadful Birthday, Dear Joker.” They didn’t do an adaptation of that already, did they? Or while I’m thinking of it, how ’bout a series of two or three discs adapting this series? Sure this scene needs to exposed to the cartoon-viewing public.
So the full Justice League Dark animated movie preview is out there on the internettings, which is a special feature on the soon-to-be-released-in-physical-media-preferred-by-the-old Batman: The Killing Joke DVD and/or Blu-ray that some of you out there seem to be very excited about. Anyway, the video clip I have here is just the short version of said special feature, which you can go out there and find if you’d like, but I wasn’t comfortable just posting it in its entirety:
Of note: Matt Ryan, star of the Constantine TV show and reprised the role on an episode of Arrow is back providing the voice of John Constantine in…Constantine’s first animated appearance, I think? Unless someone hid him in the background of an episode of Teen Titans or something.
Also, Swamp Thing is in the cartoon, his first animated appearance since this cartoon and the one or two sneaky cameos in one or two other DC animated thingies. No voice credit for ol’ Swampy as yet, so I happily throw my hat into that mossy ring. I always imagined him with a sassy valley-girl type voice, as I’m sure all of you have, too.
So the other day I acquired a number of mid-1960s Gold Key comics, including a couple issues of the long-running Bugs Bunny series. Now, for years, it seems as if the Bugs Bunny comics, and the other Warner Bros. animated family of comics from Dell and Gold Key, have been forgotten by God and man and been shown no love in the back issue marketplace. I think, in the nearly three decades I’ve been at this, I’ve had requests for Warner Bros. back issues only a handful of times.
(Wait, I should add a caveat here…there were lots of requests specifically for Marvin the Martian, more often than not for tattoo ideas, and even that went away with the advent of Google Images. But aside from that, very few requests for Warner Bros. comics that could actually be realistically fulfilled, since Marvin 1) never had his own title, and 2) hardly, if ever, appeared in other Dell/GK books as far as I could tell.)
Part of the problem is, unlike the Disney books which had Carl Barks and a few other “name” artists, I don’t believe the Warner Bros. comics ever had their own “Good Rabbit Artist” spurring on collectors to acquire their titles (though it should be noted Barks did draw a Porky Pig story that includes Bugs). As such, I remember having at the previous place of employment issues of Bugs Bunny going back to the ’40s for as cheap as four or five bucks, or even less. I’d often use them as an example as “no, just because a comic book is old doesn’t mean it’s expensive.”
“Then why would you even buy any Bugs Bunny comics for your shop?” you may be wondering. Well, frankly, they were more or less thrown in with the other comics…as I was totaling up the books, I noted to the buyer I wasn’t going to pay much of anything for the BBs as I would likely never sell them, and as he was just looking to unload the whole lot, he was fine with that.
Thus, that is how I ended up with issue #108 from November 1966, featuring the premiere appearance of Honey Bunny:
“Who?” you ask? Well, “Who?” I also asked, and I figured it was just a one-shot character that was never seen again. Here’s another shot of her from inside the book:
I went to that inerrant font of all human knowledge, Wikipedia, and sure enough, there’s an entry on her which has informed me that she actually stuck around in one form or another until the ’90s. Not starring in cartoons (aside from perhaps a cameo here and there), but primarily in the comics and some merchandising, only to be replaced with the arrival of Lola Bunny in the film Space Jam.
And that’s how I found out about an obscure outlier in the Warner Bros. cartoon family, one that had actually seen a bit of use over the course of a few decades without ever significantly crossing over into wider animated visibility and into the general public’s consciousness. I mean, even Gabby Goat only made it into a couple old cartoons, and we all remember Gabby Goat, right?
2. The Pope story is so big, they featured it twice. Unless the Pope is going somewhere after he goes to Zimbabwe, since the destination is cut off in that second article.
3. Well, that’s an unfortunate date. …Even the most innocuous of usage sticks out like a sore thumb now.
4. Honestly, that typesetting. But I’m grateful to this newfangled Digital Versatile Disc technology allowing us to freeze on frames like these for such important projects as, say, looking for injokes or poking some gentle fun.
still from “Superman and Wonder Woman vs. the Sorceress of Time” (1988)