Sluggo Saturday #94.
RECOGNIZABLE HUMAN ANATOMY
So I’ve become involved in more online funny business…some of my fellow Bureau Chiefs (the gang responsible for the still-ongoing Fake AP Stylebook and the forthcoming book Write More Good) have started a new project: specifically, Matt Wilson and Ken Lowery have created The Content Farm, a parody of those “how-to” instructional sites that pollute all your attempted Google searches. There is also a related Twitter feed with links to the Tumblr site, as well as original short gags. Anyway, I’ve been contributing to the shenanigans, with my first full-length piece “How to Make A Peanut Butter Sandwich” making it to the main site a couple of days ago. Ken wrote this piece, “How to Tell If You Are Bleeding from The Scalp,” which is my personal favorite and the entry I always cite when trying to explain this site.
We have lots more planned, so please keep visiting The Content Farm for more helpful hints and life strategies.
In other news involving me:
I think very highly of Neilalien and his fine comics weblogging, and I am happy to send as much traffic as I am able to his uniquely wonderful site. Excelsior, Neil!
2. I don’t know that I’d want to put my trust in a spring-wound traffic light.
3. Now I assumed that this seemed like an awful lot of effort to control traffic on a single-lane road, but maybe it’s simply there to frighten off anyone approaching from miles away.
4. I hope this statue ends up making an appearance in the series finale of Smallville.
So pal Batfatty pointed me to this original art auction on the eBay:
Man, I don’t even know what to tell you. But I’d totally buy it if I had the scratch right now.
From Yahoo! Answers:
“batman is a superhero dont listen to what anyone says they r complete dumb asses lol batman could very well be the greatest superhero in DC he might not have superpowers but he can defeat superman”
This next person goes the comparison route:
“batman is probably the best superhero. All the others are cheap.
Superman just says ‘hold a sec, busy flying and being a superhuman alien who’s indistinguishable from humans.’
Spiderman is all, ‘Yo, dude! Check out mah spiderskills. I love how radioactivity is equal to magic’
But batman says, ‘Hey, with a butt-load of money, anyone can be a superhero.'”
I’m assuming he meant “Spider-Man.”
BONUS: Everything old is new again:
“Only if it’s powered by kryptonite!”
Kryptonite lightsabres, man. Possibly the greatest thing the Internet has brought us (as discussed before).
So it looks like Michael Rosenbaum is returning to Smallville to reprise his role as Lex Luthor for the series finale.
Well, good…while the Lex/Clark conflict did wear out its welcome sometime in season 3, it would have been disappointing to have the series conclude without some “closure” (as such, given this is the beginning of the lifelong Superman vs. Luthor enmity) to this particular relationship which drove so much of the series. I realize they could have had another actor portraying Luthor, but it wouldn’t have been the same, really. I mean, the guy I talk about here, or someone like him, would have been okay, but…yeah, it’ll be nice to have Rosenbaum back. The handful of times he was allowed to be a full-on scenery-chewing villain were fun, and gave the show a bit of spark that it was missing.
Of course, being Smallville, I fear they’ll find a way to louse this up somehow, but we’ll see soon enough, I suppose. Still hoping for at least some screen time for Clark finally as Superman, but there’s still the possibility of Tom Welling in the red-‘n’-blues just for the final closing shot. Boy, wouldn’t that just honk some people off.
Speaking of people and the honking-off thereof, I did like this quote from the linked article:
“I appreciate all of their passion, their relentlessness, and even their threats. Ha ha.”
That’s one sarcastic “ha ha” at the end there. You know the dude was getting some serious better-turn-these-over-to-the-police emails from the crazier fans, especially after it had recently been reported he wasn’t coming back to the show.
So anyway, Smallville: usually fun, generally dopey, but it’s mostly been entertaining, and the actors are appealing, and I’ll actually miss the show once it’s gone, I imagine. Well, I won’t miss that season with the magic tattoos. What was up with that?
I don’t specifically remember reading them, so I don’t recall my reaction at the time to seeing the art I provided examples of yesterday. I do have a vague sense of not generally caring for these particular comics, but it’s more a feeling of “I didn’t care for this crossover” than “these look really awful.” It’s very possible that, in the Image Comics/Rob Liefeld/extreeeeeeme-art era of the early ’90s, I just took the art in these books in stride…maybe a bit of an eyeroll, perhaps, but I endured it, read the story, and moved on. It’s just that looking at it now, and being able to see it as so indicative of the excesses of ’90s comics, when the need to fill pages was greater than the need for quality control, that the problems really stand out.
In fairness, not all the art in that Action Comics annual was so aggressively…whatever that was. It wasn’t great, or even good, but it was…passable, if wildly uneven, managing to get the story told even with the occasional “…the hell?” panel like that Superman splash.
That Captain Marvel splash panel actually wasn’t too bad artwise, even with the ropes of saliva dripping in his mouth. Mostly I posted it just because of the contrast between Cap’s traditional and ideal whimsical portrayal and his ill fit into ’90s storytelling extremism.
So, anyway: the 1990s. We sure put up with a lot, didn’t we?
…Man, the 1990s.